Tag Archives: power metal

Concert Review – Boonsdale Fest 2018 & Wacken Metal Battle Canada Final (The Opera House, Toronto, ON, 06/09/2018)

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After a year of silence, Wacken Metal Battle Canada returned in full force in a unique partnership with Boonsdale Fest to decide which underground band would raise the flag of Canadian metal high on “The Holy Land” of heavy music.

INTRODUCTION: BOONSDALE FEST AND WACKEN METAL BATTLE CANADA UNITED

There’s nothing better than a night of ass-kicking heavy music in the always fun month of June in the city of Toronto, and to make things even better how about uniting at The Opera House the 2nd annual Boonsdale Fest, organized by Boonsdale Records and featuring the bands Mokomokai, Operus and Borealis, with the 2018 edition of Wacken Metal Battle Canada, where the Best from the West Hammerdrone battled the Best from the East Centuries of Decay for a place alongside the greatest names in the history heavy music at Wacken Open Air later this year. As there was no Wacken Metal Battle Canada in 2017 (each year Wacken allocates 28 slots at W.O.A. for the Metal Battle winners from 28 different countries, and due to the increasing number of countries some are asked to pause for a year to give the chance to others to participate, which was what happened to Canada last year), this year several Canadian independent and underground bands were more than eager to participate in the competition again, with qualifying rounds happening all over the country starting January 12,  until Calgary’s Hammerdrone and Toronto’s Centuries of Decay reached the desired final round in Toronto this Saturday.

In 2016, Wacken Metal Battle Canada crowned Death/Thrash Metal band Profaner as champions, who then by the way advanced to be 2nd place at the international Metal Battle at W.O.A. that same year, so who would be granted the chance to represent Canada at the biggest metal festival in the world in 2018? Well, it’s time to rumble to the heavy music by Centuries of Decay, Hammerdrone, Mokomokai, Operus and Borealis, and wait for guest judges Gustavo Valderrama (Navaja Music, Electric Flow), Tim Henderson (Bravewords.com), Andrew Epstein (Zombitrol Productions, Alan Cross’ A Journal of Musical Things), Chris Gonda (PureGrainAudio.com), Charlie Felix (Sound & Noise, Live Talent), Oscar Rangel (Operus, Ex-Annihilator), Wojtek Sokolowski (Operus) and Luc Lainé (CFLX 95,5 FM) to decide which band would rule them all!

CENTURIES OF DECAY

Centuries of Decay @ The Opera House, Toronto, ON, 06/09/2018

Precisely at 9pm Toronto’s own Progressive/Atmospheric Death Metal act Centuries of Decay hit the stage at The Opera House showing why they were chosen Eastern Canadian Metal Battle champions, led by the deep and very melodic growls by vocalist and guitarist Devin Doucette. Formed in 2014, the quartet released in 2017 their debut self-titled album, available for a listen (and obviously for purchase) at their own BandCamp page, and that album was basically what the metalheads at the venue had the pleasure to witness them playing live. With songs getting close to or even breaking the 10-minute mark, something unimaginable for any artist or band from most non-metal styles that are in pursuit of stardom, Centuries of Decay inspired everyone in the crowd to bang their heads nonstop and feel embraced by their atmospheric music, generating a very nice and interesting feeling in all of us. That’s how exciting progressive and atmospheric heavy music can be, and if these are just the initial steps in the promising career of Centuries of Decay, I can’t wait to see what those four metallers will bring next.

Band members
Devin Doucette – vocals, rhythm guitar
Rob McAllister – lead guitar, backing vocals
Matt Hems – bass
Derrick Doucette – drums

HAMMERDRONE

Hammerdrone @ The Opera House, Toronto, ON, 06/09/2018

After a quick bathroom/beer break, it was time for the winners of the West Hammerdrone to make a lot of noise and crush us with their unrelenting Melodic Death Metal, opening their performance with the violent Dark Harvest, the title-track from their 2017 opus Dark Harvest, which you can buy directly from their BandCamp page, a concept album inspired by the real life but obscure tale of the Scottish terrorist organization the Dark Harvest Commando. Frontman Grahma Harris was on fire during the entire concert, growling and roaring (and also making faces) like a beast, while his bandmates Rick Cardellini (lead guitars), Curtis Beardy (rhythm guitars), Teran Wyer (bass) and Vince Cardellini (drums) delivered a well-balanced fusion of the more harmonious lines from Melodic Death Metal with the sheer heaviness and aggressiveness of old school Death Metal. As a matter of fact, you can download for free a live EP by Hammerdrone titled Rituals of Battle from their BandCamp page, just to give you an idea of how awesome their music sounds live. And after Hammerdrone’s concert was over, I knew the judges were going to have a very difficult time deciding who should be crowned the 2018 champions. Well, at least they had a few more excellent concerts to go until then.

Band members
Graham Harris – vocals
Rick Cardellini – lead guitars
Curtis Beardy – rhythm guitars, backing vocals
Teran Wyer – bass, vocals
Vince Cardellini – drums

MOKOMOKAI

Mokomokai @ The Opera House, Toronto, ON, 06/09/2018

When Peterborough-based four-piece band Mokomokai began blasting their electrifying blend of old school Heavy Metal and Hard Rock, I guess we could say it was the “official” start of Boonsdale Fest, and let me tell you it looked like their Rock N’ Roll party had no time to end. Formed in 2011, and having a distinct name inspired by the preserved heads of Māori, the indigenous people of New Zealand, the quartet formed by John Ellis on vocals and guitar, Bobby Deuce on the guitar, Jeremy Pastic on bass and J J Tartaglia on drums put everyone at the venue to dance with their flammable music, playing songs from their 2017 album The Poison Whiptail, like the excellent Heavy Metal Sky, as well as a cover version for the classic The Wizard, by Black Sabbath (check out the original version HERE), taken from their 1970 masterpiece Black Sabbath, with John even playing the song’s traditional harmonica. After such high level of adrenaline, I have only one thing to say about Mokomokai: if they visit your hometown, don’t miss the chance to see them kicking some serious ass live.

Band members
John Ellis – vocals, guitar
Bobby Deuce – lead & rhythm guitar
Jeremy Pastic – bass
J.J. Tartaglia – drums 

OPERUS

Operus @ The Opera House, Toronto, ON, 06/09/2018

Perhaps the performance by the following band of the night, Toronto-based Epic Symphonic Metal squad Operus, was the most peculiar of the entire event due to all the unique elements found during their concert (and one of them was definitely not on purpose). Formed in 2005, this six-piece act put on an extremely entertaining and atmospheric show still promoting their 2017 album Cenotaph, featuring Oscar Rangel (ex-Annihilator) on the guitar, cellist Robin Howe adding an extra touch of epicness to the band’s music, masked-frontman David Michael Moote with his passionate and theatrical performance, J.J. Tartaglia back on drums to play a completely different style from Mokomokai, and an injured bassist Wojtek Sokolowski who twisted his ankle right at the beginning of the show, but who refused to stop and managed to play their full set before going to ER (and that’s what I call a true metalhead!). That’s another band I highly recommend you go watch live if they’re scheduled to play at a venue near you, and you can find their latest album available on different platforms such as iTunes if epic and symphonic music is your cup of tea.

