Tag Archives: melodic death metal

Album Review – Verment / Death’s Domain EP (2016)

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These up-and-coming metallers from Cincinnati, Ohio will show you how Death Metal can easily embrace elements from all other genres and subgenres of heavy music without losing its essence, always remaining loyal to its violent and gruesome roots.

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Deathsdoamin COVER HiDischarging their fast and furious Death Metal directly from the city of Cincinnati, Ohio to the entire world since 2012, American metallers Verment are ready to attack once again with their brand new EP entitled Death’s Domain. If you’re a fan of bands like Morbid Angel, Deicide, The Black Dahlia Murder, Suffocation and Angelcorpse, let me tell you that you’ll definitely have a very good time during the 24 minutes of deep vociferations, crushing beats and blazing riffs found in this unrelenting 7-track album.

Although some of the band’s main influences are purely Death Metal, Verment do not stick only to that genre of heavy music in their compositions, blending elements from Thrash, Melodic Death and even Blackened Death Metal in their musicality, not to mention they also add a modern twist to their sounding in order to sound fresher and more impactful than other regular Death Metal bands. And if you’re good at “deciphering” what lead singer and bassist Eric Payne is vociferating throughout the entire EP, your experience listening to Verment will become even more interesting than expected.

And the band is not kidding when they say they’re not purely Death Metal, as the excellent opening track Casket Fever is actually a bit more Thrash than Death Metal per se. Moreover, the growling by Eric Payne is full of anger and perfectly represents the message in the lyrics (“Exhuming corpses in the darkness / Taking from the hand of death / All to please the inner demon / That is keeping me from rest”), with the clean and melodic solos by Dustin Stockhoff bringing a welcome harmony to the music. That blustering fusion of extreme music subgenres also work really well in Amon’s Wrath, where Black and Death Metal are put together in a neck-breaking tune made to listen at top volume, full of violent riffs by Nick Moeller while drummer Alex Hooper is as heavy and precise as he can be behind his drum set.

VermentWings of Bone, which is perhaps the most Death Metal song of all, offers the listener two and a half minutes of brutal and technical devastation flawlessly led by Nick and Alex, with both deep guttural and sharper demonic growls by Eric being spot-on; while Vile Incisions leans towards more traditional Death Metal, especially due to its technical riffs and solos. In addition, Eric’s screams match perfectly with all instrumental pieces, with the last part of the song being a demented feast of blast beats commonly found in old school Black Metal. And get ready for the insane circle pits that will be generated by Obsolescence Reality, which has that constant metallic rhythm we all love in Death Metal, but with the addition of some nice breaks to add more flavor to it.

Before the album is over, their Thrash Metal vein returns in Chemical Indoctrination, without of course being less Death Metal than expected. It’s a faster and more straightforward tune where both Dustin and Nick have amazing performances with their riffs and solos, providing Eric all he needs to fire his hostile screams. And lastly, Parade of Filth closes the album in a solid way showcasing putrid lyrics that are the nightmare of every soccer mom (“It’s quite a sight to behold / All walks of life convening / It makes me sick to see this rotten malánge / Flesh folding over, repulsive odor / I am no better but I certainly do not reek of shit”), while Alex displays all his darkest abilities during the song’s almost four minutes. In other words, this is basically the opposite of mainstream, which means diehard fans of old school Death Metal will love it.

Whether you’re a hardcore Death Metal fan looking for a new addition to your collection of aggressive hymns, or a not-so-delicate soccer mom who felt significantly insulted when I said the music by Verment might be one of your worst nightmares, go check their Facebook, SoundCloud and ReverbNation for more of their venomous music. Death’s Domain, which can be purchased at the band’s BandCamp page, will show you once again why Death Metal is, and will forever be, the only type of extreme music that can easily embrace elements from all other genres and subgenres of heavy music without losing its essence, always remaining loyal to its roots.

Best moments of the album: Casket Fever and Wings of Bone.

Worst moments of the album: None.

Released in 2016 Independent

Track listing
1. Casket Fever 3:18
2. Amon’s Wrath 3:26
3. Wings of Bone 2:31
4. Vile Incisions 3:27
5. Obsolescence Reality 3:41
6. Chemical Indoctrination 3:30
7. Parade of Filth 3:47

Band members
Eric Payne – vocals, bass
Dustin Stockhoff – lead guitar
Nick Moeller – rhythm guitar
Alex Hooper – drums, backing vocals

Album Review – Eths / Ankaa (2016)

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One of the most prominent and innovative French bands of all time returns with a true masterpiece of complexity, darkness and heaviness, shining brighter than the main star of the Phoenix constellation.

Rating2

CoverThere’s a thin line between change and evolution several bands worldwide can’t or simply just don’t know how to walk without losing their balance and, consequently, damaging their core essence. Fortunately, this is not the case with French Neo-Metal adventurers Eths, who in my humble opinion have just released their boldest and most innovative album to date, the splendid Ankaa, but still being the Eths we all learned to love. Although I had been preparing myself for quite a while for another blast of creativity by Mr. Staif Bihl and his bandmates, I must say I was blown away by the level of intricacy, darkness and heaviness found throughout the entire album. This beautiful work-of-art crafted by this distinguished group hailing from the city of Marseille, France is the perfect depiction of what evolution in music is all about, and it will surely help spread the electricity and emotions flowing from the music by Eths to the entire world.

Ankaa, which features a unique selection of guest musicians such as Björn “Speed” Strid (Soilwork), Sarah Layssac (Arkan), Jon Howard (Threat Signal), Faustine Berardo and session drummer Dirk Verbeuren (Soilwork), not to mention it is also Eths’ first full-length album with the stunning Rachel Aspe on vocals, shines brighter than the main star of the Phoenix constellation, which by the way was the inspiration for the album name. “This album is linked to the cosmos and the concept of rebirth for the band as well as personally”, said Staif, and that’s indeed what you’ll experience while listening to each one of its twelve jaw-dropping multi-layered songs, all beautifully and meticulously connected to tell a bigger story to the listener. Again, Eths might have changed their musicality in Ankaa considerably, but it was a change towards evolution that no one in their right mind should ever complain about.

