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Album Review – Grave Digger / Symbol of Eternity (2022)

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The mighty Grave Digger go back in time to offer us all a powerful sequel to their 1998 classic Knights of the Cross based on the Knights Templar, the Crusades and the Holy Grail.

One of the most important and creative bands in the history of German rock and metal, the mighty Power Metal institution Grave Digger, is back two years after the excellent Fields of Blood with another headbanging album entitled Symbol of Eternity, bringing to our ears everything we’ve learned to love in their music since the band’s inception decades ago. Produced, mixed and mastered by the band’s mastermind, the iconic Chris Boltendahl himself, at his own studio named Graveyard Studios, and displaying a beautiful artwork by Uwe Jarling, Symbol of Eternity is a concept album based on the Knights Templar, the Crusades and the Holy Grail, working as a sequel to the band’s 1998 classic Knights of the Cross while showcasing once again all the talent and passion of the aforementioned Chris Boltendahl together with his henchmen Axel Ritt on the guitars, Jens Becker on bass and Marcus Kniep on drums.

It’s time to head into the battlefield to the sound of the epic, cinematic intro The Siege Of Akkon before Chris & Co. deliver pure Heavy Metal in the exciting Battle Cry, with Marcus dictating the pace with his old school beats accompanied by the rumbling bass by Jens. Put differently, it’s pure, unfiltered Grave Digger for all diehard fans of the band to sing along with them, and the same can be said about Hell Is My Purgatory, showcasing an addictive chorus vociferated by Chris (“Hell is my purgatory / I’m a sinner, I’m your priest / Hell is my purgatory / Faith unleashed the beast / Hell is my damnation / My holy revelation / Hell is my crematory / Hell! Hell! Hell!”) and a great sync between Axel’s riffs and Jens’ metallic bass. Then pure German metal riffage flows from Axel’s guitar in the also high-octane King Of The Kings, where Marcus once again hammers his drums in great fashion, whereas the title-track Symbol Of Eternity brings forward the band’s usual heaviness and obscurity, displaying a sluggish pace, somber passages and the melancholic vocals by Chris, albeit not as exciting a the rest of the album. After the short Middle Eastern-inspired interlude Saladin, the band returns in full force with Nights Of Jerusalem, offering our ears more of their thunderous drums, dirty riffs and raspy vocals. Moreover, we all know Chris is an amazing storyteller, and he nails it once again in this classic tune.

Heart Of A Warrior presents another beyond catchy chorus (“Take my last breath / Prepared myself to death / In my last hour / I feel the power / And I was sent by God / To be victorious / I got the heart / Of a warrior”) embraced by a classic Grave Digger sonority; while acoustic guitars kick off the mid-tempo, headbanging tune Grace Of God, with its background symphonic element adding an extra touch of epicness to the overall result. Back to a more melodic sonority, it’s time for Axel to extract sheer electricity form his guitar in Sky Of Swords, perfect for banging your head and raising your fists in the air together with the unrelenting Grave Digger, followed by Holy Warfare, a pure Heavy and Power Metal feast made in Germany with an exciting pace and riffage where Marcus pounds his drums as we dive into the battle together with the band. The Last Crusade, the last original song from the album, will darken the skies to the deep, sinister vocals by Chris while the instrumental pieces sound and feel utterly powerful. Last but not least, the bonus track Hellas Hellas, featuring guest vocals by its original singer Vasilis Papakonstantinou, has been a staple in Grave Digger’s sets whenever they played Greece, since the 90’s, and this new studio version kicks some serious ass to the point it should be played anywhere, not just in Greece (and you can compare it to the original version by clicking HERE).

Grave Digger Symbol of Eternity Limited Collector’s Hardcover Boxset

Symbol of Eternity can be savored in its entirety on Spotify, but of course if you’ve always been a loyal soldier of the Grave Digger army you can purchase your favorite version of the album by clicking HERE, including the super limited collector’s hardcover boxset (and good luck trying to find that one available as it’s limited to only 500 copies worldwide) that includes the limited 2CD mediabook, a 115 x 75cm flag, an armband with metallic 3D emblem, an A3 poster, a signed autograph card and a certificate of authenticity. Also, don’t forget to follow the band on Facebook and on Instagram for news and their electrifying tour dates, raising your sword together with Chris and his horde whenever they take your city by storm. In a nutshell, Symbol of Eternity might not get even close to being their strongest effort to date, but that doesn’t mean it’s not a powerful and gripping album of old school German Heavy Metal, proving why Grave Digger have been on the road for so many decades and showing us all they’re far from calling it quits. Long live Grave Digger, and may their Power Metal be part of the soundtrack of our lives for all eternity!