Band members
David Michael Moote – lead vocals
Rob Holden – guitar
Oscar Rangel – guitar, backing vocals, growls
Robin Howe – cello, backing vocals
Wojtek Sokolowski – bass, backing vocals
J.J. Tartaglia – drums 

BOREALIS

Borealis @ The Opera House, Toronto, ON, 06/09/2018

Last but not least, the festival ended with another very progressive and melodic band named Borealis, formed in 2005 in the Ontarian city of Orangeville, who also delivered a solid and delightful performance playing songs from all of their five full-length albums, such as Revelation, from their 2015 album Purgatory, and The Awakening, from their brand new opus The Offering, released earlier this year. Comprised of lead singer and guitarist Matt Marinelli (who had his bottle of water wisely placed on his mic stand looking like he was going to deliver some “wah wah’s” with his guitar when he was actually just thirsty as hell), guitarist Ken Fobert, bassist Trevor McBride, keyboardist Sean Werlick and drummer Sean Dowell, Borealis did not disappoint their fans, filling all empty spaces in the air with their classy Melodic and Power Metal and keeping everyone pumped up even with the clock getting close to 2am. That’s another band I highly recommend you go check them live as well as go after their discography, because it’s not only top-tier metal music, but the overall production of their albums is also outstanding.

Band members
Matt Marinelli – vocals, guitars
Ken Fobert – guitars
Trevor McBride – bass
Sean Werlick – keyboards
Sean Dowell – drums

AND THE WINNER IS…

Centuries of Decay – 2018 Wacken Metal Battle Canada Winner

…Toronto’s own Progressive/Atmospheric Death Metal squad CENTURIES OF DECAY! It was indeed an amazing concert, and I’m sure they will proudly carry the flag of Canadian metal high during their journey through the holy land of Wacken. Actually, I really wish Wacken Metal Battle Canada could send two bands to the festival, because Hammerdrone were just as demolishing and professional as the Metal Battle winners. At least now more people will get to know Hammerdrone and all other bands of the night, which in the end is the ultimate goal of the Metal Battle and of festivals like Boonsdale Fest, keeping the fire of metal alive by always presenting to us fans new incredible bands from the underground scene. For instance, there was this old school, diehard metalhead (drinking beer at an insane speed of “two tall boys every five minutes”, but who was still able to walk, talk and headbang as if he was having just water) who asked me right after Operus if there was still more to come, and when I said there was still one more band he showed a huge and honest smile and said “this is great, eh?”, and if independent bands can still extract that type of reaction from a veteran like that guy, well, that’s another proof that metal music will never die. Now let’s wait until next year to see which new name will represent Canada at W.O.A. 2019, and if you already have your tickets for the festival this year, don’t forget to go say “hi” and raise your horns to the guys from Centuries of Decay.

Album Review – Preludio Ancestral / Oblivion (2018)

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A magnificent opus of epic-painted Power Metal with symphonic arrangements and amazing guitar work, where various guest musicians help give form to an album that will be a delight for any lover of the genre.

Formed back in 2005 by guitarist Leonardo Gatti in San Miguel, a city in the northwest region of Greater Buenos Aires located around 30km from the City of Buenos Aires, Argentina, Symphonic Power Metal band Preludio Ancestral has been making a name for themselves since their inception with a steady flow of high-quality releases, starting with the EP Silencio and the full-length album Hacia lo Inmortal, both in 2012, followed by the 2013 EP Putrefaction, the 2015 album Kybalion, and the 2016 album El Misterio de la Pasión Divina, gaining strong recognition not only in their native country, where they even opened for acts like Rhapsody of Fire and Stratovarius, but also everywhere where the epicness and electricity of Power Metal are admired.

Now in 2018 the band comprised of the aforementioned Leo Gatti on the guitars and keyboards, Ari Katajamäki on bass and Diego Camaño on drums are set to release a brand new album titled Oblivion, a magnificent opus of epic-painted Power Metal with symphonic arrangements and an awesome guitar work, where various guest musicians hailing from different parts of Argentina and Europe give form to an album that will be a delight for any lover of the genre. As a matter of fact, due to the fact that almost every song of the album has a different lead singer, Oblivion feels like three or four album in one, with the music always remaining fresh and captivating throughout its 10 distinct songs (or 12 if you purchase the special Japanese edition of the album).

Presagio is a cinematic intro that takes you to the world of Preludio Ancestral, where the flammable sound of the guitar by Leo and the unstoppable beats by Diego are joined by Alessio Perardi on vocals in King of Silence, a classic Melodic Power Metal tune the likes of Dragonforce and Stratovarius; followed by Storm, a Power Metal extravaganza led by the intricate drums by Diego with Enzo Donnarumma taking the vocal duties, while Leo and Ari bring tons of melody and feeling to the musicality. And Alessio is back on vocals for a fast and harmonious exhibit of modern-day Melodic Metal named Fear of Falling, showcasing all elements we love in this type of music. Furthermore, Ari is simply fantastic with his bass, smashing his strings mercilessly while guest keyboardist Gabliel Crisafulli embellishes the overall sound with his kick-ass solo.

With Fran Vázquez on vocals, Preludio Ancestral offer a mid-tempo, melodic tune titled Ready to Rock, leaning towards the darker and deeper metal crafted by icons such as Dio and Saxon. Moreover, can you feel those beats pounding inside your mind? Moving on with the album, the title-track Oblivion, featuring Juan Pablo Kilberg on vocals, could be part of a concept album due to its initial narration and pace, morphing into straightforward Power Metal the likes of Helloween and the early days of Sonata Arctica, with Juan Pablo also delivering a crisp guitar solo to make things even more epic. Then it’s time to slow things down a bit with a power ballad titled Universal Love, presenting more of the voice of Alessio Perardi, passionate solos by Leo and a dense background, but unfortunately with the overall result falling flat after a while.

In Reflection in the Wind they get back to a faster and more slashing musicality, presenting a solid instrumental base by Leo, Ari and Diego that sets the perfect stage for Kimmo Perämäki to thrive on vocals. This is one of those songs to sing along with the band wherever you are, not to mention another spectacular keyboard solo by Gabliel Crisafulli. In Dust World, a classic mid-tempo tune led by the powerful riffs by Leo, Alessio Perardi returns for one last breath of his potent vocals, while Ari and Diego keep the atmosphere as thunderous as it can be, before the closing act in Oblivion, titled Metal Walls, brings Daniel García on vocals in what can be considered the most modernized of all tracks, displaying elements from distinguished styles such as Alternative, Industrial, Dark Metal and Hard Rock, and let me tall you that the final result is above all expectations, in special due to the amazing job done by Leo on keyboards.

In summary, Oblivion (available for a full listen on Spotify) will not only cement the name of Preludio Ancestral as one of the best and most professional bands from this new wave of Symphonic and Power Metal in their homeland, but it will also help the band spread their wings and reach higher grounds in the world of heavy music. And if you wan to show your honest support to such up-and-coming act, simply go check their Facebook page and YouTube channel for news and other shenanigans, and purchase Oblivion through the band’s own BandCamp page, through the Xtreem Music webstore, through the Spiritual Beast webstore, or on Amazon. May the power of Heavy Metal be with Preludio Ancestral anywhere they go, and may other bands from Argentina and South America follow their steps and deliver more metal music to fans tired of having bad and fake music shoveled down their throats by their local TV shows, radio stations, and websites.

Best moments of the album: King of Silence, Fear of Falling and Reflection in the Wind.

Worst moments of the album: Universal Love.