One of the best compositions in the history of Eths, entitled Nefas (the Latin word for “atrocity” or “wrong”), kicks off Ankaa in a very impactful way, being insanely heavier, faster and darker than anything the band has ever done before. It’s a feast of Metalcore, Melodic Death Metal, Alternative Metal and many other subgenres of heavy music perfectly put together, and pay good attention to what our screaming diva Rachel does with her “voix incroyable”, it sounds beyond astonishing. Nihil Sine Causa (or “nothing happens without a cause”, from Latin), featuring Sarah Layssac and Jon Howard, is yet another obscure and thunderous composition where the band’s mastermind Staif showcases his always solid guitar lines, with the addition of the Arabic words by Sarah as well as the electronic effects during the song’s second half bringing a fresh taste to the music. And in Amaterasu, part of the Japanese myth cycle seen as the goddess of the Sun and the Universe, Dirk (who sounds like a beast behind his drums) makes a great duo with newcomer Damien Rivoal and his low-tuned and heavy as hell bass lines. Moreover, it’s impossible not to love this brutal Groove Metal aria, and I don’t recall coming across such a powerful triumvirate of songs like these starting an album in recent years.

eths 2016All the craziness, occultism and darkness found in Ankaa keep growing with each and every song, and in Seditio (or “rebellion”, from Latin) that couldn’t be any different. It amuses me how Rachel can sound like a beauty and a beast at the same time, showcasing all her vocal skills and contributing to the song being heavier than usual but still innovative and progressive, just like we expect from such a talented group of musicians. Then we have the startling Nixi Dii, a general term applied by the Romans to those divinities who were believed to assist women at the time when they were giving birth to a child, where its eerie background effects, demonic drumming, choir-like backing vocals and lots of breaks and variations, together with Rachel growling like an evil queen, are all the ingredients you need for awesomeness. In other words, it offers you eight minutes of the best modern metal music you can find in the entire world. And just when you think things couldn’t get more alternative we’re treated to Vae Victis (Latin for “woe to the vanquished”), with Staif providing an amazing piano base for Rachel to shine once again, this time with a mix of clean vocals and visceral growls. As a side note, the production of the album is so brilliant you can clearly hear every single note coming out of each instrument, enhancing the overall experience even more.

The next song, named HAR1 (the acronym for human accelerated region 1, a short DNA region identified recently to have evolved the most rapidly among highly constrained regions since the divergence from our common ancestor with chimpanzee) and featuring Björn “Speed” Strid, gets closer to traditional Melodic Death Metal thanks to the contribution of Björn, but of course with Eths’ own touch added to it; while in Sekhet Aaru, the Egyptian reed fields considered the heavenly paradise where Osiris rules in ancient Egyptian mythology, your soul will be transported to those fields in a flawless fusion of alternative and occult music. Sarah is back with her gorgeous voice as a guest vocalist in Kumari Kandam, which refers to a hypothetical lost continent with an ancient Tamil civilization (located south of present-day India, in the Indian Ocean), perhaps the closest song to Eths’ old musicality with Damien and Dirk providing all the uproar while Rachel takes care of the song’s tranquility, sorrow and anguish.

eths-ankaa-digibox

Ankaa Deluxe Digibox

Last but not least, Eths bring forward a spine-tingling trilogy inspired by the Orion constellation, accurately representing the idea of rebirth. The first piece of this trilogy is named Alnitak, a multiple star (also known as “Zeta Orionis”) that’s part of the famous Orion’s Belt, which Staif effectively translated into an epic and vibrant chant overflowing his deepest emotions. The second piece, entitled Alnilam, a large blue supergiant star also known as “Epsilon Orionis” estimated to be 275,000 to 537,000 times as luminous as the Sun and around 34 times as massive, is an extremely powerful and aggressive tune led by a relentless Rachel, with Dirk yet again pounding his drums mercilessly. And finally, the climatic end to this trilogy comes in the form of another violent chant with esoteric passages and a pleasant ambience named Mintaka, from منطقة (“manṭaqa”), which means “the belt” in Arabic.

As aforementioned, calling Ankaa simply as a “change” in the music direction by Eths is an understatement of the actual evolution Staif, Rachel and the others reached with their musicality, as well as of the brilliant destiny that lies ahead for them. Ankaa is not just another regular metal album, and I’m sure it will shortly become a reference in contemporary heavy music. Thus, if you want to join Eths in this exciting path they are taking towards the future of Heavy Metal, I suggest you go grab your copy of Ankaa (which can be listened to in its entirety HERE), in special its top-notch deluxe digibox including a CD and an exclusive DVD “Live at Hellfest 2015” in digisleeve with a 24 page booklet, an Eths metal key ring and a pyramid folding card, at the Season Of Mist webshop or at the Napalm Records webshop. After listening to such a masterpiece like Ankaa, you will quickly realize it is no wonder Eths are considered by many the most prominent and innovative French band of all time.

Best moments of the album: Nefas, Nihil Sine Causa, Amaterasu, Nixi Dii and, from the Orion-inspired trilogy, I would say Alnilam is the most entertaining composition.

Worst moments of the album: None.

Released in 2016 Season Of Mist

Track listing
1. Nefas 3:50
2. Nihil Sine Causa (feat. Sarah Layssac and Jon Howard) 4:53
3. Amaterasu 3:57
4. Seditio 6:36
5. Nixi Dii 7:58
6. Vae Victis 5:05
7. HAR1 (feat. Björn “Speed” Strid) 4:04
8. Sekhet Aaru 4:09
9. Kumari Kandam (feat. Sarah Layssac and Faustine Berardo) 4:15
10. Alnitak 4:04
11. Alnilam 3:40
12. Mintaka 5:07

Band members
Rachel Aspe – lead vocals
Staif Bihl – guitars, keyboards, programming, vocals
Damien Rivoal – bass
R.U.L. – drums (live)

Guest musicians
Dirk Verbeuren – drums (studio recording)
Sarah Layssac – additional vocals on “Nihil Sine Causa” and “Kumari Kandam”
Jon Howard – additional vocals on “Nihil Sine Causa”
Björn “Speed” Strid – additional vocals on “HAR1”
Faustine Berardo – additional vocals on “Kumari Kandam”

Album Review – Be Under Arms / Doomed To Life (2016)

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Do you think you’re worthy of joining this Russian army of Alternative Metal? If your answer is yes, then it’s time to get armed to the teeth with their uproarious and ruthless music.

Rating3

be under arms_doomed to lifeDon’t you just love when completely independent bands are capable of delivering to the world music that sounds a lot more entertaining and well-crafted than many of the already established and famous groups that have a lot of support from their record labels? Maybe that’s simply a statement of how many magnificent musicians are out there just waiting for their chance to shine to a bigger audience, or maybe that only proves how much the passion for heavy music can push the musician even further in their creative process. In the case of Russian Groove/Alternative Metal act Be Under Arms I would say it’s both, and after listening to their excellent new album Doomed To Life you’ll understand how this solid balance between technique and feeling will take this band to stardom.

Despite being a fairly new band, formed in 2013 by the dynamic duo Anna “White Queen” Logacheva and Vladimir “Szandor” Nasonov in Moscow, Russia, Be Under Arms already released a full-length album in 2014 named Let Shots Will Be Your Music, displaying what would be perhaps the most “Americanized” sounding you might ever find on Russian soil. Now with Doomed To Life their main influences coming from bands like Slipknot, Stone Sour and Five Finger Death Punch become even more noticeable, which combined with their unique concept, blending the atmosphere of old westerns with steampunk and our modern and urbanized world, makes their music even more electrifying. Even the dystopian album art transpires rebellion and anarchy. Put differently, are you ready for a neck-breaking experience offered by these talented Neo-Metal troopers?

