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Metal Chick of the Month – Aleksandra Stamenković

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Hear what I say… There’s no time for prayer!

Lionesses are the primary hunters in a pride, working together to bring down prey, and are faster and more agile than males. And in this cold and dark month of December our lioness Aleksandra “Lioness” Stamenković, guitarist for an array of awesome metal bands including Jenner, Frozen Crown, Chaos Rising, and Sigma Epsilon, will shred her prey to pieces armed with her scorching riffs and solos, as our metal lady of the month. Having said all that, get ready for a wild ride together with Aleksandra and her unstoppable axe, bringing absolute fire to The Headbanging Moose and, therefore, leaving you completely disoriented and eager for more of her first-class music. The days might be getting shorter, and the nights are surely getting longer this time of the year but, in the end, that’s the perfect environment for Aleksandra to hunt us down and to crush our damned souls with her electrifying blend of Heavy Metal magic.

Born on August 5, 1996 in Belgrade, the capital of the southeast European country of Serbia, Aleksandra is the younger sister of Marija Dragićević, the drummer for one of her bands Jenner, showing the talent and passion for heavy music runs wild in their family’s DNA. She was first interested in music back in 2011 when she was 13 years old, saying she wanted to play bass guitar, but as she couldn’t afford one she used to borrow it from one of her sister’s friends. However, she said that “destiny” decided she was going to become primarily a guitarist in 2013, having bought her first guitar back then, therefore starting her journey in heavy music.

Although she’s a renowned musician in the world of Heavy, Power, Thrash and Speed Metal, Aleksandra also nurtures a deep passion for  medicine and graphic design, having graduated from the Faculty of Medicine from the University of Belgrade in September 2021, and becoming a certified nutrition coach, combining her artistic passion with a commitment to promoting healthier lifestyles. And yes, she’s THAT smart and intelligent. In addition, although she mainly writes original songs, she started a YouTube channel back in 2020 where she posts covers of her favorite songs, like for example Into the Lungs of Hell, by Megadeth, Abigail, by King Diamond, and Coma of Souls, by Kreator, among several others, and apart from the usual social media you can also find her on Linktree, Patreon, and Big Cartel.

It was in December 2013 when the indomitable Stamenković Sisters founded in Belgrade the ruthless Speed/Thrash Metal beast known as Jenner, from the ashes of a Glam Metal band they had named Cat O’ Nine Tailz, in which she played bass, and that disbanded after two years. Aleksandra started playing the guitar back then, and with the support of Marija they started searching for two guys to play with them to form a band in the vein of Madam X, but they ended up meeting two girls instead, vocalist Anđelina Mitić and bassist Jana Bacić, and so Jenner was born. Named by Aleksandra after Dr. Edward Jenner (1749 – 1823), an English physician and scientist known as the “father of immunology” for creating the world’s first vaccine, which was for smallpox, the girls started playing covers of their favorite bands including Warlock, Judas Priest, Grim Reaper, and Saxon, and as a year later they became more interested in Thrash Metal they started playing covers of Agent Steel, Exodus, and Anthrax, just to name a few, as well as they started writing their own songs.

After a few lineup changes, the band is now a trio formed of Aleksandra on vocals and guitar, Marija on drums, and Anja Mirković on bass. Under different lineups, but always with Aleksandra and Marija in their formation, Jenner released a demo back in 2015, their debut full-length album To Live Is to Suffer, in 2017, the EP The Test of Time, in 2020, and their sophomore opus Prove Them Wrong, in 2024, with Aleksandra becoming responsible for the band’s vocal duties starting in 2019, as you can see in their 2020 EP and their 2024 release. Not only that, she also took care of the design and logo of their 2017 debut, and of their 2020 EP, expanding her skills even further as a musician and as an artist. You can enjoy basically their entire discography in places such as YouTube, Spotify, and BandCamp, and of course have an absolute blast with their official videos for songs like Night Without Dawn, The Test of Time, Never Say Die, and No Time for Prayer, among others. Moreover, don’t forget to check Beacons for all things Jenner.

Aleksandra has also been part of two other amazing bands for a few years, those being Sigma Epsilon and Chaos Rising. Regarding Belgrade-based Sigma Epsilon, the band has been delivering a more straightforward, no shenanigans blend of Thrash Metal since its inception back in 2014, when a few members of a Serbian band named Prisoner, those being her boyfriend Emil Ivošević on vocals, Stefan Tomić on the guitar, and Nikola Simonović on drums, left the band and started creating their own music. It was only after Aleksandra joined them that they released their first offering, the 2019 EP Svi putevi vode do smrti (or “all roads lead to death” in English), followed by the 2021 single Ruka koja mrda usta, or “the hand that moves the mouth.” She mentioned in one of her interviews that the band is working on a new conceptual album, but until then simply go to BandCamp or Spotify to enjoy their existing songs, and also go check the official videos for the songs Svi putevi vode do smrti, Kap, and Trofej.

The metal machine Chaos Rising is a collaborative international metal project formed back in 2019 open to every female artist interested in metal music, with the project’s participants and guests offering an amalgamation of styles from Groove and Thrash Metal to traditional Heavy Metal and also Melodic Death Metal. It’s indeed a phenomenal initiative showcasing the power of women in heavy music, and if you don’t have enough time to check all of their songs on BandCamp or Spotify, you must at least listen to the song with our dauntless diva on the guitars, the excellent Prisoner, also featuring Miss ScarRed (Germany) on vocals, Catherine Fearns (Switzerland) on the guitar, and Stéphanie Nolf (France) on bass and drum programming.

Furthermore, starting now in 2025 she has also become one of the guitarists for Italian Power Metal warriors Frozen Crown, joining the also indomitable girls Giada Etro on vocals and Alessia Lanzone on the guitar, as well as Federico Mondelli on guitars, keyboards and vocals, Francesco Zof on bass, and Niso Tomasini on drums. Having already played with Frozen Crown during the summer festivals this year, Aleksandra is already fired up to start working with the band on their future releases, and the band is also extremely excited to have her as a permanent member. “Some may question our decision to include in the band someone who was born so far away from us, in a non-EU country, even! Truth is, you don’t choose your family – you build your own. Aleksandra appeared in a pretty challenging situation, and helped us go through both the shocking realization of Jade’s health conditions and the sudden line-up shake, motivating us and gracing us with her enthusiasm. Her incredible dedication, humility, and constant positivity proved we have just found the perfect fit, and after working together for a while, it just ‘feels right’ to start this new chapter with her, and to entrust her with the Crown and the Sword,” commented the band.

If that’s not enough for you, you can also find Aleksandra as the guitarist for Slovenian Heavy Metal beasts Hellcats from 2017 to 2022. “In 2017 Hellcats needed a female guitarist to play with them in Arena Stožice where they would be supporting Slovenian punk band Pankrti on their 40-year band anniversary. They couldn’t find someone closer, so they asked me. At first I thought that it will be only for that concert, but we got along nicely, and I really liked them as people and as musicians,” commented the lioness. In addition, Aleksandra also played bass live with Serbian Melodic Death Metal band Nemesis a couple of years ago, and with the aforementioned Serbian Speed/Thrash Metal band Prisoner back in 2017.

