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Album Review – Agrypnie / Erg (2024)

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This German Progressive and Post-Black Metal force is back with its seventh studio album, their most aggressive album to date where every instrument attacks from every angle.

Founded in 2004 by songwriter Torsten, who is also active in the bands Nocte Obducta, Theotoxin, and Suel, as well as other musical projects, Groß-Gerau, Hesse, Germany-based Progressive/Post-Black Metal act Agrypnie has developed into a significant force in the Black Metal scene over the years. Now in 2024 the duo formed of the aforementioned Torsten on vocals, guitars, bass, keyboards and programming, and Flo (Benighted, Schammasch) on drums returns with their seventh studio album, titled Erg, Agrypnie’s most aggressive album to date where every instrument attacks from every angle, almost overwhelmingly so if not for the clear and cutting recording and the band’s enviously sharp execution. Recorded, mixed and mastered by Phil Hillen and Torsten at SU-2 Studio, and with artwork and photography by Marco Klein of syn2, Erg displays considerable daring and depth, as while “Black Metal” in foundation, the album’s songwriting crests and crashes with kaleidoscopic wonder and cathartic urgency alike.

Featuring guest vocals by Phil Jonas (of Secrets of the Moon and CRONE), Aus rauchlosem Feuer (“from smokeless fire”) is atmospheric and enfolding from the very first second, evolving into a Black Metal beast led by the scorching roars and riffs by Torsten while Flo hammers his drums nonstop, followed by Meer ohne Wasser, or “sea without water”, offering sluggish Doom Metal-infused beats and riffs while also exploding into sheer obscurity and madness, with Flo once again dictating the pace with his Black Metal beats. Then we have Sturm, or “storm”, with guest vocals by Edmond Karban aka Hupogrammos (of Dordeduh), venturing through the realms of pure Atmospheric Black Metal and with Torsten sounding like a metal machine armed with all his instruments; whereas the Stygian, grim interlude Blut – Teil I, or “blood – part I”, sets the tone for Blut – Teil II (“blood – part II”), featuring guest vocalist P.G. (of Groza), bringing forward another round of their trademark Post-Black Metal boosted by the intricate and visceral drumming by Flo.

The second half of the album begins with a song just as multi-layered and vile as its predecessors, titled Entität, or “entity”, with Torsten embellishing the airwaves with his classy riffs and bass lines, or in other words, it’s a very detailed song that will inspire us all to bang our heads nonstop together with the duo, exploding into the Black Metal attack titled Stunde des Wolfes (“hour of the wolf”), where the duo extracts the harshest, most piercing sounds form their instruments, and with Torsten delivering some devilish vociferations until the very end. Geister, or “ghosts”, is very experimental and atmospheric for the most part of it, with only its last part being Agrypnie’s core sound, but of course it’s still a very good song; whereas lastly the duo will rip our souls apart with the amazing Unter Sand, or “under sand”, offering our avid ears an avalanche of strident riffs, classic blast beats and anguished vocal lines, ending the album on a climatic and introspective note.

Rich sonically and in emotion, majestic even when plumbing the depths of melancholy, Erg is a tour de force of wide-screen Black Metal regardless of “progressive” or “post-” appellations. Hence, don’t forget to give Torsten and Flo a shout on Facebook and on Instagram, staying up to date with their news and tour dates, to subscribe to their YouTube channel and to check them out on Spotify for more of their music, and to grab your copy of Erg from AOP Records in Europe and in the US, from Napalm Records, from MVD Entertainment (US only), or from several digital platforms by clicking HERE. It’s a known fact that Agrypnie’s eighth studio album is already in the works, and it will be interesting to see their musical evolution form Erg to their upcoming release. Until then, simply give Erg countless spins, and let the fulminating music by Agrypnie embrace you in pitch black darkness.

Best moments of the album: Aus rauchlosem Feuer, Entität and Stunde des Wolfes.

Worst moments of the album: Geister.

Released in 2024 AOP Records

Track listing
1. Aus rauchlosem Feuer 7:28
2. Meer ohne Wasser 7:02
3. Sturm 6:00
4. Blut – Teil I 2:06
5. Blut – Teil II 5:16
6. Entität 7:24
7. Stunde des Wolfes 6:04
8. Geister 5:32
9. Unter Sand 6:46

Band members
Torsten – vocals, guitars, bass, keyboards, programming
Flo – drums

Guest musicians
Phil Jonas – vocals on “Aus rauchlosem Feuer”
P.G. – vocals on “Blut – Teil I” and “Blut – Teil II”
Edmond Karban – vocals on “Sturm”

Album Review – Orden Ogan / The Order Of Fear (2024)

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One of the torchbearers of German Power Metal is back with their seventh album, continuing their saga with a particularly triumphant lesson in dark metal music.

A standout in the Power Metal genre and a crucial part of the international metal scene since their 2008 debut album Vale, Arnsberg, North Rhine-Westphalia, Germany’s own Power Metal warriors Orden Ogan are back with their latest epic The Order of Fear, their seventh studio opus, continuing their saga with a particularly triumphant lesson in dark metal music in a Hollywood-style story. Recorded, mixed and mastered by the band’s frontman Sebastian “Seeb” Levermann at Greenman Studios, and displaying a classy artwork by Dan Goldsworthy (Aborted, Corpsegrinder, Accept, Alestorm, Cradle of Filth, Gloryhammer, and many more), The Order of Fear seamlessly fits into the band’s impressive catalog, showcasing all the dexterity and passion for heavy music by the aforementioned Seeb on vocals alongside Niels Löffler and Patrick Sperling on the guitars, Steven Wussow on bass, and Dirk Meyer-Berhorn on drums.

In the opener Kings of the Underworld there’s no intro, nor any moments of peace; it’s a fast-paced, no-shenanigans Power Metal attack right from the beginning led by the classic drums by Dirk while their guitars sound absolutely striking and vibrant. Then the title-track The Order of Fear offers an overdose of whimsical lyrics declaimed by Seeb (“I heard the king is dead / Now others reign instead / Pulling the strings in the dark of the day / Abel, my good old friend / Through shadows we descend / He’ll follow me to the end of the way”) while the music is a well-balanced mix of Heavy and Power Metal, followed by Moon Fire, another solid and entertaining creation by the band bringing forward traditional Power Metal with some additional background elements, adding a more epic vibe to it. Then an acoustic, gentle start gradually morphs into a galloping sound in Conquest, with once again Dirk pounding his drums accompanied by the metallic bass by Steven, whereas the fast riffage by Niels and Patrick set the tone in Blind Man, a fun and thrilling Power Metal extravaganza that should work really well if played live.