Be Under Arms kick off the album with the theatrical and contemporary Armed & Defenseless and its Slipknot-inspired intro in an interesting blend of Alternative and Symphonic Metal, where Vladimir is responsible for the deep guttural growls while Anna takes care of the clean (and almost operatic) passages and high-pitched screams, followed by Lord Of The Bomb, a polished onslaught full of elements from Metalcore and Melodic Death Metal. Vladimir pays a tribute to the most gruesome Death Metal singers such as Chris Barnes and Jeff Becerra, with bassist Dmitriy Kashirin and drummer Denis “John Doe” Vinitskiy adding tons of groove to the musicality, therefore enhancing the song’s punch. And their working single, Burn For This, is an breathtaking fusion of the high-speed and intricate music by Arch Enemy with the straightforward aggressiveness of the Butcher Babies, with the final result sounding beyond entertaining. Moreover, pay good attention to the metallic riffs by guitarists Viktor Gostemilov and Dmitriy Solo and to the passionate performance by Anna, they truly deserve that.

The whole band demands we keep banging our heads nonstop in March Of The Iron Hearts, a tune that leans towards pure Groove Metal with nuances of Death Metal, and as aforementioned it amazes me how a Russian band can sound so American and consequently ready to conquer the Western side of the world. And yet again inspired by the Butcher Babies, Keep This World provides the listener a violent ambience where Vladimir sounds as bestial as possible on vocals, with the song’s guitar riffs penetrating our heads and piercing our brains mercilessly. Then out of nowhere Be Under Arms morph their musicality from brutal Death Metal to modern Alternative Metal and back again within a short span of five minutes in the thrilling Locked And Bound, where Anna once again steals the spotlight with her deranged screams and also with her potent clean vocal lines.

be under armsDon’t even think about taking a break, because there’s a lot more to come in this awe-inspiring album, starting with To Rise From The Ashes, which presents that characteristic riffage from bands such as Slipknot by Viktor and Dmitriy, helping Vladimir and Anna in offering a great vocal duo to the listener. Be Under Arms then put the pedal to the metal in a hurricane of Melodic Death Metal full of anguished growls, fast beats and tons of groove entitled No Place Like Home, a short and sweet tune perfect for putting the audience to “dance” (or, in other words, slam into the circle pit). Surprisingly, after that we’re treated to a distinct chant named Spit On Your Grave, which is in fact a thoughtful power ballad despite its demented name (who doesn’t love that movie franchise?). While Anna’s vocals work extremely well during the whole song, Vladimir sounds a little weird with his clean vocals, somewhat like a gothic singer from the 80’s, but in the end when all is put together the result is very pleasant indeed.

The last part of the album gets back to sheer brutality, as you’ll be able to enjoy in Human Testing, which due to being slightly rawer than the other songs will surely cause a strong pain in your neck and maybe some bruises when played live. Then we have the title-track Doomed To Life showcasing the best riffs of the whole album by far (Viktor and Dmitriy were remarkably inspired when they composed them), with all other instruments being boosted by that energy flowing from the guitars and consequently turning this into another top moment of the album. On the other hand, in Kings Of Wasteland they tried to be even more alternative than usual, and despite not being a bad song it sounds a bit over the top. That doesn’t harm the overall quality of the album at all, but it’s surely the weakest chant in Doomed To Life. Lastly, we have the vile Metalcore chant Becoming A Monster, where we can enjoy a more introspective side of the band with highlights to the outstanding performances by Anna and Denis (not to mention its short but effective guitar solo), perfectly depicting the name given to it.

Do you think you’re worthy of joining this uproarious cyber army of Alternative Metal from Russia? If your answer is yes, go check their Facebook page, VKontakte and YouTube channel, and in order to get armed to the teeth with their ruthless music, you can find Doomed To Life on sale at the band’s official webshop or BandCamp page, as well as on iTunes. As aforementioned, based on what you will be able to witness in Doomed To Life, you’ll quickly realize this talented sextet from Moscow is actually “doomed” to awesomeness.

Best moments of the album: Lord Of The Bomb, Burn For This, No Place Like Home and Doomed To Life.

Worst moments of the album: Kings Of Wasteland.

Released in 2016 Independent

Track listing
1. Armed & Defenseless 4:39
2. Lord Of The Bomb 3:53
3. Burn For This 3:53
4. March Of The Iron Hearts 2:57
5. Keep This World 3:43
6. Locked And Bound 4:57
7. To Rise From The Ashes 3:29
8. No Place Like Home 2:24
9. Spit On Your Grave 2:36
10. Human Testing 3:19
11. Doomed To Life 4:27
12. Kings Of Wasteland 3:06
13. Becoming A Monster 4:28

Band members
Anna “White Queen” Logacheva – vocals
Vladimir “Szandor” Nasonov – vocals
Viktor Gostemilov – guitar
Dmitriy Solo – guitar
Dmitriy Kashirin – bass
Denis “John Doe” Vinitskiy – drums

Album Review – Among The Prey / Only For The Blinded Eyes (2016)

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A solid and energetic album highly recommended for fans of Melodic Death Metal, crafted by a Finnish band that has all it takes to become a future reference in Scandinavian heavy music.

Rating4

AmongThePrey2400pixFeaturing high skilled musicians previously known from groups such as Thunderstone, Agonizer and Before The Dawn, here comes Finnish Melodic Death Metal band Among The Prey directly from the city of Jyväskylä, the largest city in the region of Central Finland and on the Finnish Lakeland, firing a pugnacious fusion of traditional and modern Melodic Death Metal in their debut full-length album Only For The Blinded Eyes. And before I even begin the detailed review of this 9-track album, I might say this is undoubtedly an excellent choice for fans of a genre that became a synonym to heavy music from all over Scandinavia.

The reason for that is quite simple as Among The Prey deliver exactly what Melodic Death Metal demands to be truly entertaining, including enraged screams, melodic guitar lines and vigorous beats. Formed in 2013 and having released a demo entitled My Demons in 2014, it’s time for the band to reach higher grounds and send their special message to the world with Only For The Blinded Eyes. “The whole point of the album was to make music as it always should be done. If the artist has something to say, he puts himself truly in the line of fire and pours it all out. So that every played note and every vocal line would transfer those raw emotions to the listener. I hope we succeeded in that, so it can be heard why this album just had to be done”, said the band’s founder and frontman Iiro Kuntsi.