Best moments of the album: Battle Cry, Hell Is My Purgatory, Heart Of A Warrior and Holy Warfare.

Worst moments of the album: Symbol Of Eternity.

Released in 2022 ROAR! Rock Of Angels Records

Track listing
1. The Siege Of Akkon 1:03
2. Battle Cry 3:53
3. Hell Is My Purgatory 3:53
4. King Of The Kings 4:43
5. Symbol Of Eternity 5:18
6. Saladin 0:36
7. Nights Of Jerusalem 4:40
8. Heart Of A Warrior 3:46
9. Grace Of God 4:23
10. Sky Of Swords 4:16
11. Holy Warfare 3:43
12. The Last Crusade 5:20
13. Hellas Hellas (Vasilis Papakonstantinou cover) 4:00

Limited Edition Boxset/ Mediabook CD 2 (Live at Metal Hammer Paradise)
1. The Clansman’s Journey 1:31
2. Healed by Metal 4:31
3. The Clans Will Rise Again 5:31
4. Lawbreaker 3:33
5. The Roundtable 5:36
6. The Curse of Jacques 5:09
7. Season of the Witch 5:17
8. Excalibur 5:25
9. Rebellion 5:49
10. Witch Hunter 3:44
11. Heavy Metal Breakdown 8:18

Band members
Chris Boltendahl – vocals
Axel Ritt – guitar
Jens Becker – bass
Marcus Kniep – drums

Guest musician
Vasilis Papakonstantinou – vocals on “Hellas Hellas”

The Year In Review – Top 10 Hard Rock/Heavy Metal Albums of 2020

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“Rock stars come and go. Musicians play until they die.” – Eddie Van Halen

What can I say about the year of 2020? No words can describe all the pain, fear, anxiety, losses and struggles we all had to endure during what’s going to be sadly remembered as the worst year of our modern times. We saw the rise of coronavirus, which had a huge negative impact on pretty much everything and everyone we know, with millions of hardworking people unfortunately losing their jobs, concerts being cancelled, restaurants and other businesses being shut down, people getting stuck in their homes and having to deal with psychological issues like depression, and more important than that, with countless lives, and in some cases people really close to us, people we love, losing their battle against such horrible disease. We also witnessed a gut-wrenching surge in racism against black people all over the world, and the importance of the Black Lives Matter movement in the never-ending fight for freedom and justice, trying to make our world a better place for everyone. And last but not least, we lost so many iconic figures it’s hard to list everyone without crying a little. We lost sports titans such as Kobe Bryant, Diego Maradona and Paolo Rossi, amazing, talented actors and actresses including our beloved “Black Panther” Chadwick Boseman, the original “Darth Vader” David Prowse and the unstoppable Mad Max’s villain “Immortal Joe” Hugh Keays-Byrne, and music geniuses like Rush’s unparalleled Neil Peart and one of the best and most revolutionary guitarists of all time, the one and only Eddie Van Halen. May their souls rest in peace.

However, although we might be living such difficult and stressful times, there’s a light at the end of the tunnel with the development of effective vaccines that will certainly put our society back on track sooner than later, giving us all some hope and pointing to a much better future for all of us. In the meantime, I guess one thing that we metalheads have been doing (and will always do) throughout such shitty year is using the music we love to face all of our problems and fears with our heads and horns high in the sky, never giving up nor giving in. Having said that, I’ll leave you with The Headbanging Moose’s Top 10 Hard Rock/Heavy Metal Albums of 2020, excluding EP’s, best of’s and live albums, showing to us all that it doesn’t matter what happens with the world, heavy music will always stand strong. From the most primeval form of Black Metal to fast and electrifying Power Metal, from a beyond amazing soaring numbers of women kicking ass in an array of styles such as Doom, Symphonic and Death Metal to the most underground Atmospheric Black Metal entities you can think of, from our good old Rock N’ Roll to modern-day Alternative Metal, music prevailed above darkness, pain and hate, and that’s how it will be forever and ever. Enjoy our list of top metal albums for this (terrible) year that’s coming to an end, and let’s keep raising our horns and banging our heads together in 2021!