Released in 2018 Fighter Records/Spiritual Beast

Track listing
1. Presagio 1:04
2. King of Silence 3:49
3. Storm 4:02
4. Fear of Falling 4:30
5. Ready to Rock 3:45
6. Oblivion 5:07
7. Universal Love 4:24
8. Reflection in the Wind 3:31
9. Dust World 4:49
10. Metal Walls 5:35 

Japanese Edition bonus tracks
11. Like A Star (New Version) 3:31
12. No Man’s Land 3:27

Band members
Leonardo Gatti – guitars, keyboards
Ari Katajamäki – bass
Diego Camaño – drums

Guest musicians
Alessio Perardi – vocals on “King of Silence”, “Dust World”, “Fear of Falling” and “Universal Love”
Fran Vázquez – vocals on “Ready to Rock”
Daniel García – vocals on “Metal Walls”
Juan Pablo Kilberg – vocals on “Oblivion”
Raffaele Raffo Albanese – vocals on “No Man’s Land”
Kimmo Perämäki – vocals on “Reflection in the Wind”
Enzo Donnarumma – vocals on “Storm”
Gabliel Crisafulli – keyboards solos on “Oblivion”, “Reflection in the Wind” and “Fear of Falling”
Juan Pablo Kilberg – guitar solos on “Oblivion”
José Paz – keyboards on “Presagio”

Album Review – Mad Agony / Mad Patrol (2018)

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Join this mad patrol of Italian metallers where drinking beer, slamming into the pit and showing your passion for heavy music are the only rules you need to follow.

Forged in the distant year of 1991 in the metallic pits of Padua, a city in Northern Italy’s Veneto region, Italian Heavy/Thrash Metal squad Mad Agony went on a huge hiatus starting in 1993 due to the departure of one of its founding members, but their inner passion for true heavy music didn’t die at all, leading the band to rise from the ashes in 2011. After their rebirth to the world of heavy music, the band released in 2013 the full-length album Chernobitch, gaining positive feedback from fans and critics worldwide and, consequently, inspiring them to keep recording heavy music in the following years, culminating now in 2018 with the release of their second full-length installment, titled Mad Patrol.

Comprised of “Mad” Max Zane on vocals, Samael Von Martin on lead guitar, Andrea “Babetz” Babetto on rhythm guitar, Dani D3vine on bass, and Demian De Saba on drums, Mad Agony play a wild and straight-to-the-face fusion of several styles such as Heavy Metal, Trash Metal, Hard N’ Heavy, Hard Rock and even Black Metal, with their songs being characterized by endless amounts of electricity and being highly recommended as the playlist for any fun rock n’ roll party where drinking all the beer you can until you drop is mandatory. Put differently, Mad Agony don’t aim at reinventing the wheel with Mad Patrol, but just to keep partying and carrying the flag of Heavy Metal proudly in honor of the golden years of the music we all love so much.

The headbanging riffs by Samael and Andrea rev up the engines in the opening track Cold Stars, an old school fusion of the classic Thrash Metal played by Anthrax with the more visceral music blasted by Forbidden where Mad Max lives up to his own nickname with his rabid screams, and with the music ending powerfully with a flammable solo by Samael. Then crushing guitar lines kick off an epic and impactful ode to Thrash Metal by Mad Agony, titled Circle Of Fire, also bringing hints of the Power Metal played by bands like Grave Digger and Running Wild and, consequently, being highly recommended for admirers of 80’s traditional metal music; whereas in Let Me Die we’re treated to a mid-tempo sonority showcasing rumbling bass punches by Dani and steady, fierce beast by Demian, with its rhythm reminding me of the classic “Bang Your Head” by Quiet Riot. It gets a bit tiring after a while, though, but nothing to worry about.

More Beer is one of those old school thrashing hymns with a beyond fun theme, with the whole band destroying their instruments during the faster pieces, while the slower parts are spearheaded by the slashing riffs by Samael and Andrea; followed by Party Time (Zombie Version), a Rock N’ Roll party by Mad Agony where Mad Max couldn’t sound more inspired on vocals while Samael fires pure awesomeness through his riffs and solos. And in Warriors Of The Whales, which by the way has an amazing name, the vocals by Mad Max sound somehow inspired by the great Udo Dirkschneider, becoming an awesome option for slamming into the pit during their live performances, with Demian being utterly brutal on drums.

Antiochia – Back To Bare Metal is a classic instrumental Heavy Metal extravaganza showcasing potent drums and electrified guitar riffs and solos, before Mad Agony get back to a more Rock N’ Roll and Hard Rock vibe in the flammable You Bring Me To The Ground. Simply grab your beer, slam into the pit and have fun with this exciting tune, with highlights to its catchy chorus and the exciting pace led by Damien and his solid beats. And lastly, we have Metal Thrashin’ Mad, their cover version for the classic by Anthrax from their 1984 album Fistful Of Metal (check out the original version HERE). Needless to say, Mad Agony’s version is just as incendiary, entertaining and old school, with the demented vocal performance by Mad Max being the icing on the cake.

You can get more details about Mad Agony and their unrelenting metal music through their official Facebook page, and purchase your copy of the well-crafted and upbeat Mad Patrol from the band’s own webstore (where you can buy the way buy the special edition with a bonus live CD) showing your support to such obstinate band and, as a consequence, keeping the flame of underground metal burning brighter than ever. And besides, how not to be tempted to join a “mad patrol” of Heavy Metal? You have to be really mad not to take part in such distinct squad.

Best moments of the album: Circle Of Fire, More Beer and Metal Thrashin’ Mad.

Worst moments of the album: Let Me Die.

Released in 2018 Independent

Track listing      
1. Cold Stars 5:11
2. Circle Of Fire 4:33
3. Let Me Die 5:07
4. More Beer 2:24
5. Party Time (Zombie Version) 2:55
6. Warriors Of The Whales 3:48
7. Antiochia – Back To Bare Metal (instrumental) 6:13
8. You Bring Me To The Ground 3:24
9. Metal Thrashin’ Mad (Anthrax cover) 2:51

Disc 2 – Live Somewhere And Nowhere
10. Chernobitch 4:26
11. Back In Town! 3:04
12. Subconscious Fear 5:41
13. Presence 4:24
14. Boundaries Of Death 6:58
15. Iron Fist (Motörhead Cover) 2:56
16. Mad Agony 3:56
17. Mad Agony (feat. Pietro M Rock) (Video version) 4:20
18. Trick Or Treat (Fastway cover) 4:50

Band members
“Mad” Max Zane – vocals
Samael Von Martin – lead guitar & backing vocals
Andrea “Babetz” Babetto – rhythm guitar & backing vocals
Dani D3vine – bass & backing vocals
Demian De Saba – drums & backing vocals

Album Review – NovaReign / Legends (2018)

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A fast, melodic and intricate album that perfectly represents the new age of Progressive Power Metal, telling stories in musical literature and speaking to a generation influenced by epic fantasy tales, comic books and video games.

Influenced by bands like Iron Maiden and Dream Theater, to Dragonforce and Angra, American metallers  NovaReign represent the new age of Progressive Power Metal, telling stories in musical literature and speaking to a generation influenced by epic fantasy tales, comic books and video games. Formed in 2010 in the city of Los Angeles, California, in the United States, NovaReign are not only inspired by the aforementioned classic metal acts, but they also incorporate elements from a multitude of non-metal styles such as Jazz, Funk and EDM (Electronic Dance Music) to their high-octane music, adding a little extra flavor to their already exciting compositions.

The band has been steadily and surely building a buzz and reputation for themselves in recent years, becoming a fixture with energy-abounding live shows filled with nonstop shredding guitar interplay and powerful traditional metal vocals, altogether culminating in the release of their debut full-length album this year, the nonstop metal attack titled Legends, an hour-plus of shred-tastic, over-the-top, epic power and progressive metal music. Not only that, the album art also transpires epicness, as explained by guitarist Danny Nobel. “The art was based off an idea I had pitched to have giant statues of god-like figures in an astral plain,” explains Danny. “Our bassist, Moises, took the idea and created the drawings you’ve seen so far. The characters are all based on warriors and mythical beings, which represent themes of courage, heroism, strength and virtue. These are characteristics and themes of the overall album. That along with a cosmic decor.”

