Tag Archives: heavy metal

Metal Chick of the Month – Thalìa Bellazecca

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I was raised by the storm and I’m living to serve my own pride!

Amidst one of the worst crisis the world has ever been through, with the COVID-19 pandemic bringing nothing but fear, anger and darkness to our hearts, let’s pay a humble tribute to the beautiful Italy, where the virus has had so far the most devastating outcome, by providing you, our dear readers, with an overview of the life and career of the gorgeous, skillful and unstoppable Thalìa Bellazecca, the young and restless guitarist for Italian Power Metal band Frozen Crown, bringing some joy to our hearts and souls during such difficult times. If you, like almost all of us here, are quarantined and getting bored due to the lack of things to do, perhaps this short and sweet homage to Thalìa and all her countrymen, and of course her razor-edged riffs and solos, can help you enjoy your time of confinement a lot better.

Born on April 19, 2000 in Cantù, a city and commune in the Province of Como, located at the center of the Brianza zone in Lombardy, Italy, Thalìa Bellazecca is of Italian and Cuban origin, which explains her undeniable talent, groove and passion for music, and that’s exactly what we are going to focus on in this humble tribute to such distinguished shredder, as Thalìa seems to be a very reserved woman who lives and breathes music 24 hours a day, 7 days a week. Furthermore, it’s impossible not to talk about Italian Power Metal band Frozen Crown, the band where we have all been able to witness Thalìa kicking some serious ass with her incendiary guitar since 2017.

Formed back in 2017 by guitarist and vocalist Federico Mondelli in the Italian metropolis of Milan, one of the global capitals of fashion and design, and fronted by the powerful singer Giada Etro (already known for her work in Ashes You Leave), Frozen Crown are a Power Metal band infused with classic Heavy Metal and Melodic Death Metal vibes, having released since their inception the singles The Shieldmaiden and Kings, in 2017, and Neverending, in 2019, and the full-length albums The Fallen King, in 2018, and Crowned in Frost, in 2019, where the band minimized their  Symphonic Metal side and amplified their core Heavy and Power Metal considerably. As a matter of fact, although you can enjoy Thalìa’s refined technique and stunning looks in pretty much all of Frozen Crown’s official videos, all guitars in both of their albums were recorded by Federico (except for the guitar solo in Kings, which was recorded by our metal lady Thalìa), who was also responsible for all keyboards and artworks as well. You can enjoy all of their albums and songs directly from their BandCamp page (where you can obviously buy their music, as well as from their Big Cartel page) and also stream everything on Spotify.

However, as aforementioned, who said we cannot have a blast with Thalìa in all official videos released by Frozen Crown through the years? You can definitely enjoy Thalìa shredding her strings in great fashion while she bangs her head like a maniac in amazing Power Metal anthems such as  Neverending, Kings, Everwinter, I Am The Tyrant, Forever and The Shieldmaiden, and if live performances are your cup of tea how about taking a shot at some of the band’s live footage playing their ass-kicking metal music to the masses like in the songs Kings, Fail No More, The Shieldmaiden and I Am The Tyrant live at C.G. Busto Arsizio in 2018 in Varese, Italy; Kings live in Toulouse in 2020; Arctic Gales/Neverending and Winterfall live at Dagda Retorbido in 2019 in Pavia, Italy; To Infinity live at Arci Tom in 2018 in Mantua, Italy; or simply enjoy this live footage of Frozen Crown taking the German cities of Munich, Augsburg and Aschaffenburg by storm in 2019.

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Apart from her career with Frozen Crown, we can also witness Thalìa embellishing the airwaves with her riffs and solos in a few other very interesting projects and bands; for instance, during part of 2018, Thalìa was one of the live guitarists for Russian Thrash Metal female-fronted band Pokerface, whose music can be described as a fusion of the music by Arch Enemy, Children of Bodom and Kreator. Also, Thalìa is one of the guitarists for a sensational Megadeth tribute band called Nuclear Winter, formed in 2015 by vocalist and guitarist Paolo Ingianni and active in the best Lombard and Piedmontese rock clubs since 2016. You can check their official Instagram and YouTube channel for more information on the band, such as this incendiary cover version for Tornado of Souls live in 2019 at Rock’N’Roll Milano.

In addition to all that, our dauntless left-handed shredder plays the guitar for the Italian Women Tribute, a music project that was born in 2016 from an idea by Andy Rox and is the first and only rock tribute to Italian female voices existing in Italy (and you can also find more information about it on their Instagram besides their official website), and was recruited to record a solo on one of the songs for a Syrian project called Storm of Death, of Adnan Al Hamdan, his third album featuring a selection of over 120 guest musicians from over 44 countries, which you can take a better look on the project’s official Facebook page. The song where we’ll have the pleasure of listening to Thalìa slashing her strings is not available yet, but I’m sure soon enough we’ll hear more from Adnan or from Thalìa herself with a link to listen to it.

Highly influenced by a vast array of guitar heroes such as Kiko Loureiro, Joe Satriani, Steve Vai, Guthrie Govan, Paul Gilbert, Andy Timmons, Marty Friedman, Jason Becker and Yngwie Malmsteen, among countless others, our stunning guitarist manages her own YouTube channel, uploading several videos on a regular basis showcasing all her skills and passion for heavy music and rock in general. You can enjoy Thalìa and her inseparable ax playing cover versions for Kiko Loureiro’s Moment Of Truth, Frozen Crown’s Queen Of Blades, Joe Satriani’s Headrush and Satch Boogie, and Megadeth’s Conquer or Die, or simply watch her doing some guitar improvisation showing how talented she is. And last but not least, I believe I don’t need to say Thalìa also ventures through the realms of modeling, right? Just by looking at her gorgeous photos you probably guessed that yourself, and if you’re curious to know more about that distinguished side of our guitar hero you can check her work (and of other models) on the official Instagram of PERSONA, from Milan. Having said all that, I think we must all admit that Thalìa has it all, a ravishing look and style, an undeniable talent armed with her guitar, endless stamina and a deep and healthy addiction to Heavy Metal. If that’s not the perfect combination for a true headbanging woman, I honestly don’t know what could be.

Thalìa Bellazecca’s Official Facebook page
Thalìa Bellazecca’s Official Instagram
Thalìa Bellazecca’s Official Twitter
Thalìa Bellazecca’s Official YouTube channel
Frozen Crown’s Official Facebook page
Frozen Crown’s Official Instagram
Frozen Crown’s Official Twitter
Frozen Crown’s Official BandCamp page

Album Review – Ani Lo. Projekt / A Time Called Forever (2020)

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May your heart and soul be filled with the timeless Heavy Metal blasted by Ani Lo. and her henchmen forever and ever in their sophomore full-length opus.