1. Primal Fear – Metal Commando (REVIEW)
Join Primal Fear’s undisputed rock brigade and become a true metal commando to the sound of their breathtaking new album.
Best song of the album: Infinity

2. Trivium – What The Dead Men Say (REVIEW)
It’s time to listen to what these four (un)dead men from Orlando, Florida have to say in their thrilling new opus.
Best song of the album: Amongst the Shadows & the Stones

3. Testament – Titans Of Creation (REVIEW)
The titans of Thrash Metal are back in action with another technical, melodic and absolutely pulverizing album of extreme music.
Best song of the album: Night of the Witch

4. Lamb of God – Lamb of God (REVIEW)
Re-energized and unrelenting, Lamb of God are finally back after five years with their pulverizing eighth studio album.
Best song of the album: Gears

5. Sepultura – Quadra (REVIEW)
A sensational concept album based on Quadrivium embraced by a fusion of Thrash, Groove and Progressive Metal.
Best song of the album: Guardians of Earth

6. Onslaught – Generation Antichrist (REVIEW)
These UK veterans are ready to set the world on fire once again with one of the most ferocious Thrash Metal albums of the year.
Best song of the album: Religiousuicide

7. Ecclesia – De Ecclesiæ Universalis (REVIEW)
This army of French inquisitors stands strong on their crusade against every doom heretic with their incendiary debut album.
Best song of the album: Antichristus

8. Eleine – Dancing In Hell (REVIEW)
Time for us all to dance in the fires of hell to the sound of the striking new opus by this unstoppable Swedish Symphonic Metal group.
Best song of the album: Where Your Rotting Corpse Lie (W.Y.R.C.L.)

9. Grave Digger – Fields of Blood (REVIEW)
Grave Digger celebrate 40 years of their undisputed Heavy Metal on a journey back to the vastness of the Scottish Highlands.
Best song of the album: Freedom

10. Konvent – Puritan Masochism (REVIEW)
A dark, primeval and stunning fusion of Death and Doom Metal masterfully crafted by four unrelenting women hailing from Denmark.
Best song of the album: Puritan Masochism

And here we have the runner-ups, completing the top 20 for the year:

11. Genus Ordinis Dei – Glare of Deliverance (REVIEW)
12. Paradise Lost – Obsidian (REVIEW)
13. Axel Rudi Pell – Sign of the Times (REVIEW)
14. Raventale – Planetarium II (REVIEW)
15. Hellsmoke – 2020 (REVIEW)
16. My Dying Bride – The Ghost Of Orion (REVIEW)
17. Burning Witches – Dance with the Devil (REVIEW)
18. Naglfar – Cerecloth (REVIEW)
19. Scarlet Aura – Stormbreaker (REVIEW)
20. Thundermother – Heat Wave (REVIEW)

And how about we also pay a tribute to the bands that released short and sweet albums that condensed pretty much the same amount of electricity, rage and intricacy than any of the full-length albums from the list above? That’s why we’re also going to provide you as usual our Top 10 EP’s of 2020 for you to see that size doesn’t really matter.

1. Front – Antichrist Militia (REVIEW)
2. Malfested – Shallow Graves (REVIEW)
3. Tøronto – Under Siege (REVIEW)
4. Soul Dissolution – Winter Contemplations (REVIEW)
5. Lutharö – Wings of Agony (REVIEW)
6. Póstuma – Moralis (REVIEW)
7. Black Sun – Silent Enemy (REVIEW)
8. MĀRA – Self​-​Destruct. Survive. Thrive! (REVIEW)
9. Serocs – Vore (REVIEW)
10. Invocation – Attunement to Death (REVIEW)

Do you agree with our list? What are your top 10 albums of 2020? Also, don’t forget to tune in every Tuesday at 10pm BRT on Rádio Coringão to enjoy the best of classic and underground metal with Jorge Diaz and his Timão Metal, and every Thursday at 8pm UTC+2 on Midnight Madness Metal e-Radio for the best of underground metal with The Headbanging Moose Show! And if you lost some or most of our special editions of The Headbanging Moose Show, including our Top 20 Underground Albums of 2020 – Parts I and II, go to our Mixcloud page and there you have hours and hours of the best of the independent scene, sounds good?

Metal Xmas and a Headbanging New Year! See you in 2021!

And before we go, let’s bang our heads one last time in 2020 with a classic Christmas song by an amazing Romanian band that loves Heavy Metal from the bottom of their hearts, pointing to much better times ahead for all of us! Enjoy!

Album Review – Grave Digger / Fields of Blood (2020)

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One of the most influential and pioneering bands of the German scene celebrates 40 years of their undisputed Heavy Metal on a journey back to the vastness of the Scottish Highlands.

Standing tall as one of the most influential and pioneering bands of the German Heavy Metal scene since their inception in the early 80’s, Gladbeck’s own Power Metal institution Grave Digger is celebrating their 40th anniversary in great fashion with the release of their 20th studio album, entitled Fields of Blood, the logic consequence of a legendary trilogy which started in 1996 with the breathtaking Tunes of War and an auditory battle of unique traditional metal, continuing their epic Highlands story. One thing I must say is that although most fans of the band had a very good time with their latest albums Return of the Reaper, Healed by Metal and The Living Dead, it’s when the band comprised of the iconic frontman Chris Boltendahl and his henchmen Axel Ritt on the guitars, Jens Becker on bass and Marcus Kniep on drums takes us into the vastness of Scotland on a journey through explosive sound landscapes that they truly thrive. Featuring a classy, old school artwork by Russian artist Alexander Tartsus, Fields of Blood even had some of its parts recorded in the Scottish Highlands, giving an extra touch of epicness to their no-frills, traditional brand of metal with unwavering pure steel, which nevertheless offers surprises, celebrating such a special anniversary of one of the most successful German Heavy Metal acts in the most glorious style.