The opening tune, titled Call On The Storm, brings forward progressiveness flowing from the very first second from the melodic guitar lines by Danny and his bandmate Balmore Lemus, gradually becoming a Power Metal feast led by the high-pitched vocals by frontman David Marquez. And the action doesn’t stop at all, with gripping solos and faster-than-a-bullet beats keeping the electricity at a really high level. Then get ready for 10 minutes of pure Melodic Heavy Metal in Mace Of A Fist, where Danny and Balmore are on fire with their Dragonforce-inspired riffs and solos while drummer Paul Contreras keeps blasting furious and precise beats, not to mention the second half of the song which is that type of sonic “masturbation” fans of Melodic and Progressive Metal truly love. And let’s say their “metal masturbation” goes on in another classic Power Metal extravaganza titled Beyond The Cold, presenting a galloping rhythm crafted by bassist Moises Gavez together with Paul, perfect for David to blast sheer epicness through his vocals and to Danny and Balmore to deliver some insane guitar solos.

The following song in Legends, the excellent Heavy Heart, reminds me of the sound by some of the best metal bands from Japan such as Moi Dix Mois, Versailles, Anthem and especially Saber Tiger and Loudness, being fast, intricate, electrifying and an absolute orgasm for fans of the genre. And have I mentioned their guitar solos are simply fantastic? Anyway, moving on with their sonic onrush, Skyline feels a lot less intense than its predecessors, but still presenting the band’s characteristic sonority. All band members are precise with their instruments, providing David all he needs to powerfully declaim the song’s lyrics, with the only issue being that the song goes on for too long with its almost 9 minutes of music.

The sound of rain and an acoustic guitar set the tone in the bridge To Wander The Stars, before NovaRegin return with another metallic, melodic and inspiring tune entitled The Builder. Led by the rhythmic drums by Paul, the song presents the band’s guitar duo simply slashing their strings mercilessly, therefore generating a piercing but very enjoyable sound in the end. In Black As The Dead Of Night we’re treated to a 9-minute onslaught of Power Metal with Danny and Belmore being two shredding and soloing machines, with the work done by Paul on drums being outstanding. Moreover, despite being as long as “Skyline”, it has a lot more flavor and punch, maintaining the energy flowing until the end. And lastly, the title-track Legends brings tons of progressiveness through the band’s intricate riffs and beats, as well as the awesome bass punches by Moises. Put differently, it’s a heavier and more melodic version of Dream Theater with hints of Iron Maiden, which means that if you’re a musician and into Power Metal, this song has everything you crave in heavy music.

In case you think my words are not detailed enough to describe the music by NovaReign, you can enjoy the band doing a really nice track by track breakdown on YouTube, and after enjoying such interesting video you should definitely go check what NovaReign are up to on Facebook, and purchase Legends through their official BandCamp page, through the M-Theory Audio webshop, on iTunes, on Amazon, and in other retailers like Target, Adipocere Records and DeepDiscount. And there you have the perfect (and very intricate and melodic) soundtrack for your most epic adventures, how about that?

Best moments of the album: Call On The Storm, Beyond The Cold, Heavy Heart and Black As The Dead Of Night.

Worst moments of the album: Skyline.

Released in 2018 M-Theory Audio

Track listing
1. Call On The Storm 6:58
2. Mace Of A Fist 10:10
3. Beyond The Cold 5:58
4. Heavy Heart 5:09
5. Skyline 8:56
6. To Wander The Stars 2:24
7. The Builder 5:22
8. Black As The Dead Of Night 8:44
9. Legends 9:25

Band members
David Marquez – vocals
Danny Nobel – guitars
Balmore Lemus – guitars
Moises Gavez – bass
Paul Contreras – drums

Album Review – Sebastien / Act Of Creation (2018)

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One of the biggest exponents of modern-day Czech metal returns with the next chapter in their always-evolving and exciting career.

One of the biggest exponents of modern-day Czech metal is back with a brand new album that will certainly please and entertain all fans of the most electrified form of Melodic Power Metal you can think of. After the releases of their debut album Tears Of White Roses, in 2010, and the critically acclaimed Dark Chambers Of Déjà-Vu, in 2015, it’s time for Brno-based metallers Sebastien to unleash their third full-length installment, titled Act Of Creation, continuing their evolution as a band and, as a consequence, cementing their name as the finest metal act you can find in the entire land of beer.

With its cover artwork designed by Hans Trasid (Dis-Art Design), and featuring an entourage of very special guests the likes of Swedish vocalist Apollo Papathanasio (Spiritual Beggars, Firewind) and Slovak vocalist Mayo Petranin (Signum Regis), Act Of Creation will bring to your avid ears fourteen exceptional compositions by skillful musicians who are at their prime, from passionate power ballads to those fast and crisp Melodic Metal anthems that will accelerate your heartbeat in an exciting and fun way. Furthermore, it’s very important to emphasize the fact that Sebastien maintained the same lineup from their previous album, which obviously translated into pure cohesiveness, precise timing and a powerful dynamism among all band members.

The title-track Act of Creation kicks off Sebastien’s metallic feast with a heavier-than-usual sonority, bringing elements from modern-day Groove Metal to their traditional Power Metal. Moreover, frontman George Rain has (as expected) an amazing performance showcasing a wide range of vocal styles in the same song, while Pavel Dvorak brings epicness to the overall sound with his keys. Then we have No Destination, a fast-paced, aggressive tune that will please even non-metal fans due to its thrilling rhythm, presenting the always flammable vocals by George supported by Czech guest vocalist Kristýna Dostálová and endless energy flowing from all instruments; and Wake Up, an imposing tune where Lucas R. leads the crew with his pounding drums, with all orchestral and choir-like elements in the background enhancing the song’s already potent vibe. But it obviously wouldn’t be a Sebastien album without a classic power ballad like Amy, displaying spot-on riffs by George and his bandmate Andy Mons while bassist Petri Kallio not only delivers some powerful bass punches, but his 80’s Hard Rock-inspired backing vocals also add a lot of feeling to the final result.

Venturing through the realms of Symphonic and Melodic Metal, the band delivers a futuristic metal chant titled Evermore, presenting a pleasant paradox between clean and harsh vocals, not to mention how determined Pavel is to arouse our senses with his fiery keyboards. My Empire reminds me of some of the latest creations by Sonata Arctica (which unfortunately is not a good thing these days), with an interesting work done with all background elements but nothing that truly connects in the end, whereas Queen from the Stars is a melancholic, serene ballad with passionate performances by George on vocals and Andy with his acoustic and electric guitars. Put differently, simply hold your lighter high and wave it together with Sebastien to this beautiful song. And featuring guest vocalist Mayo Petranin, Winner is a song where the sound of keyboards is considerably higher than the one of the guitars, therefore uniting in a pleasant way the classic sounding of the 80’s with Sebastien’s contemporary metal.

With Czech guest guitarist Djordje Erič (Citron) slashing us all with a gripping, flammable guitar solo, Heal My Soul goes back to a more traditional musicality, albeit still presenting hints of heavy music from the 80’s, and consequently pleasing both fans of the classic metal by Sebastien as well as the ones who prefer more modern Melodic Metal. In Promises, Kristýna Dostálová returns with her charming vocals in another symphonic ballad by Sebastien, with Andi and Pavel being in total sync with their respective riffs and keys, therefore boosting the electricity of the whole song; and featuring guest Apollo Papathanasio on vocals, it’s time for our Czech squad to put the pedal to the metal in the electrifying hymn Die in Me, where the whole band fires pure Melodic Power Metal for our total delight. Displaying a beyond catchy chorus and endless adrenaline, this metal hymn should sound absolutely fantastic during their live performances.

