Album Review – Akouphenom / Connections To The Erebus EP (2025)

Coming from the same recording sessions of their 2023 album, the new EP by this uncanny Spanish horde continues the exploration of dark themes and complex compositions.

Known for their fusion of Blackened Death Metal with elements of Doom Metal and Noise, aiming to reflect absolute evil in their creations, A Coruña, Galicia, Spain-based entity Akouphenom returns from the netherworld with a brand new EP titled Connections To The Erebus, following up on their critically acclaimed 2023 full-length offering Death·Chaos·Void. Coming from the same composition and recording sessions of Death·Chaos·Void, their new four-track EP continues the exploration of dark themes and complex compositions by DraGon on vocals and guitars, Pandemia also on the guitars, Korgüll on bass, and Prgich on drums, further establishing their presence in the extreme metal scene.

Absurd of the Arkhe already brings to our putrid ears 11 minutes of ruthless Blackened Death Metal, with the crushing drums by Prgich setting the tone for DraGon to roar like an evil creature. Not only that, the guitars by Pandemia transpire malignancy while Korgüll hammers his bass nonstop, resulting in a true aria of absolute darkness. Then switching to their native language Spanish, the songs Extrema Uncion and Abismo, as described by Akouphenom themselves, are “a denial to Christianity and the idea of a paradise after death in exchange of an entire living as sheep and following the rules,” while musically speaking Extrema Uncion sounds as demented as it can be, with the infernal vociferations by DraGon penetrating deep inside your putrid soul, while Abismo showcases an even harsher vibe with the vocals by DraGon sounding truly inhumane, supported by the crushing drums by Prgich. And lastly, we’re treated to a whimsical instrumental track titled Limbo, where the haunting sound of the piano will bring some peaceful obscurity and melancholy to our hearts.

“We are atheists, we do not believe in nothing, and we accept that Death is the main end,” commented the band, and if you also want to follow Akouphenom in their dark path you can find more information about the band on Facebook and on Instagram, including their demonic live concerts, stream their music on any available platform like Spotify, and of course purchase a copy of the excellent Connections To The Erebus from the Avantgarde Music’s BandCamp, or from Sound Cave, and you can always click HERE for all things Akouphenom. Those Spanish servants of the black arts are on an absolute roll after the releases of Death·Chaos·Void in 2023 and now Connections To The Erebus, proving why the extreme music scene in their homeland cannot be ignored at all; quite the contrary, Spain hosts an ever-growing manifestation of first-class Black and Death Metal, with Akouphenom being one of the torchbearers of such an exciting movement.

Best moments of the album: Absurd of the Arkhe and Abismo.

Worst moments of the album: None.

Released in 2025 Avantgarde Music/Unorthodox Emanations

Track listing
1. Absurd of the Arkhe 11:50
2. Extrema Uncion 6:42
3. Abismo 3:55
4. Limbo 3:03

Band members
DraGon – vocals, guitars
Pandemia – guitars, backing vocals
Korgüll – bass, backing vocals
Prgich – drums

Album Review – Destroy Fear / The Mountain Before Us All (2025)

A dynamic new force emerging from Melbourne’s vibrant metal scene is ready to strike armed with their debut album, blending crushing heaviness with intricate melodies.

A dynamic new force emerging from Melbourne, Australia’s vibrant metal scene, blending crushing heaviness with intricate melodies heavily inspired by In Flames, Killswitch Engage, Trivium, Parkway Drive, As I Lay Dying, and Heaven Shall Burn, among many others, Melodic Death Metal outfit Destroy Fear is unleashing upon us their debut offering, titled The Mountain Before Us All. Comprised of vocalist Scott Masson (Born Of A Bastard King, Outer Worlds), guitarists Jayden Genuis (War Of One) and Luke Baird (Made From Broken Parts, The Empire), bassist Justin Wong (Tides Collide), and drummer Alex Bull (Outer Worlds), the band offers in The Mountain Before Us All a striking sound defined by soaring guitar riffs, emotionally charged vocals, and a powerful rhythm section, being therefore highly recommended for fans of Melodic Death Metal, Hardcore and Metalcore from the “glory days” of the early 2000’s.

It’s easy to feel that characteristic Gothenburg sound right from the start in Ulterior Motive, with Scott already roaring nonstop while Alex keeps the song’s rhythm flowing smoothly; and the guitars by Jayden and Luke will inspire you to bang your heads nonstop in The Serpent, inviting us all to slam into the pit and have a very good time with our good friends. Sweat Equity is absolutely inspired by the current sound by In Flames, with Scott and Justin kicking some ass on vocals, followed by The Redeemer, another fast and melodic creation by the band where the riffage by Jayden and Luke exhale heaviness while also sounding piercing and harmonious. Then we face another round of anguished roars and razor-edged guitars in Flames of Division, while the song’s clean vocals bring a touch of finesse to the overall sound, and the band then enhances their animosity and fury in Sever, with Scott screaming manically amidst a Hardcore-infused sonority.