In the opening track, directly named Smile, the band offers us all huge doses of violence but with that characteristic polished sounding of Melodic Death Metal, and you’ll quickly notice how each band member masters their respective instruments. As expected, Iiro leads the attack with his sick growls and piercing riffs, making an excellent duo with the other guitarist for Among The Prey, Joni Laine. The following tune, Beyond Repair, is a modernized sonic devastation highly influenced by Groove Metal, where its nonstop beats are enhanced by its excellent guitar lines, turning this into a song tailored for igniting a fun circle pit with your friends during the band’s live performances; whereas the title-track Only For The Blinded Eyes gets darker than its predecessors, exhibiting lots of elements from the Gothenburg Sound but with the band’s own touch. For instance, especially during the song’s chorus the band seems to be paying a “tribute” to iconic bands such as In Flames and Soilwork.

Among_The_Prey_promopicDrinking from a similar music fountain of bands such as Arch Enemy, Among The Prey bring forward the very melodic and thrilling Burning Down In Hell, certainly one of the best tracks of the whole album (if not the best) mainly due to Iiro’s raging vocals, in special during the song’s catchy chorus about sorrow and regret (“Why did I do this to myself / Why can’t I make it go away / Over and over again / I’m burning down in hell”). Following that awesome chant, we have Pieces, which despite being a more introspective tune it still contains the unique fury crafted by the band. In addition, the precision by drummer Atte Palokangas is outstanding throughout the entire album, which can be witnessed in detail in his excellent performance during this song.

In Wake Up the band keeps blasting pure Melodic Death Metal, with the groovy and rumbling lines by bassist Toni Keskinen and the riffs by both Iiro and Joni elevating the overall quality of this neck-breaking chant. However, in order to avoid getting stale, the second half of the song presents a different approach from its first “act”, which in the end is a welcome breathe of fresh air and only makes things even better. In Your Face is another good display of the highly-developed skills of all band members, a solid fusion of Melodic Death Metal and Groove Metal that should sound very powerful during their live  concerts, while in Two Worlds Colliding, a song about  violence and betrayal (“Left behind, forgotten / Bout to walk this path / Blinded by all your / Darkened words / Violence has left me numb”), there’s a lot of hatred flowing from Iiro’s screams, with the only problem being that the song gets a bit tiring after a while. And finally, Dancing On Our Graves comes crushing with its four minutes of blazing riffs in perfect sync with the rhythmic drumming by Atte. This is perhaps the song with the highest amount of elements from different types of heavy music other than Melodic Death Metal, which makes me wonder the level of complexity the band could have reached with a couple of extra minutes if it was slightly longer than the final result (which is already really good, anyway).

In a nutshell, as I mentioned before Only For The Blinded Eyes is a solid and energetic album highly recommended for fans of Melodic Death Metal, crafted by a band that has all it takes to become a future reference in this type of heavy music. You can get more details on Among The Prey, their music, their tour dates and their future plans at their Facebook, YouTube, SoundCloud and ReverbNation, and grab your copy of Only For The Blinded Eyes at the Inverse Records webstore or at the Record Shop X webstore.

Best moments of the album: Smile, Burning Down In Hell and Wake Up.

Worst moments of the album: Two Worlds Colliding.

Released in 2016 Inverse Records

Track listing
1. Smile 3:49
2. Beyond Repair 3:51
3. Only For The Blinded Eyes 3:53
4. Burning Down In Hell 3:44
5. Pieces 4:45
6. Wake Up 4:15
7. In Your Face 3:04
8. Two Worlds Colliding 4:02
9. Dancing On Our Graves 4:16

Band members
Iiro Kuntsi – vocals, guitar
Joni Laine – guitar
Toni Keskinen – bass
Atte Palokangas – drums

Metal Chick of the Month – Shiori Vitus

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shiori01

Breathe life into the essence…

As Japan seems to be an unlimited source of kick-ass metal girls, first with Dr. Mikannibal at the end of 2015 and then with Lena Abé starting off the year of 2016 here at The Headbanging Moose, let’s travel back to the Land of the Rising Sun to pay one more humble tribute to another incredible Nipponese woman that has been not only promoting Heavy Metal in her homeland but, even more important than that, creating stirring and innovative music that transcend all geographical boundaries and reaching the hearts of different types of people all over the world. If you love melancholic and sorrowful sounds, and if you nurture a true passion for Dark Metal, you’ll simply feel amazed by the charisma and talent of Shiori Vitus, lead singer and lyricist of Japanese Gothic Metal band Eleanor.

Born in Osaka, Japan on November 17 (of an undisclosed year), Shiori seems to be a very persistent woman who doesn’t give up and keeps fighting for what she believes is right, which is the main reason why she’s the frontwoman for Eleanor today. Although there aren’t many details about her background in music and her career prior to Eleanor, she mentioned in one of her interviews that she decided to pursue a career in singing even being a “terrible singer” at first, one who couldn’t reach the right tones or provide the necessary power and balance to her voice. However, as I said she didn’t relinquish her dream as she felt from the bottom of her heart that was the right path to follow, and with a lot of experience gained due to intensive training and live performances she was able to overcome all barriers, frustrations and failures, becoming the stunning singer we know today.

It was in 2005 when Shiori, together with Japanese guitarist Ippei Shimada (or “Ippei J. Malmsteen”), founded Eleanor, also spelled “eleanor” in lower case or if you prefer エレノア in Japanese, impacting significantly the music scene in Osaka. Featuring melodic and atmospheric passages, thoughtful lyrics and ennui vocals, the band’s Gothic Metal has evolved in the past few years to a more experimental sounding, especially with their 2013 album, entitled Breathe Life into the Essence, offering something deeply distinct to their fans. Needless to say how important Shiori has been to the band, helping them keep their essence while at the same time always adding new elements to their music. So far, she has released with Eleanor a self-titled demo in 2006, a demo called The Second Dawn in 2007, their first full-length album A Circle of Lament in 2008, a demo entitled Fragments / Rise Above (Revive) in 2009, and more recently the aforementioned full-length album Breathe Life into the Essence in 2013, and the special single In Gloom… in 2014. In regards to this single, it’s a new version of one of their songs from their debut album A Circle Of Lament, re-recorded after changing the lyrics into Japanese and rearranging the song so as to fit their more recent musical tastes. And get ready, because Eleanor are about to release a brand new album now in 2016, which is always an exciting milestone due to their constant musical evolution.

You can relish her idiosyncratic vocals (always singing in Japanese, to make things even more interesting) on many distinct studio songs by Eleanor, such as Mourning and In Gloom…, and several others at their SoundCloud page. In case you fancy live music you can take a listen at her awesome performance in the songs Blue Moon, Sorrow and Eleanor’s cover version for the song Summer by Nuclear Valdez (you can compare it to the 1989 original song by clicking HERE). Or maybe a live version for the excellent Fatal Movement would suit you better? Anyway, I personally consider Shiori’s live performance a crucial component of Eleanor’s music, mainly due to her theatrical moves and gestures, enhancing the ambience already generated by their musicality. Apart from her life with Eleanor, she lent her voice to the song Caged… from the 2006 album Construction of Despair, by Japanese Melodic Death Metal/Metalcore band Smash the Brain, which by the way was a project led by her bandmate Ippei Shimada.