And Act Of Creation might be considered a long album with its over 60 minutes of music, but every song has its purpose just like Full Moon Child, portraying a classic name for a straightforward and very cohesive Power Metal sonority boosted by the precise beats by Lucas, with highlights to the spot-on riffs and solos extracted by Andy from his unstoppable guitar. The second to last metallic act by those Czech rockers comes in the form of a semi-acoustic ballad entitled Hero, with another powerful performance by George on vocals, before the bonus track V Síti Štěstí (or “in the network of happiness” from Czech) closes the album in sublime fashion. It’s not a secret to anyone that Sebastien never get tired of delivering soulful ballads to our ears; however, this is a fresh one, being fully sung in Czech, which seems to have provided George some additional room for adding never-before-seen nuances to his vocal lines.

It’s always a pleasure to see a talented and hardworking band like Sebastien evolving in their already solid career, and if you want to know more about the best metal band hailing from the enchanting Czech Republic you should definitely go check their Facebook page and YouTube channel for news, tour dates (and they do tour several other countries if you ) and, of course, more of their awesome Power Metal. Act Of Creation, which can be purchased from the Pride & Joy Music webstore, from the band’s own Facebook, from iTunes or from Amazon, is one of those albums that will put a smile on your face no matter how hard your day has been, proving once again Sebastien are here to stay and to keep bringing top-tier heavy music to our never-resting metal hearts.

Best moments of the album: No Destination, Evermore, Promises and Die in Me.

Worst moments of the album: My Empire.

Released in 2018 Pride & Joy Music

Track listing
1. Act of Creation 4:27
2. No Destination (feat. Kristýna Dostálová) 3:02
3. Wake Up 4:11
4. Amy 5:38
5. Evermore 4:32
6. My Empire 3:48
7. Queen from the Stars 4:34
8. Winner (feat. Mayo Petranin) 4:01
9. Heal My Soul (feat. Djordje Erič) 3:47
10. Promises (feat. Kristýna Dostálová) 3:29
11. Die in Me (feat. Apollo Papathanasio) 4:54
12. Full Moon Child 4:52
13. Hero 5:25

Bonus track
14.V Síti Štěstí 4:34

Band members
George Rain – vocals, guitars
Andy Mons – guitars
Petri Kallio – bass, backing vocals
Pavel Dvorak – keyboards
Lucas R. – drums

Guest musicians
Apollo Papathanasio – vocals on “Die In Me”
Mayo Petranin – vocals on “Winner”
Kristýna Dostálová – female vocals on “No Destination” and “Promises”
Djordje Erič – lead guitar on “Heal My Soul”
Vendula Skalová – backing vocals

Album Review – Death Keepers / Rock This World (2018)

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A fresh, catchy and incredibly addicting blend of classic Power Metal with Hard Rock and Rock N’ Roll influences that will rock your world like there’s no tomorrow.

Born in the fires of Barcelona, the cosmopolitan capital of Spain’s Catalonia region, in late 2011 by the fusion of the experience and talent of an array of musicians who were driven into gathering the best of Heavy Metal of yesterday and today, five-piece squad Death Keepers sticks to the all-time Heavy Metal style, that quintessential sound and energy that so many fans fell in love with back in the 80’s, spiced up by the technological developments of our era, thus, bringing to life an experience of epic proportions like what you’ll find in their debut album, entitled Rock This World, a fresh and fulfilling Heavy Metal extravaganza pushed into the next wave of Heavy Metal evolution.

Death Keepers released their debut EP On the Sacred Way in 2013, and since then they’ve been working on their debut album, developing their own sound by adding more and more Hard Rock influences to their previous Power Metal sound. Including both revamped songs from their EP as well as brand new tunes, Rock This World brings to the listener a fresh, catchy and incredibly addicting blend of classic Power Metal the likes of of Helloween and Judas Priest with Hard Rock and Rock N’ Roll influences that give the whole album an unusual and tremendously infectious feel. With that said, simply put on your old school leather jacket and get ready to rock like there’s no tomorrow with those five Spanish metallers.

Ladies and gentlemen, start up your engines and join Death Keepers in their frantic race for Rock N’ Roll in the opening track straightforwardly titled Rock & Roll City, where frontman Dey Rus fires those classic metallic vocals we all love so much in heavy music, complemented by the fantastic guitars by both Eddy Gary and Antonio Maties. Fire Angel sounds and feels more melodic and epic with pure Heavy Metal flowing from all instruments, reminding me of the music by icons such as Edguy, Avantasia and Sebastien, being perfect for singing along with the band with your fists in the air; whereas in Death Keepers the band tells the world who they are by delivering an ass-kicking Heavy Metal sonority led by the fast and rhythmic beats by Miki Hunter (who’s by the way flawlessly supported by the rumbling bass by Gorka Alegre), being clearly inspired by old school Helloween. And the band’s guitar duo sounds even more Helloween-ish than before in Haven’s Heaven, showcasing great pace and dynamism among all band members in another ode to classic metal.

In the title-track Rock This World, not only the sound of the guitars by Eddy and Antonio keeps burning our skin, but their solos are also a thing of beauty, not to mention another solid performance by Dey on vocals. Put differently, Death Keepers definitely know how to rock our world in a beyond fun way, right? And it’s time to add a pinch of their Spanish musical heritage to the album through the melancholic acoustic guitars in Thriving Forcast, before all their electricity returns in this instrumental power ballad featuring some excellent guitar solos and tons of feeling; followed by Love’s Within (Yourself), where it’s quite interesting to see how the vocals by Dey feel like a fusion of Andi Deris and Tobias Sammet, while Miki keeps the sonority at full speed with his beats and Eddy, Antonio and Gorka create a thrilling onrush of metal with their strings.

If you consider yourself a diehard metalhead with true Heavy Metal flowing through your veins you’ll love Wildfire, with Dey being flawlessly supported by the song’s backing vocals. Hence, you’ll start playing some air guitar with Death Keepers without even noticing so compelling the entire song is. Then the bridge Invention IV presents one minute of pure dexterity on guitars before Metallia comes ripping our metal hearts in superb fashion, with the entire band firing the purest form of Heavy Metal you can think of with their scorching instruments. Furthermore, Gorka is a beast with his galloping bass lines, while Dey provides some excellent high-pitched vocals in this top-tier tribute to all things metal. And in the closing tune, named Smooth Hit Love, a Hard Rock-like acoustic start evolves into a passionate power ballad led by the touching riffs and solos by Eddy and Antonio, while Dey puts his heart and soul into declaiming the song’s love words until the sound of the ocean comes to end it beautifully.

You can take a full listen at Rock This World on Spotify, but if you love traditional Heavy Metal more than you love your own life and family I highly recommend you go purchase the album right now without even blinking through the Fighter Records BandCamp, through the Xtreem Music webstore, on iTunes or on Amazon, and add each one of its hard rockin’ songs to the playlist of your most electrifying moments in life. Because, you know, they are Death Keepers, and they’re among us with one single purpose in mind, to keep rocking our world like there’s no tomorrow.

Best moments of the album: Rock & Roll City, Death Keepers, Wildfire and Metallia.

Worst moments of the album: None.

Released in 2018 Fighter Records

Track listing   
1. Rock & Roll City 3:24
2. Fire Angel 4:40
3. Death Keepers 5:08
4. Haven’s Heaven 5:21
5. Rock This World 4:25
6. Thriving Forcast (Instrumental) 4:54
7. Love’s Within (Yourself) 5:04
8. Wildfire 6:38
9. Invention IV (Instrumental) 0:56
10. Metallia 4:37
11. Smooth Hit Love 8:50

Band members
Dey Rus – lead vocals
Eddy Gary – lead & rhythm guitar
Antonio Maties – lead & rhythm guitar
Gorka Alegre – bass
Miki Hunter – drums

Album Review – Sex Dumpster / Lord Alcohol (2018)

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Breathing in the rotten stench of humanity’s decay, here come Sex Dumpster and their one-way trip to the void in the form of filthy Black Metal.