The second half of the album offers more of their metal hymns, starting with Prince of Sorrow, with Seeb kicking some ass on vocals as usual while the riffs by the band’s guitar duo sound striking, followed by Dread Lord, which tries to be epic but ends up being cheesy and generic, although the riffs and solos by Niels and Patrick are once again very pleasant. It’s then time for a stunning power ballad titled My Worst Enemy, led by the passionate vocals by Seeb, bringing a touch of finesse to the album; and speeding things up again the band delivers the electrifying Anthem to the Darkside, alternating between heavier moments and more melodic passages, with Dirk kicking some serious ass behind his drums. Finally, the interlude The Journey Thus Far offers a dark narration that will take you on a wild musical journey titled The Long Darkness, with Seeb leading his henchmen in a melodious, epic and charming song where all backing vocals enhance the power of his own vocals, offering over eight minutes of classic Orden Ogan by bringing forward their trademark riffs and bass lines, pounding drums and soaring vocals, also ending in a climatic and epic way.

“The album is much more stripped down,” commented Seeb. “It is to the point, more metallic, direct, and perhaps ‘authentic’. The guitars are more in the foreground, but of course, it didn’t work entirely without orchestral elements,” he complemented, and if you want to experience that more metallic side of the band you can grab a copy of the album by clicking HERE, also keeping in mind that soon this ten-song cinematic story will be available in a reading version through the official Orden Ogan fan club. You can also find more information about the band and the album, and of course more of their music, on Facebook, Instagram, YouTube and Spotify, joining the band in their quest for Power Metal. In a nutshell, the saga goes on in The Order Of Fear, an album that will surely please all fans of the band, therefore leaving everyone eager for the next chapter in the metallic book by one of the torchbearers of German Power Metal.

Best moments of the album: Kings of the Underworld, Blind Man and Anthem to the Darkside.

Worst moments of the album: Dread Lord.

Released in 2024 Reigning Phoenix Music

Track listing
1. Kings of the Underworld 3:58
2. The Order of Fear 4:26
3. Moon Fire 4:14
4. Conquest 4:12
5. Blind Man 3:52
6. Prince of Sorrow 4:02
7. Dread Lord 3:33
8. My Worst Enemy 3:28
9. Anthem to the Darkside 7:09
10. The Journey Thus Far 0:54
11. The Long Darkness 8:21

Band members
Sebastian “Seeb” Levermann – vocals
Niels Löffler – guitars
Patrick Sperling – guitars
Steven Wussow – bass
Dirk Meyer-Berhorn – drums

Album Review – Axel Rudi Pell / Risen Symbol (2024)

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Bochum, Germany’s own metal institution strikes again with their twenty second studio album, flying the Melodic Hard Rock flag without watering down their style.

Following up on their 2022 album Lost XXIII, and continuing their streak of one album every two years, Bochum, Germany’s own Heavy Metal/Hard Rock institution Axel Rudi Pell will attack our senses once again with their twenty second opus, entitled Risen Symbol, flying the Melodic Hard Rock flag without watering down their style with pseudo-modern stylistic variations or expendable studio gimmicks. Displaying a fiery artwork taking up where their 1996 album Black Moon Pyramid left off, the band formed of the unstoppable guitarist Axel Rudi Pell and his henchmen Johnny Gioeli on vocals, Volker Krawczak on bass, Ferdy Doernberg on keyboards, and Bobby Rondinelli on drums offers a well-balanced and thrilling mix of catchy rhythms and powerful riffs, resulting in one of their strongest albums of the past decade.

The Resurrection, one of those characteristic intros by Axel Rudi Pell, sounds atmospheric, magical and whimsical, revving up their engines for Forever Strong, where Axel already begins slashing his guitars in great fashion supported by the always pounding drums by Bobby in a lecture in old school Heavy Metal and Hard Rock without sounding outdated, almost feeling like a Power Metal attack. Then we’re treated to Guardian Angel, one of the two singles released before the official album saw the light of day, which couldn’t have sounded more Axel Rudi Pell than this, where Johnny as usual steals the spotlight with his soaring, striking vocal lines; followed by their incendiary cover for Led Zeppelin’s all-time classic Immigrant Song, and Axel and his crew made sure they delivered a stunning rendition of the original one, with Johnny being simply flawless on vocals. And Darkest Hour, the first single of the album, is an amazing Hard Rock tune with Volker, Ferdy and Bobby crafting a rumbling ambience for Axel to slash his stringed axe, delivering incendiary riffs and solos nonstop.

Then you better get ready for ten minutes of undisputed, beautiful Heavy Metal and Hard Rock in the form of Ankhaia, bringing to our ears another explosion of soaring vocals, striking riffs and classic beats, resulting in an imposing aria that presents everything we love in the music by Axel Rudi Pell and more; whereas Hell’s On Fire is another classic tune by the quintet where the keys by Ferdy walk hand in hand with the magical riffage by Axel. Of course there had to be a stylish ballad by the band, in this case titled Crying In Pain, where the crying guitar by Axel embellishes the airwaves while Johnny proves why he’s one of the best Hard Rock vocalists of the current scene, all embraced by Ferdy’s charming keys. Volker hammers his thunderous bass nonstop in Right On Track, offering more of the band’s trademark sounds, with Axel once again kicking some ass with his strident riffs and solos in a Rock N’ Roll party perfect for raising our glasses and horns together with the boys; and the melancholic guitar lines by Axel ignite the closing song Taken By Storm alongside Johnny’s passionate vocals, flowing in a classy way until the very end while bringing to our ears more of their stylish riffs, rumbling bass lines, ass-kicking vocals and crushing drums.

In summary, Mr. Axel Rudi Pell and the boys did it again, delivering another solid album of heavy music in a relatively short period of time, which is not only good for us fans as it gives us more music for our daily activities, but it also expands the options for their live concerts, and if you want to catch one of the most hardworking and focused bands of the current European scene live you can see what they’re up to on Facebook and on Instagram, stream their beyond vast catalogue on Spotify, and of course grab a copy of Risen Symbol by clicking HERE, including the more than special Risen Symbol box set, including two exclusive red and white splatter vinyl in gatefold, two neon orange vinyl in gatefold, a jewel case CD, a shirt, an exclusive flacon with perfume (created by Axel Rudi Pell), a guitar pick, an A1 poster, a sticker, and an A5 photo card. It won’t take long for Mr. Axel Rudi Pell to release a new album, as I like to say every time I review his music, and that’s a very good thing for the metal community because as long as he keeps delivering great albums like Risen Symbol, we can rest assured Heavy Metal and Hard Rock will never die.