The second half of the album begins in full force to the sound of Blue Sky Thinking, which should sound fantastic if played live, led by Alex’s Melodic Death Metal and Metalcore pounding drums. Fade to Obscurity is another exciting tune by the band, with their guitar duo hitting us hard with their fusion of aggressiveness and harmony, all boosted by another killer performance by Scott on vocals, and there’s no sign of the band slowing down at all, as it’s a feast of Melodic Death Metal that goes heavy on all Metalcore elements in Brimstone, in special in their vocals and riffs. Yesterday presents a more introspective side of the band, albeit not as exciting as the rest of the album, whereas in order to properly end the album the band will melt our faces with The Mountain Before Us All, where their caustic riffs and roars match perfectly with Alex’s hard hitting drums.

A super group of sorts made up from members of other bands and projects with a passion for all things metal, Destroy Fear are already deep into writing and actively recording for a second album release projected for the end of 2025 or beginning of 2026, and until then you can have an absolute blast with their debut offering by streaming it on Spotify and purchasing it from BandCamp. Don’t forget to also follow those talented Australians on Facebook, keeping an eye on their live concerts as they’re more than ready to crush the stages Down Under, and to subscribe to their YouTube channel for more of their music and videos. Needless to say, I’m sure we’ll soon hear a lot more from Scott, Jayden, Luke, Justin, and Alex, as they keep destroying fear armed with the best weapon ever to do so, which is high quality music like what they have to offer in their excellent debut album.

Best moments of the album: The Serpent, The Redeemer and Fade to Obscurity.

Worst moments of the album: Yesterday.

Released in 2025 Independent

Track listing
1. Ulterior Motive 4:07
2. The Serpent 4:28
3. Sweat Equity 4:34
4. The Redeemer 3:59
5. Flames of Division 4:13
6. Sever 4:08
7. Blue Sky Thinking 5:05
8. Fade to Obscurity 4:06
9. Brimstone 3:22
10. Yesterday 5:20
11. The Mountain Before Us All 4:23

Band members
Scott Masson – vocals
Jayden Genuis – lead guitar
Luke Baird – rhythm guitar
Justin Wong – bass, vocals
Alex Bull – drums

Album Review – Impureza / Alcázares (2025)

The trailblazers of Hispanic Extreme Metal return with a fantastic new album, once again exploring the duality between extreme music and Spanish sounds inspired by Andalusian culture and flamenco.

Formed in 2004 by guitarist Lionel Cano Muñoz, Franco-Spanish Brutal Flamenco Death Metal entity Impureza offers a unique fusion of extreme music and Spanish sounds inspired by Andalusian culture and Flamenco, creating an atypical style known as “Hispanic Extreme Metal,” therefore turning them into the pioneers of the genre. Recorded and mixed by Sébastien Camhi at Studio Artmusic, mastered by Jacob Hansen at Hansen Studios, and displaying a stylish artwork by Johann Bodin and Xavier Ribeiro, Alcázares is the brand new offering by the band currently formed of Esteban Martín on vocals, Lionel Cano Muñoz on the guitars, Florian Saillard on fretless bass, and Guilhem Auge on drums, supported by Xavier Hamon on percussion and Louis Viallet on orchestrations, once again revolving around the voluptuousness of Latin atmospheres, the ferocity of metal music, and Spanish culture and history, explored through a fictional and esoteric aspect.

The pure Flamenco intro Verdiales will transport our minds to the world of Impureza before they attack with Bajo las Tizonas de Toledo, with Lionel delivering striking riffs and solos infused with Spanish sounds while Guilhem hammers his drums and Esteban roars deeply until the very end. Covadonga keeps the album at a high level of violence and epicness, with Lionel once again stealing the spotlight with his riffage supported by Florian’s puissant bass; and simply let their Spanish sounds penetrate deep inside your soul in Pestilencia, or “pestilence”, where the Spanish guitars by Lionel are effectively boosted by the percussion by Xavier before all explodes into another feast of Progressive Death Metal. And Reconquistar Al-Ándalus, or “reconquering Al-Ándalus”, is another perfect fusion of extreme music and the Andalusian culture, not to mention how infernal Guilhem sounds on drums.

Impureza will then put you to dance to the sound of Murallas, or “walls”, a fantastic interlude that will set the tone for La Orden del Yelmo Negro, which translates as “the order of the black helmet”, carrying a poetic name for an overdose of harsh vociferations by Esteban, all boosted by another visceral, flawless stringed attack by Lionel and Florian. After such a beautiful song, the band offers six minutes of dark, atmospheric sounds infused with the whimsical touch of the Spanish guitar by Lionel in Castigos Eclesiásticos, or “ecclesiastical punishments”; whereas in El Ejército de los Fallecidos de Alarcos, or “the army of the dead of Alarcos”, all backing vocals add an extra kick to Esteban’s harsh growls while Florian and Guilhem make the earth tremble with their progressive and ruthless kitchen. Then another Andalusian-infused instrumental interlude titled Ruina del Alcázar, or “ruin of the Alcázar”, warms us up for their final onrush entitled Santa Inquisición, or “holy inquisition”, where all band members set the ambience on absolute fire, led by the always demonic vociferations by Esteban in a lecture in extreme music.