Featuring very special guests Les Tambours du Bronx, the intro The Clansman’s Journey showcases a stunning combination of their tribal beats with the strident sound of the bagpipes, resulting in one of the most inspiring intros I’ve ever heard in my life, therefore warming up our senses for a feast of classic, warlike Grave Digger tunes starting with All for the Kingdom, where Marcus dictates the rhythm with his fierce beats while Axel and Jens slash their strings majestically, all of course spearheaded by Chris and his trademark raspy vocals. Then we’re treated to Lions of the Sea, the battle of the Scots against the Vikings translated into fist-raising Power Metal made in Germany, a song that should sound amazing when played live especially due to its catchy, rebellious chorus, not to mention the crisp riffage by Alex, who also kicks some serious ass in the inspiring tune Freedom, an ode to William Wallace’s famous speech where the whole bands speeds things up providing us all we need to head into the battlefield, with Chris delivering a superb vocal performance supported by the song’s spot-on backing vocals.

And Les Tambours du Bronx are back to add an extra kick to the already piercing sound of the bagpipes in The Heart of Scotland, where Chris declaims the song’s words with tons of feeling (“Raise your voices – raise your fists / For the king – the pride of our nation / Praise him and kneel – a will strong as steel / He carries the heart of Scotland / Praise him and kneel – a will strong as steel / He carries the heart of Scotland”) while the music remains slow, steady and dark from start to finish. After such imposing composition, the band brings forward Thousand Tears, a gentle and melancholic ballad that only Grave Digger can offer us featuring the unrelenting Finnish she-wolf Noora Louhimo, and as Chris and Noora have a sensational vocal duet I personally hope she can join the band on stage for a few concerts in the near future. In Union of the Crown they get back to their traditional (and I would even say their most traditional) sonority, with Chris singing with a lot of rage and power while Markus continues to pound his drums mercilessly, accompanied by the rumbling bass by Jens, whereas it’s impossible to stand still to the beer-drinking battle hymn entitled My Final Fight, where Chris screams and shouts the song’s lyrics flawlessly (“The battle began in the morning light / Five thousand gathered for the fight / Tired, exhausted we stood side by side / Welcomed the English with brave and pride”). Put differently, it’s time to prance around the fire, raise your swords and praise our beloved Heavy Metal together with those Teutonic metallers.

Grave Digger Fields of Blood Wooden Box

Then more of their trademark metal music comes in Gathering of the Clans, a song about the unity of the Highland clans and their will to fight for their freedom until the very end, with Alex sounding infernal with his razor-edged riffs and solos while the atmosphere is spiced up by the rebellious bagpipes by guests Hans Grothusen, Paul Grothe and Florian Bohm. After that, be prepared to bang your heads like dauntless highlanders in the rockin’ extravaganza titled Barbarian, where Alex’s riffs are beautifully complemented by the thunderous kitchen by Jens and Marcus, sounding as if the whole song was taken from one of their epic albums from the 90’s, followed by the title-track Fields of Blood, where a sensational bagpipe-infused intro evolves into ten minutes of pure Grave Digger with Chris, Alex, Jens and Marcus being on fire with their respective sonic weapons, guiding the music smoothly and with an endless amount of epicness and fire until the very end. By the way, the song’s closing moments are not only climatic, but also somber, captivating and as metallic as they can be, putting a pensive ending to the battle before the symphonic and cinematic outro Requiem for the Fallen embraces us all and provides us moments of peace in the aftermath, allowing us to grieve for the countless fallen bodies of all brave Scotsmen who died fighting for their freedom.

If you have what it takes to join Grave Digger in their quest for freedom in the Highlands, you can enjoy Fields of Blood in it entirety on YouTube and on Spotify, watch Chris and his loyal bandmates talking about each and every track from the album on a special series on YouTube by clicking HERE, HERE and HERE, and of course purchase your desired version of this grandiose album of metal music by clicking HERE, such as the insanely awesome Wooden Box strictly limited to 300 units including the digipak CD version of the album, a bonus live DVD titled “Live in Japan”, a special Highland flask and a black 7″ single. Also, don’t forget to follow Grave Digger on Facebook and on Instagram, staying up to date with everything that surrounds the band such as their new releases, live concerts and other nice-to-know details. I’m absolutely thrilled this unstoppable Teutonic army decided to return to the Highlands once again in celebration of their 40th anniversary, filling our hearts and souls with their inspiring tunes of war and freedom, and I can’t wait to see what Chris Boltendahl & Co. will offer us in their future albums if they decide to stay in Scotland for a little longer, hopefully bringing to our avid ears more of their undisputed Heavy Metal for many years (and decades) to come.