Best moments of the album: Forever Strong, Ankhaia and Right On Track.

Worst moments of the album: None.

Released in 2024 SPV/Steamhammer

Track listing
1. The Resurrection (Intro) 1:42
2. Forever Strong 4:42
3. Guardian Angel 5:27
4. Immigrant Song (Led Zeppelin cover) 5:47
5. Darkest Hour 5:32
6. Ankhaia 10:09
7. Hell’s On Fire 4:46
8. Crying In Pain 6:49
9. Right On Track 4:45
10. Taken By Storm 7:35

Band members
Johnny Gioeli – vocals
Axel Rudi Pell – guitar
Volker Krawczak – bass
Ferdy Doernberg – keyboards
Bobby Rondinelli – drums

Metal Chick of the Month – Miss ScarRed

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Hear me, I’m here inside… Take a breath… Bring me to life!

It’s time to make things red, and I mean REALLY RED, here on The Headbanging Moose thanks to our metal lady of this always hot and sunny month of June, but before I say anything about her I have a very easy question for you. Do you know what The Headbanging Moose and Nuking Moose have in common, apart from two badass names and an endless passion for heavy music? The answer is quite obvious, it’s our total admiration for the breathtaking frontwoman Miss ScarRed, also known as Liz, a multi-talented singer, songwriter and vocal coach known for fronting the aforementioned Nuking Moose, as well as another project named Chaos Rising and her own solo band, and a woman who will set fire to whatever stage she steps on with her undeniable talent. In other words, I’m sure you’ll love to see everything “red” after our humble tribute to her.

Hailing from Hamburg, a major port city in northern Germany, Miss ScarRed is a rising force in the Melodic Death Metal, Metalcore and Deathcore scenes, delivering soaring vocals that walk hand in hand with the heaviness, melody and rage flowing from the music played by her bandmates. Her first official release in the metal world was back in September 2021, when Chaos Rising, a collaborative international Groove/Thrash/Heavy/Melodic Death Metal project formed in 2019 open to every female artist interested in metal music, released the single Prisoner, featuring our beloved diva on vocals (and songwriting) alongside French multi-instrumentalist Stéphanie Nolf (of Syrinx and Unsafe, who’s also by the way the founder and manager of Chaos Rising) on bass and drum programming, British multi-instrumentalist Catherine Fearns on the guitars, and Serbian guitarist Aleksandra Stamenković (aka Alexandra Lioness, of Jenner and Sigma Epsilon) also on the guitars. All releases by Chaos Rising, featuring an array of talented women, can be found on BandCamp and on Spotify under an album titled The Singles, including of course the song with Miss ScarRed on vocals, and I’m sure we’ll soon see another striking song fronted by her under such an amazing and important project for all women who love heavy music.

Apart from her involvement with Chaos Rising, Miss ScarRed was also the vocalist for a Lübeck, Schleswig-Holstein, Germany-based Symphonic Metal band named Aeternitas between 2021 and 2022, until they disbanded in 2022 after decades of existence, as the band was originally formed back in 1999. Miss ScarRed ended up being their very last female vocalist, having released with them the single Shadows back in November 2021, the band’s last song before calling it quits. I wish we could have more of Aeternitas with her on vocals because the final result in Shadows is really compelling, but of course I understand there are things that happen inside countless bands out there that are out of anyone’s control.

Finally, let’s talk a little about Miss ScarRed’s main band, the ruthless Nuking Moose. Formed in 2013 in Bremen, a city straddling the Weser River in northwest Germany, Nuking Moose play a thrilling fusion of Melodic Death and Groove Metal highly recommended for fans of bands like Jinjer and The Agonist, having released the EP Into the Abyss back in 2018, and the full-length album Ritual, in 2023, this one already featuring Miss ScarRed on vocals. After the pandemic hit, their previous vocalist Lars Michalsky (who had been with the band since 2017) left Nuking Moose in 2022, vacating the position for our red-haired growler to join guitarists Lennart Godt and Lennart Jabben, bassist Kevin “Moshi” Schmidt, and drummer Arne Godt in their quest for heavy music.

“Our old singer moved away for professional reasons and we were forced to look for a replacement. We were lucky that Liz was looking for a new band herself at the same time we were looking for a singer. The internet brought us together and Liz won us over straight away. It was always important to us to have someone on the microphone who could shout/grow but also sing cleanly and melodically. We found Liz to be the right person,” commented the band about their new vocalist, complementing by saying that “the fact that she drove from her home near Hamburg to Bremen for rehearsals every week left no doubt that she was serious about the band. Luckily, she now lives closer to Bremen. In addition to her musical ability, Liz also brought a lot of experience from the professional music business with her. That was a great stroke of luck for us, because the rest of us only got into music as a hobby.”

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After being joined by Miss ScarRed (or in the case of Nuking Moose, they prefer calling her just as Liz), the band was able to reach the desired shape and form of their sound, sounding modern without sounding too polished at the same time, as well as hard and rough but with the melodic touch of Liz on vocals. As already mentioned, Nuking Moose released last year the album Ritual, featuring Liz on vocals, and let me tell you that it’s one hell of an album with no fillers, only killers. In case you’re curious to listen to it, you can find the album in full on different streaming services like Spotify and Apple Music, and also watch on YouTube the official video for the title-track Ritual, the lyric video for the song Values, and a “making of” for the entire album.

One name that might eventually pop up whenever you search for information about Nuking Moose is the one of Martin Kesici, and that’s because he’s nothing more, nothing less than Liz’s partner, apart of course for being a rock musician and radio host who became known in 2003 as one of the winners of the casting show Star Search. He’s become a friend of the guys from Nuking Moose, being involved in their day-to-day activities as for example being responsible for the mixing of the live recordings of one of their concerts. And speaking about live recordings, you can enjoy Liz and the boys kicking some ass with the songs Message To The Dead and Rusty Giant, both rehearsal room recordings. “The rehearsal room recordings were not part of a larger release, but we simply wanted to show people out there as quickly as possible after the singer change what we sound like now with Liz. These recordings were not intended to be studio quality – for the sake of simplicity, the drums were programmed on the computer, for example, and the distorted sound of the guitars came from a digital amplifier and not from the tube amps that we actually play,” commented the band.