Often nicknamed the “French Nile” due to their primary influences, which obviously include Nile, as well as Hate Eternal, Behemoth, and Fleshgod Apocalypse, among many others, plus several Spanish artists such as Flamenco guitarist Paco de Lucía and gypsy singer Camarón de la Isla, Impureza, which by the way means “impurity” in English, beautifully united traditional Hispanic folklore and Extreme Metal in their new album, presenting the duality between those two seemingly opposed musical genres in a beyond compelling way. Hence, you can get to know more about the band on Facebook and on Instagram, subscribe to their YouTube channel, stream their music on Spotify, and grab a copy of their fiery new opus from BandCamp or by clicking HERE. In a nutshell, not only Impureza are the undisputed trailblazers of Hispanic Extreme Metal, but Alcázares will certainly help them carve their name in the history of heavy music, leaving us eager for more in a not-so-distant future.

Best moments of the album: Bajo las Tizonas de Toledo, Reconquistar Al-Ándalus, La Orden del Yelmo Negro and Santa Inquisición.

Worst moments of the album: None.

Released in 2025 Season of Mist

Track listing
1. Verdiales 1:15
2. Bajo las Tizonas de Toledo 6:25
3. Covadonga 4:01
4. Pestilencia 4:44
5. Reconquistar Al-Ándalus 5:25
6. Murallas 2:24
7. La Orden del Yelmo Negro 4:57
8. Castigos Eclesiásticos 6:06
9. El Ejército de los Fallecidos de Alarcos 5:18
10. Ruina del Alcázar 1:37
11. Santa Inquisición 6:26

Band members
Esteban Martín – vocals
Lionel Cano Muñoz – rhythm, lead & Spanish guitars
Florian Saillard – fretless bass
Guilhem Auge – drums

Guest musicians
Xavier Hamon – percussion (session)
Louis Viallet – orchestrations (session)

Album Review – The Lucidia Project / The Twilight Affliction EP (2025)

This promising American Melodic Metal band will captivate your senses with their new EP, weaving intimate, confessional lyrics through a massive and atmospheric soundscape, sounding at the same time both crushing and cathartic.

Blending an amalgamation of styles including Melodic, Alternative, Symphonic, Death, and Doom Metal alongside a rich emotional tapestry of confessional songwriting, vocalist and keyboardist Chase Baldwin and bassist Benjamin Jacobs founded The Lucidia Project back in 2022 in Fargo, North Dakota, in the United States, releasing their self-titled demo that same year, followed by the EP Requiem in 2023, and the standalone single Soul Killer in 2024. Now in 2025 the band formed of the aforementioned Chase Baldwin on vocals, piano, strings and drum programming, and Benjamin Jacobs on bass, alongside guitarists Daniel Williams and Garrett Carroll, is set to unleash a new EP entitled The Twilight Affliction, taking a vast array of artistic influences from Tori Amos to Katatonia and Nightwish, and presenting listeners with a sonic identity that is both intimate and momentous. Produced, engineered, mixed and mastered by Danny Meyer at Sunway Studios, with the band’s own Chase Baldwin also working as a recording engineer and co-producer, the six-song EP weaves intimate, confessional lyrics through a massive and atmospheric soundscape, sounding at the same time crushing and cathartic.

Chase already showcases his passion for delicate sounds with his piano in Prophecy, being gradually joined by his bandmates in a lecture in Progressive Metal, with the band’s guitar duo delivering classy yet powerful riffs nonstop. The second song of the EP, titled Bloodlines, brings forward a more metallic version of the band, with Chase offering harsher vocals while Daniel, Garrett and Benjamin fire a striking stringed attack; and the band then goes full Progressive Metal in December, with their stylish riffs, classic drums and enfolding vocals turning it into a must-listen for fans of the genre. Lockdown is a song with a traumatic name for the newest generation, starting in an ethereal manner before evolving into pure progressiveness and electricity led by Daniel and Garrett’s piercing guitars; and it’s time for a beautiful ballad spearheaded by Chase’s stylish vocals and piano titled Lights Out, embracing us all in total darkness until the very end. Then closing the EP we’re treated to In My Sleep, where once again their whimsical but strong sounds fill every single space in the air, blending slower, charming passages with more visceral and melancholic nuances.

In a nutshell, The Twilight Affliction stands as the band’s most cohesive and emotionally resonant work to date, a testament to the band’s growing sonic identity, sounding absolutely moody, orchestral, and unapologetically vulnerable. “This EP is a journey through the darker corners of the human experience -loss, disillusionment, resilience,” commented the band’s mastermind Chase Baldwin. “It’s not just about grief or despair; it’s about finding clarity in the twilight, even when the light fades.” You can get in touch with the guys from The Lucidia Project and learn more about their music, their goals and plans for the future on Facebook and on Instagram, stream their classy creations on Spotify, and purchase your copy of their new EP by clicking HERE. The Lucidia Project are a precious gem of the current American heavy music scene, and their new opus The Twilight Afflicition will most definitely help them reach new heights and keep delivering first-class music to us metalheads in the coming years.

Best moments of the album: Prophecy and December.

Worst moments of the album: None.

Released in 2025 Independent

Track listing
1. Prophecy 4:53
2. Bloodlines 3:59
3. December 4:27
4. Lockdown 5:14
5. Lights Out 4:46
6. In My Sleep 8:30

Band members
Chase Baldwin – vocals, piano, strings, drum programming
Daniel Williams – guitars
Garrett Carroll – guitars
Benjamin Jacobs – bass

Album Review – Heathen’s Eye / Port Inspiro (2025)

Inspired by the past, a new Swedish Melodic Metal entity arises with their debut offering, a tribute to the bands that led them onto the path they are on today.