Brought into being in 2010 in Sofia, the capital of the Balkan nation of Bulgaria, when well-known Bulgarian singer Ani Lozanova (also known as Ani Lo.) and her long-term musical partner, drummer Konstantin Dinev (also known as Kossy D.) decided to join forces to create a project of their own, Symphonic Heavy/Power Metal act Ani Lo. Projekt will bring to your ears a powerful and metallic sound in their sophomore album, entitled A Time Called Forever, the follow-up to their 2011 opus Miracle presenting 12 breathtaking creations composed by Jens Faber (Dawn Of Destiny), who also played guitar, bass and keyboards on the entire album, as well as some growls and clean vocals. Recorded and mastered by Markus Teske at Bazement Studio, featuring an array of guest musicians the likes of Eric Dow (Helsótt), Michael Thionville (Voodoma) and Ani Lo.’s own husband Lachezar Stefanov, and displaying a classy artwork by Bulgarian artist Deliana Stoyanova, A Time Called Forever will undoubtedly please all fans of the music played by bands such as Lords Of Black, Almanac, The Unity and Within Temptation, blending the most symphonic, epic and harmonious elements form classic Heavy and Power Metal.

Kossy begins hammering his drums in the epic and symphonic opening track Break My Chains, with Jens providing Ani all she needs to shine with her potent vocals by blasting crisp background keys and wicked growls, followed by the title-track A Time Called Forever, a beyond mesmerizing tune showcasing Arabian elements and the piercing vocals by Ani, inspiring you to bang your head nonstop while the band smashes your senses with their kick-ass Symphonic Heavy Metal. Featuring guest vocals by Lachezar Stefanov, Bleed is an upbeat composition where the keys by Jens and the beats by Kossy generate an incendiary paradox perfect for admirers of the very melodic but still ferocious and high-octane side of Power Metal, and even more epic and imposing than its predecessors, End Up in Sorrow is a song where Ani steals the spotlight with her enfolding vocals, sounding as if Nightwish and Epica had the mighty Doro on vocals, not to mention Jens’ stunning keys.

Back to a more frantic and very sharp sonority, The Letter presents Kossy kicking some serious ass with his Helloween/Stratovarius-inspired beats, with Jens once again sounding bestial with his guitar riffs and solos; whereas again investing in more melodious and fiery sounds the band offers the gorgeous ballad Back to You, where the passionate vocals by Ani are boosted by Jens’ souful riffage while Kossy keeps the pace very pleasant with his beats. Then we have Cold Death, a galloping and fierce aria of Power Metal by the trio with Ani’s vocals sounding even more captivating, feeling like a song form the Middle Ages turned into modern-day metal music, and Feel Inside, perhaps the most generic of all songs despite its positive message and another solid performance by all band member, especially Jens with his guitar solos, never really taking off (but nothing that causes any damage to the album).

Featuring guest vocals by Michael Thionville, who by the way makes a flammable duo with Ani, Fly with Me is another passionate ballad by Ani and her henchmen, showcasing epic keys and spot-on drums, being therefore perfect for enjoying it with your significant other in your arms. Then again venturing through the realms of Symphonic Power Metal the band explodes our senses with the fantastic Don’t Leave (This World), where Ani hypnotizes us all with her potent, high-pitched lioness roars while guest Eric Dow delivers sheer rage through his growls, making it impossible not to raise your fists to such epic tune; and it’s time to put the pedal to the metal in a Melodic Metal extravaganza titled My Misery, where again we’re treated to the awesome Ani-Eric duet, living up to the legacy of renowned acts like Stratovarius and Kamelot, sounding absolutely fast and thrilling thanks to the unstoppable beats by Kossy. And the last blast of heavy music by Ani Lo. Projekt comes in the form of the ballad Walk Alone, where Ani’s deep vocals are accompanied by gentle piano notes and an embracing atmosphere until the very end.

The multi-talented Ani Lo., Kossy D. and Jens Faber are waiting for you on Facebook, and if you want to show your utmost admiration and support for such distinguished group of musicians you should definitely purchase A Time Called Forever from countless locations such as the Season of Mist webstore, Record Shop X, HMV, Apple Music and Amazon, as well as stream it in its entirety from YouTube and from Spotify. And may Ani and her awesome Ani Lo. Projekt keep reigning forever and ever not only in the metallic Republic of Bulgaria, but anywhere else in the world where our good old Heavy Metal is truly appreciated.

Best moments of the album: A Time Called Forever, End Up in Sorrow and My Misery.

Worst moments of the album: Feel Inside.

Released in 2020 Pride & Joy Music

Track listing
1. Break My Chains 4:52
2. A Time Called Forever 5:47
3. Bleed 4:27
4. End Up in Sorrow 5:16
5. The Letter 3:53
6. Back to You 3:23
7. Cold Death 4:07
8. Feel Inside 3:13
9. Fly with Me 5:13
10. Don’t Leave (This World) 3:19
11. My Misery 3:53
12. Walk Alone 4:15

Band members
Ani Lo. – vocals
Kossy D. – drums
Jens Faber – guitars, bass, keyboards, growls, clean vocals

Guest musicians
Eric Dow – vocals on “Don’t Leave (This World)” and “My Misery”
Michael Thionville – vocals on “Fly With Me”
Lachezar Stefanov – vocals on “Bleed”

Album Review – Burning Witches / Dance with the Devil (2020)

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The witches are back to mesmerize us all and put us to dance with them forever and ever to the sound of their incendiary Heavy Metal.

Swiss Heavy/Power Metal outfit Burning Witches is by far one of the hottest exports from the Alpine Republic since the release of their self-titled debut album in 2017, receiving a very positive feedback from fans and critics from all over the world. Formed in 2015 in Brugg, a Swiss municipality and a town in the canton of Aargau, the band currently comprised of Dutch newcomer Laura Guldemond on vocals (replacing the band’s original singer Seraina Telli in 2019), Romana Kalkuhl and Sonia Nusselder on the guitars, Jeanine Grob on bass and Lala Frischknecht on drums is ready to show the world everything they got once again with their third full-length installment Dance with the Devil, the follow-up to their highly acclaimed sophomore album Hexenhammer, released in 2018, and a lesson in Heavy Metal by five talented ladies who have always loved and breathed heavy music that will certainly inspire you to raise your horns and bang your head like there’s no tomorrow.