There’s a lot more information, tour dates, news and other nice-to-know details about Miss ScarRed and Nuking Moose on their official social media channels, including her Facebook, Instagram and Linktree, and the band’s official website, Facebook, Instagram and YouTube channel, leaving you updated with all things surrounding one of the most promising bands of the contemporary German scene, with of course Miss ScarRed proving why she was chosen by the band to be their new frontwoman and scream for them like there’s no tomorrow. Having said all that, what are you waiting for to dive into a sea of red together with such an amazing vocalist like her?

Miss ScarRed’s Official Facebook page
Miss ScarRed’s Official Instagram
Nuking Moose’s Official Facebook page
Nuking Moose’s Official Instagram
Nuking Moose’s Official YouTube channel

Album Review – Accept / Humanoid (2024)

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A sonic assault of blistering riffs, powerhouse vocals, and adrenaline-fueled melodies dealing with topical themes like AI, aging and death, brought into being by the Teutonic masters of Heavy Metal.

A sonic assault of blistering riffs, powerhouse vocals, and adrenaline-fueled melodies dealing with topical themes like AI, aging and death, the heavy and vibrant Humanoid is nothing more, nothing less than the seventeenth studio album by Teutonic Heavy Metal masters Accept, and a more-than-worthy follow-up to their 2021 album Too Mean to Die. Once again recorded, mixed and mastered by Andy Sneap at Backstage Recording Studios, and displaying a metallic artwork by Gyula Havancsák, the new album by Mark Tornillo on vocals, Wolf Hoffmann and Uwe Lulis on the guitars, Martin Motnik on bass, and Christopher Williams on drums is a metal missile that targets the head, heart, gut and balls, inspiring the band to continue stepping forward and bringing us the Heavy Metal we know and love from one of the most important bands in the history of heavy music.

Sinister guitar tones ignite the opening tune Diving into Sin, exploding into a metallic feast with Mark and Wolf leading their bandmates in a pure display of modern-day Accept, and they put the pedal to the metal in the title-track Humanoid, offering our ears an overdose of pounding drums, blazing riffs and a mechanized vibe in line with the song’s theme. Frankenstein presents cheesy but catchy lyrics declaimed by Mark (“Got the strangest feeling, something isn’t right / I hear peculiar sounds amidst the eerie light / Can someone tell me, who I’m supposed to be / I was at peace but now something’s awakened me”) while the rest of the band delivers pure Heavy Metal for the masses; whereas more classic Accept is offered to us all in Man Up, with Wolf and Uwe taking the lead with their 80’s-infused riffs while Mark receives a solid support by his bandmates on the backing vocals. And The Reckoning is an absolute banger by those Teutonic metallers where everything sounds incendiary, from Mark’s vocals to all riffs, bass and drums blasted by his crew.

The band continues to feed our minds and souls with the purest form of Heavy Metal in Nobody Gets Out Alive, where Wolf and Uwe, accompanied by the rumbling bass by Martin, sound utterly classy and thrilling armed with their axes; whereas in Ravages of Time, Mark delivers Blues-infused words (“I’ve been to many places, I’ve drank a lot of wine / I’ve loved a lot of women in my time / I took what I was given, too much was not enough / And now I’m here to tell the tale”) amidst a gentle, melancholic sound, or in other words, it’s a nice ballad by those veterans. It’s then pedal to the metal spearheaded by Wolf’s blazing guitar in Unbreakable, with Martin once again hammering his bass nonstop, therefore enhancing the song’s punch considerably, and there’s still more to go in Humanoid, starting with Mind Games, another old school, solid composition by Accept, albeit a bit generic compared to the rest of the album, while there’s nothing better than a song about some quality drinking in a Heavy Metal album like Humanoid, titled Straight Up Jack, and of course Mark’s vocals match perfectly with the topic “discussed”, resulting in a song with a strong AC/DC vibe. Lastly, let’s slam into the circle pit one final time to the sound of Southside of Hell, bringing forward more of their trademark riffs and beats and, consequently, closing the album on a metallic note.

Accept Humanoid Limited Edition Deluxe Boxset

Mark, Wolf & Co. are waiting for you on Facebook and Instagram with news, more of their music, tour dates (and they’ve just announced a co-headlining tour across North American with KK’s Priest, which is definitely going to be a celebration of pure Heavy Metal that you don’t want to miss), and don’t forget to experience Humanoid by clicking HERE and to buy a copy of their newborn metal beast from Napalm Records (including the more-than-special Limited Edition Deluxe Boxset containing a mediabook CD, a flag, a lighter, a keytool in a guitar shape, a textile sticker and a photo card) or by clicking HERE or HERE. Accept are one of those bands that despite always looking forward and embracing new technologies, at the same time they stay loyal to their foundations, and Humanoid is the perfect depiction of that healthy clash of the past, present and future of the band. We’re all humanoids, but of course with Accept kicking our asses with their undisputed metal music like what they have to offer in their new album, we can call ourselves headbanging humanoids.

Best moments of the album: Frankenstein, The Reckoning, Nobody Gets Out Alive and Unbreakable.

Worst moments of the album: Mind Games.

Released in 2024 Napalm Records

Track listing
1. Diving into Sin 4:00
2. Humanoid 4:35
3. Frankenstein 4:14
4. Man Up 5:08
5. The Reckoning 4:34
6. Nobody Gets Out Alive 4:06
7. Ravages of Time 4:15
8. Unbreakable 4:53
9. Mind Games 4:05
10. Straight Up Jack 3:27
11. Southside of Hell 4:56

Limited Edition/Mediabook/Boxset bonus track
12. Hard Times 3:41

Band members
Mark Tornillo – vocals
Wolf Hoffmann – guitar
Uwe Lulis – guitar
Martin Motnik – bass
Christopher Williams – drums

Concert Review – Blind Guardian (Rebel, Toronto, ON, 05/09/2024)

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The most talented bards and demons in the world took the city of Toronto by storm on a more than beautiful night in celebration of pure heavy music.