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Not only that, you can also find Aleksandra shredding her guitar as a guest musician in the song Open Your Eyes, from the 2025 album Retribution, by Hungarian Heavy/Power/Speed Metal band Burning Sun; in the song Cimmeria, from the 2023 compilation By This Sword We Rule: A Decade of Steel, by Serbian Epic Heavy/Power/Doom Metal band Claymorean; in the songs We Fight Like Lions and Fear and Regret, from the 20187 EP II/III/IV by Serbian Stoner/Sludge/Southern Metal band Superhammer; and in the song Creatures from the Depth, from the 2019 album Monuments of Fallacy, by Croatian Thrash/Death Metal band War-Head. She has also played with other bands including Realma and Black Widow Conspiracy, has collaborated with several brands such as Harley Benton, Blackfire Pickups and Safari Pedals, and she is a proud partner with Guitar Pro, Guyker, Drop Strap, Playtronica, Ordyh, and Enya Music, aligning with companies that support her music and gear choices.

Her idols and influences are what anyone would except from an avid thrasher like Aleksandra, including some of the most important names in the history of Thrash Metal like Megadeth, Anthrax, and Testament, all playing a crucial role in her style and career, of course. Moreover, when asked which attributes a brand new Speed or Thrash Metal band should have in order to become unique and successful, her answer was exactly what we all want to hear from hardworking metal musicians like her. “People need to make music the way they feel. It doesn’t matter what genre it is, because listeners can recognize energy and sincerity, even when it comes to metal,” she said, and when asked what would be her ideal live show when performing as a band, she also focused on the importance of feeling you’re doing things right. “I’m not sure there’s an ideal performance. What is important is the feeling on stage. And for that to happen I just need to have no technical problems on stage. I’m not asking much.”

As a huge supporter of the underground, and of course as a proud Serbian, Aleksandra was asked not too long ago about the current scene in her homeland, including bands, fanzines, webzines and anything else connected with heavy music. She said that, unfortunately, the situation looks “complicated” as despite the fact there are tons of excellent bands in Serbia, very few webzines promote them, and therefore very few people attend their concerts. Well, let’s say that’s not an issue exclusive to Serbia, as everywhere you go you’ll face the same lack of proper support, with very few kids these days getting into heavy music and succumbing to to the most generic playlists shoved down their throats via all types of social media.

Aleksandra also proved to be an old school metalhead, maybe like Accept would say, an “analog woman”, as she simply loves when an album is released as a vinyl and/or cassette, supporting the revival of those formats (although she said she prefers CDs because they’re more practical). “I’m not a collector myself, but I have some old vinyl and cassettes which I inherited from my mother and I’m really happy that I had an opportunity to have my music on vinyl and tapes,” she commented. Furthermore, when asked about the impact of digital platforms on the careers of bands and artists, she said that Bandcamp for instance helps a lot, but it shouldn’t be the only way of promoting and selling music. “I still haven’t tried other platforms, but I can notice that they’re widespread. I think the ideal way I promote bands is combining all the available methods,” said our unstoppable lioness.

She was also asked in one of her interviews about the greatest satisfaction that music has brought her, and her answer was once again beyond awesome. “The fact that I achieved my goal. My goal was to have at least one physical release of my music, a CD that I’ll be able to show to my children and grandchildren one day. To have something behind me that other people will be able to see and hear and maybe find themselves in it. To inspire others.” Aleksandra also prefers working with a label instead of going full DIY because she believes there are several things she couldn’t do on her own, like a full-bodied promotion of her albums and tours, which makes sense as she can put all her focus on making music, and that’s what really matters in the end.

Lastly, when asked about what a band should sacrifice in order to be successful, and if she has ever sacrificed anything in her life for a better future of her bands, she mentioned she had to reconsider many times what she wanted with the band and whether it was worth it. “In the end, I decided to dedicate myself to education and family, and for the band to be my hobby. Because of that decision, we often have to sacrifice the time we would spend with the family or learning to have a rehearsal or a gig.” To be fair, at least it looks like she’s been able to balance everything quite well in recent years, managing multiple bands, projects and other aspects of her life, always delivering to us avid fans high quality heavy music, and may our unrelenting lioness keep roaring for many decades to come for our absolute delight.

Aleksandra Stamenković’s Official Facebook page
Aleksandra Stamenković’s Official Instagram
Aleksandra Stamenković’s Official YouTube channel
Jenner’s Official Facebook page
Jenner’s Official Instagram
Jenner’s Official YouTube channel

Album Review – Exhorder / Defectum Omnium (2024)

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Putting a foot back into the roots of the band’s inception, these American veterans return to the battlefield with their striking fourth full-length opus, turning the failure of all into first-class Thrash and Groove Metal.

Putting a foot back into the roots of the band’s inception, New Orleans, Louisiana’s own Thrash Metal veterans Exhorder return to the battlefield with their striking fourth full-length opus, titled Defectum Omnium, the Latin phrase for “the failure of all”. Produced by the band itself, mixed by Jens Bogren at Fascination Street Studios, and displaying a sinister artwork by Travis Smith of Seempieces Design Studio, the album is highly recommended for fans of Dark Angel, Nuclear Assault, Exodus, Death Angel, Testament, Machine Head, and Pantera, among others, with the band currently formed of Kyle Thomas on vocals and guitars, Jason Viebrooks on bass, and Sasha Horn on drums now being joined by former Cannibal Corpse heavyweight guitarist Pat O’Brien, just to give their sound an even edgier and more austere taste.

Let’s slam into the pit like true metalmaniacs to the sound of Wrath of Prophecies, a Pantera-infused onrush of thrashing sounds led by the piercing riffs by Kyle and Pat, kicking things off in an amazing way, followed by Under the Gaslight, a more cadenced, Groove Metal-ish tune by Exhorder recommend for some vigorous headbanging to the massive beats by Sasha and the always visceral roars by Kyle. Forever and Beyond Despair offers us then absolutely acid lyrics (“Designs of murder ending all  / Last call, then curfew comes / Take your meds and go / The gods bring on the wars / Send the troops, let ’em burn / The girls will work butter churns, all pregnant with babes”) amidst a fusion of Thrash Metal, Hardcore and Punk Rock, whereas letting their Southern Metal vein pulse harder than ever we face The Tale of Unsound Minds, with Jason and Sasha delivering sheer heaviness and groove through their devilish kitchen. After that we have Divide and Conquer, another Thrash and Groove Metal feast by the quartet where their riffs and solos sound striking, meaning it should work really well if played live; and an eerie intro quickly explodes into the venomous Year of the Goat, a slamming tune that will invite us all into the circle pit to the rumbling bass by Jason.