Perhaps one of the biggest achievements of Shiori and Eleanor to date was their performance at the 11th edition of the famous Belgian festival Metal Female Voices Fest in Wieze, Belgium on October 20, 2013, playing along with names such as Tarja, Lacuna Coil, Liv Kristine, Cadaveria and many others, as you can see HERE. You can see more about Shiori and the other members of Eleanor’s journey to Europe HERE and HERE, as well as check their excellent performance in the festival with the songs Blue Moon and Mourning.

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Regarding the uniqueness of the culture and styles found in Osaka, when asked about how different the music scene in the city is from Tokyo and the rest of Japan, Shiori commented about the fact that it’s a lot easier to go against the flow in Osaka than in Tokyo, which opens the doors for endless creativity and originality as opposed to the more “strict” market in the capital city. She even mentioned the names of a few important bands hailing from Osaka, like the unstoppable Heavy Metal band Loudness and Grindcore/Hardcore band S.O.B., as examples of how fruitful the city can be for heavy music or any other type of music. Tokyo obviously has also a lot to offer to fans of Heavy Metal, but I totally agree with Shiori with the fact that huge metropolitan areas are not the best places for bands who put creativity above money, or in other words, if you don’t want to be just another name in the music scene, run away from the big city.

I bet you also want to know about Shiori’s biggest influences in music, her favorite artists and albums, as well as her hobbies, correct? Let’s start talking about her main influences, or I should say artists that helped Shiori shape up her vocal style, and of course the list wouldn’t make any sense without Anneke van Giersbergen and the early days of Dutch Progressive Rock/Metal band The Gathering. Our Asian diva mentioned she was completely stunned by the expressiveness and quality of their music, pointing out Anneke is indeed unique if compared to most Gothic Metal divas, as she’s not a soprano nor has a symphonic style, which was something Shiori connected to instantly. In addition, Shiori was also influenced by renowned artists such as Janis Joplin and Ronnie James Dio, as well as non-metal/rock Japanese singers like Miyuki Nakajima and Junko Ohashi. However, she made clear she has never tried to copy anyone, but to be able to sing on average level and find her own style, advancing more and more as a musician both in terms of her technique and her emotions.

Her list of favorite bands and albums is simply amazing, showing how much she is a lover of Heavy Metal and Rock N’ Roll above all things. You’ll find bands like AC/DC, The Gathering and Electric Wizard as part of her playlist (which shouldn’t be a surprise at all to you at this point of this essay), with some of her favorite albums of all time being Let There Be Rock (AC/DC), Nighttime Birds (The Gathering), The Cold White Light (Sentenced), Eclipse (Amorphis) and The Best Of The Wildhearts (The Wildhearts). As a true Gothic metaller/rocker, Shiori is also a big fan of literature, with names such as Haruki Murakami and Kōbō Abe being part of her list of top writers. In addition, among her hobbies we can find usual activities like cooking, but at the same time some slightly more unconventional pastimes such as watching figure skating.

Furthermore, when asked to recommend a few bands and albums that perfectly represent what we call “Melancholic Gothic Metal”, Shiori put together another powerful list of darkly ethereal names, including The Gathering’s Mandylion (1995), Sentenced’s The Cold White Light (2002), Eternal Tears Of Sorrow’s Chaotic Beauty (2000), Entwine’s Diversity (2004) and my favorite one of her list (which was already mentioned in this essay), Amorphis’ Eclipse (2006). When you listen to an incredible song such as Leaves Scar and its beautiful lyrics (“Out from the frozen lake / She finally grew into her full might / She grew from a tiny thing / On this lake as I drove there to meet her”), not only it becomes extremely easy to understand why this is one of Shiori’s top albums and also part of her recommendations, but it’s also a very good example of how much our Japanese princess values passion and depth in heavy music.

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“We believe that the darkness we hold inside, and depressive thoughts become the drive and essence of a work of art, and by creating music of that kind, we glimpse ourselves and are able to confront the grief in the world surrounding us. Therefore for us to be fascinated by melancholic sounds is a completely natural reaction.” – Shiori Vitus

Concert Review – Epica & Moonspell (The Opera House, Toronto, ON, 01/22/2016)

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An electrifying fusion of Melodic Death Metal, Dark Metal and Symphonic Metal from distinct parts of the world storms the Opera House in Toronto in a memorable celebration of music.

OPENING ACT: Starkill

The North American Enigma PosterAlthough the winter hasn’t been too harsh so far in the city of Toronto this year, there’s nothing better than warming it up even more with some high-quality metal music from different parts of the world, all at the same place and time, don’t you agree? That’s what happened this Friday at the nice and cozy The Opera House, where fans could witness the riveting fusion of Melodic Death Metal from the United States, Dark Metal from Portugal and Symphonic Metal from the Netherlands on a cold but (thankfully) snowless night.

And I was finally able to get a full concert in Toronto from the very first second, without missing anything, starting with the young and restless metallers from STARKILL. Still promoting their latest album, the good Virus of the Mind, from 2014, this talented American quartet distilled their Melodic Death Metal in a precise way, warming up the crowd for the main attractions yet to come. Lead singer/guitarist Parker Jameson and guitarist Tony Keathley seemed very comfortable on stage and also among the crowd right after their concert was over, having a few beers with their fans, therefore showing how humble these guys are too. Despite adding a couple of nice unreleased songs to their setlist (entitled Burn Your World and Cloudless), in my opinion they truly thrived with songs from their two studio albums, in special the excellent Be Dead or Die and Fires of Life. I just wish they had played a faster song such as “Breaking the Madness” or “Skyward” instead of Before Hope Fades to close the show, but that was just a minor detail in their solid overall performance.

Setlist
Be Dead or Die
Burn Your World
Cloudless
Fires of Life
Virus of the Mind
Before Hope Fades

Band members
Parker Jameson – lead guitar, vocals
Tony Keathley – guitar, backing vocals
Shaun Andruchuk – bass guitar
Spencer Weidner – drums

MOONSPELL

IMG_1037About 24 hours before the moon in the city transitioned from First Quarter to Full Moon, and after an interesting alternate version of La Bafomette working as an intro, the iconic Portuguese Dark Metal wolf pack MOONSPELL stormed the Opera House with their obscurity, heaviness, electricity and undisputed talent. I really don’t know what to say about their performance so perfect it was. Perhaps that it took me too long to watch those old school Gothic metallers live for the first time? Anyway, their live concert is so damn brilliant it feels like an enhanced version of their studio albums, especially the performance by frontman Fernando Ribeiro. There’s so much passion emanating from his voice, either through his deep clean vocals, through his powerful growls or through his “real-time poetry” (or even when he made a joke about the guys from Starkill being so young they could be his children),  that it’s impossible not to get completely mesmerized and stunned by him during the entire show.