OPENING ACT: Night Demon

What a fantastic night together with the bards in Toronto, my friends! And all started when we decided NOT to park at the parking lot in front of the venue, the revamped Rebel, which looks amazing from the inside and with a really cozy and ample patio, but which is also a nightmare when it comes to leaving the parking lot after the show is over. The best option is parking at the Distillery District, which is cheaper and just a 15-20min walk from the venue, plus the fact there are countless good options to eat and drink there before heading to the show. And as we’re always all about the music, let’s cut to the chase and talk a little about the unique experience of watching live NIGHT DEMON and BLIND GUARDIAN during their breathtaking The God Machine Tour 2024, another striking event brought to the city by  Noel Peters of Inertia Entertainment. Keith Ibbitson of Metal Paparazzi and I wouldn’t miss it for the world, and my excitement for seeing the bards after almost 20 years was beyond visible to anyone who knows me.

The doors at Rebel opened at 7pm, giving all concert goers enough time to have some drinks, chat outdoors (as it was a gorgeous night in Toronto, with a beautiful sunset), and buy some quality merch before Ventura, California’s own Heavy Metal trio NIGHT DEMON began their thrilling performance precisely at 8pm. Still promoting their 2023 album Outsider, the band formed of Jarvis Leatherby on vocals and bass, Armand John Anthony on the guitars, and Brian Wilson on drums put on a very energetic and fun warmup for Blind Guardian, impressing anyone who was already at the venue with their charisma and dexterity onstage. Keith said those guys sounded much more powerful live than in the studio, and I fully agree with him as the live versions of their songs do sound a lot better, which is an amazing thing because live music is what we truly love, right? And if you know nothing about those guys, go check their music on BandCamp and on Spotify, because they live and breathe Rock N’ Roll and you’ll certainly have a blast whenever they invade your city with their awesome creations.

Setlist
Prelude
Outsider
Screams in the Night
Escape From Beyond
Dawn Rider
The Howling Man
Beyond the Grave
The Wrath
Welcome to the Night
The Chalice
Night Demon

Band members
Jarvis Leatherby – vocals, bass
Armand John Anthony – guitars
Brian Wilson – drums

BLIND GUARDIAN

The excitement started to grow stronger and stronger inside Rebel until all hell broke loose when it was around 9:30pm, as German Power Metal bards BLIND GUARDIAN ignited their unforgettable performance in the city, already blasting our faces mercilessly with the all-time classic Imaginations From the Other Side. You know, when a band kicks off a show with such a deep, bold song like that, the night will be beyond amazing, of course. I bet all fans at the venue felt the exact same when André Olbrich, Marcus Siepen, Johan van Stratum, Frederik Ehmke, and obviously the band’s iconic frontman Hansi Kürsch hit the stage with their fantasy-fueled Power Metal almost nine years after their last show in Toronto.

Speaking of Hansi, I honestly don’t know how he has managed to sound the exact same for almost 40 years, stunning us all with his unique, deep vocals from start to finish. Seriously, that guy is a beast on vocals, never sounding tired or out of tune. His vocals are so impressive to the point you can play to me any live version of any of their songs, and I wouldn’t be able to say the year that was recorded. That, ladies and gentlemen, is what makes him one of the best vocalists and frontmen of the entire metal realm, and if you’ve never had a chance to see Hansi singing live, you don’t know what you’re missing. Let’s say it’s like a mandatory experience for anyone who enjoys good music, not only metal.

Back to the concert itself, the band blended some of their best, most majestic classics including Nightfall, Time Stands Still (At the Iron Hill) and Lost in the Twilight Hall, and the biggest surprise of the night (at least for me, the thrilling Into the Storm, with newer songs from their 2022 album The God Machine, those being Blood of the Elves, Violent Shadows and Secrets of the American Gods, and don’t think that because those are new songs that they sounded out of place during their set; quite the contrary, the new songs had the same impact and energy of their classic, which goes in line with what I was saying about Hansi, as his vocals turn every Blind Guardian song into a timeless sonic voyage. The reaction of the fans to all songs, including the new ones, was fantastic, with endless fists in the air, horns raised high, lots of screaming, and even some mosh pits were generated during the concert’s faster songs and moments. The sync between the band and their fans was a thing of beauty the entire night, I must say.

Any Blind Guardian concert is not complete without The Bard’s Song – In the Forest, and of course Toronto also had the pleasure of singing it along with our beloved German bards. It was simply epic, with every single person at the venue putting their hearts and souls into singing, proving why that is one of the best metal ballads of all time. And what about the encore? I was honestly getting worried they didn’t play Bright Eyes during the “regular” set, but when Hansi and his henchmen began playing it during the encore I really felt it in my heart. Right after that, let’s say it was pure metal madness with the Power Metal hymn Valhalla, with it’s iconic chorus being sung in full force by everyone at the venue, making Hansi truly proud and excited with the more-than-warm reaction of the band’s Torontonian fans. When they started playing another undisputed classic, Mirror Mirror, closing their concert on a high note, I was just a tiny bit disappointed that Majesty was left out of the setlist in Toronto, but let’s say we can’t win it all, and that their setlist was 99.9% perfect, alright? Maybe next time they visit Toronto we’ll have the pleasure of seeing them playing that classic live, because based on their successful concert in the city, the bards will be back really, really soon, no doubt about that.

Setlist
Imaginations From the Other Side
Blood of the Elves
Nightfall
The Script for My Requiem
Violent Shadows
Skalds and Shadows
Into the Storm
Secrets of the American Gods
The Bard’s Song – In the Forest
Time Stands Still (At the Iron Hill)
Lost in the Twilight Hall

Encore:
Sacred Worlds
Bright Eyes
Valhalla
Mirror Mirror

Band members
Hansi Kürsch – vocals
André Olbrich – lead, rhythm and acoustic guitars
Marcus Siepen – rhythm and acoustic guitars
Johan van Stratum – bass, backing vocals
Frederik Ehmke – drums

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Concert Review – Wind Rose (The Concert Hall, Toronto, ON, 04/18/2024)

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The Concert Hall hosted one of the most melodic, symphonic and fun nights of heavy music of the year in Toronto so far this past Thursday.

OPENING ACT: Xandria

Due to my trip to New York to see them mighty Judas Priest on Friday April 19, I wasn’t able to join my buddy Keith Ibbitson of Metal Paparazzi at The Concert Hall (the whole thing moved from Lee’s Palace to The Concert Hall due to the high demand for tickets) on Thursday night to enjoy XANDRIA and WIND ROSE during the Toronto stop of their North American Warfront Tour 2024, another classy event brought to the city by Noel Peters of Inertia Entertainment. It’s getting to a point where I need a clone (or two) to be able to attend all concerts that I would like to, because I also had to miss Raven and Artillery on Saturday, but let’s leave this one for another review and focus now on the amazing performances by Xandria and Wind Rose, because as Keith said both kicked some serious ass on stage.