The world we’ve built is a hard, unforgiving place, full of cruelty, dirt and despair. Every shadow hides a nightmare and every alleyway a nest of unreasoning hatred. You may want to avert your gaze, wrap yourself in a protective cloak of pretty lies and colourful deceptions, immerse yourself in the garish delusions of television and the distracting mundanity of music for the masses, but you can’t hide from reality forever. That’s why an infamous Black Metal duo that goes by the charming name of Sex Dumpster is among us, to tear away your blindfolds and grind your face into the filth of existence until you choke, and they’ll do that by mercilessly crushing your senses with their unrelenting new album, poetically titled Lord Alcohol.

The origins of Sex Dumpster can be traced back to frozen isolation in Alaska, where vocalist and multi-instrumentalist Hiram Lohr first pulled together the disparate souls that would form the band Thousand Year War. After releasing a full-length album and one EP, Thousand Year War collapsed into ruin, with Hiram turning his back on the ice and snow and heading to the sultry, putrefying heat of Mexico, more specifically to Cozumel, a mostly undeveloped Mexican island in the Caribbean Sea, where he breathed in the rotten stench of humanity’s decay and submerged himself in the conscienceless bile of bitter existence. Armed with riffs rusted in piss and blood, wielded with a vicious, vehement intent and radiating a haunting atmosphere of emptiness, Lord Alcohol is Sex Dumpster’s howling hymn to nothingness, a one-way trip to the void highly recommended for fans of bands like Taake, Urgehal and Nattefrost.

Put together a violent mix old school Black Metal with a Punk Rock attitude and the most aggressive lyrics you can think of, and there you have the demented Bible Up Your Ass (and you better get used to the “gentle” song names found in Lord Alcohol). In this inspiring chant, Hiram seems to be vomiting the song’s blasphemous words, which in the end works really well, while the bestial Grega Plamberger doesn’t stop crushing his drum set; and Hiram’s filthy rant of profanity goes on in Cunt World, firing some truly acid riffs and gnarls tailored for haunting our souls, therefore generating the perfect soundtrack for slamming into the pit or banging your head like a maniac. And Doom Metal-inspired lines set the tone for the vile Shit On My Grave, a darker and more melancholic tune where Grega switches between slower, almost sluggish beats and sheer devastation, with his infernal drumming flawlessly supporting Hiram’s deranged screams.

Ivar The Boneless is an Epic Black Metal-like creation by Sex Dumpster, a deviant battle hymn showcasing crushing beats, raw guitar riffs and an amazing performance by Hiram and his harsh vocals, and the final result couldn’t sound more compelling and vibrant; whereas Lord Alcohol continues with the epic vibe from its predecessor, worshiping our beloved alcohol through Grega’s rhythmic drumming and the spot-on atmospheric elements in the background, in an interesting fusion of raw Black Metal with modern Epic Metal. Then Sex Dumpster smash our heads with a brilliant cover version for GG Allin’s classic I Kill Everything I Fuck, from the album Brutality & Bloodshed for All by GG Allin & The Murder Junkies (check the original version HERE). In a nutshell, Sex Dumpster’s version is just as dirty, nasty and aggressive as the original one recorded by one of the most demented and controversial artists of all time. And there’s more craziness for your ears in This Lonely Rope, an obscure and sluggish chant where the strident sound of guitars make an interesting duo with the heaviness of drums, all embraced by an almost mesmerizing rhythm (despite not being as good as all previous songs).

With a name like Fist Fucking Motherfucker you can only expect violence, hatred and devastation flowing from all instruments, with a great job done by Hiram and his crisp Black Metal riffs. Let’s say that although this is perhaps one of the worst songs for listening in a public place (if you care about your personal reputation, of course), it’s indeed a damn fun composition. The second to last deranged tune in Lord Alcohol, entitled Klonopin Dreams, Suicidal Requiems, is an instrumental extravaganza where the duo goes mental, mixing Black Metal with other metal styles such as Power and Progressive Metal (and even hints of non-metal styles), turning it into a must-listen for fans of the more disturbed side of metal music. Lastly, closing the album we have more crude, belligerent and visceral sounds coming from the duo’s guitar lines and drums in Under The Night, with all the darkness bred by Sex Dumpster growing in intensity until the song’s abrupt finale.

Do you have the guts to enter the realm of sheer debauchery and sacrilege brought forth by Hiram Lohr and his bloodcurdling spawn Sex Dumpster? In case you consider yourself demented enough to face the band’s crusty Black Metal, all you have to do is visit Sex Dumpster’s Facebook page to get more info about this American-Mexican monstrosity and their irreligious music. Right now you won’t find Lord Alcohol for sale at any retailer such as BandCamp, iTunes or Amazon, and I have absolutely no idea if the album will ever be on sale at any of those. Maybe that’s what Hiram wants, right? Maybe the only place you’ll be able to find Lord Alcohol will be behind a dirty and stinking dumpster, in line with all the rottenness found throughout such distinct album.

Best moments of the album: Bible Up Your Ass, Ivar The Boneless and Fist Fucking Motherfucker.

Worst moments of the album: This Lonely Rope.

Released in 2018 Independent

Track listing   
1. Bible Up Your Ass 4:20
2. Cunt World 4:41
3. Shit On My Grave 4:49
4. Ivar The Boneless 5:08
5. Lord Alcohol 6:01
6. I Kill Everything I Fuck (GG Allin cover) 2:23
7. This Lonely Rope 5:06
8. Fist Fucking Motherfucker 3:30
9. Klonopin Dreams, Suicidal Requiems 4:26
10. Under The Night 5:34

Band members
Hiram Lohr – vocal, guitar, bass
Grega Plamberger – drums

Album Review – Sonic Prophecy / Savage Gods (2018)

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Enjoy 10 fist-pounding tracks rooted in traditional Heavy Metal melded with the symphonic beauty of Power Metal, courtesy of a band that has the purest form of heavy music running through their veins.

Following their 2015 release Apocalyptic Promenade, an album that combined the melody and beauty of Symphonic Power Metal while maintaining the crunch, drive and power of traditional metal, plus their 2011 debut A Divine Act of War, which had its music placed in the television series Rock n’ Lock, the video game Volgarr the Viking and Danny Trejo’s 2006 movie Vengeance, American Power Metal warriors Sonic Prophecy return in 2018 with a brand new full-length album titled Savage Gods, featuring 10 fist-pounding tracks rooted in traditional Heavy Metal melded with the symphonic beauty of Power Metal, capturing the excitement and sound of such bands as Iron Maiden, Judas Priest, Helloween, Hammerfall and Kamelot while blending other musical styles to arrive at a sound of their own.

Officially founded in 2008 in Salt Lake City, the capital and the most populous municipality of the state of Utah, in the United States, Sonic Prophecy showcase all their passion and commitment to old school Heavy Metal in Savage Gods, with the album lyrics covering topics commonly found in heavy music, such as medieval wars, mechanized genocide and the dangers associated with extremist ideologies. “We think our fans will love this album! Savage Gods, as a record, basically combines all of the things I think people liked about our previous releases and then moves us forward into new areas musically and lyrically. For our fans, there will be no mistaking this is Sonic Prophecy, but we definitely cover some new exciting ground on this record”, commented frontman Shane Provstgaard on the album, also adding that “this is pure heavy metal with driving guitars, thundering drums, and some of what I feel is my best vocal work to date. With songs Night Terror, Unholy Blood and the album title track, we’ve really laid down a brutal sonic backdrop, along with keeping the melody, which is important to our music.”