Best moments of the album: All for the Kingdom, Freedom, My Final Fight and Barbarian.

Worst moments of the album: None.

Released in 2020 Napalm Records

Track listing
1. The Clansman’s Journey 1:27
2. All for the Kingdom 4:10
3. Lions of the Sea 3:58
4. Freedom 4:53
5. The Heart of Scotland 5:19
6. Thousand Tears 4:57
7. Union of the Crown 3:58
8. My Final Fight 4:09
9. Gathering of the Clans 3:57
10. Barbarian 3:43
11. Fields of Blood 10:10
12. Requiem for the Fallen 3:00

Band members
Chris Boltendahl – vocals
Axel Ritt – guitars
Jens Becker – bass
Marcus Kniep – drums

Guest musicians
Noora Louhimo – female vocals on “Thousand Tears”
John Jaycee Cujpers, Olaf Senkbeil, Andreas von Lippinski & Hacky Hackmann – backing vocals
Les Tambours du Bronx – percussion on “The Clansman’s Journey” and “The Heart of Scotland”
H.P. Katzenburg – keyboards on “Thousand Tears”
Hans Grothusen, Paul Grothe & Florian Bohm – bagpipes, uilleann pipes

Album Review – Grave Digger / Healed by Metal (2017)

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The iconic Chris Boltendahl and his battalion of metal have the right cure to heal any type of apathy, fatigue or mental stress in our lives, and you know what that is.

Rating4

healed-by-metalIf you’re one of those people suffering from the horrible disease called “boredom”, which makes your life miserable even if there isn’t a good reason for that, it means your heart and soul are dangerously injured and need to be healed as soon as possible by something special, something that will inject a good amount of adrenaline into your body and make you feel electrified. In other words, you need to be Healed by Metal, which by the way is the name if the eighteenth studio album by German Power Metal warriors Grave Digger. It might not be a classic like Tunes of War or Heart of Darkness (as you might have noticed, I always mention these two albums in my reviews of the band), but it’s a very cohesive and fun album that once again proves Grave Digger are far from calling it a day.

With the cover art designed once again by Gyula Havancsák, from Hjules Illustration and Design, Healed by Metal is a feast of traditional Grave Digger, blending the sounding of their early days with more contemporary material and especially with their warlike mode, which is in my humble opinion where the band truly thrives. Also, despite being the first album to feature new keyboardist Marcus Kniep as The Reaper since H.P. Katzenburg’s departure in 2014 after the average Return of the Reaper, that doesn’t impact the music negatively as keyboards are not the main ingredient in Healed by Metal. Quite the contrary, they are actually not very audible throughout the whole album, leaving more space for the band’s piercing guitars and the unmatched growls by the iconic Chris Boltendahl to shine.

grave-digger-2017Grave Digger kick off the album with the old school title-track Healed by Metal, with its lyrics and chorus being as cheesy as they can be (“The blind will see / And the deaf will hear / The dumb will speak / And the lame will walk / We are the law / We are still mesmerized / Leave the fear behind / We save the human kind / We all break out in rage / We’re ready for the stage / We live like a rebel / We’re all sent by the devil / We are… / Healed by metal / We rock / Healed by metal”). While Chris fires his trademark gnarls, the rest of the band keeps the music potent and metallic, with highlights to the mighty bass guitar by Jens Becker. The next tune, When Night Falls, reminds me of the sonority from their classic albums Tunes of War and Excalibur (if you’re a fan of old school German Power Metal, you’ll have a blast listening to this chant), with drummer Stefan Arnold being as precise as usual; whereas Lawbreaker sounds like a tribute to Judas Priest and their all-time classic “Breaking the Law”, displaying even the sound of a roaring Harley-Davidson in the beginning. The keen riffs and solos by the high-skilled Axel Ritt and the song’s rebellious chorus make it a must-listen for fans of our good old Heavy Metal, not to mention its pure metallic lyrics (“Hundred pounds of metal / Steaming through the shattered night / Roaring wheels cry out for battle / Magic stars our guardian light”).