The opener was a band that’s becoming a fan-favorite to everyone who enjoys some classic European Symphonic Metal in the city of Toronto, Bielefeld, North Rhine-Westphalia, Germany-based act XANDRIA. Keith said they put on a solid performance a usual, and I’m more than certain that was exactly what the Greek goddess Ambre Vourvahis, guitarists Marco Heubaum and Rob Klawonn, bassist Tim Schwarz, and drummer Dimitrio Gatsios brought to their avid Torontonian fans Thursday night, as they were superb when they opened for Kamelot in the summer of 2023 in the city. Blending songs from their excellent 2023 album The Wonders Still Awaiting with older tunes, plus their brand new single Universal, the band didn’t disappoint their fans at all, delivering a more-than-proper warmup for the main attraction of the night, and who knows, maybe we’ll see Xandria headlining a tour in Canada soon, right?

Setlist
You Will Never Be Our God
Death to the Holy
Reborn
Forevermore
Universal
Your Stories I’ll Remember
Two Worlds
Nightfall

Band members
Ambre Vourvahis – vocals
Marco Heubaum – guitars
Rob Klawonn – guitars
Tim Schwarz – bass
Dimitrio Gatsios – drums

WIND ROSE

After a short break, it was time for the main attraction of the night, Pisa, Tuscany, Italy-based Folk/Power Metal horde WIND ROSE, to hit the stage at The Concert Hall for the delight of all fans at the venue eager to witness their always fun performances, promoting their 2022 album Warfront. Keith said it was his first time seeing those guys live and that he was truly impressed with their show. Their energy was huge, and had him “digging a hole through The Concert Hall floor” (whatever he means by that, most probably something that happened during the song Diggy Diggy Hole). Keith mentioned he will definitely see them again whenever they return to Toronto, and if you’re curious to know more about the band you can find all of their creations on BandCamp and on Spotify (or on any other streaming service). I’m definitely eager to also see them live for the first time ever, so hopefully they’ll get back to Toronto sooner than later, and without any other pre-booked concert to block me from attending their show.

Setlist
Army of Stone
Fellows of the Hammer
Drunken Dwarves
Mine Mine Mine!
Gates of Ekrund
The King Under the Mountain
The Battle of the Five Armies
The Art of War
Tales of War
Together We Rise
Diggy Diggy Hole (The Yogscast cover)
Diggy Diggy Hole (Dance Remix)
Tomorrow Has Come
I Am the Mountain

Band members
Francesco Cavalieri – lead vocals
Claudio Falconcini – guitars, backing vocals
Federico Meranda – keyboards
Cristiano Bertocchi – bass
Federico Gatti – drums

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Album Review – Dark Horizon / Darkness Falls Upon Mankind (2024)

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As darkness falls upon mankind, this devilish horde from Germany attacks with their sophomore album, exhaling their obsession for mid-90’s Scandinavian and German Black Metal.

Spreading the dark arts all over the world since their inception in 2007 in Kassel, a city in central Germany, the heavy-as-hell Melodic Black Metal horde Dark Horizon has finally unleashed upon us their sophomore black mass, entitled Darkness Falls Upon Mankind, the follow-up to their 2012 debut Diabolic Agreement and their 2017 EP Odyssey. Recorded, mixed and mastered by Andy Classen at Stage One Studio, the new album by Mike on vocals, Adrian on the guitars, Colin on bass, and Daniel on drums exhales their obsession for mid-90’s Scandinavian and German Black Metal, uniting melancholy and disharmony with their passion for absolute darkness, being therefore recommended for admirers of the music by Dark Funeral, Naglfar, Dissection, and Watain, just to name a few.

Secrets Of The Nightmare Prophecies already sounds utterly sharp and melodic, with Mike leading his horde with his demonic screams and gnarls, resulting in a beyond solid start to the album and morphing into the bestial title-track Darkness Falls Upon Mankind, where the song’s blast beats and razor-edged riffs turn it into a must-listen for admirers of 90’s Black Metal. Adrian continues to deliver fire and evil from his axe in The Awakening, a song perfect for some devilish headbanging while Daniel’s drums will decimate your cranial skull. Old Gods offers more of the band’s undisputed Melodic Black Metal, again showcasing the hellish roars by Mike while Colin adds his share of heaviness to the sound with his menacing bass, whereas Tempest Of Ancient Screams is an imposing, heavy-as-hell and absolutely dark composition that lives up to the legacy of the genre, with Adrian doing a superb job with his old school Black Metal riffs.

And Adrian’s strident, visceral riffs continue to darken the skies in In The Hall Of Bloodstreams, where Mike takes his demonic gnarls to a whole new level of obscurity; then get ready for a seven-minute onrush of sulfur and evil titled Am Tag Meines Todes (which is German for “on the day of my death”), bringing to our ears an overdose of caustic riffs and blast beats while Colin hammers his bass mercilessly, with all breaks and variations making it feel like two amazing songs in one. After that we have Funeral, offering us all three minutes of straight-to-the-point Black Metal with no shenanigans nor any artificial elements, followed by Ekpyrosis, another seven-minute song but this time sounding a bit confusing compared to the rest of the album, albeit still showcasing the band’s passion for darkness and evil. And closing the album we’re treated to two very special covers showcasing their influences in music, starting with Naglfar’s The Brimstone Gate (check the original version HERE, from their 1998 cult album Diabolical), and followed by Mithotyn’s King Of The Distant Forest (check the original version HERE, from their 1998 opus King of the Distant Forest), both exhaling the same Black Metal essence from the original versions but of course with Dark Horizon’s own twist.

The guys from Dark Horizon are waiting for you on Facebook, on Instagram and on YouTube with news, tour dates, and more of their caustic Black Metal, and you can obviously add the excellent Darkness Falls Upon Mankind to your devilish collection by purchasing it from their own BandCamp page, as well as from Apple Music or Amazon Music. As darkness falls upon mankind, Dark Horizon will strike us hard with their furious new album, adding another solid stone to the impenetrable Black Metal castle that exists in their homeland, therefore fueling them for more in the coming years for the delight of fans of 90’s Black Metal.

