The Year In Review – Top 10 Hard Rock/Heavy Metal Albums of 2025

“Who the fuck is Justin Bieber?” – Ozzy Osbourne

There’s not much to celebrate in rock and metal music in the same year when we lost the one and only John Michael “Ozzy” Osbourne. Nothing will ever be the same without the Prince of Darkness, the Madman, The Wizard of Ozz. There isn’t a single artist or band reviewed in the history of The Headbanging Moose that wasn’t influenced in several ways by Ozzy and, of course, by Black Sabbath. It is a very sad year indeed. However, Ozzy was always in a great mood, always happy, and I’m sure that, wherever he is now, he wants to see us all smiling and laughing, because that’s what life is all about. He also wants us to keep attending rock and metal concerts to have a good time with our loved ones, with our closest friends, just like Keith Ibbitson of Metal Paparazzi and I did so many times this year, covering incredible bands the likes of Blackbraid, Ne Obliviscaris, Cattle Decapitation, Blind Guardian, and so on. I’ve also had the utmost pleasure of seeing the mighty Judas Priest in Dalhalla, Sweden, a dream come true for this fanboy here, and I can’t wait to “run for my life” in 2026. Having said all that, let’s honor the life of Ozzy with The Headbanging Moose’s Top 10 Hard Rock/Heavy Metal Albums of 2025, excluding EP’s, best of’s and live albums, and keep on rockin’ like the Madman until our very last breath!

1. Blackbraid – Blackbraid III (REVIEW)
Behold the stunning next chapter in the musical and spiritual journey of the witch hawk of Black Metal hailing from the Adirondack Mountains.
Best song of the album: Wardrums At Dawn On The Day Of My Death

2. Werewolves – The Ugliest of All (REVIEW)
The torchbearers of “Caveman Death Metal” continuing to annihilate intellects with an unlistenable barrage of truly hideous music.
Best song of the album: The Ugliest of All

3. Testament – Para Bellum (REVIEW)
Let’s prepare for war to the sound of the breathtaking fourteenth studio album by California’s own masters of old school Thrash Metal.
Best song of the album: Para Bellum

4. Helloween – Giants & Monsters (REVIEW)
These German giants of Heavy Metal and monsters of Rock N’ Roll are back with their ass-kicking seventeenth studio album.
Best song of the album: Majestic

5. An Abstract Illusion – The Sleeping City (REVIEW)
This incredible Swedish Progressive Death and Black Metal entity returns with their heaviest and most atmospheric work to date.
Best song of the album: Like a Geyser Ever Erupting

6. Allegaeon – The Ossuary Lens (REVIEW)
World domination awaits to the sound of the striking new beast by one of the must-see bands of the current tech death scene worldwide.
Best song of the album: The Swarm

7. 1914 – Viribus Unitis (REVIEW)
Trench warfare meets blackened death and doom in 1914’s fourth onslaught of war-torn fury.
Best song of the album: 1918 Pt 3: ADE (A Duty to Escape)

8. Cryptopsy – An Insatiable Violence (REVIEW)
Canada’s own Death Metal machine returns with their ruthless ninth studio album.
Best song of the album: Until There’s Nothing Left

9. Baest – Colossal (REVIEW)
Back from the fires of Denmark, this unstoppable creature will crush you with their fourth studio album.
Best song of the album: Colossus

10. Diabolizer – Murderous Revelations (REVIEW)
The torchbearers of diabolical abomination unite once again to drag us down into the fiery abysses of Turkish Death Metal without warning.
Best song of the album: Deathmarch of the Murderous Tyrant

And here we have the runner-ups, completing the top 20 for the year:

11. Lorna Shore – I Feel The Everblack Festering Within Me (REVIEW)
12. Impureza – Alcázares (REVIEW)
13. Crimson Shadows – Whispers of War (REVIEW)
14. Primal Fear – Domination (REVIEW)
15. Serenity In Murder – Timeless Reverie (REVIEW)
16. Khôra – Ananke (REVIEW)
17. Panzerchrist – Maleficium – Part 2 (REVIEW)
18. Ominous Ruin – Requiem (REVIEW)
19. Wrath of Belial – Embers of Dead Empires (REVIEW)
20. Grima – Nightside (REVIEW)

Not only that, here’s once again our Top 10 EP’s of 2025, proving once and for all that the duration of an album is not that important in the end. As long as the music is great, the whole thing can be only one second long, like the classic “You Suffer” by Napalm Death!