An eerie, mesmerizing intro titled The Incantation captivates our senses for the infernal Lucid Nightmare, with Romana and Sonia blasting sheer adrenaline through their sick riffage. Put differently, it’s classic Heavy Metal from the 80’s with Laura kicking some serious ass with her witch-like, soaring vocals, setting the bar really high for the rest of the album. Then it’s time to dance with our beloved Swiss witches in the title-track Dance with the Devil, a Hard Rock extravaganza led by Lala’s spot-on beats and Laura’s stunning vocals while the band’s stringed trio fills every single space in the air with adrenaline and electricity; followed by Wings of Steel, originally released in their 2019 EP Wings of Steel, a pure Heavy Metal tune showcasing the band’s dexterity and passion for what they do, all spiced up by Romana’s and Sonia’s classy guitar solos.

And Laura keeps blasting her high-pitched, piercing vocal lines in Six Feet Underground, another solid tune where Jeanine and Lala make the earth tremble with their low-tuned, metallic weapons, whereas in Black Magic we’re treated to an introspective, melancholic intro where Laura beautifully declaims the song’s words, evolving into a stunning ballad presenting passionate guitar solos and an ethereal atmosphere, showing a more delicate side of the band. Less visceral than the previous songs but still heavy-as-hell, Sea of Lies is a good composition bringing to our ears a great performance by Lala on drums, providing her bandmates a solid base for them to effectively slash their strings, while a Judas Priest-inspired riff kick off the metallic anthem The Sisters of Fate, perfect for banging your head nonstop with the girls or for hitting the road with your loved ones. This is the epitome of the band’s killer Heavy Metal with a Rock N’ Roll twist, with their guitar riffs and solos penetrating deep inside our minds.

Necronomicon is one of the darkest and most devilish of all songs, with Laura impersonating a true witch with her raspy, demonic vocals while Jeanine doesn’t stop hammering her bass strings, also presenting more of the band’s razor-edged riffs and solos, and bringing forward Helloween-inspired riffs blended with the classic Hard Rock by bands like Europe and Survivor we have The Final Fight, another lesson in charisma and vocal potency by Laura, therefore highly recommended for singing along with the band. Then taking their heaviness to a new level the quintet blasts the battle anthem Threefold Return, presenting an old school shredding infused with rumbling bass punches and rhythmic drums which will please all fans of classic Heavy and Power Metal without a shadow of a doubt, and lastly we have their cover version for Manowar’s classic Battle Hymn, featuring guest guitarist Ross the Boss (Manowar, Ross the Boss) and guest bassist Mike LePond (Symphony X, Ross the Boss). This is a sensational rendition by the witches with a welcome feminine touch, and still as strong and insurgent as the original version (which you can take a listen at HERE).

If you consider yourself a true metalhead and you think you have what it takes to face the stunning metal witches from Switzerland, go check what they’re up to on Facebook and on Instagram, and of course go grab your copy of the breathtaking Dance with the Devil (also available for a full listen on Spotify) from the Nuclear Blast webstore in different formats by clicking HERE or HERE. Hence, after putting your hands on such entertaining album of heavy music, you’ll quickly realize the unrelenting Burning Witches have taken over your mind for good, inspiring you to dance with them forever and ever to the sound of their undisputed Heavy Metal.

Best moments of the album: Lucid Nightmare, Dance with the Devil, The Sisters of Fate and The Final Fight.

Worst moments of the album: Sea of Lies.

Released in 2020 Nuclear Blast

Track listing
1. The Incantation 0:57
2. Lucid Nightmare 4:50
3. Dance with the Devil 4:26
4. Wings of Steel 4:29
5. Six Feet Underground 4:31
6. Black Magic 5:06
7. Sea of Lies 4:56
8. The Sisters of Fate 3:31
9. Necronomicon 4:12
10. The Final Fight 4:35
11. Threefold Return 3:56
12. Battle Hymn (Manowar cover) 6:55

Band members
Laura Guldemond – vocals
Romana Kalkuhl – guitars
Sonia Nusselder – guitars
Jeanine Grob – bass
Lala Frischknecht – drums

Guest musicians
Ross the Boss – guitars on “Battle Hymn”
Mike LePond – bass on “Battle Hymn”

Album Review – Scarlet Aura / Stormbreaker (2020)

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Join the stunning Aura Dănciulescu and her henchmen in their quest for heavy music with the breathtaking second volume of their conceptual “The Book Of Scarlet” trilogy.

My fellow metalheads, it’s time to visit the charming and vibrant Romania, more specifically the country’s capital Bucharest, to have an absolute blast with Stormbreaker, the breathtaking fourth studio album by a Heavy and Power Metal unity that has been making a name for themselves since their inception in 2014 under the name Aura, but currently known by the stylish moniker of Scarlet Aura, marking the official release of the second fantasy book volume from the conceptual “The Book Of Scarlet” trilogy after their 2018 installment Hot’n’Heavy, and showing the entire world who they are through the album’s musical and lyrical parts. And let me tell you that Stormbreaker is even more powerful than its predecessor, putting the band comprised of the stunning frontwoman Aura Dănciulescu, guitarist Mihai Dănciulescu, bassist Rene Nistor and drummer Doru Florin Gheorghita in the spotlight of not only the Romanian metal scene, but anywhere else in the world where people live and breath our beloved Heavy Metal.

“As an artist I’m not afraid to dig into the unknown by approaching sensible subjects in our songs, subjects like the difficulty of being honest with others but also with yourself regarding your own feelings, the need of overcoming a huge sufferance that troubles you, the lack of courage when it’s about doing the right thing, the lack of love or the crying for it… Subjects that make ourselves human, subjects that are in each one of us and that make us who we are and maybe throughout our music, we get recovered, healed or better, we discover ourselves for who we really are because with any doubt music heals the spirit, metal heals the heart,” commented the band’s front lady Aura about their brand new opus, with Mihai adding that “Stormbreaker continues the heavy metal statement we started with Hail To You and although “The Book Of Scarlet” trilogy takes these albums into a fantasy world of discovering Scarlet, I think we’ll all realize after listening that actually Scarlet is in each one of us. Stormbreaker comes rough, it comes straightforward, it comes in your face with the powerful rhythms, edgy guitar riffs, almost psychedelic guitar solos, hard crunchy bass lines, modulations and surprises at every step not giving you the time to get bored but to want more after every song, all of us exceeding even our own expectations.”

The cinematic intro The World Is Not Enough (perhaps inspired by the James bond movie of the same name released in 1999) welcomes the listener to the magic world of Scarlet Aura, setting the stage for the infernally heavy Metal Hell, spearheaded by the soaring vocals by Aura and exhaling epicness and rage from start to finish. Furthermore, Mihai is bestial with his riffage while Rene and Doru keep the atmosphere as dense and thunderous as it can be. And the band keeps the momentum going by firing a high-octane, melodic and absolutely demolishing hymn title Battle Cry, where Mihai and Rene are superb with their stringed weapons, not to mention Aura’s enfolding vocals as usual. Needless to say, this metal anthem will work majestically when played live, which can also be said about the title-track Stormbreaker, where the band presents their more melodic side, leaning towards classic Hard Rock at times and with Rene kicking some serious ass with his rumbling bass while Doru keeps pounding his drums in great fashion.