Best moments of the album: Darkness Falls Upon Mankind, Tempest Of Ancient Screams and Am Tag Meines Todes.

Worst moments of the album: Ekpyrosis.

Released in 2024 Independent

Track listing
1. Secrets Of The Nightmare Prophecies 4:25
2. Darkness Falls Upon Mankind 5:23
3. The Awakening 3:21
4. Old Gods 4:53
5. Tempest Of Ancient Screams 3:45
6. In The Hall Of Bloodstreams 3:17
7. Am Tag Meines Todes 7:13
8. Funeral 3:15
9. Ekpyrosis 7:40
10. The Brimstone Gate (Naglfar cover) 4:54
11. King Of The Distant Forest (Mithotyn cover) 5:26

Band members
Mike – vocals
Adrian – guitars
Colin – bass
Daniel – drums

Metal Chick of the Month – Jenny Diehl

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Valhalla is calling, Jenny!

There’s one online article that says that spring is “the season during which the natural world revives and reinvigorates after the colder winter months,” and after reading that I thought the whimsical sound of the harp would be ideal to represent the beauty of the spring bloom and the warmth of the sun. Having said that, our metal lady of the month of April obviously had to master the art of harp playing, but beware of her incendiary moves, as she’s also a very talented dancer who loves to play with fire. Hailing from the stunning Bavaria (or Bayern if you prefer), in Germany, she’s the harpist for The Dark Side Of The Moon, a performer and dancer with Feuerschwanz, an art director and filmmaker with Dream Film Factory, and a photo designer with Aurora Photography. I’m talking about the multi-talented Jenny Diehl, a woman who will hypnotize you with the soothing sound of her harp before burning you in flames with her moves and charisma.

Having just released their debut album called Metamorphosis in 2023, The Dark Side Of The Moon is a fantastic metal quartet formed back in 2021 by members of Feuerschwanz, Amaranthe and Ad Infinitum (as a matter of fact, the band was formed after a bet between two of the band’s members), who together love to explore unseen lands and dive into the adventures of worldwide heroic characters. Currently comprised of Hans Platz (of Feuerschwanz), Morten Løwe Sørensen (of Amaranthe), our metal lady Jenny Diehl (also of Feuerschwanz), and one of our previous metal ladies Melissa Bonny (of Ad Infinitum), the quartet aims at revisiting and transforming the greatest themes of cinematography, TV shows and video games in addition to a few songs of their own, taking the listener on a musical quest, from the depths of Moria up to the Iron Throne.

Blending the powerful and gripping sound of Symphonic Metal with classical and orchestral elements, the band offers to fans of the genre a mix of original and cover songs, always dedicated to their favorite warriors, books and movies including the likes of Lord of the Rings and The Hobbit. Here is where things get really interesting for Jenny, as the unique sound of her harp adds a fragile layer to the heaviness of the overall sound of the band, something really hard to find in the heavy music scene worldwide. All songs from Metamorphosis will darkly embrace you thanks to the charming sound of Jenny’s harp, as well as the sounds crafted by the other band members, of course, plus guest musicians Charlotte Wessels (Delain), Fabienne Erni (Eluveitie, Illumishade), Rusanda Panfili (Hanz Zimmer Live) and Tom S. Englund (Evergrey).

Furthermore, you can enjoy all of the band’s beautiful official videos on YouTube, including the songs The Gates Of Time, Legends Never Die, New Horizons, First Light, Double Trouble/Lumos!, and their cover version for the Game of Thrones song Jenny Of Oldstones (as well as a very cool making of for it), among others. Perhaps the best song to depict the talent by our beloved Jenny armed with her harp is Legends Never Die, where her harp intro sets the tone for the rest of the song, embellishing the airwaves in a majestic way and, therefore, making the song stand out as one of the most amazing ones of the past few years in the Symphonic Metal universe.

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However, as aforementioned, if you think Jenny is just a delicate flower in a sea of heaviness, you must see what she has been doing since 2012 alongside Erlangen, Bavaria, Germany-based Medieval Folk Metal/Rock project Feuerschwanz. Of course, there are a few of their albums which include contributions from Jenny as a harpist, those being their 2016 album Sex is Muss on the songs Ein Schelm, wer Böses dabei denkt, Taugenix, and Nachtlied; their 2018 album Methämmer; and their 2020 album Das elfte Gebot, all of them absolutely worth a full and detailed listen, by the way, but Jenny offers even more as a member of such distinct Teutonic group. Jenny also performs as a dancer during Feuerschwanz’s live performances under the alias Myu Mieze, with countless online videos offering you a chance to witness her contribution to the band’s live shows, including their performance at Wacken Open Air 2022. Furthermore, you can also enjoy this very relaxed and fun video of Jenny taking us all on a journey through the homes of all members of Feuerschwanz, showing what the band is doing while they’re not on tour or in the studio, as well as a little bit of backstory about the band.

Jenny also holds a Bachelor of Arts, which led her to found Dream Film Factory alongside Russian cameraman and photographer Artem Selennov, and Alexander Dannhauser a few years ago. The trio offers a full-scale production service, from concept to finished film, creating an original film with its own distinctive look from any idea using modern, unique and tried-and-tested film techniques. They also offer individual services which include camera and image design, set design and prop construction, editing and color grading, conception and marketing, and stop-motion puppet construction, and you can check more of their work by visiting their website, Facebook, Instagram, and Linktree; for instance, simply visit their project page on their official website and you’ll see their work with several bands the likes of Burning Witches, Subway to Sally, J.O.E., Feuerschwanz, The Dark Side Of The Moon, Destruction, Goath, Nothgard, and more, with all videos being stunning, detailed and truly unique, like Was Ihr Wollt, by German Folk Metal band Subway to Sally, and Dissolving Flesh Redemption, by German Black/Death Metal horde Goath.

Lastly, Jenny also started to work as a freelance photographer under the name/brand Aurora Photography back in 2018, but as the project’s official Facebook page hasn’t been updated since mid-May 2021 I wonder if she has gotten way too busy with her bands and her film company to the point she can’t find enough time to focus on photography. Anyway, all photos available on Facebook are beautiful and deserve our attention, and maybe one day she’ll reignite her work as a photographer and keep delivering more awesomeness to our eyes. For now, I think there’s enough Jenny for us to enjoy with The Dark Side Of The Moon and with Feuerschwanz, with the sound of her harp and her fiery dance moves making the world of heavy music a much better place for all of us metalheads who love a good combination of music and images with a great storyline.