1. When Plagues Collide – Kingmaker (REVIEW)
2. De Profundis – The Gospel Of Rot (REVIEW)
3. Fimbul Winter – What Once Was (REVIEW)
4. NecroticGoreBeast – Brute (REVIEW)
5. Serpent Corpse – Retaliate (REVIEW)
6. Akouphenom – Connections To The Erebus (REVIEW)
7. Necht – The Inevitable Suffering (REVIEW)
8. Discovery Through Torment – Telesynthetic Rebirth (REVIEW)
9. Der Rote Milan – Verlust (REVIEW)
10. Eleine – We Stand United (REVIEW)

Do you agree with our list? What are your top 10 albums of 2025? Also, don’t forget to tune in every Tuesday at 10pm BRT on Rádio Coringão to enjoy the best of classic and underground metal with Jorge Diaz and his Timão Metal, and every Thursday at 8pm UTC+2 on Midnight Madness Metal e-Radio for the best of underground metal with The Headbanging Moose Show!

Metal Xmas and a Headbanging New Year! See you in 2026!

And of course, as we really don’t like those boring Christmas songs here on The Headbanging Moose, we’ll leave you with what’s perhaps the most emotional and strongest metal hymn of the year, the charity version of “War Pigs”, by Black Sabbath, recorded by Judas Priest and with Ozzy himself sharing the vocal duties with the Metal God Rob Halford! This is the epitome of rock and metal music!

Generals gathered in their masses
Just like witches at black masses…

Album Review – Discovery Through Torment / Telesynthetic Rebirth EP (2025)

This up-and-coming Deathcore ensemble is ready to attack armed with their newborn EP, telling a video game-inspired story of collapse and replacement.

Blending elements of Brutal Death Metal, Slam, and Black Metal into a sound defined by relentless aggression and technical intensity, Montreal, Quebec’s own Deathcore beast Discovery Through Torment has been building a reputation in the Canadian underground metal scene for uncompromising heaviness, surgical precision, and a clear artistic identity rooted in themes of Sci-Fi, aliens, and existential decay. Now in 2025 the band formed of vocalist Alexandre Desroche, guitarists Samuel Fortin and Frédéric Ricard, bassist Alexis Lafrance, and drummer Charles-Étienne Lafrance returns to the battlefield with a new EP titled Telesynthetic Rebirth, following up on their demented 2022 sophomore opus The Mangled God. Recorded and produced by the band itself, mixed and mastered by Maxime Lacroix of House of Gain Studio, and displaying a sinister artwork by Mark Erskine of Erskine Designs, the EP tells a video game-inspired story of collapse and replacement, following the downfall of a former entity and the rise of a new force that abducts humans, reshapes them into telepathic killing machines, and unleashes them in a genocidal conquest of Earth. The lyrics weave themes of experimentation and domination, closing with a cliffhanger that sets up the next chapter.

Eerie sounds permeate the air in the opening track Dethronement, exploding into a beyond brutal and technical slab of Deathcore led by Charles-Étienne’s demented beats and fills while Alexandre delivers those deep, inhumane growls we all love so much. Their demented feast of Blackened Deathcore goes on in full force in Arcane Inception, showcasing an amazing job done by Samuel and Frédéric on the guitars, being therefore perfect for some action inside the circle pit; and Charles-Étienne doesn’t let the band’s aggressiveness and heaviness go down not even a tiny bit in Veil Unferling, with those insane breakdowns providing Alexandre with exactly what he needs to roar like a demonic entity. Moreover, the song has a nod to the first F.E.A.R. game, with a hidden line straight from Paxton Fettel. Lesions is by far the most infernal (and consequently the most trilling) of all songs from the EP, where Alexis hammers his bass manically accompanied by the thunderous drums by Charles-Étienne; and finally, they add hints of Melodic Death Metal to their core sonority in First Encounter Assault Regiment (a play on the aforementioned game’s acronym), and the final result is obviously incendiary.

As an unsigned and self-produced act, Discovery Through Torment exemplify the raw potential of modern underground metal music, always ambitious, unfiltered, and driven entirely by passion, and their brand new EP is the perfect depiction of all that hard work and focus. Hence, you can show those relentless metallers your total support by following them on Facebook and on Instagram, by streaming their music on any platform like Spotify, and of course by purchasing their excellent new EP from BandCamp or by clicking HERE. It certainly won’t take long for Discovery Through Torment to attack again with the next chapter in their already solid career, and I can’t wait to see what’s next for such an up-and-coming Deathcore ensemble after the striking and incendiary Telesynthetic Rebirth.

Best moments of the album: Arcane Inception and Lesions.

Worst moments of the album: None.

Released in 2025 Independent

Track listing
1. Dethronement 4:36
2. Arcane Inception 3:40
3. Veil Unferling 4:29
4. Lesions 3:35
5. First Encounter Assault Regiment 4:19

Band members
Alexandre Desroche – vocals
Samuel Fortin – guitar
Frédéric Ricard – guitar
Alexis Lafrance – bass
Charles-Étienne Lafrance – drums