An Iced Earth-inspired intro ignites the full-bodied title-track Savage Gods, led by the sharp axes by guitarists Darrin Goodman and Sebastian Martin while tons of epicness flow from the potent vocals by Shane. And their feast of old school metal music goes on with another amazing tune titled Night Terror, where Shane elevates the impact of his vocals to an even higher level, boosted by the beyond classic beast by drummer Matt LeFevre, followed by Unholy Blood, a song that begins in full force with a spot-on guitar solo before becoming a mid-tempo epic chant. Needless to say, this amazing song will definitely please fans of bands like Iron Maiden, Iced Earth, Blind Guardian, Judas Priest, and so on.

In Dreaming Of The Storm the band brings forward darker, more introspective lines to give the sense of a storm inside our minds, with bassist Ron Zemanek making sure there’s a good amount of thunder in the given storm while Matt keeps the musicality flowing smoothly through his precise beats. Then we have the aggressive Man The Guns, an 80’s-inspired hymn with hints of Hard Rock and Rock N’ Roll presenting galloping bass punches, exciting double bass roars and a good amount of shredding and solos, all embraced by Shane’s enraged performance on vocals.  What else can you ask for in heavy music, right? And leaning towards Melodic Metal the band fills our ears with very harmonious lines and smooth piano notes to make the overall result bolder in Walk Through The Fire, where Matt does a great job with his rhythmic beats while Darrin and Sebastian simply kick ass with their solos; whereas A Prayer Before Battle is one of those epic songs perfect for heading into the battlefield, with Shane evoking the gods of war with his Matt Barlow-like vocals, not to mention the NWOBHM-inspired drumming by Matt, guiding us to Valhalla together with Sonic Prophecy.

Iron Clad Heart is another song with a beautiful name and endless electricity flowing from all instruments, sounding like a hybrid between the music by Iced Earth and Iron Maiden, presenting accelerated riffs and beats while Shane continues to thrive on vocals. Put differently, if you love traditional metal from the bottom of your heart, this tune is absolutely made for you. The second to last song in Savage Gods, named Man and Machine, is one of those cases where if you listen to it as an individual song you’ll certainly enjoy it a lot, but compared to the rest of the album it lacks energy and impact. The low-tuned bass lines by Ron sound amazing throughout the whole song, though, but they’re not enough for the song to keep up with the other tracks. And last but not least Sonic Prophecy goes full Power Metal in Chasing The Horizon, delivering gripping riffs and fast-paced beats that effectively support another solid performance by Shane on vocals, with some nice variations making it sound like two songs in one.

It’s time to join Sonic Prophecy’s quest for traditional Heavy Metal by following them on Facebook and listening to their music on YouTube, and of course by purchasing the excellent Savage Gods at the band’s own webshop, at the Rockshots Records’ webshop, at the JPC webshop, and also on your usual online stores iTunes and Amazon. When Shane said Savage Gods is pure Heavy Metal he wasn’t exaggerating at all; quite the contrary, he was actually being slightly modest in his comment, as this album exhales the purest form of Heavy Metal, courtesy of a band that has incandescent metal running through their veins.

Best moments of the album: Night Terror, Man The Guns, A Prayer Before Battle and Iron Clad Heart.

Worst moments of the album: Man and Machine.

Released in 2018 Rockshots Records

Track listing   
1. Savage Gods 6:44
2. Night Terror 5:38
3. Unholy Blood 5:13
4. Dreaming Of The Storm 4:55
5. Man The Guns 5:04
6. Walk Through The Fire 7:09
7. A Prayer Before Battle 5:46
8. Iron Clad Heart 5:24
9. Man and Machine 6:44
10. Chasing The Horizon 6:14

Band members
Shane Provstgaard – vocals
Darrin Goodman – guitar
Sebastian Martin – guitar
Ron Zemanek – bass
Matt LeFevre – drums

Album Review – Rexoria / Queen Of Light (2018)

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Welcome to the amazing world of Melodic Metal ruled by an up-and-coming four-piece act from Sweden.

Hailing from Jönköping, is a city on the shores of Lake Vättern, located in southern Sweden, Melodic Metal quartet Rexoria have been on a fast and healthy rise since their inception in 2016, having already toured several countries with bands like Bloodbound and Crystal Viper, as well as supporting renowned acts such as Backyard Babies, Entombed A.D. and Battle Beast in their homeland Sweden. And the reason for that amazing upward trend is obviously the extreme talent of their band members, their devoted passion for Heavy Metal and, as the icing on the cake, the stunning performance by frontwoman Frida Ohlin, who by the way was one of the finalists in the Swedish competition Årets Rockröst in 2016 (which would translate as “The Rock Voice”).

Blending their core Melodic Metal with folk influences, Rexoria released their debut EP in 2016, entitled Moments Of Insanity, followed by another EP in 2017, The World Unknown, both presenting what this talented Swedish band is capable of. However, it’s now with their first full-length album, elegantly named Queen Of Light, that fans of the more melodious side of Heavy Metal will be able to experience a full-bodied, detailed blast of the classy music crafted by Rexoria, heavily inspired by the golden years of Heavy Metal and spiced up by nuances of contemporary Power and Folk Metal. Put differently, if you’re crazy for Scandinavian Metal the likes of Stratovarius and Nightwish, you might have found your next addiction in heavy music.

The movie-inspired intro The Land in Between transports the listener to the whimsical and unknown world of Rexoria, with the guitar duo comprised of Jonas Gustavsson and Cristofer Svensson opening the gates for the harmonious vocals by Frida to welcome us all to the first song of the album, titled Stranded, a precise fusion of Melodic and Symphonic Metal highly inspired by bands like Epica and Nightwish; followed by the title-track Queen of Light, feeling even more imposing and melodic and also bringing elements from the classic Heavy Metal played by Doro, or in other words, it’s 80’s metal with a catchy chorus and electrifying riffs and beats where you can sense the amazing smell of epicness and power that permeates the air throughout the whole song. And leaning towards modern Folk Metal we have Voice of Heaven, with the keyboards by Frida generating a gentle ambience while the rest of the band makes sure the sounding remains as metal as it can be.

Way to Die is another stylish tune that effectively combines the more trenchant elements of Heavy Metal with the elegance and delicacy of symphonic and operatic music, with Frida once again having a remarkable performance with her potent voice. After such high-end display of heavy music we’re treated to a passionate, melancholic and gripping ballad named Song by the Angels, again taking us back to 80’s Heavy Metal with pure romance flowing from all instruments, especially the guitars by both Jonas and Cristofer which add tons of feeling and electricity to the overall result, whereas in Next Generation old school guitar riffs are in perfect sync with the precise beats by drummer Martin Gustavsson, not to mention the song’s fiery guitar solos and the epic vibe that supports the band from start to finish. The next tune, entitled The Saviour, offers more of Rexoria’s traditional metal lines with hints of Folk Metal and 80’s Hard Rock, with Jonas and Cristofer displaying all their passion for Melodic Metal by delivering smooth lines with their instruments and building the stage for Frida’s vocals to shine once again.

Hurricane is perhaps the most Heavy and Power Metal of all songs of the album (and definitely the most inspiring one), which is something you can already expect taking into account its name, showcasing an accelerated rhythm led by the potent drumming by Martin while Frida steals the spotlight yet again with her resonant vocal lines. Now think about an epic tune with a serene background led by the stunning vocals of a female warrior? That’s exactly what you’ll get in My Spirit Will Run Free, a song that can’t get any more 80’s than that, before the closing act You’ll Be Alright brings more of the band’s traditional musicality, with Jonas, Cristofer and Martin providing a beyond solid support for Frida to mesmerize us one last time, and when the song is over you’ll simply realize there’s nothing bad or out of place in the entire album.