Jenny Diehl’s Official Facebook page
Jenny Diehl’s Official Instagram
Jenny Diehl’s Official TikTok
Jenny Diehl’s Official Linktree
The Dark Side Of The Moon’s Official Facebook page
The Dark Side Of The Moon’s Official Instagram
The Dark Side Of The Moon’s Official YouTube channel
Feuerschwanz’s Official Facebook page
Feuerschwanz’s Official Instagram
Feuerschwanz’s Official YouTube channel
Feuerschwanz’s Official Twitter

Interview – Peter “Peavy” Wagner (Rage)

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Let’s fly higher than the sky in this exclusive interview with Mr. Peter “Peavy” Wagner, the mastermind behind German Power Metal institution Rage, where he talks about his first-ever tour in Canada, the band’s 40 years on the road, their upcoming new album, and more.

Peter “Peavy” Wagner (Rage)

The Headbanging Moose: Thanks a lot for your time, Peavy! My first question will be very straightforward, and I bet it’s exactly what every Rage fan in Canada wants to know. How excited was the band to visit Canada for the first time ever, how was the planning of this mini-tour, and why did the band take so long to come to Canada? Also, why didn’t you play in the US this time?

Peter “Peavy” Wagner: Well, we liked it very much, thanx to the fans for a great time. I don´t know why it took so long to do that, that’s a question for our bookers and the Canadian promoters. Touring the US is very difficult and immensely expensive nowadays, just the working permissions cost a fortune, that makes businesswise not really sense for us…

THM: It’s always a pleasure seeing an amazing band like Rage celebrating 40 years on the road, and of course your setlist during your current festive tour is beyond fantastic. You mentioned during your show in Toronto that you had to choose the setlist from over 100 songs, so what was the process or idea behind the final setlist on this tour?

Peavy: We simply tried to bring material from the different time Eras and from the most popular albums. Of course its hard to satisfy everyone, I just hope we found a good mix…

THM: Since the band’s inception in 1984, Rage have got used to playing in giant European festivals like Hellfest and Wacken Open Air, but also in smaller venues like Lee’s Palace in Toronto. How does it feel to play in small venues as compared to festivals? What are the things you love the most about those more intimate places?

Peavy: The most important thing about gigs is the exchange of that amazing energy, no matter what situation you play. It felt great to have such enthusiastic fans, they gave us a fantastic time!

Rage @ Lee’s Palace

THM: You also mentioned during the show in Toronto you’ve known your amazing drummer Vassilios “Lucky” Maniatopoulos since he was a little kid. Could you tell us more about that friendship, and how he finally ended up becoming the drummer for Rage?

Peavy: Lucky was 15 when he started to take drum lessons with Rage’s drummer Chris Efthimiadis in 1988, later he became his drum technician, he toured with us through the world for some years, we always kept our friendship alive. When I needed help to rebuild the band in 2015 I asked him, firstly for management support, later also to be the band’s drummer.

THM: I honestly can’t wait to listen to your upcoming album Afterlifelines, which as far as I know is going to be a double album where the first half is made up of more direct metal songs, while the second half has some orchestrations involved. What details could you tell us about the album, and once it’s released, are you going to replace any songs from your current setlist with new ones like you replaced From the Cradle to the Grave with Under a Black Crown this year?

Peavy: Yes, it´s 21 new titles in about 94 minutes of music, we span a line between heavy stuff to some epic and orchestrated longtrack, finding a climax to the end of the album. Surely we will integrate more new stuff to our future setlists.

Rage Afterlifelines BandCamp

THM: I love the fact that the lyrics to all Rage songs have a deeper meaning, like for example End of All Days and Back in Time. What can we expect in the lyrics from Afterlifelines? Are you going to talk about any specific topics in the album, will there be a concept behind any of the parts of the album, or is it going to be a more straightforward Rage release this time?

Peavy: There’s a red line going through all the songs. On our last release “Resurrection Day” I told the story of mankind’s cultural evolution from stone age to now, causing several problems we have to face today. On “Afterlifelines” I continue the story as a fictional, dystopic view in the future of the next hundred years. Still I believe that man has the abilities to solve those problems, so it must not come like in that story.

THM: What are your best memories from this short but sweet Canadian tour? Are there any new Canadian bands and artists you just got to know, and what are your top Canadian bands of all time?

Peavy: Yes, we had really good supporting bands this time! Thanx to all. My all time faves from Canada are of course Rush, I love their music since my teenage days. Also there’s of course a lot of other great bands, like for example Annihilator…

THM: You’ve been playing with only one guitarist for quite some time, maybe since Unity was released back in 2002. Why have you decided to “get rid” of a second guitar in the band’s formation, and do you think one day you’ll get back to having four band members with a second guitarist added to the band?

Peavy: Actually Stefan Weber is not really out of the band. Due to some serious personal problems he is taking a break from working with us for some time. The door is open for him to join in again, as soon as he’s ready…

THM: What does the future hold for Rage? I mean, you have a killer new album out soon, you’ve been kicking ass on stages worldwide for the past 40 years and so on, but what’s next for the band after reaching such an important milestone in your career?

Peavy: Besides of continuous touring an Festival Appearances this year we will release a band biography, that´s planned for October this year.

Rage

THM: Let’s play a fun game before the end of the interview called “The Time Capsule”. Please list 10 songs from 10 different bands or artists to be saved in a time capsule for all future generations, and let us know why you selected those.

Peavy: 1. Toccata and Fugue in D minor/J.S.Bach, 2. Free Will/Rush, 3. I Saw Her Standing There/The Beatles, 4. Ace of Spades/Motörhead, 5. Temple of the King/Rainbow, 6. You Really Got Me/The Kinks, 7. Prophet´s Song/Queen, 8. Blue Suede Shoes/Elvis Presley, 9. Ballad of Easy Rider/The Byrds, 10. Speed King/Deep Purple. Because I like those!

THM: Thank you very, very much again for the interview, Peavy! Please feel free to send your final thoughts and considerations to our readers, and of course, your final message to all Canadian fans who attended your concerts in Toronto, Montreal and Quebec City!

Peavy: Thanx to all of the fans for their true support! See you again, Metal forever!

Links
Rage Official Website | Facebook | Instagram | Spotify | BandCamp | Linktree