A new Swedish Melodic Metal band which incorporates many different influences from the fields of AOR, Melodic Rock, Hard Rock, and Progressive Rock and Metal into their sound, Heathen’s Eye are set to release their debut album, entitled Port Inspiro, or “inspired by the past” in Esperanto, a tribute to the bands that led the band onto the path they are on today. Featuring five experienced musicians with background in several genres, the band formed of Robb Lindh on vocals, Göran Hamrin on the guitars, Ola Hellström on bass, Mikael Andersson on keyboards, and Jonas Jönsson on drums brings together all of their influences from the 80’s and 90’s to the album, being therefore recommended for fans of Masterplan, Accept, Queensryche, Firewind, and Lynch Mob, among others.

Jonas revs up the band’s rockin’ engine in One Black Lie, quickly evolving into a beyond solid feast of European Hard Rock, with Robb distilling his hypnotizing vocals for the delight of fans of the genre. The band then takes us back to the golden years of 80’s Hard Rock with Mirrorman, with Göran’s stylish riffs walking hand in hand with Mikael’s mesmerizing keys; whereas a cinematic, creepy intro explodes into another feast of Melodic Rock and Metal entitled Ghosts Of Yesterday, more cadenced and harmonious than its predecessors. Robb continues to fire his beyond melodious vocals in Still Water Runs Deep, while Mikael’s keys and Jonas’ beats add an extra Rock N’ Roll touch to the music, and the rumbling bass by Ola exhales groove and heaviness in the fast-paced Firepriest, a song perfect for hitting the highway on a hot summer day. After such a hurricane of rock music, it’s time for a cheesy but very melodic ballad titled Is It Over Now, with Robb stealing the show with his passionate vocal lines.

Just the start of Endless Lines transpires the 80’s, gradually evolving into another mid-tempo Hard Rock aria where Jonas takes the lead armed with his fierce beats, followed by Lost In The Wind, another beautiful ballad by those Swedish rockers, with the minimalist guitar lines by Göran clashing perfectly with Robb’s vocals. Shine is a very generic Melodic Rock tune that doesn’t add much to the album, despite the band’s classy musicianship being there as usual; while they get back on track in Monsters, offering a six minute voyage through the realms of classic Hard Rock, Melodic Rock and Metal, and even Rock N’ Roll, with Göran and Ola extracting sheer adrenaline from their axes until the very last second. The band keeps rockin’ our world with Blind, adding hints of old school Heavy Metal to their core Hard Rock; and lastly, we’re treated to another six-minute feast of melody and passion titled Time To Deliver, with Jonas pounding his drums while Mikael’s keys bring a pinch of modernity to the music.

Most members of Heathen’s Eye live in the beautiful north, the land of snow, aurora borealis, months of eternal darkness in the winter, and warm days when the sun never sets in the summer. These contrasts are also reflected in their music, which spans over Heavy Rock, airy ballads and Progressive Metal, exactly like what they have to offer us all in Port Inspiro. Hence, you can get to know more about this exciting new name of the Swedish rock and metal scene by following them on Facebook, and purchase a copy of their classy debut from the Pride & Joy Music shop. Inspired by the past, Heathen’s Eye is crafting the future of Melodic Rock and Metal in their new album, leaving us eager for more in the coming years.

Best moments of the album: Mirrorman, Firepriest and Monsters.

Worst moments of the album: Shine.

Released in 2025 Pride & Joy Music

Track listing
1. One Black Lie 4:57
2. Mirrorman 5:08
3. Ghosts Of Yesterday 5:07
4. Still Water Runs Deep 4:58
5. Firepriest 5:33
6. Is It Over Now 5:34
7. Endless Lines 4:37
8. Lost In The Wind 5:08
9. Shine 4:32
10. Monsters 6:14
11. Blind 5:32
12. Time To Deliver 6:07

Band members
Robb Lindh – vocals
Göran Hamrin – guitars
Ola Hellström – bass
Mikael Andersson – keyboards
Jonas Jönsson – drums

Album Review – Eminentia Tenebris / Whispers of the Undying (2025)

This French Black Metal entity returns with its fourth studio album, formed of eight epic and melodic pieces centered around the exaltation of heroism and bravery within an ancient and mythical war-torn universe.

Founded in Le Mans, Pays de la Loire, France in 2020 as a one-man band by Cryo, Atmospheric/Melodic Black Metal entity Eminentia Tenebris is unleashing its highly anticipated fourth album, Whispers of the Undying, following up on its 2023 album Rise of a New Kingdom. Whispers of the Undying, which marks the arrival of Erroiak on vocals and Daeris as the lyricist, as well as Septev handling all mixing, mastering, and layout, and displaying a classy artwork by Rein Van Oyen, is formed of epic and melodic pieces centered around the exaltation of heroism and bravery within an ancient and mythical war-torn universe. The album title should be interpreted as a metaphor for a timeless force that endures through eternity (via “whispers”), representing the survival of heroic deeds in collective memory over time (and thus never dying, or “undying”).