You can purchase Queen Of Light at several online stores such as Pride & Joy Music, Nuclear Blast, Ginza.se and Bengans, as well as on iTunes and on Amazon, and remember you can always keep track of all things Rexoria through their official Facebook page, and listen to their music on YouTube and on Spotify. Then after having Queen Of Light on your hands, you’ll finally be allowed to enter the fantastic world of Melodic Metal ruled by Rexoria and let those four Swedish metallers guide you on a journey through the waves of harmonious and elegant Heavy Metal.

Best moments of the album: Queen of Light, Song by the Angels and Hurricane.

Worst moments of the album: None.

Released in 2018 Pride & Joy Music

Track listing   
1. The Land in Between 1:40
2. Stranded 4:49
3. Queen of Light 4:18
4. Voice of Heaven 4:43
5. Way to Die 4:16
6. Song by the Angels 5:36
7. Next Generation 4:18
8. The Saviour 4:44
9. Hurricane 4:53
10. My Spirit Will Run Free 5:11
11. You’ll Be Alright 5:37

Band members
Frida Ohlin – vocals, keyboards
Jonas Gustavsson – guitar, bass
Cristofer Svensson – guitar
Martin Gustavsson – drums

Concert Review – Helloween (Espaço das Américas, São Paulo, Brazil, 10/29/2017)

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What we once thought was unlikely to happen became reality and, my friends, it was one HELL of a night!

Have you ever imagined seeing Michael Kiske, Kai Hansen and Andi Deris together on the same stage? Yes, I know, we have seen Kiske and Hansen together with Unisonic before, we have seen Kiske singing HELLOWEEN classics beautifully, we have seen Hansen as a special guest on Helloween concerts, but the three pieces together feel so right that it is hard to think how it hasn’t happened before. The Pumpkins United World Tour is real now, it’s a huge celebration to the band’s legacy and I am not afraid to say that this is one of the most amazing tours of this year!

This tour was announced a year ago and the first date confirmed was in São Paulo (although the tour actually started in Mexico). I have got to say Brazilians love Helloween, tickets were sold out in a blink of an eye and the band announced a second date – again sold out. We were also informed that these two concerts were going to be recorded to a near future release in DVD, so we couldn’t be more excited. Unfortunately, guitarist Roland Grapow wasn’t invited to join the band on this historical moment (according to himself), which is really a shame.

Without an opening act, Helloween went straight to the point and got the party started at 7:30pm at the Espaço das Américas venue with the iconic Halloween, with Deris and Kiske singing together. This was enough to make 8,000 grown adults sing loud, smile, cry, jump, put their hands in the air, fall on their knees and thank for being there (I am not exaggerating, Brazilian fans are really this passionate and intense). After the song, both vocalists thanked all the fans and Deris remembered that 10 years ago they recorded a live album and DVD in São Paulo (Keeper of the Seven Keys – The Legacy World Tour 2005/2006) because Brazilian fans were the loudest in the world, so they wanted to do it again. The duo also introduced us to their two friends, Doc and Seth, the funny animated pumpkins on the screen who were responsible for “choosing” the night’s setlist, focusing on classics but also giving a space to songs released after the 2000s.

Photos by Leandro Anhelli – http://www.anhelli.com.br/

It was incredible to see Kiske and Deris singing side by side but the night wasn’t only about them. Kai Hansen, Michael Weikath and Sascha Gerstner were playing heavier and louder than ever, and in perfect harmony. Weikath was in his usual “low profile mode” on his corner of the stage, but as technical and impressive as always, while Hansen and Gerstner were moving all the time along the stage and interacting with the fans in the front row. Markus Grosskopf smiled all the time and alongside Dani Löble didn’t miss one beat at all. The whole team was clearly happy and connected.

When it was time for Hansen to take over the microphone on a medley of Starlight, Ride the Sky, Judas and Heavy Metal (Is the Law), the PA system died not once, but twice. On the first time, the musicians took some minutes to notice as the crowd kept singing in support as if nothing wrong was happening, until a sound technician came in to the stage and asked them to stop. They left and after some minutes Hansen apologized and said they were going to start over. When the sound failed for the second time, they left the stage for a little longer, 20 minutes or so, which made us think of a worst case scenario like a cancellation or something. Luckily, the team managed to fix everything and the band could hit the stage for Kai’s moment to shine.

Photos by Leandro Anhelli – http://www.anhelli.com.br/

Right after that, Deris and Kiske returned to the stage. Kiske joked that in all these years they have seen many things on the road, but never a PA that failed twice. Then, they gave the fans a moment to calm down a bit. Deris said it was a moment for a ballad, especially for the girls (he said the same thing before when they played If I Could Fly) and they made a beautiful duo singing Forever and One (Neverland); however, Kiske mentioned guys also love ballads, and all the fans shouted a loud “YEAAAH” in response.

There is no such thing as an ordinary concert for Helloween and they even know how to make a drum solo an emotional moment. Lights out on stage, Dani started with some beats and then images of a happy and precise Ingo Schwichtenberg – the original drummer, dead in 1995 at the age of 29 – were projected on the screen. Dani started to follow Ingo’s beats as if they both were on a very technical drums battle. It ended up with Ingo “playing alone” and many of us crying, clapping and shouting his name in a very loving tribute. It’s worth to mention that on the previous night the screen didn’t work for some time and unfortunately the fans couldn’t see such beautiful moment.

Power, How Many Tears, Eagle Fly Free, Keeper of the Seven Keys, Future World and I Want Out made a killer final sequence, with KOT7K being the highlight of the show undoubtedly. After 3 amazing hours the show was over, but we had energy left for more. Some great songs were left out of the setlist, including the recently released single Pumpkins United, but well, that’s okay. And despite the technical difficulties, I did not see one single person complaining; quite the contrary, everybody went back home with a big smile on their faces, and that feeling of being part of something really awesome and unique. To finish this review, if I can leave a piece of advice for you all, my metalhead friends, I’d say: please go see this concert if Helloween come to your town/country on this very special tour! You will remember this amazing night forever with a smile on your face and possibly tears of joy in your eyes.

Setlist
Intro: Let Me Entertain You (Robbie Williams song)
Halloween (with Michael Kiske & Andi Deris)
Dr. Stein (with Michael Kiske & Andi Deris)
I’m Alive (with Michael Kiske)
If I Could Fly (with Andi Deris)
Are You Metal? (with Andi Deris)
Rise and Fall (with Michael Kiske)
Waiting for the Thunder (with Andi Deris)
Perfect Gentleman (with Andi Deris)
Starlight / Ride the Sky / Judas / Heavy Metal (Is the Law) (with Kai Hansen)
Forever and One (Neverland) (with Michael Kiske & Andi Deris)
A Tale That Wasn’t Right (with Michael Kiske & Andi Deris)
I Can (with Andi Deris)
Drums Solo (Dani Löble & Ingo Schwichtenberg ‘battle’) – Ingo Tribute
Livin’ Ain’t No Crime / A Little Time (with Michael Kiske)
Why? (with Michael Kiske & Andi Deris)
Sole Survivor (with Andi Deris)
Power (with Michael Kiske & Andi Deris)
How Many Tears (with Andi Deris, Michael Kiske and Kai Hansen)
Eagle Fly Free (with Michael Kiske)
Keeper of the Seven Keys (with Michael Kiske & Andi Deris)
Future World (with Michael Kiske)
I Want Out (with Michael Kiske & Andi Deris)

Band members
Andi Deris – vocals
Michael Kiske – vocals
Kai Hansen – vocals, guitars
Michael Weikath – guitars
Sascha Gerstner – guitars
Markus Grosskopf – bass
Dani Löble – drums