I might be going crazy, but the main riff in the amazing Free Forever sounds a lot like the one from “You’ve Got Another Thing Comin’”, also by Judas Priest. Needless to say, it’s the perfect soundtrack for hitting the road, with the crisp and heavy sounds of guitar and bass increasing the song’s impact even more. Call for War brings more classic Grave Digger to your ears, with Chris firing his always pleasant raspy vocals in this great fighting composition, in special due to its uproarious chorus. Put differently, it could have easily been part of one of their previous concept albums about historical battles. Then in Ten Commandments of Metal, a metal hymn reminding us to always stay true to heavy music, we’re treated to a catchy, cheesy and extremely fun chorus (“What do you think who we are / Disciples of satan or something bizarre / For what do you think we fight this battle / We follow the ten commandments of metal”), with the instrumental pieces being classic mid-tempo Power Metal showcasing cutting guitars and steady double bass.

healed-by-metal-canvas-edition

Healed by Metal Canvas Edition

In The Hangman’s Eye, we have more high-octane heavy music courtesy of Chris and his battalion of metal, exhibiting a solid instrumental with a powerful and traditional chorus. This is probably the moment when fans will forget it’s “just” Power Metal and will surely ignite a fun circle pit; while Kill Ritual, albeit not as thrilling as the rest of the album, is still a good composition with highlights to its fun lyrics the always sharp riffs by Axel. And Grave Digger fire another one of their classic songs about religion and holy wars, this time titled Hallelujah, where Axel and Jens aim at lacerating our souls with their strings. Not only this is a great mix of Heavy Metal and Hard Rock, but I bet you’ll be singing its chorus without even noticing (not to mention the awesome final solos by Axel). And lastly we have Laughing with the Dead, a creepy, slow-paced somber tune that ends up working well despite its weird chorus. It should be interesting to sing it together with the band during their live performances, in special if you’re drunk, don’t you agree?

In a nutshell, it doesn’t matter how sick you are of our society, you can always be healed by the power of our good old Heavy Metal, and Grave Digger definitely know how to turn the bitter taste of any medication into a high level of entertainment. And if you’re a diehard fan of the band and want to get an extra dosage of their distinct metal music, I suggest you go for the Healed by Metal Canvas Edition, where you’ll also be able to enjoy a couple of very decent bonus tracks, especially the rockin’ tune Bucket List. As aforementioned, Grave Digger are still many years away from coming to an end, always delivering high-end straightforward metal music that will cure any sign of apathy, fatigue or mental stress in our lives, and that’s what we can always expect from Chris and his henchmen.

Best moments of the album: Healed by Metal, Lawbreaker, Free Forever and Ten Commandments of Metal.

Worst moments of the album: Kill Ritual.

Released in 2017 Napalm Records

Track listing
1. Healed by Metal 3:45
2. When Night Falls 3:56
3. Lawbreaker 3:07
4. Free Forever 3:23
5. Call for War 3:21
6. Ten Commandments of Metal 3:27
7. The Hangman’s Eye 3:07
8. Kill Ritual 3:43
9. Hallelujah 3:30
10. Laughing with the Dead 5:17

Limited Edition bonus tracks
11. Kingdom of the Night 4:07
12. Bucket List 3:02

Japanese Edition bonus track
13. Brave, Young And Innocent 4:20

Band members
Chris Boltendahl – vocals
Axel Ritt – guitars
Jens Becker – bass
Stefan Arnold – drums
Marcus Kniep – keyboards

Guest musicians
Hacky Hackman, Frank Konrad & Andreas von Lipinski – backing vocals

Album Review – Grave Digger / Return of the Reaper (2014)

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One of the most traditional and respected Power Metal titans from Germany return with another good album, although not as memorable or inspired as it could have been.

Rating5

coverAs a tribute to the newly crowned World Cup champions Germany, who won the final match yesterday against Argentina, a team that truly put their hearts and souls into the match and deserve our most pure respect for almost beating an unbeatable machine such as the Teutonic squad, here’s the review for the new album by one of the most influential German bands of all time. I remember back in the 90’s when German Power Metal icons Grave Digger redefined their style to a more epic and powerful musicality, releasing some high-end classic albums such as Heart of Darkness (1995), Excalibur (1999), and especially the masterpiece Tunes of War (1996), increasing their legion of fans significantly, reaching a main-eventer status and headlining important tours and festivals worldwide. That was exactly when I became a huge fan of their unique Power Metal, and until today I feel really excited whenever Chris Boltendahl and his clan announce that a new Grave Digger album is about to rock the world.