After a slower yet still heavy-as-hell start, the band will will hammer your heads mercilessly in Taken by Flames, offering modern-day Thrash Metal overflowing rage and insanity, all led by the boisterous beats by Sasha; and get ready for over seven minutes of darkness in the form of Defectum Omnium / Stolen Hope, starting in a hypnotic way before the band comes ripping with a venomous mid-tempo attack, with the riffage by Kyle and Pat penetrating deep inside our damned souls. It’s then time for some pure American hatred flowing from all instruments in Three Stages of Truth / Lacing the Well, with their riffs, bass jabs and blast beats generating the perfect ambience for some wild circle pits and crowd surfing; followed by Sedition, bringing forward three minutes of savagery and brutality blasted by the quartet, once again offering our avid ears an overdose of dirty riffs, raspy vocals and demolishing drums, and they keep destroying our cranial skulls with their visceral Thrash Metal in Desensitized, where the enraged growls by Kyle walk hand I hand with the unstoppable beats by Sasha. Last but not least, they present another shot of their hybrid of Southern Rock with Thrash and Groove Metal in Your Six, feeling sluggish, dirty and inebriate until the very last second.

Exhorder are not in a good mood throughout the entire Defectum Omnium, and of course that’s an amazing thing when it comes to violent and frantic Thrash Metal. Hence, don’t forget to start following those American thrashers on Facebook and on Instagram for news, tour dates and so on, to stream more of their wicked music on YouTube and on Spotify, and above all that, to purchase a copy of the incendiary Defectum Omnium by clinking HERE or HERE. The entire world as we know it has failed miserably, and that’s exactly what Exhorder needed as fuel for their fulminating new album, keeping the fires of heavy music burning bright while our rotten society comes to its inevitable end.

Best moments of the album: Wrath of Prophecies, Year of the Goat and Three Stages of Truth / Lacing the Well.

Worst moments of the album: Under the Gaslight.

Released in 2024 Nuclear Blast

Track listing
1. Wrath of Prophecies 4:14
2. Under the Gaslight 4:21
3. Forever and Beyond Despair 3:03
4. The Tale of Unsound Minds 5:01
5. Divide and Conquer 2:38
6. Year of the Goat 3:27
7. Taken by Flames 5:19
8. Defectum Omnium / Stolen Hope 7:13
9. Three Stages of Truth / Lacing the Well 6:46
10. Sedition 2:56
11. Desensitized 4:59
12. Your Six 4:28

Band members
Kyle Thomas – vocals, guitars
Pat O’Brien – guitars
Jason Viebrooks – bass
Sasha Horn – drums

Guest musicians
Rick Wartell – guitars
Bruce Franklin – guitars

Album Review – Godsmack / Lighting Up the Sky (2023)

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Sully Erna and his henchmen will light up your sky to the sound of their thrilling (but unfortunately) final studio album.

Produced and engineered by Andrew Mudrock, mastered by Ted Jensen at Sterling Sound, and mixed by Dave Fortman, the excellent Lighting Up the Sky is not only the eight studio album by Boston, Massachusetts-based Alternative Rock/Metal titans Godsmack, released five years after their last studio album When Legends Rise (therefore making it the longest gap between two of their studio albums), but it’s also the final one by vocalist and guitarist Sully Erna, guitarist Tony Rombola, bassist Robbie Merrill and drummer Shannon Larkin. And let me tell you that if that’s it for Godsmack at least in terms of releasing new albums, they’re definitely going out with a bang.

Sully blasts his Moog synthesizer to generate a magical atmosphere in You and I, kicking off the album on a high note and delivering classy Hard Rock led by the groovy bass by Robbie, whereas Red White & Blue can be considered their tribute to their homeland, also presenting an amazing guitar job done by Sully and Tony, inspiring us all to raise our fists while Shannon smashes his drums in the best rockin’ way possible. In the first single of the album, the trademark Godsmack tune Surrender, we face their usual acid lyrics (“You’ve always told me / That you know me / But you don’t really know me at all / You just played me and betrayed me / And showed no sympathy at all”) amidst a pure Rock N’ Roll sound, and the quartet doesn’t let the energy level go down by offering more of their electrifying music in What About Me, showcasing another solid kitchen by Robbie and Shannon. And Sully takes care of all acoustic guitars, drums and keyboards in Truth, a beautiful ballad overflowing melancholy and passion.

Back to their more visceral mode we have Hell’s Not Dead, blending elements from Southern Rock and Metal to their core essence and sounding very catchy and vibrant. Needless to say, it will work perfectly if played live during their upcoming tour, while in Soul on Fire the lyrics couldn’t have been more Rock N’ Roll (“In the end / There will come a time my friend / I’m gonna break you wide open / I didn’t see this side unfolding / Hey, I can’t wait for you to make up your mind / I need to take you every time / I’m self destructing”), with the quartet once again kicking some ass with their incendiary sonic weapons in a lecture in modern-day rock music. Let’s Go is perhaps the most generic of all songs, including its instrumental parts and lyrics, albeit it still carries the band’s characteristic sonority in it, whereas exhaling the purest form of the music by Godsmack we can think of, Best of Times is a journey back in time to their early days led by the classic beats by Shannon and the piercing riffage by Tony. The second ballad from the album, titled Growing Old, sounds very introspective and dark thanks to another stylish performance by Sully not only on vocals but also on the piano; and closing the album we have the title-track Lighting Up the Sky, showcasing a fantastic stringed duo by Tony and Robbie, adding endless groove and harmony to the music. In other words, Godsmack definitely know how to hypnotize us with their catchy riffs and lyrics, and this is a really good example of that.

“We’ve enjoyed decades of doing this and we’ve sacrificed a lot of time. But the reality is – and I say this with zero ego – we’re at 27 top 10 (Mainstream Rock Airplay) singles, 12 No. 1s (including ‘Surrender’ from the new album). We could pull three or four more off this new record – it’s a strong record, we feel. That means we could do back-to-back nights in an arena, play 15 songs each night and never play the same single, let alone deep cuts. That’s a helluva place to get to…so you think, how much more do we need?,” commented the band about Lighting Up the Sky (and you can see more details about that HERE), which is available for a full listen on YouTube and on Spotify. Moreover, you can also start following the band on Facebook and on Instagram (if you don’t already do so), subscribe to their YouTube channel for more of their music and videos, and of course purchase their thrilling new album by visiting their official website or by clicking HERE. The band already said that although this is their last studio album they’ll keep touring for the foreseeable future, but of course after listening to Lighting Up the Sky several times already I’ll surely miss new music by Godsmack. Well, at least I can always light up the sky to the sound of all of their creations, including their last and amazing album, right?

Best moments of the album: You and I, Red White & Blue, Soul on Fire and Lighting Up the Sky.

Worst moments of the album: Let’s Go.

Released in 2023 BMG

Track listing
1. You and I 5:16
2. Red White & Blue 4:04
3. Surrender 3:40
4. What About Me 3:55
5. Truth 4:33
6. Hell’s Not Dead 4:50
7. Soul on Fire 4:05
8. Let’s Go 5:40
9. Best of Times 3:36
10. Growing Old 5:01
11. Lighting Up the Sky 4:46

Band members
Sully Erna – vocals, guitar, Moog synthesizer on “You and I”, acoustic guitars, drums and keyboards on “Truth”, backing vocals, organ and piano on “Growing Old”
Tony Rombola – lead guitar
Robbie Merrill – bass
Shannon Larkin – drums

Album Review – Black Reuss / Journey (2022)

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Liechtenstein’s own one-man Gothic and Doom Metal band returns with the second part of his four-album concept, surrendering to inner preferences and being less and less controlled by material or negative things.