IMG_1032Of course, the rest of the band contributes enormously to the perfection of their music, with highlights to the polished and soulful riffs and solos by guitarist Ricardo Amorim, and to the sinister notes by keyboardist Pedro Paixão. There’s an absolute attention to detail coming from each musician involved, turning the experience of seeing Moonspell live into something unique. In addition, when you have such a masterpiece like their 2015 album Extinct guiding the setlist, with incredible compositions like Breathe (Until We Are No More), Extinct and The Last of Us complementing their old classics Night Eternal, Opium, Vampiria and Full Moon Madness, it’s extremely easy to put a sincere smile on the faces of the fans that attended the concert.

My only complaint is that their setlist was way too short and didn’t live up to their dark legacy. When the show was over after a little less than one hour, I was eager for more of their Gothic Metal, something you can expect from such an amazing band with a dazzling career like Moonspell. Well, they haven’t risen to stardom for no reason, right? If they had another 20 or 30 minutes to showcase more of their beautiful music, maybe by adding songs like “White Skies” and “Scorpion Flower” to their setlist, the night was going to be epic and, more important than that, more than eternal for us mere mortals. I cannot wait to see the “gajos” from Monspell live again, and next time, before the lights go out and before our time is gone, they better be the headliners or we riot!

Setlist
La Bafomette (Intro)
Breathe (Until We Are No More)
Extinct
Night Eternal
Opium
Awake
The Last of Us
Funeral Bloom
Vampiria
Alma Mater
Full Moon Madness

Band members
Fernando Ribeiro – vocals
Ricardo Amorim – guitars
Pedro Paixão – keyboards
Aires Pereira – bass
Miguel Gaspar – drums

EPICA

IMG_1069However, as most fans at the venue were there to see the main attraction of the night, the Dutch metallers from EPICA, I had to cope with the fact Moonspell’s concert was over and get ready for another good performance by the red-haired bombshell Simone Simons and her loyal crew. Due to personal reasons, they had to cancel their concerts in Toronto, Chicago and Minneapolis last September, which is why I believe their fans at the Opera House were so excited this Friday night.

Blending old classics with newer songs from their 2014 album The Quantum Enigma, Epica captivated the hearts of most people at the venue, with Simone connecting every single moment with the fans. As it happened with Moonspell, songs like The Second Stone and The Essence of Silence, despite not being classics yet, set fire to the crowd and boosted even more the impact of their classics, creating a very positive atmosphere among the crowd. And what can I say about the weird keyboards by Coen Janssen? What the hell was that? I mean, it looks cheesy, but it ends up working well with the music. If you like Epica, you know what I’m talking about.

IMG_1066There was just one minor issue with Epica’s performance, that being Moonspell. Well, not actually Moonspell, but the quality of the sound by the Portuguese metallers was way above what Epica provided the fans, which in the end felt odd. Sometimes their music sounded a bit muffled or tangled, not as clean as their studio versions, with Simone’s voice sounding lower (and almost inaudible in some moments) than all instruments. Nothing that could diminish the excitement among the fans at the venue, though, and obviously nothing that would make the night less memorable. If that mix of different subgenres of heavy music from distinct countries will ever happen again, only time will tell. In the meantime, all that’s left for us is keep those good moments deep in our hearts and wait until these bands come back to Toronto (especially Moonspell, in my case) for another shot of top-notch Heavy Metal.

Setlist
Originem (Intro)
The Second Stone
The Essence of Silence
Sensorium
Unleashed
Martyr of the Free Word
Cry for the Moon (with drum solo)
Storm the Sorrow
The Last Crusade
The Obsessive Devotion
Victims of Contingency
Design Your Universe

Encore:
Sancta Terra
Unchain Utopia
Consign to Oblivion

Band members
Simone Simons – lead vocals
Mark Jansen – rhythm guitar, harsh vocals
Isaac Delahaye – lead guitar, acoustic guitar, backing vocals
Rob van der Loo – bass guitar
Coen Janssen – keyboards, piano
Ariën van Weesenbeek – drums, harsh vocals

Album Review – My Dear Addiction / Kill The Silence (2016)

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This electric Swedish act is back and absolutely psyched up to kill the silence with more of their dynamic and melodic Metalcore.

Rating5

MDA-Kill_The_Silence-albumcoverHailing from the city of Älmhult, Sweden, around 500km southwest of the capital Stockholm (by the way, it was in Älmhult that the first IKEA store was built), the competent Melodic Metalcore five-piece band My Dear Addiction is back in action with their second full-length album, entitled Kill The Silence. And I might add that silence is the only thing you’ll definitely not find in this storm of ten high-speed and intense tunes thoroughly put together by this electric Swedish act.

With over a decade of experience, having released their debut album New Blood back in 2010 and having already played alongside bands such as Scar Symmetry and Dead By April over the years, My Dear Addiction returned to The Panic Room, the same studio where their first album was born in Sweden, to record Kill The Silence. Featuring a subtly dark artwork by Carl Blekkmark, from Blekkmark Design Studio (who has already worked with renowned artists such as Yngwie Malmsteen, Richie Sambora, Paul McCartney and Stephen King), Kill The Silence has everything Metalcore fans can expect from an album, delivering a strong message through each and every song.

The atmospheric and modern title-track Kill the Silence ignites the album by blending American Metalcore with the Gothenburg sound, with lead singer Kim Lindstén providing a good balance between clean vocals and harsh screams. A Promise is a lot heavier than the opening track thanks to the ferocious riffs by guitarists Christoffer Holm and Ludvig Blaesild, which add a lot of fuel to this excellent Melodic Death Metal tune; whereas in the upbeat chant Winners, drummer Peter Parkeborn pounds his drums mercilessly while Kim delivers a solid performance enhanced by the positive message from the song’s lyrics.

Beautiful is another great display of contemporary Metalcore, with its cheerful lyrics (“You are beautiful for what you are / Eyes will see / This will reach their heart / This is the song for a new start”) getting even more expressive due to the song’s background effects and powerful guitar lines. But it’s when those Swedes get faster and heavier that their music gains some considerable punch, which is the case in the thrilling Unbreakable, a song to bang your head and slam into the pit with your friends. As expected from any European band, they have a strong and noticeable melodic vein feeding their music, with the guitars by Christoffer and Ludvig burning bright and leading that harmonious torrent.

MDA-01Very melodic and with lots of breaks and variations, Always Around You sounds like a more progressive version of Metalcore, with bassist Johannes Nordigårds smashing his chords and consequently increasing the song’s impact, followed by All White, which despite losing some of its grip after a while is pretty decent in the end anyway. Furthermore, I’m not sure who’s responsible for the keyboards in the entire album, but he or she does an amazing job crafting a metallic and eerie ambience in almost all songs.