Loose Cannon has a delicious vibe à la Iron Maiden’s classic “Stranger in a Strange Land” thanks to the thunderous job done by both Rene and Doru, but it’s Aura who steals the spotlight with her potent voice. Put differently, simply bang your head nonstop to the band’s classy and rebellious Heavy Metal. And Mihai ignites the also thrilling and vibrant I Am The One with his razor-edged riffs, again flirting with Hard Rock but keeping the band’s metallic core essence intact, therefore sounding and feeling like it was originally recorded in the 80’s; whereas it’s time to slow things down and enjoy a passionate and flammable performance by Aura in the ballad High In The Sky, showcasing an ethereal and serene ambience while Mihai blasts his precise riffs and solos throughout the entire song. Then incendiary guitar lines take the lead in the upbeat, insurgent anthem The Heretic, where Aura is yet again fantastic with her deep and potent roars, resulting in a lesson in Heavy Metal with a darker twist, all spiced up by Doru’s crushing beats.

Adding hints of Punk Rock and Hardcore to their classic Heavy Metal, the band brings forward the dancing tune Daddy’s Lil Monster, displaying an amazing sync between Rene and Doru in the background while Aura leads her henchmen with her enthralling voice. Back to a more classic sonority the band offers our ears the good (but not as exciting as the rest of the album) A Blast From The Past, presenting a decent job done by all band members despite losing its grip after a while, and closing the album Aura and the boys bring forth their own fast-and-furious metal hymn titled Scarlets United, blending elements from bands like Helloween, Judas Priest and Primal Fear into their already electrifying musicality, with Mihai putting the pedal to the metal with his wicked guitar solos and, consequently, leaving us eager for more of Scarlet Aura’s beautiful metal music as soon as the album is over.

The Book Of Scarlet is open and Scarlet Aura are more than ready to take the world of heavy music by storm with its sensational second chapter Stormbreaker, and if you want to know more about this up-and-coming Romanian squad, listen to more of their music and keep an eye on their tour dates, simply follow them on Facebook, on VKontakte and on Instagram, listen to more of their music on Spotify and, above all that, purchase your copy of Stormbreaker from the band’s official webstore in CD or LP format, as well as from other locations like Apple Music and Amazon. Aura and the boys are united in their quest for metal, ready to head into the battlefield and armed with their newborn spawn Stormbreaker, positioning the band as one of the most promising new names of the scene. Having said that, what are you waiting for to officially become a “Scarlet” in the name of Heavy Metal?

Best moments of the album: Metal Hell, Battle Cry, Loose Cannon and The Heretic.

Worst moments of the album: A Blast From The Past.

Released in 2020 Silver City Records

Track listing
1. The World Is Not Enough 1:56
2. Metal Hell 6:03
3. Battle Cry 4:33
4. Stormbreaker 4:27
5. Loose Cannon 6:06
6. I Am The One 3:55
7. High In The Sky 6:15
8. The Heretic 5:46
9. Daddy’s Lil Monster 4:48
10. A Blast From The Past 5:29
11. Scarlets United 5:09

Band members
Aura Dănciulescu – lead vocals
Mihai Dănciulescu – guitars, backing vocals
Rene Nistor – bass, backing vocals
Doru Florin Gheorghita – drums

Album Review – Thrashera / Não Gosto! (2020)

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Blasting thrashing anthems about devious behavior, sex, alcohol and drug abuse, this Brazilian horde delivers an ode to all things metal in their band new (and rebellious) opus.

With nearly 20 releases under their bullet belts, Brazilian Thrash Metal horde Thrashera is a veritable institution in the underground in their homeland, blasting thrashing anthems about devious behavior, sex, alcohol and drug abuse, horror films, war, massacres, nuclear disasters, violence, underground counterculture, punk issues and the headbanging way of life since their inception in the year of 2010 in the city of Rio de Janeiro by three maniacs deeply into the 80’s wave of Satanic metal and primitive Rock N’ Roll. It’s that lattermost element which has endeared the band to so many across the international underground, and their brand new full-length album, rebelliously titled Não Gosto!, is definitely going to launch Thrashera onto an ever wider stage, which the band will promptly destroy.

Currently comprised of vocalist Chakal, guitarists Madcrusher and Bode de Sade, bassist Anras Vardamir and drummer Surtur Impurus, Thrashera are not just about partying, with the album title, translated to English as “I don’t like it!”, depicting the band’s distrust in the current political and religious scenario in their homeland. “The name of the album stands as a denial manifest towards the present political and religious ideologies in Brazil responsible for ‘killing’ – oppressing – all artistic forms of expression. It’s a reinforcement of our lyric approach in the last decade as a band, in an era where the individual liberty for the underground movement and its followers is in serious danger. Expressing Não Gosto! as a mantra, it’s probably the only reasonable path! Não Gosto! synthesizes all the refusal towards the hypocrisy that commands the world, guiding our masses into the abyss with an unconscious grin. This is also a shout-out and a wakeup call to all the underground forces to organize, react, and unite themselves in order to avoid the extinction of the most marginalized culture in the planet. Metal always said No! And always will!”, commented the band about the album.

A cinematic, eerie and anti-religious intro evolves into a feast of old school Thrash Metal led by Surtur’s frantic beats in Intro Víbora Resistente / Não Gosto!, featuring guest vocals by Luiz Carlos Louzada (Vulcano) and Armando Exekutor (Flageladör), and I must say all vocal lines couldn’t have sounded more demonic than this, with its raw and primeval sound making the whole thing even more entertaining. Then acoustic guitars permeate the air in Maré 669 before all hell breaks loose and Madcrusher and Bode de Sade begin slashing their stringed weapons beautifully, resulting in over six minutes of nonstop electricity and blasphemy blasted by Thrashera with Chakal sounding absolutely demented and wicked on vocals; followed by Rei dos Excessos, a song that begins in full force with Surtur and Anras being in an infernal sync with their respective instruments. Put differently, it’s pure old school thrash with no shenanigans nor any artificial elements, where once again the band worships Satan and all that’s considered immoral or forbidden. And Sangue ao Metal is a fast and furious ode to all things metal led by Chakal’s vicious, deep roars while Surtur keeps hammering and pounding his drums manically, inspired by the classic sonority from the early days of the almighty Slayer.