Formed in 2018 in Triesen, the third largest municipality of the Principality of Liechtenstein, Gothic/Doom Metal one-man army Black Reuss has just released the second part of his four-album concept, entitled Journey, the follow-up to his 2021 album Metamorphosis and a preparation for the upcoming albums Arrival and Death. The man behind Black Reuss, vocalist and multi-instrumentalist Maurizio Dottores, is at home in doomy Heavy Metal with a touch of melancholy and a certain heaviness that has accompanied him in some chapters of his life, with Journey being about surrendering to inner preferences and being less and less controlled by material or negative things, being therefore highly recommended for admirers of the doomed music by Paradise Lost, Type O Negative, Katatonia and Black Sabbath, among others.

Eerie, futuristic sounds ignite the atmospheric Exodus, with Maurizio wasting no time by distilling his trademark fusion of Gothic Rock and Metal while firing sharp riffs from start to finish, and switching gears to a more sinister vibe thanks to his tribal beats and minimalist guitar lines we’re treated to Dejection, living up to the legacy of classic Doom Metal. Moreover, Maurizio’s deep vocals add a touch of anguish to the overall result, whereas experimenting with more unconventional sound and elements it’s time for the somber Egression, where Maurizio does a great job with both his riffs and bass lines; followed by the bold, atmospheric and pensive Hole, where its sonority will embrace you in the name of Gothic and Doom Metal and with Maurizio’s riffage and beats bringing forward sheer heaviness. Slowing things down a bit we have the Gothic Rock feast Fail, where once again Maurizio is on fire armed with his rumbling bass, adding endless groove to the music, while a beyond sinister and atmospheric start evolves into a Gothic Metal extravaganza in Deep-Seated, with Maurizio’s introspective, deep vocals and low-tuned bass lines beautifully darkening the skies, also presenting hints of Southern Rock and Metal for our total delight.

Drinking from the same obscure fountain as renowned acts the likes of Moonspell, My Dying Bride and Paradise Lost, Maurizio brings forth sheer doom in Regression, another first-class composition showcasing sluggish beats and riffs enfolded by an ethereal ambience, and it’s then time for a headbanging tune entitled Dependence, where Maurizio slashes his guitar in great fashion while his beats bring an extra kick to the song, being clearly inspired by the 80’s Gothic Rock scene (and a recommended addition to your road trip playlist, by the way). Integrity keeps the album at a high level of energy and doom, with Maurizio adding a phantasmagorical vibe to it with his keys while his guitar work sounds very melodic and sharp as usual; and the last two songs of the album are also the longest ones, starting with Affection, a slow, reverberating composition that exhales pure Doom Metal with his guitar solos being a thing of beauty, flowing into the pensive and grim Redemption, an atmospheric nine-minute aria where Maurizio declaims the song’s lyrics with tons of anguish while its instrumental pieces are simply spot-on, consequently putting a delicate but impactful ending to the album.

While we wait for the third and fourth chapters in the musical adventure crafted by Maurizio Dottores and his Black Reuss, we can definitely have a very good time enjoying Metamorphosis and of course Journey, which is by the way available in its entirety on Spotify, and you can also show your utmost support to this interesting one-man band from Liechtenstein by following him on Facebook and on Instagram, by subscribing to his YouTube channel, and obviously by clicking HERE and purchasing your favorite version of Journey. What’s next for Black Reuss? How will Arrival and Death sound in comparison to Metamorphosis and Journey? The wait for those questions to be answered is one of the most compelling parts in the music by Maurizio Dottores, a man that’s definitely placing Liechtenstein in the map of heavy music with his unique creations.

Best moments of the album: Hole, Deep-Seated and Dependence.

Worst moments of the album: Egression.

Released in 2022 Independent

Track listing
1. Exodus 5:54
2. Dejection 6:41
3. Egression 4:40
4. Hole 4:20
5. Fail 4:51
6. Deep-Seated 6:02
7. Regression 6:17
8. Dependence 4:44
9. Integrity 4:46
10. Affection 8:39
11. Redemption 9:46

Band members
Maurizio Dottores – vocals, all instruments

Album Review – Böllverk / Heading For The Crown (2022)

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Get ready to bang your heads nonstop to the debut album by this Bavarian act, offering powerful Teutonic material forged in the gloriously timeless style of early Accept, Warlock and Running Wild.

Formed in 2018 in Aschaffenburg, a city in Bavaria, Germany, and after a few lineup changes, the talented Heavy Metal squad Böllverk has finally unleashed their debut effort, entitled Heading For The Crown, offering pithy, refreshing and powerful Teutonic material forged in the gloriously timeless style of early Accept, Warlock and Running Wild for the old school-addicted battlevest banger fraction. Currently comprised of Svenja on vocals, Zahn and Raphi on the guitars, Tim on bass and Angelo on drums, Böllverk are on absolute fire in Heading For The Crown, with the classic artwork by Bastian Kraus and the sharp recording, mixing and mastering by Rolf Munkes at Empire Studios giving an even stronger vibe to the entire album, inspiring us all to head into the battlefield together with the band in the name of our beloved old school Heavy Metal.

The incendiary guitars by Zahn and Raphi kick off the pure, unfiltered Heavy Metal tune Ask The Angel, Listen To The Devil, an awesome way to start the album with the galloping drums by Angelo walking hand in hand with the 80’s-inspired vocals by Svenja, and more of their fusion of the classic music played by Iron Maiden, Accept, Judas Priest and Warlock is offered to us all in Let’s Ride Till Dawn, with the band’s guitar duo dictating the rhythm with their spot-on riffs and solos. Good Morning Rock’n’Roll is one of those “breakfast songs” highly recommended for all metalheads worldwide, bringing forward a beautiful hybrid of Heavy Metal and Hard Rock where Svenja’s piercing vocals are complemented by the raspy, Motörhead-infused roars by Zahn; whereas the title-track Heading For The Crown is an in-your-face, straightforward metal extravaganza led by the crushing drums by Angelo, supported by the rumbling bass by Tim.

Zahn’s evil roars boost the high-pitched screams by Svenja in The 7th No (IS A KO), another Hard Rock feast where the sound of the guitars will slash your ears mercilessly, and it’s time to bang our heads nonstop together with Böllverk in Master Of Thunder, another sharp, no shenanigans creation by the quintet showcasing a heavy and melodic kitchen by Tim and Angelo. Then venturing through the realms of Southern and Stoner Metal the band offers us all Live Fast, with Zahn taking the lead on vocals. It’s a good song, but it lacks the epicness of the rest of the album, though. Zahn keeps screaming in Next Level Of Service while Svenja fires her trademark Doro-inspired vocals lines, all spiced up by another round of their flammable riffs and thunderous bass lines, and last but not least, we’re treated to more of their rumbling Heavy Metal in the form of Someday We Will Die, clearly inspired by the classics from the NWOBHM and, therefore, ending the album on a thrilling note.