The duo’s cryptic Black Metal attack begins in full force in Forever Etched, an extended intro that works majestically, warming us all up for Echoes of Triumph, where Cryo delivers striking riffs, bass lines and blast beats nonstop, therefore boosting Erroiak’s visceral roars to a whole new level, sounding vile while at the same time absolutely epic. The galloping pace crafted by Cryo sounds and feels truly inspiring in The Great Betrayal, with all background elements adding an extra touch of obscurity to the music, and after such a demonic metal attack the duo offers a delicate start in Beneath the Moon, gradually morphing into another Black Metal extravaganza led by Cryo’s venomous riffage.

Through Chaos and Shadow is a first-class explosion of Melodic and Atmospheric Black Metal by Eminentia Tenebris, with Erroiak proving why he was chosen by Cryo to be the new voice of the band; followed by Embers of Glory, presenting another gentle, serene intro that will embrace our blackened souls, an ode to heroism and glory, with Erroiak roaring amidst a fusion of Epic and Black Metal. Then we have Marching as One, bringing forward another round of their darkened, epic sounds, with Cryo’s riffs and blast beats walking hand in hand with Erroiak’s desperate gnarls; and lastly, the duo will head into the battlefield one final time to the sound of Time’s Cruel Reign, with Cryo’s Black Metal beats enhancing the song’s heaviness to a whole new level.

Ultimately, Whispers of the Undying questions the legacy one wishes to leave behind and pays tribute both to heroic figures and to the power of nature, before which humankind must remember to remain humble. Hence, if you want to experience such a harsh, detailed and multi-layered album of extreme music in all of its glory, you can purchase a copy of it from the project’s own BandCamp or from the Antiq Records webstore, and don’t forget to also check what Cryo and his Eminentia Tenebris are up to on Facebook and on Instagram, and to stream more of the project’s idiosyncratic creations on YouTube and on Spotify, or simply click HERE for all things Eminentia Tenebris. As the album progresses, the narrator transforms from a triumphant protector to a tormented soul, whose powerlessness in the face of time’s ravages leads him to self-reflection at the moment of death, and there’s nothing better than the first-class fusion of Atmospheric and Melodic Black Metal by Eminentia Tenebris to support his dark and infernal path.

Best moments of the album: Echoes of Triumph, Through Chaos and Shadow and Marching as One.

Worst moments of the album: None.

Released in 2025 Antiq Records

Track listing
1. Forever Etched 1:43
2. Echoes of Triumph 4:26
3. The Great Betrayal 4:20
4. Beneath the Moon 5:21
5. Through Chaos and Shadow 4:35
6. Embers of Glory 5:05
7. Marching as One 4:44
8. Time’s Cruel Reign 5:04

Band members
Erroiak – vocals
Cryo – guitars, bass, drums

Album Review – Lifetaker / Herbsthunde EP (2025)

These German Grindcore and Sludge Metal marauders are back with a caustic new EP, a concentrated, precisely articulated sonic language in which madness and surrender blur into one another.

After crushing the souls of the infields with their 2022 sophomore album Der letzte Raum, Dortmund, Germany-based Grindcore/Hardcore/Sludge Metal marauders (and proud supporters of the antifascist movement) Lifetaker are back in action with a short but extremely aggressive and caustic EP, titled Herbsthunde, which translates from German as “autumn dogs”, or whatever the band means with that, always navigating somewhere between noise, punk, and destructive sonic expression. Presenting themselves as a trio for the first time, formed of KonstanJn Schepes on vocals, Alexander Kämper on the guitars and synths, and Gerrit Vocke on bass, vocals and machines, the band delivers in their new EP a concentrated, precisely articulated sonic language in which madness and surrender blur into one another, continuing to dismantle the boundaries of extreme music since their inception back in 2018.

Totsignal (“dead signal”) is absolutely harsh and experimental from the very first second, with the visceral sounds and demented growls blasted by the trio sending shivers down our spines; and Gerrit turns their music into the sounds of heavy machinery in Schattenkabinett (“shadow cabinet”), while KonstanJn  keeps vociferating rabidly for our total delight. Then leaning towards the music crafted by Nine Inch Nails and Marilyn Manson, it’s time for Alpha Centurio, sounding more like Industrial or Experimental Metal than their early Grindcore, followed by Maschinensturm (“machine storm”), and the name of the song says it all, a dissonant, experimental and caustic display of the band’s new sound led by the wicked synths by Alexander and the evil machines by Gerrit. Lastly, we have Herbsthunde der Karpaten (“autumn dogs of the Carpathians”), another song with a very poetic name showcasing a menacing atmosphere that goes on until the very end.

Guitar walls, analog interference patterns, and synthetically distorted cries form an intense acoustic field in Herbsthunde (available in full on YouTube and on Spotify), devoid of comfort, but marked by uncompromising clarity. All that creativity and courage to explore new lands while staying true to their roots is what makes the music by Lifetaker so compelling, and in order to join them in such a unique sonic experience you can find those guys on Facebook and on Instagram, and of course put your dirty hands on their even dirtier new offering by grabbing a copy of it from their own BandCamp. Because Lifetaker are more than ready to take your life armed with the undisputed noises found in Herbsthunde, and you better be prepared as those guys most definitely won’t take no for an answer.

Best moments of the album: Schattenkabinett and Alpha Centurio.

Worst moments of the album: None.