Sounding heavy-as-hell and utterly aggressive just the way we like it, it’s time for the band to fire a new (and hard) version for their 2012 song Trapped in the 80’s (you can check the original one HERE, released in the split album Guerreiros do Álcool), with the 2020 version sounding more polished and thrashier, leaning at times towards Speed Metal. After such demented onrush of sounds, guess what the band has to offer us all? Well, those guys love metal music more than anything, which becomes beyond clear in the high-octane Metal!, where both Madcrusher and Bode de Sade decimate our ears with their hellish riffs, while Chakal keeps vociferating the song’s boisterous words in the name of Heavy Metal. Mysterious female voices praising the power of women and their fight against sexism ignite another bestial tune titled Correntes Não Prendem Serpentes, where Chakal (together with an uncanny female guest vocalist) barks the song’s lyrics about witches and other female characters, followed by Igreja, the band’s personal  tribute to a cult album titled Cabeça Dinossauro, released in 1986 by an amazing Brazilian band called Titãs (check the original song HERE), with Thrashera’s version sounding and feeling amazing with its raw and visceral Thrash Metal vibe, once again against all that’s wrong with religion and the church.

You can join Thrashera in their cult to Thrash Metal and everything that’s considered evil (and therefore good) by following the band on Facebook, and grab your copy of their rebellious soundtrack to the end of our days from the Hellprod Records’ BandCamp page or webstore. I must warn you, though, that once you enter their realm of depravity, blasphemy and violence, there’s no way back, which in the end is a good thing as you’ll be against all that’s wrong in their homeland right now. This is what first-class old Thrash Metal is all about, always against religion and politics, always fast, furious and infernal, and always perfect for having a beer while slamming into the circle pit with your friends. That’s all that we really like in our lives, and always will.

Best moments of the album: Maré 669, Sangue ao Metal and Metal!.

Worst moments of the album: None.

Released in 2020 Helldprod Records

Track listing
1. Intro Víbora Resistente / Não Gosto! 5:46
2. Maré 669 6:19
3. Rei dos Excessos 3:09
4. Sangue ao Metal 4:08
5. Trapped in the 80’s (Hard version) 4:22
6. Metal! 4:08
7. Correntes Não Prendem Serpentes 5:17
8. Igreja (Titãs cover) 2:51

Band members
Chakal – vocals
Madcrusher – guitars
Bode de Sade – guitars, backing vocals
Anras Vardamir – bass, backing vocals
Surtur Impurus – drums

Guest musicians
Luiz Carlos Louzada – vocals on “Não Gosto!”
Armando Exekutor – vocals on “Não Gosto!”

Album Review – Lutharö / Wings of Agony EP (2020)

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Bringing a fresh take on Heavy Metal to listeners around the world, this up-and-coming Canadian band returns with a darker yet still very melodic sound in their brand new (and excellent) EP.

Founded in 2014 under the name Incarnadine in Hamilton, a Canadian port city on the western tip of Lake Ontario, the Melodic Heavy/Death Metal powerhouse now known as Lutharö aims at bringing a fresh take on Heavy Metal to listeners around the world with their unique and diverse sound loaded with catchy riffs, blazing solos and vocals ranging from vicious growls to clean passages that will send a chill down your spine, being therefore highly recommended for fans of the music by iconic bands like Arch Enemy, Unleash the Archers, Amon Amarth and Behemoth. Over the years, Lutharö have grown into their distinctive sound, emerging with a heavy and dark formula that gets fans moving, culminating in 2018 with the release of their debut EP Unleash The Beast and now in 2020 with the release of their sophomore opus Wings of Agony.

Stepping out of their comfort zone for their new album, the Canadian quintet comprised of Krista Shipperbottom on vocals, Victor Bucur and John Raposo on the guitars, Chris Pacey on bass and Duval Gabraiel on drums (although the drums in the EP were recorded by session musician Cale Costello) promises to be more innovative and imaginative than in Unleash The Beast, being the perfect introduction to the new era of Lutharö that, albeit darker than before, still sounds and feels very melodic and embodies the same amount of energy their fans have learned to enjoy. Featuring a stylish cover art designed by Romanian artist Costin Chioreanu (twilight13media.com), Wings of Agony will bring to your metallic ears 25 minutes of classic yet at the same time modern metal music, positioning Krista and the boys as one of the most promising and interesting names of the current Canadian underground scene.

Ominous, ethereal sounds kick off the opening track Barren, before the band’s guitar duo Victor and John start slashing their strings beautifully and Krista begins blasting her high-pitched, enraged screams, bringing forward elements from a myriad of styles such as Thrash, Death and even Black Metal. Needless to say, the EP couldn’t have started in a better way, and things get even better in Diamond Back, leaning towards the Melodic Death Metal played by some of their biggest influences such as Arch Enemy and The Agonist. The intricate and flammable beats by Cale are effectively complemented by the crisp riffs fired by both guitars, all embraced by another brutal performance by Krista with both her strident clean vocals and she-wolf roars. And a touch of epicness spices up the intro to the also high-octane Blood Lightning, where the quintet puts the pedal to the metal in a hybrid between classic Thrash Metal and modern-day Melodic Heavy Metal, also featuring awesome guitar solos delivered by Victor as the icing on the cake.

Will to Survive is a brilliant headbanging tune by Lutharö where the guitars sound furious just the way we like it in extreme music, while Chris’ rumbling bass and Cale’s frantic beats keep the atmosphere dense and thunderous from start to finish. In addition, Krista is once again superb on vocals, and in my humble opinion this is a beautiful and exciting path I would love to see Lutharö follow in their future releases. Last but not least, closing the EP we have the title-track Wings of Agony, more melodic and modernized than its predecessors, offering the listener another feast of razor-edged riffs, blast beats and menacing bass punches, not to mention the song’s catchy chorus powerfully declaimed by Krista (“Go on and wake from this sleep / Let distant light unbind your wings / Go on and soar / Forever more / Into a journey of pain”), with the music flowing into a dark and serene ending.

When I saw Lutharö live for the very first (and so far the only) time in 2018 opening for the almighty Canadian metal heroes Striker and Unleash The Archers here in Toronto, I instantly knew I was witnessing the rise of a future beast of Canadian metal, with Wings of Agony, which is available from the band’s own BandCamp page (and soon from other locations and platforms), cementing their name in the local scene. Hence, if you want to know more about Lutharö and listen to more of their music, simply follow them on Facebook and on Instagram, subscribe to their YouTube channel, and stream their previous and new releases on Spotify  as much as you want. Krista and her henchmen are undeniably talented, crazy for metal music and extremely focused on what they do, spreading their wings all over Canada and soon the world with their breathtaking music for our total delight.

Best moments of the album: Diamond Back and Will to Survive.