Unfortunately, this time I’m a little sad to say that their new album, Return of the Reaper, is not as good as I was expecting. Despite having some very traditional and powerful moments with those characteristic elements we learned to love in the music by Grave Digger, most songs of the album sound way too generic and uninspired. They seem to be suffering from the same “sickness” as Arch Enemy with their latest release: the album is far from being a disaster, but we all know they’re capable of delivering something a lot more creative and thrilling than that. Where are those Heavy Metal anthems such as “The Grave Dancer”, “Rebellion (The Clans Are Marching)” or “Excalibur”?

However, there’s no need to panic: Return of the Reaper might not be a memorable album, but it is quite enjoyable and sufficient enough to keep Grave Digger relevant in the world of heavy music. The intro Return Of The Reaper, which is a heavy version of Frederic Chopin’s Funeral March enhanced by some desperate screams, followed by the most traditional Grave Digger musicality you can find in this album (and by far the best song of all), the violent Hell Funeral, are together an excellent way to kick things off with lots of  Power Metal riffs, a catchy chorus and Chris Boltendahl’s voice sounding as awesome as usual even after so many years on the road. War God is another fast tune most fans will enjoy, with Stefan Arnold always precise on drums, but the chorus could have been a little more powerful and less repetitive (which by the way is a constant during the rest of the album); while Tattooed Rider has a name that simply asked for a more Hard Rock sonority, and albeit being a good song it’s kind of generic, especially in regards to the lyrics.

Grave-DiggerThen we have two of the worst tracks of the album: Resurrection Day, despite some good riffs and drumming, has horrible lyrics that don’t mean anything and a really bad chorus; while Season Of The Witch sounds like a rip-off of “The Last Supper” (especially the riff), getting really tiring after a while. At least the following track, the boisterous Road Rage Killer, speed things up with its really awesome heavy riffs, sounding similar to some of their old classics and, consequently, becoming one of the top moments of the album.

The following tracks will probably create mixed feelings among all fans of the band, alternating really good moments with lots of cheesiness and lack of creativity. Although Grave Desecrator offers us a good mix of Hard Rock and Power Metal, its horrible lyrics hamper it from becoming an excellent song; on the other hand, Satan’s Host is another good song with a very traditional approach and direct lyrics, and I’m pretty sure it will be one of the chosen songs by the band to be played live due to its intensity. Dia De Los Muertos slows things down a little with its simple but effective 80’s Hard Rock, even with its “creative” Spanish name that doesn’t add anything to the song (“Day Of The Dead” would have been a much better choice); while Death Smiles At All Of Us has an interesting keyboard intro that turns into a nice Power Metal tune, complemented by the best guitar solo of the whole album. And finally, for a band with so many outstanding ballads such as “Dolphin’s Cry”, “The Ballad Of Mary (Queen Of Scots)” and “Emerald Eyes”, closing the album we have the boring Nothing To Believe, which sounds truly uninspired and too generic compared to what Grave Digger are capable of doing.

At least the album art, once again created by Gyula Havancsák of Hjules Illustration and Design, who has been responsible for all of the band’s artworks since The Last Supper (2005), lives up to Grave Digger’s name, even if it’s not as majestic as The Last Supper or Heart of Darkness. In conclusion, if you’re a long-time fan of Grave Digger you can go ahead and buy their new album, you’re probably going to enjoy it. But if you are not fond of their most recent releases, Return of the Reaper will just be another reason for you to keep complaining about what the band is currently doing and keep going back to their old classics for some truly inspired Power Metal music.

Best moments of the album: Hell Funeral, Road Rage Killer and Satan’s Host.

Worst moments of the album: Resurrection Day, Season Of The Witch and Nothing To Believe.

Released in 2014 Napalm Records

Track listing
1. Return Of The Reaper (Intro) 1:16
2. Hell Funeral 3:02
3. War God 3:47
4. Tattooed Rider 4:04
5. Resurrection Day 2:59
6. Season Of The Witch 5:05
7. Road Rage Killer 3:19
8. Grave Desecrator 4:23
9. Satan’s Host 2:56
10. Dia De Los Muertos 4:16
11. Death Smiles At All Of Us 3:52
12. Nothing To Believe 4:34

Band members
Chris Boltendahl – vocals
Axel Ritt – guitars
Jens Becker – bass
Stefan Arnold – drums
H.P. Katzenburg – keyboards

Album Review – Grave Digger / Tunes of War (1996)

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Don’t forget to grab your sword and shield before listening to this masterpiece.

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Tunes_of_warIt looks like the end of the 90’s was a special period for concept Heavy Metal albums: we had the perfect Cruelty and the Beast, which I talked about a couple of months ago here, and another masterpiece from the German Power Metal band Grave Digger, the album Tunes of War. I guess I don’t need to say how awesome an album entirely dedicated to Scotland and its struggle for independence from England can be, right? It was also the first album in the band’s trilogy of concept albums inspired in the medieval times which was continued by Knights of the Cross (1998) and Excalibur (1999).