Veins, the shortest of all tracks, offers the listener the sheer violence found in Melodic Death Metal with smoother passages from Metalcore, especially in regards to the vocal lines by Kim, which should work pretty well if played live. And Face It and Rewind, although weaker than most tracks of the album, still presents solid guitar lines and sharp beats that prevent it from letting the energy level go down in Kill the Silence. Last but not least, Our Fire Inside has a Linkin Park-ish vibe in the beginning that suddenly morphs into heavy and aggressive Metalcore with some futuristic elements added to it, with highlights to its rhythm and groove, perfect for some crazy headbanging.

If you’re a diehard Metalcore fan, I truly recommend you go after the work by My Dear Addiction, either by getting in touch with them through their Facebook page or by enjoying their music through their YouTube channel. And you can obviously purchase Kill the Silence, available for streaming in its entirety HERE, at their official BandCamp page, on iTunes, on Amazon, and several other locations. Luckily for all of us, My Dear Addiction is not just back with a brand new album, but absolutely psyched up to kill the silence with more of their dynamic and melodic Metalcore.

Best moments of the album: A Promise, Winners and Unbreakable.

Worst moments of the album: All White and Face It and Rewind.

Released in 2016 Dead End Exit Records

Track listing
1. Kill the Silence 3:51
2. A Promise 3:38
3. Winners 3:17
4. Beautiful 3:31
5. Unbreakable 3:00
6. Always Around You 4:00
7. All White 3:57
8. Veins 2:42
9. Face It and Rewind 3:53
10. Our Fire Inside 4:24

Band members
Kim Lindstén – vocals
Christoffer Holm – guitar
Ludvig Blaesild – guitar
Johannes Nordigårds – bass
Peter Parkeborn – drums

Album Review – Against The Plagues / Purified Through Devastation (2015)

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The devastating new album by this Blackened Death Metal band from Chicago is undoubtedly the perfect soundtrack for the total extermination of our species.

Rating4

ALBUM_COVER_2015We all know that the human race has proven countless times to be a failed experiment of Mother Nature and that, consequently, there’s only one last resort to restore balance to the world, which is the total extermination of our species. Thus, as there’s no other way out, why not conducting that mandatory purge to the sound of the demolishing music found in Purified Through Devastation,  the brand new release by American Blackened Death Metal act Against The Plagues?

Based in Chicago, Illinois, this brutally heavy and technical band has been pulverizing the world with their Blackened Death Metal since their inception in 2005, mixing speed and slower tempos in a precise and explicit way for the delight of fans of extreme music. Featuring another first-rate artwork by renowned Swedish artist Pär Olofsson (you might remember him from some of our previous reviews such as the latest albums by Exodus and Irreversible Mechanism), six of the nine tracks in Purified Through Devastation were already part of either their 2012 EP The Quaternion or their 2015 EP Extermination Event, which altogether offer the listener a concept album that will leave you disoriented after its 47 minutes of annihilation are over.

Their pulverization begins in less than five seconds in Man’s Modern World, where lead singer Shaun Albro delivers potent screams and growls (hence leading the band’s dense musicality) while drummer Varyen Chylinski shows no mercy for mankind, sounding like a machine gun behind his drums. The brutal and atmospheric All Flesh Had Corrupted, showcasing a more modern version of Death Metal due to its background sounds, continues the band’s carnage and also presents some amazing guitar lines by Jon Corston and Aaron Covarrubias, especially their solos. And what can be said about Praetorian Icon, slightly faster, heavier and more demonic than the previous tracks, reinforcing their impressive technique to sound so destructive and tuneful at the same time?

photoThe next song, Theokratia, is a magnificent neck-breaking chant perfect for admirers of Melodic Death Metal but with sharper instruments, in special the bestial drumming by Varyen and the even deeper growls by Shaun. And their heavy artillery doesn’t give any sign of slowing down as seen in TerrorForm, where hints of Symphonic Black Metal blend perfectly with their traditional shredding, beats and screams, making it a highly-recommended tune for getting smashed in the circle pit. The same is valid for the awesome chant Extermination Event, where its initial siren alerts a scathing bloodshed is about to begin in the form of demented Death Metal.

Let’s say the album needed a short break from all extermination going on with the instrumental track Falling Further, but it’s just for less than two minutes before the psychotic tune Enblightened comes crushing your skull with its Black Metal elements, enhancing the already amazing harsh vocals by Shaun. And lastly, we have the threatening Enemy Herein to close the album, with all instruments getting darker than usual and Jon and Aaron firing more of their striking guitar solos.

Against The Plagues can be found on Facebook and ReverbNation, and there are so many awesome versions of Purified Through Devastation available for sale I don’t know where to start. You can grab your copy of the album at their BandCamp page, a limited edition CD signed by all members at their Big Cartel page, and both the regular version of the album or a special combo CD + T-shirt at the Non Serviam Records webstore. If the brutal extermination of mankind deserves a proper soundtrack, Against The Plagues are indubitably the ones to help us with that gruesome task.

Best moments of the album: Man’s Modern World, Theokratia and Extermination Event.

Worst moments of the album: Enemy Herein.

Released in 2015 Non Serviam Records

Track listing
1. Man’s Modern World 7:06
2. All Flesh Had Corrupted 4:58
3. Praetorian Icon 5:25
4. Theokratia 7:47
5. TerrorForm 5:12
6. Extermination Event 3:56
7. Falling Further 1:39
8. Enblightened 4:46
9. Enemy Herein 6:49

Band members
Shaun Albro – vocals
Jon Corston – guitar
Aaron Covarrubias – guitar
Milo Kovacevic – bass
Varyen Chylinski – drums

Album Review – The Prophet / Dying (2015)

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A consistent and striking album full of hatred, suffering and death, by an up-and-coming Russian band that aims at redefining Melodic Death Metal.

Rating4

the prophet_dyingIf you look up in any dictionary for the definition of the word Dying, you’ll find a few different meanings such as “on the point of death”, “occurring at or connected with the time that someone dies” or even “gradually ceasing to exist or function; in decline and about to disappear”. However, from now on there should be a new definition added to that list referring to the brand new release by Siberian Melodic Death Metal band The Prophet, a consistent and striking album overflowing hatred, suffering and, obviously, death.

Dying is the third full-length album by this talented band formed in 2010 in the city of Tomsk, Russia (one of the oldest towns in Siberia), and it’s by far their most solid and professional one in terms of its overall production, quality of the compositions and connectivity among its nine hostile tracks. The album’s cadaverous artwork, designed by Armenian artist and multi-instrumentalist Mark Erskine (GraveDealer Studio), is just the icing on the cake, effectually complementing what the music by The Prophet proposes throughout the entire album.

Just a few seconds after their metallic cavalry arrives in the opening track Killers, The Prophet already start detonating their fast and furious Death Metal through the harsh screams by lead singer/guitarist Doctor and a high-octane rhythm brought forward by guitarist Jo-Sound, bassist Bathone and drummer Raziel, reminding me of the massacre that old school Arch Enemy used to present. The following track, On The Path, is perfect for banging your head like a maniac due to its Black Metal riffs and its darkened ambience, which is also present in Incantation Of Sorrow, with the slight difference that now it’s the drums that get closer to a Black Metal sonority.