Worst moments of the album: None.

Released in 2020 Independent

Track listing
1. Barren 5:21
2. Diamond Back 4:31
3. Blood Lightning 4:41
4. Will to Survive 5:09
5. Wings of Agony 6:02

Band members
Krista Shipperbottom – vocals
Victor Bucur – guitars, backing vocals
John Raposo – guitars
Chris Pacey – bass
Duval Gabraiel – drums*

Guest musician
Cale Costello – drums (session)

*Drums recorded by Cale Costello.

Album Review – Hyperia / Insanitorium (2020)

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Are you crazy enough to enter the “insanitorium” together with one of the most promising names of the current Canadian Thrash Metal scene?

Are you crazy enough to enter the Insanitorium, the debut full-length opus by Canadian Melodic Thrash Metal unity Hyperia? If your answer is yes, you better get ready for over 40 minutes of wailing and harsh vocals, melodic guitars, intricate bass lines and hard hitting drums, ranging from traditional Thrash Metal to Power Metal and even Death Metal, highly inspired by a myriad of bands such as Havok, Overkill, Running Wild, Hypocrisy and Gojira,  among others, with the album’s lyrical themes being based around the concept of being stuck in an insane asylum for committing evil crimes and having no way out. Put differently, after listening to Insanitorium, you’ll quickly understand why the band comprised of Marlee Ryley on vocals, Colin Ryley and David Kupisz on the guitars, Scott DeGruyter on bass and Jordan Maguire on drums was one of the nominees for “Metal Recording of the Year” at the 2019 YYC Music Awards and “Music Video of the Year” at the 2019 Stinger Awards, hosted by the CSIF – The Calgary Society of Independent Filmmakers.

Recorded and mixed by Colin Ryley himself at Singularity Sound Studios in Calgary, Canada, mastered by Mika Jussila (Finntroll, Children of Bodom, Ensiferum) at Finnvox Studios in Helsinki, Finland, and featuring a beyond classic cover art by Belarusian illustrator Andrei Bouzikov (Municipal Waste, Skeletonwitch, Toxic Holocaust), Insanitorium perfectly represents what Hyperia are all about, proving that despite the fact the band was only formed less than two years ago, more specifically in September 2018, they can already be considered one of the most interesting and hardworking names of the Canadian underground scene, thrashing venues and taking the metal community by storm since their inception. Put differently, who doesn’t enjoy some old school shredding accompanied by soaring female vocals, right?

In the opening track Mad Trance, a movie-inspired intro morphs into ass-kicking Thrash Metal with a Melodic Death Metal twist, with both Colin and David showing what they got with their incendiary riffs before Marlee comes crushing with both her clean vocals and she-wolf gnarls, and a demented scream by Marlee sets fire to the also berserk Starved By Guilt, where the whole band puts the pedal to the metal spearheaded by Jordan’s frantic and vile beats. In other words, it’s simply perfect for slamming into the circle pit like a true metalmaniac, whereas in Asylum it’s time to break our necks headbanging, blending the ferocity of Exodus with the melody of Arch Enemy and showcasing an amazing sync between Colin and David, providing all Marlee needs to vociferate the song’s psychological words (“My dead lover under a cover / Screaming, trapped in monomania / They cringed as I unhinged / I’m drowning, set me free / Straight jacket because of a hatchet / Bewitched, lost in compulsion / I’m banished, mind vanished / Fixated, please help me!”).

Then eerie noises are quickly joined by the band’s strident guitars in Unleash The Pigs, evolving into another sonic onslaught where Jordan brutally smashes his drums supported by the rumbling bass by Scott, while Marlee once again delivers a superb performance on vocals; and fasten your seat belts as Hyperia flirt with old school Death Metal in the high-octane tune Nullified,  a very detailed and dense creation that lives up to the legacy of extreme music, sounding as frantic, aggressive and demented as it can be, and with Colin being unstoppable with his riffs and solos. And bringing elements from the music by Metallica, Megadeth and other fast and furious thrashing masters we have Fish Creek Frenzy, where Marlee’s wicked vocals are beautifully complemented by Colin’s and David’s flammable riffs, not to mention all the energy flowing from the song’s spot-on backing vocals.

Dystopia is another awesome composition bursting with rage, madness and heaviness, all embraced by the insurgent lyrics blasted by Marlee in a mix of Black and Thrash Metal styles (“War, bloodshed, slavery, hypocrisy / Everywhere, everyday it’s all you see / Take a look at yourself and your plight / It won’t end unless we STAND UP AND FIGHT”). Well, do you think they still have energy for more violence and bloodshed after so many thrashing hymns in a roll? Their answer comes in the form of the metallic hurricane entitled The Scratches on the Wall, with the sick growling by Marlee being flawlessly boosted by the bestial shredding by the band’s guitarists, as well as Jordan’s nonstop beats and fills, while pure, unrelenting riffage is the main ingredient in Contagion, sounding at the same time very old school, inspired by 80’s Heavy Metal, but also bringing a fresh, modern vibe thanks to the polished production of the album. Lastly, how about more undisputed, deranged Thrash Metal to close the album? That’s what Hyperia have to offer us all as infernal riffs and fast and rhythmic drums permeate the air in Evil Insanity, and when it’s over you’ll feel absolutely disoriented just the way we love it in extreme music.

The nonstop metal thrashing madness blasted by Hyperia in Insanitorium can be fully appreciated on YouTube and on Spotify, but if I were you I would definitely show my true support to such promising name of the current Canadian metal scene by purchasing their sensational debut album from their own BandCamp page, as well as from the Dead Pulse webstore or from Apple Music. Also, don’t forget to follow them on Facebook for news, tour dates and all other things Hyperia, because you know, you have to be absolutely insane not to support those Canadian metallers, and even more “insane” to slam into the circle pit to their melodic, furious and utterly entertaining creations.

Best moments of the album: Starved By Guilt, Fish Creek Frenzy, Dystopia and The Scratches on the Wall.

Worst moments of the album: None.

Released in 2020 Sliptrick Records

Track listing
1. Mad Trance 4:36
2. Starved By Guilt 3:55
3. Asylum 4:08
4. Unleash The Pigs 4:56
5. Nullified 4:18
6. Fish Creek Frenzy 3:41
7. Dystopia 4:14
8. The Scratches on the Wall 3:57
9. Contagion 4:09
10. Evil Insanity 4:01

Band members
Marlee Ryley – vocals
Colin Ryley – lead guitar, backing vocals
David Kupisz – rhythm guitar, backing vocals
Scott DeGruyter – bass, backing vocals
Jordan Maguire – drums

Interview – Bastiën Baron (Shuulak)

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How about an “alchemical” talk with Mr. Bastiën Baron, one of the founders of Dutch metal act Shuulak, talking about their brand new album Citrinitas and their passion for the occult?