You can get to know more about Böllverk by following those Teutonic metallers on Facebook and on Instagram, staying up to date with all of their news, tour dates, plans for the future and so on, and you can also send them your feedback about their music as I’m sure the entire band would love to hear from you. In addition, in order to show your support and appreciation for ass-kicking underground German metal you should definitely purchase a copy of Heading For The Crown from the band’s own BandCamp page, as well as stream the album in its entirety on Spotify. Böllverk didn’t need to reinvent the wheel with Heading For The Crown to sound awesome, showing how powerful Heavy Metal still is and, of course, not only pointing to a bright future ahead of the band, but also providing us metalheads with one more excellent reason for keep banging our heads until the very end.

Best moments of the album: Ask The Angel, Listen To The Devil, Good Morning Rock’n’Roll and Someday We Will Die.

Worst moments of the album: Live Fast.

Released in 2022 Independent

Track listing
1. Ask The Angel, Listen To The Devil 6:05
2. Let’s Ride Till Dawn 3:27
3. Good Morning Rock’n’Roll 4:25
4. Heading For The Crown 4:49
5. The 7th No (IS A KO) 4:37
6. Master Of Thunder 6:26
7. Live Fast 4:20
8. Next Level Of Service 3:56
9. Someday We Will Die 5:50

Band members
Svenja – vocals
Zahn – guitars, vocals
Raphi – guitars
Tim – bass
Angelo – drums

Metal Chick of the Month – Lilita Arndt

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lilita01

Eternal darkness is covering my eyes and penetrating me…

Dark skies are over us all once again here on The Headbanging Moose thanks to the raw and visceral Black Metal crafted by a multi-talented woman who will undoubtedly blacken our hearts even more. Hailing from Rivne, a historic city in western Ukraine located over 300 kilometers to the west of the country’s capital Kiev, she’s not only an amazing Extreme Metal vocalist, but she also plays all instruments including lead, rhythm and acoustic guitars, bass and drums for her stunning one-woman Occult and Depressive Black Metal project entitled Ieschure. Her poetic name, Lilita Arndt, adds an extra touch of beauty to her unique creations, and you’ll be more than pleased with her music, her view of Black Metal and how she incorporates all her influences into each one of her songs.

Lilita’s interest in writing and playing music began at a very early stage of her childhood, when she started to write lyrics and later tried to create simple melodies for them on her acoustic guitar, which by the way was her very first instrument, then learning how to play keyboards (followed by all other instruments she currently knows), all self-taught and never having any sort of formal or structured music lessons with anyone. After taking part in different projects as a singer, including an old acoustic project called Embrace of Hedera from 2007 until 2015 which played melancholic, dark and romantic music with acoustic guitars and clean female vocals (and with whom she recorded the album The Castle On The Rolling Hills in 2015), Lilita wanted to explore new territories by creating her own music with her own melodies, lyrics, singing and atmosphere, being the mastermind of her own project and experimenting with melodies and vocals, the main reason why she decided to found her own solo project Ieschure back in 2015.

A word chosen by Lilita after the whole album The Shadow was finished in 2017, Ieschure has the project’s name related to occult things and the meaning of this word is really important for her, although our multi-talented musician prefers it to be known only by herself. Dealing with classic Black Metal lyrical themes such as occultism, witchcraft and death, and using a serpent as her symbol (more specifically as a primitive symbol of power and wisdom but at the same time representing death and damnation), this one-woman Black Metal force has already released an array of bold, captivating albums since the project’s inception in 2015, those being the aforementioned full-length opus The Shadow, in 2017, the EP’s Cold Stars of Eternity and Phantoms of God, in 2020, and more recently the split album Witch’s Consecration, now in 2021, with Brazilian Black Metal horde Promethean Gate. If you want to have a very good taste of how breathtaking the music by Ieschure is, you can enjoy some awesome songs online such as Eternal Agony, Mystic Schizophrenia and Phantoms Of God, or simply go to BandCamp, to Big Cartel and to Spotify (or click HERE) to stream and purchase all of her wicked creations.

Not only the woman responsible for all vocals and instruments in all of Ieschure releases, Lilita also handles all recording, mixing, mastering, lyrics and layout of the albums, which is absolutely in line with her initial dream of having a project of her own. In addition, Lilita has also collaborated in several albums from other bands, with the most memorable for her to date being singing with the bands Detention and Restless. For instance, she recorded vocals for the songs Nidhogg (from the album Lost Souls in a Godless World) and Wolf’s Head (from the album The Battle of Tara) by American Doom/Stoner/Southern Metal band Black Mountain Thunder, both in 2015; vocals for the song The Face of God, from the 2015 self-titled album by American Stoner/Doom Metal band Clawhammer; vocals on the 2014 album Marginal, by Kazakh Depressive Metal band Detention; vocals on the song Rurel, from the 2018 self-titled EP by Italian Black/Folk Metal band Dovrefjell; backing vocals on the songs Spiritueller Selbstmord, from the 2014 album Verwüstung, and Wenn Die Sterne Nicht Mehr Scheinen, from the 2014 EP Horizont, by Ukrainian Black Metal/Ambient band Moloch; vocals on the 2017 album Funeral Impressions, by Italian Funeral Doom Metal band Restless; and vocals on the song Bride of Winter, from the 2016 album Forgotten Tales, by Italian Black Metal band Waldweg; not to mention the cover art for the 2019 EP The Wanderer, by Tuskish Atmospheric Black Metal band Akrunant.

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Regarding her first experiences with Heavy and Black Metal, Lilita mentioned in one of her interviews that she began listening to popular metal bands when she was a teenager, becoming more and more interested in the underground and, consequently, getting attracted to the world of Black Metal. In her opinion, Black Metal is not just a music style, but a dark side of art, an irrational fusion of music, theatre and philosophy, full of paradoxes and concentrating the strongest emotions, hatred and some perverted love to life, which is the main reason why she considers it perfect. She complemented by saying that she has felt the presence of hidden forces in the world since she was a little child, gradually getting more interested in those and in occultism, also saying that realizing that she will die some day was what truly attracted her to that. Apart from drawing inspiration from the works of renowned occultists the likes of Aleister Crowley, Eliphas Levi, Stanislas de Guaita and George Gurdjieff, she also enjoys reading and studying about her work as a designer, all forms of art, mythology, psychology, history, travelling and everything that can give her new knowledge about the world. And in terms of what inspires the music by Ieschure the most, she mentioned Black Metal behemoths such as early Urfaust, Behexen, Rotting Christ, My Dying Bride, Opeth and, above all, Burzum, as his music embodies the ideas of misanthropy and loneliness in the best way imaginable according to our sinister diva.