Released in 2025 Ván Records/Summer Darling Tapes

Track listing
1. Totsignal 4:08
2. Schattenkabinett 3:01
3. Alpha Centurio 3:26
4. Maschinensturm 3:52
5. Herbsthunde der Karpaten 4:57

Band members
KonstanJn Schepes – vocals
Alexander Kämper – guitar, synths
Gerrit Vocke – bass, vocals, machines

Album Review – Eteritus / Odium et Irae dei Super Vos (2025)

This Polish Black and Death Metal horde returns with their fourth studio opus, overflowing a dark and heavy atmosphere while still presenting their share of brutality and melody.

Musically directed towards Black Metal, but still showcasing the band’s trademark Death Metal core, Odium et Irae dei Super Vos, or “the hatred and wrath of God be upon you” from Latin, marks a new era for Toruń, Kujawy-Pomerania, Poland-based Black/Death Metal entity Eteritus. Recorded at Slav Sound Studios (guitars) and at Sala Prób Toruń (vocals, bass, drums), mixed and mastered by Mariusz Konieczny at Heavy Gear Studio, and displaying a sinister artwork by Moon Ring Design, the new album by vocalist Oz, guitarist Slav, bassist Kinio, and drummer Nitro overflows a dark and heavy atmosphere while still presenting their share of brutality and melody, being therefore tailored for admirers of the music by Entombed, Dismember, Gorefest, and Vader, among several other servants of total darkness.

The piercing, devilish guitars by Slav are suddenly joined by Nitro’s blast beats in the opening tune Mystic Trifixion, a solid, no shenanigans fusion of Black and Death Metal, whereas an atmospheric and melancholic start to the acoustic guitars by Slav morphs into a Doom Metal-infused aria entitled Semper Fidelis, with Oz darkly vociferating the song’s caustic words. Call of the Rising Darkness carries a poetic name for an overdose of Blackened Death Metal led by Nitro’s intricate yet violent beats and fills; and Slav and Kinio keep blasting their stringed weapons in Ashes over the Fire, offering more of the band’s sulfurous blend of Death Metal. Then the menacing bass by Kinio kicks off the infernal Celebration ov Wolves, bringing forward a demented hybrid of Black, Death and Doom Metal where Oz gnarls like a demonic entity; while Dark Crusader, the second to last song of the album, keeps darkening the ambience with Nitro once again taking the lead with his classic drumming. And last but not least, the quartet will crush our damned souls one final time with In the Arms of Endless Night, a multi-layered aria from the underworld showcasing an overdose of vile riffs and roaring vocals for our total delight.

Following up on the releases of their 2014 debut EP Tales of Death, their 2016 first full-length Following the Ancient Path, their 2018 sophomore opus Order of Death, and their third installment Rotten Transition, released in 2021, Odium et Irae dei Super Vos represents another solid step in the career of Eteritus, who are by the way waiting for you on Facebook with news, tour dates, and more of their demented music. You can also stream all of their excellent albums on Spotify, and of course grab a copy of their sulfurous new album from their own BandCamp or from Via Nocturna’s BandCamp, keeping the fires of Polish extreme music burning as bright as possible, once again proving that if Black and Death Metal are your true passion, you must move to Poland.

Best moments of the album: Semper Fidelis, Celebration ov Wolves and In the Arms of Endless Night.

Worst moments of the album: Ashes over the Fire.

Released in 2025 Via Nocturna

Track listing
1. Mystic Trifixion 5:04
2. Semper Fidelis 5:03
3. Call of the Rising Darkness 5:29
4. Ashes over the Fire 3:07
5. Celebration ov Wolves 6:16
6. Dark Crusader 4:24
7. In the Arms of Endless Night 7:58

Band members
Oz – vocals
Slav – guitars
Kinio – bass, backing vocals
Nitro – drums

Metal Chick of the Month – Helle Bohdanova

Strong voice and airy lungs… Three lives are not enough… To sing of all the wonders I’ve seen!

Slava Ukraini! As the temperatures are rising in this month of July, there’s nothing better than celebrating the summer heat with the ass-kicking heavy music crafted by our metal lady of the month here on The Headbanging Moose. The name Olha Ihorivna Bohdanova, or Ольга Ігорівна Богданова in her mother tongue, might not mean much to you, but once you associate it with Helle Bohdanova (or Helle Bogdanova), the unstoppable frontwoman for Ukrainian Melodic/Progressive Metal band Ignea, then all will make a lot more sense to you and you’ll start headbanging like a true metalmaniac to the sound of her incredible vocals. There’s no escape from her hypnotizing voice, but I’m sure that’s exactly what you want, as you dive deep into her realm of heaviness, melody and endless fire. Because there will most definitely be fire, no doubt about that, which means you better get ready to be burned alive while Helle penetrates deep inside your mind with her flammable vocals.