Band-1Although Amid The Fogs Of Nothing has the most beautiful name of all songs in the album, it is just an instrumental tune that prepares the listener to “die” with the title-track, the heavy and crisp Dying. It’s yet another song with a strong Arch Enemy-ish vibe, or in other words, it’s very melodic and lethal at the same time, with highlights to the always desperate growls by Doctor and the razing riffs by both Doctor and Jo-Sound.

Relying on a truly unhappy and dark atmosphere, Let My Soul Out will not bring any joy or hope to your miserable life, especially due to the addition of elements from Blackened Doom and Doom Metal to its musicality; while Infection, a lot faster and more violent than most songs of the album, sounds as if Behemoth meet In Flames, therefore kicking you in the jugular without mercy. A Voice From Nowhere follows a similar pattern, offering sheer brutality and nonstop beats that morph into an eerie ending, whereas Bathone and Raziel guide the funereal Last Mourning Waltz, with its guitars acting like one last scream of agony before a sinister piano concludes the band’s journey to the other side.

There are many ways you can join The Prophet on their road to death and doom, including their  official Facebook page, VKontakte, YouTube and SoundCloud. And in case you want to purchase Dying, you can find it for sale at their BandCamp page or at the Russian label Musica Production’s page on eBay. Now all that’s left to do is adding the suggested new definition of “dying” to the dictionary, especially because the words “dying” or “death” have never made more sense in Melodic Death Metal than through the music by The Prophet.

Best moments of the album: Killers, Dying and Infection.

Worst moments of the album: None.

Released in 2015 Musica Production

Track listing
1. Killers 3:23
2. On The Path 4:14
3.Incantation Of Sorrow 3:31
4. Amid The Fogs Of Nothing 2:05
5. Dying 4:05
6. Let My Soul Out 5:25
7. Infection 3:43
8. A Voice From Nowhere 2:52
9. Last Mourning Waltz 4:48

Band members
Doctor – vocals, guitars
Jo-Sound – guitars
Bathone – bass
Raziel – drums

Album Review – [EVERTRAPPED] / Under The Deep (2015)

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Do you want to know what lies under the deepest and darkest regions of the human soul? This vicious and ruthless album might have all the answers you’ve been searching for.

Rating4

Album Cover - Evertrapped - Undert The DeepEveryone knows how fertile and multifaceted the metallic scene in Montreal, Quebec, Canada has always been. There are so many excellent bands hailing from all parts of the city it’s hard to pick just a few, and since 2007 there’s another amazing act added to that distinct group delivering heavy and groovy chants for the delight of fans of Melodic Death Metal, peculiarly named [EVERTRAPPED]. That’s right, this five-piece band has their name intentionally written with enclosed brackets, which according to the band members signifies the trappings of modern life for all of us and how people, despite their best attempts to break out of the mold, are still affixed to a simple controlled existence and futility.

If you’re a fan of the cataclysmic sounding by bands such as Arch Enemy, Whitechapel, Mnemic, Lamb Of God and Threat Signal, among others, you’ll definitely enjoy what [EVERTRAPPED] have to offer with their brand new album, entitled Under The Deep, an exploration of the deepest reaches of human madness, the darkest regions of the soul and the blackest part of the human heart. Both the music and the lyrics in Under The Deep follow that modern and obscure concept, elevating the impact of the sharp venom blasted by this talented quintet throughout the entire album.

Under The Deep kicks off with the sinister and calm intro […], offering some piano notes before the guitars and a charming female voice appear to help build the ambience for the devastating Arise From The Ashes, sounding like almost pure Death Metal so heavy it is. James Brookes comes crushing everything with his deranged growls, whereas it’s easy to notice how technical drummer Eric Lemire is even amidst all the destruction crafted by the whole band. The massacre goes on in the sick tune entitled Underneath The Deep, one of those songs to break your fuckin’ neck headbanging where James gets even more demonic on vocals, but at the same time with the melodic guitar lines by Frederick Dupuis and Vincent Benoit giving more balance to the final result.

Evertrapped - Press Photo - credit - Luc DelormeIn Palace Of Injustice, [EVERTRAPPED] get closer to the musicality by Lamb Of God, firing merciless beats and huge doses of anger and insanity in an extremely dense and dark way, ripping your heart and soul until the song’s eccentric ending; while in Hypnotized By Hatred, a kick-ass tune that flirts with Black Metal in some instances, the band adds thrashier and darker elements to the music, switching from sheer speed to neck-breaking riffs and vice-versa a few times before the song is over. And there will be blood in the following song, another blackened chant entitled Blood Of The Fallen, where James growls like a beast while the other band members smash their instruments, creating a truly brutish atmosphere. It’s incredibly heavier than any Melodic Death Metal band on earth, with highlights to its spot-on guitar solos.

Lethal District shows us all that the band never gets tired at all of being so brutal, despite this being a more progressive song with interesting breaks thanks to the excellent job done by bassist John Yates and drummer Eric Lemire. Then we have another solid and technical display of their boisterous metal named Burning Through Vengeance, offering us relentless beats enhanced by its background atmosphere together with a very melodic and imposing rhythm, followed by the rhythmic and dark Reaper, with the harsh screams by James leading the music to a total state of dementia while Frederick and Vicent keep discharging powerful riffs and solos through their guitars. And last but not least, there was no better way to close the album than piercing our ears and lacerating our minds with the deadly tune Embrace The End. Simply bang your head nonstop to this awesome riff until the song’s climatic ending, it’s definitely worth the pain.

Do you want to know what lies under the deepest and darkest regions of the human soul? If you’re up for this thrilling challenge, all you have to do is visit the band’s Facebook page and YouTube channel, as well as their BandCamp page in case you you want to take a better listen to Under The Deep and obviously purchase the album. And when you get deep down there, be ready to have your heart poisoned (in a good way) by the music by [EVERTRAPPED] and have your soul unleashed from your hollow existence.

Best moments of the album: Underneath The Deep, Hypnotized By Hatred and Blood Of The Fallen.

Worst moments of the album: Lethal District.

Released in 2015 Hellstorm Recordz

Track listing
1. […] 1:58
2. Arise From The Ashes 5:40
3. Underneath The Deep 5:50
4. Palace Of Injustice 6:06
5. Hypnotized By Hatred 5:26
6. Blood Of The Fallen 5:05
7. Lethal District 6:28
8. Burning Through Vengeance 5:36
9. Reaper 5:30
10. Embrace The End 5:55

Band members
James Brookes – vocals
Frederick Dupuis – rhythm and lead guitars
Vincent Benoit – rhythm and lead guitars
John Yates – bass
Eric Lemire – drums