When asked about her vocal style and technique, Lilita said that her screaming vocals were influenced by classic Black Metal bands, whereas for clean vocals she gets her inspiration from non-Black Metal music, as for example Julie Christmas, her favorite female singer of bands like Battle Of Mice and Made Out of Babies, and Free Dominguez, of Kidneythieves. In addition, regarding her songwriting process, Lilita said the first thing she does is many improvisations on the guitar at her home studio, recording various ideas, listening to them again at a later stage, and if she finds any of those ideas interesting enough she rerecords them to include all other instruments. Also, she complemented by saying most of her time in that process is taken by the lyrics writing process, as she can rewrite those many times and do various vocal improvisations to find the best version, finally rerecording everything.

As a true admirer of the underground, in special the first wave of Black Metal bands, their sound and atmosphere, as well as old Doom Metal, Lilita also said that although she doesn’t listen to a lot of bands from the Black Metal scene in her homeland Ukraine she knows there are several bands and projects in the country who create true underground music, always prioritizing the music instead of fame or money. However, she said she cannot compare herself to any of those bands, as she tries to go her own way with her own opinion about music. In addition, she also mentioned in one of her interviews that she doesn’t usually attend concerts, as for her personally the best way to listen to music is to listen to it in her headphones.

Lastly, when questioned if one day Ieschure will become a full-bodied group with other members joining her, Lilita said that, although she’s always open to change, she doesn’t think that’s a possibility for now. Furthermore, she mentioned that if one day she finds that a good alternative for embodying her ideas she will definitely try working with other musicians, as long as of course they’re sincerely interested in music and follow similar or the same ideas as hers. In the end, it doesn’t matter if she continues to create music as a lone she-wolf or if she finds the perfect lineup for Ieschure, our beloved metal witch will keep experimenting with melodies and vocal styles while always keeping an evil Black Metal atmosphere in the background, playing raw and devilish sounds for our total delectation in the name of darkness, death and the occult.

Ieschure’s Official Facebook page
Ieschure’s Official Instagram
Ieschure’s Official Twitter
Ieschure’s Official YouTube channel

“For me black metal is really a dark side of Art. It’s not just a music style. Mixture of music, theatre and philosophy, more irrational than other music styles, full of paradoxes, concentrating the strongest emotions, hatred and some perverted love to life. That is why it is perfect.” – Lilita Arndt

Album Review – Gasoline Guns / Motor Cult (2021)

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Time to join this Ukrainian cult of gasoline, guns, rum, whiskey, bourbon and badass Rock N’ Roll.

3.5rating

gasoline-guns-motor-cult-2021Bringing to our avid ears another round of their high-octane fusion of Heavy Metal, Rock N’ Roll and Hard Rock spiced up by ass-kicking harsh vocals, a combination the band itself likes to call “Metal N’ Roll”, the flammable Motor Cult, the brand new opus by Chernihiv, Ukraine-based metal drunkards Gasoline Guns, is a fun and vibrant collection of nine songs about a post-apocalypse and explosive world, blazing whiskey, fate, dusty roads and, of course, our good old, infernal Rock N’ Roll. Recorded, mixed and mastered at Higain Records and displaying a gasoline and coal-fueled artwork by Ian Guy the Motoring Artist, Motor Cult continues to pave the rockin’ path created by vocalist Dmytro “Talladega”, guitarists Danylo Sobolev and Volodymyr Zvol, bassist Andrew Moyseenko and drummer Volodymyr back in 2013, not only being the perfect follow-up to their 2015 demo and their 2016 full-length album Rust’n’Dust, but also a must-have for admirers of the fusion of burning fuel and badass riffs by bands such as Chrome Division and Motörhead.

Rev up your engines and join Gasoline Guns’ rockin’ feast in the alcohol-infused opening track Bourbon Burns, where Dmytro fires his trademark raspy vocals while Volodymyr crushes his drums in the best Motörhead style, whereas in Under Wicked Sky the raw and dirty lyrics barked by Dmytro (“There is no going back / And hope is a mistake / One more race, one more chase / One more lovely day / Riding road of fury / Riding road of pain / You live, you die / But you will live again”) bring even more thunder to the visceral riffs and solos blasted by Danylo and Volodymyr Zvol, resulting in a fast-paced ode to pure, unfiltered Rock N’ Roll. Their acid hybrid of Heavy Metal and Rock N’ Roll strikes again in the form of Hell Thunder, where the Lemmy-inspired bass by Andrew will make your head tremble mercilessly; and reminding us of the early days of Chrome Division, those Ukrainian rockers deliver a frantic tune entitled Gasoline and Guns, inviting us all to scream and shout the song’s catchy chorus together with them while Volodymyr dictates the pace with his pounding beats, not to mention Danylo’s sick guitar solo.

It’s not a true Rock N’ Roll album without a song with a Spanish name inspired by Mexican gunslingers, and that’s exactly what Gasoline Guns offer us all with tons of alcohol, bullets flying everywhere and the breathtaking sound of their guitars in El Pistolero, and the skies will get darker and the air heavier in the Stoner, Southern and Sludge Metal tune This Road Is a Snake, where Dmytro continues to tell tales of the life on the road with his inebriate vocals. Those five Ukrainian rockers keep hammering our heads with their vicious sounds in Nothing to Prove, where the riffage by Danylo and Volodymyr Zvol will penetrate deep inside your skin and invite you for a bloody pub brawl, and the band’s guitar duo, together with Andrew, will put you to bang your head like a metal maniac in the awesome Wheels of Rust, a classic Rock N’ Roll extravaganza with no shenanigans that will please all fans of the genre. Finally, we’re treated to And That’s Why We Drink, urging us metalheads to grab our glasses and bottles and join Gasoline Guns in their metallic tribute to all things alcohol, led by the always heavy and unfriendly voice of Mr. Dmytro “Talladega”.

gasoline-guns-2021After all is said and done, it’s time to put the pedal to the metal and hit the road together with Gasoline Guns to the sound of Motor Cult, and in order to do so you can stream their awesome new album in its entirety on YouTube and on Spotify, follow the band on Facebook and on Instagram, subscribe to their YouTube channel, and above all that, purchase Motor Cult from their own BandCamp page or from Apple Music, showing all your support to the underground. In the end, who doesn’t want to join a Ukrainian cult of gasoline, guns, rum, whiskey, bourbon and badass Rock N’ Roll, right? That’s all we need to find our inner strength to endure this dangerous highway we all like to call life.

Best moments of the album: Under Wicked Sky, Gasoline and Guns and Wheels of Rust.

Worst moments of the album: None, you bastards!

Released in 2021 Mythrone Promotion / Defense Records

Track listing   
1. Bourbon Burns 3:02
2. Under Wicked Sky 2:32
3. Hell Thunder 3:08
4. Gasoline and Guns 4:08
5. El Pistolero 3:54
6. This Road Is a Snake 5:07
7. Nothing to Prove 3:58
8. Wheels of Rust 4:25
9. And That’s Why We Drink 4:42

Band members
Dmytro “Talladega” – vocals
Danylo Sobolev – lead guitars
Volodymyr Zvol – rhythm guitars
Andrew Moyseenko – bass
Volodymyr – drums

Album Review – KLEE Project / Screaming Out Loud (2021)

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This talented Italian act is ready to rock and scream out loud once again with their brand new album of old school Southern and Hard Rock.