Born on October 22, 1991 in Kyiv, the capital and most populous city of Ukraine, Helle is a vinyl lover, a dark style enthusiast, and a proud Kyivan who’s been making a name for herself as the voice of Ignea, blending Melodic, Symphonic and Progressive Metal with Middle-Eastern Folk influences for a unique sonic experience for any fan of good music. It was back in 2011 when keyboardist Evgeny Zhytnyuk and guitarist Dmitry Volovnenko formed the band that would later become Ignea, Progressive Metal band Parallax, as the first Ukrainian band to play what they would label as “Oriental Metal”, singing about topics such as life on Mars, Sputnik-1, war, The John Carter movie, and the Pioneer One series. In 2012, the band was joined by bassist Xander Kamyshin, guitarist Max Khmelevsky and our ruthless vocalist Helle Bohdanova, and started rehearsals. Dmitry decided to pursue his life and career interests outside Parallax and left the band, and in 2013 the band released their debut EP, titled Sputnik, followed by a 2014 single named Petrichor.

The band then announced their name change to Ignea on November 22, 2015, already releasing a new single named Alga (named after a war call of Crimean Tatar people who were defending their land) less than a week later. Playing a mix of heavy riffs with symphonic, electronic and folk elements, and of course strong story-telling, therefore creating a powerful OST-like experience while staying true to the melodic essence of their music, the band then released a rebranded version of their EP Sputnik back in 2016, followed by their 2017 first full-length opus The Sign of Faith (showcasing a heavier sound, both clean and extreme vocals, and authentic Middle-Eastern melodies), their 2020 sophomore effort The Realms of Fire and Death (a concept album with powerful story-telling, metaphors, and symbols, accompanied by a book of short tales incorporating the lyrics of each song), the 2021 split EP Bestia (a concept EP about the human nature of Slavic mythological creatures and the world’s duality) alongside Ukrainian Symphonic Metal band Ersedu, and more recently the 2023 album Dreams of Lands Unseen (a concept album that reflects the life of Ukrainian photographer and documentarian Sofia Yablonska, known for traveling to very distant corners of the world while documenting the lives of tribes and natives, which was especially dangerous and uncommon for a woman of her time), which had its release date postponed to 2023 because of the Russia-Ukraine full-scale war. Also, don’t forget to check the band’s official videos for the songs Jinnslammer, Queen Dies, Seytanu AkbarNomad’s Luck, Dunes, and many more on their official YouTube channel, including live performances of some of their best creations.

The high quality of their music not only led them to tour across several countries, including Germany, Austria, the Netherlands, Slovakia, Czech Republic, France, Lithuania, Spain, Portugal, and of course, Ukraine, but The Realms of Fire and Death was also selected as the metal album of the year and the band as the best Ukrainian metal band of 2020, according to the Ukrainian national awards named The Best Ukrainian Metal Act. Also, despite the Russia-Ukraine war, the band managed to play multiple charity shows in Ukraine, and embark on an Europe and UK tour with Industrial Metal legends Fear Factory, playing 43 shows within a span of only two months. Needless to say, you should definitely buy and/or stream their entire discography on BandCamp or on Spotify for a very good time alongside Helle and the boys.

Currently formed of our beloved Helle Bohdanova on vocals alongside Dmytro Vinnichenko on the guitars, Oleksandr Kamyshin on bass, Yevhenii Zhytniuk on keyboards, and Ivan Kholmohorov on drums, the band proudly serves as cultural ambassadors for Ukraine, diligently raising awareness about the country’s ongoing situation among their international fanbase, as well as solidifying their status with appearances in several major European festivals including Wacken Open Air, Summer Breeze, Bloodstock, and Leyendas del Rock. Not only that, nine songs by Ignea have been featured in the highly anticipated video game S.T.A.L.K.E.R. 2: Heart of Chornobyl, a collaboration that brings the Ukrainian band’s powerful and atmospheric music to the immersive post-apocalyptic world of the game, enhancing its dark and gritty ambiance.

One curious fact about Helle and her contribution to the success of Ignea was her adventure through Faroese lands with their cover version of Í Tokuni, featured on their 2020 album The Realms of Fire and Death, and originally released by Syðrugøta, Faroe Islands-based Nordic Folk Rock/Pop artist  Eivør in her 2015 album Slør (check the original version HERE). Helle was learning Norwegian when it was time to record her vocals, and her experience ended up being weird as the song’s language, Faroese, is close but not that much to Norwegian. “I’m learning Norwegian indeed, and it actually didn’t help, even made it worse. Because lots of words are similar in written form but they’re pronounced absolutely differently, so I had to force myself to get away from Norwegian. But I enjoyed singing it so much, it’s almost like a mantra for me. And there’s also some kind of throat extreme vocals which I’ve never done before and it came out naturally for me from the first take. It’s like I’ve always done that.”

Apart from her already solid career with Ignea, Helle can also be found as a guest vocalist for Brazilian/Polish Symphonic Death Metal band Itself, singing in the song Voices of the Unheard, from their 2023 album The Absence, and in the song Untimeliness, from the 2024 album Shadow Empress, by German Progressive Metal project Nino Helfrich. Unfortunately for now those are the only two songs featuring Helle as a guest musician, but I’m sure we’ll see a lot more of her alongside some of the biggest names of the underground as well as mainstream artists in the near future, as her voice is fantastic and deserves to be featured in an array of songs and albums from all types of music, not only heavy music.