I had the pleasure to talk to all members of the band during a special acoustic performance at a Heavy Metal pub in São Paulo (Brazil) back in 1996, one day before their full gig for the Tunes of War tour. They explained me how the album was created, all the ideas they had, their trip to Scotland to better understand the country’s history and so on, and that’s probably the reason why Tunes of War is so good and precise: it follows the true facts that happened between the 11th and the 18th centuries with the Scottish clans, and all the horror, blood and death in their path for freedom.

Tunes of War starts with THE BEST intro of all time, The Brave,  a mighty Heavy Metal version of “Scotland the Brave” (or “Alba an Aigh”, in Gaelic), considered by many the unofficial Scottish national anthem. There’s no way a regular person won’t feel inspired and ready for war while listening to it. What the band did with this song was amazing, and a perfect intro to one of their best songs of all time, Scotland United. It’s an instant classic with a chorus tailored for any army in the world (“United, united we stand / United, forever and ever!”). The next song, The Dark of the Sun, also has a strong melody with its lyrics exalting the Scottish warriors, while William Wallace (Braveheart) has one of the most furious riffs I’ve ever listened to in my life, and as you can see its dedicated to the life of the great William Wallace, one of the main leaders during the Wars of Scottish Independence who was spectacularly portrayed by Mel Gibson in the Oscar-winning masterpiece Braveheart (which I saw for the 1000th time this week).

Grave_Digger-Tunes_Of_WarIn The Bruce (The Lion King), the band shows a very obscure side, almost as if they were a Doom Metal band, getting back to their traditional Power Metal with The Battle of Flodden. Then comes a very beautiful but sad ballad, called The Ballad of Mary (Queen of Scots), where we see Chris Boltendahl’s voice in a completely different way. By the way, this song has such dark and melancholic lyrics that it might suddenly make you cry especially if you can feel all the pain in it. The Truth, Cry for Freedom (James the VI) and Killing Time are considerably short songs, but very effective in the whole storyline, and all amazing for any of the band’s live performances.

The last few songs are kind of paradoxical: while Rebellion (The Clans Are Marching) is just perfect with its amazing riffs, lyrics, and one of the greatest chorus in the history of Heavy Metal (“The clans are marching ‘gainst the law / Bagpipers play the tunes of war / Death or glory I will find / Rebellion on my mind!”), Culloden Muir sounds quite boring if compared to all other songs. There’s still an outro called The Fall of the Brave, which in my opinion perfectly represents the end of a battle with all the corpses and blood on the war field, and if you have the special edition you’ll be able to enjoy three of Grave Digger’s old classics, all excellent for a beer and some mosh pits: Heavy Metal Breakdown, Witchhunter and Headbanging Man.

Grave Digger has always had wonderful front covers (take a look at this one from Heart of Darkness, for example), and in Tunes of War it’s no different. Regarding the lyrics, as I said, they are all profound and tell the whole story in the best way possible. Of course, nothing would be possible without Grave Digger’s awesome musicians, especially their leader and founding member Chris Boltendahl, owner of a unique voice in the world of Heavy Metal.

To sum up, a brilliant concept album from one of the greatest Power Metal bands in the world, and by far their best album of all time. Only Iron Maiden’s The Clansman is more brilliant than the songs from Tunes of War, but it’s just one song anyway. Moreover, this winter in Canada has been one of the worst of all time, with frigid temperatures and extremely stressful morning and evening commutes due to all the snow, ice storms and freezing rain, so why not getting ready for this “ice cold battle” on the streets enjoying this great album in your car? I definitely will.

Best moments of the album: Scotland United, William Wallace (Braveheart) and Rebellion (The Clans Are Marching).

Worst moments of the album: Culloden Muir is the only song that is not totally awesome in the whole album.

Released in 1996 GUN Records

Track listing
1. The Brave (Intro) 2:23
2. Scotland United 4:35
3. The Dark of the Sun 4:33
4. William Wallace (Braveheart) 5:01
5. The Bruce (The Lion King) 6:58
6. The Battle of Flodden 4:06
7. The Ballad of Mary (Queen of Scots) 5:00
8. The Truth 3:50
9. Cry for Freedom (James the VI) 3:17
10. Killing Time 2:53
11. Rebellion (The Clans Are Marching) 4:05
12. Culloden Muir 4:08
13. The Fall of the Brave (Outro) 1:56

Special digipack bonus tracks
14. Heavy Metal Breakdown
15. Witchhunter
16. Headbanging Man

Band members
Chris Boltendahl – Vocals
Uwe Lulis – Guitars
Tomi Göttlich – Bass
Stefan Arnold – Drums