3.5rating

klee-project-screaming-out-loud-2021Almost three years after the release of their debut album The Long Way, Rome, Italy-based Southern/Hard Rock act Klee Project is finally ready to rock you like a hurricane once again with their brand new album Screaming Out Loud, showcasing all the passion for our beloved rock music by vocalist and guitarist Roberto Sterpetti, guitarist Chicco Gussoni, bassist Lorenzo Poli and drummer Daniele Iacono. Recorded and mixed at Memphistudio in Rome by Frank Altare and Roberto Sterpetti, mastered at Elephant Mastering by Riccardo Parenti, and featuring lyrics by Jessie Galante and a stylish artwork by Antonella Regi, Screaming Out Loud is a lesson in 80’s Hard Rock that will certainly please all fans of the genre. “Screaming Out Loud was composed in a difficult period and we want to remember it as a sign of confidence, a strong reaction in the face of critical moods. The new album is this, a sense of optimism and hope for the future,” commented frontman Roberto Sterpetti.

The guitars by Roberto and Chicco set fire to the music in Another Man, accompanied by the classic Hard Rock beats by Daniele and the rumbling bass by Lorenzo, also presenting hints of Southern Rock and Metal in their core sonority; and continuing their rockin’ path the quartet offers the electrifying Heaven, living up to the legacy of Italian Rock N’ Roll. Moreover, it’s impressive how their guitars sound so dirty and melodious at the same time, not to mention the old school vocals by Roberto, whereas investing in a stronger Southern Rock vibe, it’s time for the headbanging feast titled Wicked Soul, where the band blends 80’s Hard Rock with the modernity of Godsmack, and the final result couldn’t have been better, led by the slashing riffage by Roberto and Chicco. And One Time is another old school, straight-to-the-point creation by KLEE Project where Lorenzo and Daniele provide Roberto a solid base for his raspy vocals, keeping the energy level of the album as high as an eagle flying in the sky.

Razor-edged riffs are the main ingredients in the Rock N’ Roll party Back on in Love Again, with Daniele kicking some serious ass with his pounding drums while Roberto declaims the song’s 80’s Glam Metal-inspired lyrics (“Here we go / Here we go again / Our love keeps sitting on the fence / You’re playing me / Over and over / Want you to move in a little closer”). It’s then time for a classic Hard Rock ballad by those Italian rockers titled One Word, presenting a decent instrumental spiced up by a soulful guitar solo by Chicco, albeit not as exciting as the rest of the album, while back to a more intense musicality the quartet fires the somber and harmonious Right Now, with the band’s stringed trio being in absolute sync from start to finish while Daniele dictates the song’s catchy pace with his classy beats. The title-track Screaming Out Loud is a classic Hard Rock extravaganza where Roberto leads his crew with his vibrant vocals in the name of our good old Rock N’ Roll, with Chicco once again stealing the spotlight with another in-your-face guitar solo, and lastly we have You’re My Champion, an atmospheric ballad where Roberto fires some inspirational words supported by the enfolding sound crafted by his bandmates, putting a beautiful ending to the album.

klee-project-2021You can easily find more information about KLEE Project, their music, tour dates, plans for the future and other shenanigans on Facebook and on Instagram, and don’t forget to also subscribe to their official YouTube channel and, above all that, to purchase Screaming Out Loud from Apple Music or from Amazon, and to stream the full album as many times as you want on Spotify. The Italian rockers from KLEE Project are waiting for you to join them for a kick-ass Rock N’ Roll party to the sound of their new album, and I bet as soon as you hit play you’ll be banging your head, screaming out loud and rockin’ like there’s no tomorrow together with the band and your loved ones, just the way things are supposed to be in our lives filled with rock and metal music.

Best moments of the album: Wicked Soul, Back on in Love Again and Screaming Out Loud.

Worst moments of the album: One Word.

Released in 2021 This Is Core

Track listing
1. Another Man 2:44
2. Heaven 3:07
3. Wicked Soul 3:02
4. One Time 3:18
5. Back on in Love Again 3:03
6. One Word 4:07
7. Right Now 3:08
8. Screaming Out Loud 3:15
9. You’re My Champion 4:07

Band members
Roberto Sterpetti – vocals, guitars
Chicco Gussoni – lead guitars
Lorenzo Poli – bass
Daniele Iacono – drums

Guest musician
Corrado Pirri – additional guitars

Album Review – Ecclesia / De Ecclesiæ Universalis (2020)

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Showcasing the perfect syncretism between Heavy and Doom Metal, this army of French inquisitors stands strong on their crusade against every doom heretic with their incendiary debut album.

Playing what they like to call epic and dark Doom Metal-influenced Heavy Metal since their formation as a trio in 2016, the now fully-formed army of French inquisitors known as Ecclesia (the Latin word for “church”) unleashed upon us sinners this Friday the 13th their debut full-length musical mass De Ecclesiæ Universalis, which is Latin for “the universal church”, following up on their highly acclaimed 2017 demo Witchfinding Metal of Doom. Armed with purifying fire, blessed swords and Holy Rage, the band currently comprised of Frater Arnhwald on vocals, Julius Accusator and The Witchfinder General on the guitars, Frater Ignis Sacer on bass, Pater Hexenhammer on drums and Pater Walkelinus on organ and keyboards deals with the 12th Century dark medieval age of Holy Inquisition in their lyrics, showcasing the perfect syncretism between Heavy and Doom Metal in their music and, therefore, being highly recommended for admirers of the music by Candlemass, Cathedral and Solitude Aeternus, among other giants of the 80’s heavy and doom scene, standing strong on their crusade against every doom heretic and urging us all to confess our unholy sins.

Gregorian chants and the always tenebrous sound of the rain ignite the album in the bold intro Excommunicamus, before the strident riffage by Julius and The Witchfinder General dictate the rhythm in the hybrid of classic Heavy and Doom Metal titled Vatican III, a superb song to start the album where the rockin’ vocals by Arnhwald truly enhance the song’s impact and blasphemous feel, whereas their Black Sabbath vein beautifully explodes in Ecclesia Sathani, with Walkelinus’ phantasmagorical pipes bringing a touch of evil to the overall result, blending the glory of the 70’s and 80’s with their modern-day Doom Metal. Then get ready to crack your neck headbanging in the name of the unholy church of doom ruled by Ecclesia in Montségur, where Hexenhammer and Walkelinus are in absolute sync with their respective beats and keys while Arnhwald continues to fire his ass-kicking, King Diamond-inspired vocal lines. And never tired of hammering their sonic weapons, Ecclesia deliver another amazing tune entitled Behold the Heretic Burning, feeling like it was taken from one of Dio’s classic albums (which obviously means excellency), while Ignis Sacer makes sure the earth shakes to the sound of his menacing bass.