Bastiën Baron (Shuulak)

The Headbanging Moose: Can you please begin by introducing the band to our readers? Who are Shuulak, when was the band formed, and what is your main goal in the world of heavy music?

Bastiën Baron: At heart we’re a heavy metal band, but we’ve given it a modern spin and drenched it in occultism. Our goal is to have a street named after us. Or a small town. Preferably the latter.

THM: Although your 2019 EP Citrinitas might be short in duration, there’s a lot of good stuff in each one of its four tracks. Why did you decide to release such a short album instead of a full-length one, and are you satisfied with the final result of the EP?

BB: Thanks for the compliments! There are many reasons for this. But foremostly, releasing a full-length album is a long and costly process. By keeping our releases short, we’re able to do them more frequently, which I think, people will appreciate. Especially in this day and age. That said, as our audience grows, so does demand for a physical release. We’ll relieve the itch soon.

THM: Can you explain in more details the concept behind Citrinitas and its connection to your previous EP’s Nigredo, released in 2017, and Albedo, from 2018?

BB: The EP’s are connected and are named after the steps towards the alchemist’s Magnum Opus; the goal of which is immortality and ultimate knowledge. It’s an ongoing story we’re not finished telling yet.

THM: What’s the main reason why you guys decided to explore such distinct topic in your albums? And can we expect more of this alchemical side of Shuulak in your future releases, or is it time for the band to venture through different lands and concepts?

BB: Alchemy is an exciting journey into the depths of the soul. There are, however, many more paths to take in the world of mysticism and the occult. So, we definitely won’t stop here.

Album Review – Shuulak / Citrinitas EP (2019)

THM: It’s simply fantastic to see more and more bands all over the world with women in their formation who are not only their lead singers, but also guitarists, bassists and drummers, which is exactly the case with Shuulak. How is it to have two girls on the band, Eve Laetitia and Puck Wildschut, taking care of the guitar and bass duties respectively?

BB: To us it’s quite.. normal. We don’t really think about it, to be honest. Though, Eve is really happy about it. She’s been the only girl for a long time, so it’s refreshing to have Puck around.

THM: How does your creative process work, I mean, do you all work together on the music and the lyrics, or are there any duties that are performed by only one or two of the band members? The process seems to be working well, as the music found in your albums sounds great, but is there anything the band thinks that could be done in a different or better way in the future?

BB: Angelo and Eve write the music, Bastiën handles the lyrics and vocals. Though it’s not set in stone, the process is quite fluid and ever changing. There’s a lot of back and forth. I don’t think there’s a ‘best’ or ‘better’ way to do things. Every song is different, and so is the way we write them. We’re constantly refining.

THM: Who are your biggest influences in music and in life in general, and how much do those influences impact the way Shuulak compose music?

BB: Musically we’re inspired by a great many artists but we don’t copy anyone. We’re all big horror fans and this definitely shines through in our music. Stuff like the books of Clive Barker or Dario Argento’s movies definitely inspire us as well as books on the real life history of the occult and ritual magic.

Shuulak

THM: What’s your opinion about the current metal scene in the Netherlands? Do you think this is a good time for bands like Shuulak to release more and more music and to tour around the country? And apart from the big names like Epica, Within Temptation and Delain, what other Dutch metal or even non-metal bands would you recommend to our readers?

BB: The Netherlands are very small, and so is the metal scene here. It’s very cozy and a good place to be. As for us, we’ve got our eyes set further. We frequently visit our southern neighbors in Belgium, as well as our friends in Germany.

It’s true The Netherlands is known for a blossoming female-fronted scene and you’ll find many wonderful bands here, but I would recommend a German band: Crownfall. We played our very first concert in Germany with them and not only are they amazingly talented musicians, they’re wonderful people too. So check them out!

THM: What does the future hold for Shuulak? And when would fans from other parts of Europe, from Asia and from North and South America be able to witness the band playing live in their countries?

BB: We’re focused on Europe right now, but we’re not dismissing the idea of an intercontinental tour. When demand is high enough, we’ll definitely visit those places.

THM: Thank you very much for your time. Please feel free to send your final considerations, goodbyes and anything else you would like to say to our readers.

BB: We’d like to thank The Headbanging Moose for this interview! To all of you reading this: you’re awesome for making it this far. If you’re curious, check us out on Bandcamp or find us on Spotify. We hope to see you at a show in the near future and are looking forward to finding new friends and disciples.

Links
Shuulak Official Website | Facebook | Instagram | Twitter | Spotify | BandCamp | Apple Music

Album Review – Arcana 13 / Black Death EP (2020)

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A lethal mixture between the visual terror of Italian horror with the heavy and magical atmospheres of 70’s Occult Rock in the form of a short but extremely sharp and obscure EP.

“Emblems seen through the fog, it’s the end of it all. Look upon the blood-red moon and you’ll be facing the Black Death.”

Hailing from Italy, the birthplace of cult horror movie masters like Lucio Fulci, Dario Argento and Mario Bava, among many others, more specifically from Ravenna, a city in in the Emilia-Romagna region of Northern Italy, Doom/Heavy Metal entity Arcana 13 (which should be read as Arcana Tredici, as “tredici” is 13 in Italian) is unleashing upon humanity more of their “Horror Doom”, a lethal mixture between the visual terror of Italian horror with the heavy and magical atmospheres of 70’s Occult Rock, with their brand new EP entitled Black Death, the follow-up to their 2016 full-length opus Danza Macabra.

Comprised of Simone Bertozzi and Andrea Burdisso on vocals and guitars, Filippo Petrini on bass and Luigi Taroni on drums, Arcana 13’s latest gravestone is the collaboration with director Luca Canale Brucculeri on his new horror TV series Black Death, based on the eponymous comic book. He got enthralled by Arcana 13’s music and decided to commission the main theme’s songwriting for the series, resulting in this short but extremely effective display of horror and doom by Arcana 13, all complemented by a grim artwork designed by Spanish artist Pol Abran (Branca Studio). Having said that, are you ready to face darkness and horror together with this talented four-piece act of doom?

Like in a sinister horror movie the song Black Death starts in a truly phantasmagorical way, evolving into a feast of damned beats blasted by Luigi and cryptic guitar lines by both Simone and Andrea. Not only that, it has a beautiful Black Sabbath-inspired vibe that will certainly captivate all your senses, inviting you to feel the thunderous bass by Filippo smashing your skull mercilessly, while the last part of the song is faster, more dynamic and more flammable, bringing to our avid ears a wild guitar solo as the icing on the cake. Then Arcana 13 offer us all something I’d never thought I would see one day, a somber and atmospheric Doom Metal version of an Iron Maiden song, more specifically the old school Wrathchild (check out this amazing version from Iron Maiden’s latest live album The Book Of Souls: Live Chapter, released in 2018), where Filippo kicks ass on bass while the vocal lines sound and feel grim and introspective from start to finish, also showcasing a fantastic job done by Simone and Andrea with their damned riffage.

If Black Death is only the “teaser trailer” to what Arcana 13 are preparing for us in the near future in the form of a new horror movie-inspired full-length opus, then we can all rest assured great things are about to happen in the ominous world of such skillful and hardworking Italian group. Hence, keep an eye on their official Facebook page for news, tour dates and other nice-to-know details about the quartet, and grab your copy of Black Death from their official BandCamp page, from the Aural Music webstore, from FYE.com and soon from several other locations, showing your utmost support to a band that certainly knows how to transform a spine-chilling, psychological horror story into top-of-the-line heavy music.

Best moments of the album: Both songs are darkly amazing.

Worst moments of the album: None.

Released in 2020 Aural Music

Track listing
1. Black Death 6:48
2. Wrathchild (Iron Maiden cover) 3:52

Band members
Simone Bertozzi – vocals, guitar
Andrea Burdisso – vocals, guitar
Filippo Petrini – bass
Luigi Taroni – drums

Album Review – Nightfear / Apocalypse (2020)

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An unstoppable Heavy Metal entity hailing from Spain returns in full force with their most powerful and mature album to date, always true and loyal to their origins.

Formed in the already distant year of 2008 in Madrid, Spain, an unstoppable Heavy Metal force that goes by the name of Nightfear is about to take the world of heavy music by storm once again with their third full-length installment, entitled Apocalypse, by far their most powerful and mature album to date, featuring ten impressive compositions full of catchy melodies, razor-edged guitar riffs and the remarkable vocals by Lorenzo Mutiozabal, being highly recommended for fans of the fusion of Heavy and Power Metal blasted by iconic bands like Judas Priest, Helloween, Gamma Ray, Iron Maiden And Primal Fear.

Comprised of the aforementioned Lorenzo Mutiozabal on vocals, Ismael Retana and Ángel Fernández on the guitars, Manuel Moreno on bass and Osckar Bravo on drums, Nightfear released their debut album Inception in 2012, quickly establishing their name in the Spanish Heavy Metal scene, with their 2015 concept album Drums of War cementing their name as one of the most prominent national bands within the genre. However, it’s with Apocalypse that this unrelenting Spanish squad aims at conquering the world of heavy music, offering their fans and newcomers to their metal realm a new step in the evolution of the band while at the same time always staying true to their origins.

And Osckar already gives a taste of his refined skills in the opening track We are Back, kicking off the album on a high (and fast) note. In other words, this is definitely how any band should announce their return to action, with Lorenzo’s vocals reminding me of the golden years of Helloween’s own Andi Deris, not to mention the incendiary riffs and solos by the band’s guitar duo. Their ode to old school Heavy and Power Metal goes on in Shine, another Helloween-inspired anthem where Ismael and Ángel slash their strings majestically, resulting in an upbeat creation by the band where Manuel’s thunderous bass and Osckar’s nonstop beats generate a powerful atmosphere for our total delight, followed by Living Your Life, a mid-tempo rockin’ tune where Lorenzo is on fire with his high-pitched, passionate vocal lines, supported by spot-on backing vocals and classic, strident riffs.

It’s definitely impossible to stand still to the dynamic and high-octane A Better World, where Osckar and the band’s stringed trio are on absolute fire, therefore providing Lorenzo all he needs to shine on vocals. Furthermore, not only the song’s ending brings a beautiful guitar solo for our avid ears, but its utterly catchy chorus and sheer speed turn it into a must-listen for admirers of the genre. There’s no sign of slowing down, as in The Stranger, a very melodic and captivating tune once again drinking from the same fountain as several of their German neighbors, the band remains loyal to traditional Heavy Metal from start to finish. How can it get any better than this? Then even faster and more aggressive than its predecessors, the instrumental feast of metallic sounds and tones titled Psichokiller sounds like a Spanish version of Primal Fear, with Ismael and Ángel delivering pulverizing riffs and electrifying guitar solos nonstop; whereas the tribal beats by Osckar ignite the also incendiary Through the Stars, presenting over six minutes of flammable guitar lines and killer drums and bass punches, while Lorenzo keeps doing what he does best, which is blasting his soaring vocals majestically in this lecture in traditional Melodic and Power Metal.

Nuclear Winter is another pounding, headbanging creation by Nightfear where the entire band kicks some serious ass with their flammable vocals, piercing riffs, and thunderous bass and drums. Put differently, it’s an ode to 80’s and 90’s Heavy Metal, bringing forward beautiful, melodious lines intertwined with sheer adrenaline, and the band puts the pedal to the metal mercilessly, accelerating the pace and delivering a Power Metal extravaganza entitled The Evil in You, led by the intricate, high-octane shredding by the band’s talented guitarists while Osckar dictates the song’s frantic rhythm on drums. And lastly we have Angels of Apocalypse, one of the boldest creations of their career surpassing the eight-minute barrier, starting in a serene manner with a narration inviting the listener to join Nightfear in their new adventure and exhaling epicness, with Lorenzo giving a lesson in metal singing while the music flows smoothly and powerfully until the very end.

If you want to put your metallic hands on this precious gem of Heavy and Power Metal made in Spain, simply go to the Fighter Records’ BandCamp page or to Apple Music (and soon also available from the Xtreem Music webstore and other locations) to grab your copy of the album, and obviously don’t forget to follow Nightfear on Facebook and to listen to more of their music on Spotify, showing your true support to such distinct and talented metallers. A new year has just begun, and as several people are saying 2020 will be the year of the Apocalypse, at least we can rest assured Nightfear are among us to provide our ears and minds a vibrant and thrilling soundtrack to the end of the world.

Best moments of the album: We are Back, The Stranger, Through the Stars and Nuclear Winter.

Worst moments of the album: None.

Released in 2020 Fighter Records

Track listing
1. We are Back 5:59
2. Shine 5:11
3. Living Your Life 5:00
4. A Better World 4:09
5. The Stranger 5:32
6. Psichokiller 4:29
7. Through the Stars 6:29
8. Nuclear Winter 6:05
9. The Evil in You 4:42
10. Angels of Apocalypse 8:27

Band members
Lorenzo Mutiozabal – vocals
Ismael Retana – guitar
Ángel Fernández – guitar
Manuel Moreno – bass
Osckar Bravo – drums