After such amazing first half of the album, how about seven minutes of a fusion of classic Doom Metal with Stoner and Southern Metal, spiced up by epic keys and soaring vocals? That’s what you’ll get in the Stygian hymn Antichristus. Needless to say, the band’s guitar duo will pierce your skin deep with their venomous riffs, ending the song in the most visceral way possible, and you better prepare your ears for another round of slashing riffs in Deus Vult, where the church-like organ pipes by Walkelinus will captivate your mind, opening it up for the slamming Rock N’ Roll crafted by his band members while sounding as harmonious and thrilling as it can be. It’s time to go full doom in the cryptic God’s Trial, with the sluggish beats by Hexenhammer walking hand in hand with the riffage by Julius and The Witchfinder General, being tailored for admirers of the most primeval form of Doom Metal (albeit not as powerful as the rest of the album). Before all is said and done, we’re treated to their cover version for Venom’s classic Burn The Witches (actually, the original song is titled “Don’t Burn The Witch”), from their 1982 cult album Black Metal, and you check the original version HERE, with Ecclesia’s version being absolutely awesome from start to finish, morphing into the stunning church-inspired outro Ite Missa Est to put a proper ending to their metal mass.

In case you’re considering joining a church for any given reason, I suggest you go check the services provided at the temple of doom ruled by Ecclesia on their Facebook page, and purchase your copy of the sensational De Ecclesiæ Universalis from their own BandCamp page, from the Aural Music webstore, from Season of Mist, from jpc.de, from Best Buy or from Amazon, proving to those French metallers you’re not a doom heretic and that you’re worth their mercy. Put differently, why not confessing your darkest and most impure sins to the sound of the ass-kicking metal music blasted by Ecclesia in their flammable newborn spawn? I’m sure both God and the Devil will love to witness you succumbing to their visceral, damned creations.

Best moments of the album: Vatican III, Montségur, Antichristus and Deus Vult.

Worst moments of the album: God’s Trial.

Released in 2020 Aural Music

Track listing
1. Excommunicamus 1:07
2. Vatican III 4:44
3. Ecclesia Sathani 5:26
4. Montségur 6:03
5. Behold the Heretic Burning 4:57
6. Antichristus 7:11
7. Deus Vult 5:33
8. God’s Trial 6:32
9. Burn The Witches (Venom cover) 3:25
10. Ite Missa Est 1:39

Band members
Frater Arnhwald – vocals
Julius Accusator – lead guitar
The Witchfinder General – rhythm guitar
Frater Ignis Sacer – bass
Pater Hexenhammer – drums
Pater Walkelinus – organ, keyboards

Album Review – Hvalross / Cold Dark Rain (2020)

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Rocking since they were teenagers in punk, metal, prog and rock bands, this fantastic Dutch four-piece act is ready to kick some ass armed with their electrifying debut opus.

Rocking since they were teenagers in punk, metal, prog and rock bands, Roosendaal, Netherlands-based Hard Rock/Stoner Metal act Hvalross, which is by the way the Norwegian word for “walrus” (and don’t ask me why they opted for such distinct name for their band), was born in 2018 after lead singer Gerben van Oosterhout, guitarist Barry Veeke, bassist Maarten Vermeulen and drummer Tristan de Rijk decided to end their three-year musical break to make great hard rocking music together. Heavily influenced by bands such as Mastodon, Judas Priest, Gojira, Black Sabbath and Iron Maiden, but of course with their own Dutch twist, Hvalross have just unleashed upon humanity their debut album, entitled Cold Dark Rain, offering fans of Doom, Stoner and Southern Metal a very good reason for raising their horns and bang their heads to the sound of nine original, heavy-as-hell and groovy compositions in the span of 35 intense minutes.

And it’s time for the quartet to kill in the opening tune Death From Above, a headbanging extravaganza led by the classic riffage by Barry and the pounding beats by Tristan, or in other words, a fusion of old school Hard Rock the likes of AC/DC with heavier and groovier styles that will please all fans of our good old Rock N’ Roll. In Trenchfeet the band sounds clearly inspired by 80’s Heavy Metal infused with Stoner and Doom Metal elements, with Gerben sounding truly epic on vocals supported by the spot-on backing vocals by Maarten. There are no shenanigans nor any artificial elements, it’s straightforward rock music made in the Netherlands for our total delight, and they keep venturing through the realms of Southern Rock and Metal in Finally Repent, where Barry and Maarten make a dynamic stringed duo while Gerben keeps singing with tons of passion. Then I Shot My Best Friend presents a curious name for a high-octane feast of metallic riffs, low-tuned bass jabs and frantic beats, sounding and feeling like an European version of Mastodon with Barry going full progressive on the guitar, while Tristan doesn’t let the level of energy go down not even for a single second.

There’s more of their solid and electrifying rock music in Oblivion, bringing to our ears another round of Gerben’s classic Hard Rock vocal lines accompanied by the groovy bass by Maarten, therefore keeping the album as vibrant as it can be; followed by The Owl, a more melodious and psychedelic tune by Hvalross that will take you on a journey through the 70’s and 80’s to the sound of their strident riffage, rumbling bass and classic beats, with Tristan once again stealing the spotlight with his refined technique. As I Am is a truly neck-breaking Stoner Rock and Metal exhibit by the quartet, blending the groove by Mastodon with the obscurity of Black Sabbath and sounding very detailed from start to finish, with Gerben kicking ass yet again on vocals, whereas the quartet puts the pedal to the metal in the thrilling Playing The Big Game, presenting nonstop sonic action by all band members with Gerben’s vocals being boosted by the incendiary riffs by Barry and the crushing drums by Tristan. Lastly, a more sinister side of the band is showcased in the closing tune Geryon, which despite being another solid and detailed composition it’s not as electrifying as the rest of the album. Maarten’s thunderous bass will punch in the head mercilessly, though, enhancing the song’s impact considerably.

After all is said and done, we must all admit Gerben, Barry, Marteen and Tristan were absolutely precise throughout the entire album, available for a full listen on Spotify, blending elements from all of their rock and metal heroes while at the same time crafting something unique that sounds like Hvalross and nothing else. Hence, as we all love when a band is capable of uniting their passion for heavy music with endless creativity and feeling like the guys from Hvalross did in Cold Dark Rain, let’s show our true support to them by following the band on Facebook and on Instagram, and obviously by purchasing their newborn opus from their own BandCamp page. And may the walruses of Hard Rock and Stoner Metal keep hammering our heads with their amazing music with countless more albums through the years.

Best moments of the album: Death From Above, I Shot My Best Friend and Playing The Big Game.

Worst moments of the album: Geryon.

Released in 2020 Independent

Track listing
1. Death From Above 3:52
2. Trenchfeet 4:00
3. Finally Repent 3:28
4. I Shot My Best Friend 2:58
5. Oblivion 3:48
6. The Owl 4:02
7. As I Am 3:31
8. Playing The Big Game 3:45
9. Geryon 5:56

Band members
Gerben van Oosterhout – vocals
Barry Veeke – guitars
Maarten Vermeulen – bass, backing vocals
Tristan de Rijk – drums