Regarding her idols, interests and influences, Helle mentioned already that she has been interested in mythology since her very early childhood, resulting in for example mentions of the Egyptian goddess Sekhmet, the Japanese goddess Fuji, the Norwegian god Logi and the Slavic god Svarog in the excellent song Gods Of Fire. “For me, it’s more about the vibe and different worlds, not about science or history. In my belief, each person has its god/gods, just like each country has a president or monarchy. I cannot explain that, but so far, this is how I see it. If I could, I would include much more gods in the song but it would be too long!” Another one of her idols is travel photographer and reporter Sofia Yablonska, with their album Dreams of Lands Unseen revolving around her life and philosophy. “I think the most amazing thing is that she felt very contemporary to me. We’re nearly a century apart and yet, her philosophy and thoughts are very modern and applicable for today. She was definitely ahead of her time in all aspects. Moreover, she always took her life in her hands and overcame all the obstacles she faced, no matter what dangers and discomforts appeared,” commented Helle.

It was back in 2023 when Helle, after winning Best Vocals, received 36% of the votes in the category Best Brutal Vocals and won another award for Ignea at the very competitive and fun FemMetal Awards that year, adding to the band’s previously won awards for Best Metal Act, Best Music Video, and Best Album. Just to give you an idea of how competitive the Best Brutal Vocals category was that year, the other nominees were Carla Harvey (Butcher Babies), Fernanda Lira (Crypta), Liv Jagrell (Liv Sin), Obscura (Asagraum), Prika Amaral (Nervosa), and Sofia Frasz (Exiled Hope), all phenomenal vocalists from excellent bands of the current metal scene worldwide who I’m sure you’ve already heard of, and who keep making the world of heavy music a much better place when they take the global stages by storm.

Helle was also asked in one of her interviews about her thoughts on playing live with an orchestra, to which she replied that although it’s a beautiful idea, it’s at the same time very hard and expensive to bring together 40 or more people on tour. “Even huge bands are sometimes not able to play with an orchestra,” said Hellen. Having been touring internationally since 2018, Hellen said she believes it’s very positive to tour with bands that have quite a different audience, helping them in gaining more new fans on tour. “I think some bands we’d like to tour with someday are Amorphis, Moonspell, Cellar Darling, Delain, and Lacuna Coil, to name a few,” commented Helle, also saying that all can change depending on their musical direction. Moreover, Ignea toured with Fear Factory, Butcher Babies, and Ghosts of Atlantis not too long ago, saying it was a huge honor for them to join that amazing lineup, proving how dynamic their music can be, as well as a three-week tour across nine countries within the Female Metal Voices Tour 2018 headlined by Butcher Babies and Kobra and the Lotus.

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In their 2020 album The Realms of Fire and Death, Helle recorded the song Чорне Полум’я in their native language Ukrainian for the first time ever in the band’s history (although the band had been playing it live together with Queen Dies since 2018). “To be honest, I’m a global citizen and I’m not that connected to certain geographic location. This planet is my home and I feel good on the road. Singing in Ukrainian seemed very suitable for this particular song, and I’m glad we did it. It was also perceived very well by our listeners, so maybe we’ll do such experiments in the future, if we feel that a certain song should be recorded in Ukrainian. It’s not an intentional thing, it comes from our inspiration,” said Helle, who also commented if the band will record more songs in Ukrainian in the future. “I think that we’ll stick to English as our primary language but we’ll definitely create more songs in Ukrainian, because sometimes you listen to the instrumentals and you just hear Ukrainian there, you know. Also, we were very pleasantly surprised that lots of our listeners are particularly waiting for this song and we’re very flattered that they want to hear Ignea music in our mother tongue.”

Having been impacted directly by the Russia-Ukraine full-scale war, Helle said that the band has been very active with informing their audience abroad about everything happening in her homeland, mentioning that there have been very difficult times for them not just as a band, but as Ukrainian citizens. “We used to share updates on Patreon but the platform approached us, just like it approached other Ukrainian creators, and forced us to remove all info about the war and stop ‘financing the war.’ We did as they said because we’ve grown a big community on Patreon and it’s the band’s main source of income at this point. All I’m saying is we sometimes feel that the world is turning its back on us, no matter what atrocities Russia commits. Interviews have become one of the few places to freely talk about it. As for predictions, we won’t do any. Everyone’s tired of this war but we’ve got no other way but win it, be it near future, or not. Occupation by Russia is the worst that can ever happen.”

By the way, Helle mentioned that there’s one Ukrainian saying that’s screamed by all artists and fans at every show in her homeland, and will certainly still be screamed at least until the war is over, which is “Слава Україні – Героям Слава!” (“Glory to Ukraine – Glory to Heroes!”). In addition, when asked which Ukrainian bands she would recommend to any metalhead across the globe, she listed the bands Hell:on (Death Metal), 1914 (Blackened Death/Doom Metal), Fleshgore (Brutal Death Metal), Pušča (Post-Black Metal), Vidmershiy Shmat (Black Metal), Angered Crowd (Death/Groove Metal), and Death Pill (Hardcore), among others, saying the Ukrainian scene has been growing in recent years with more bands, more shows, and more support to the local metal acts.

Our unstoppable diva also has a very cool view of concept albums. “I can tell that perhaps concept albums are easier to present and promote, so it can be a reason why the bands tend to do it nowadays. But what I loved most about doing the concept album is that you create a world and you’re surfing it while writing music, words… It’s more than just putting together songs that are not connected to each other. My day job is also related to texts and I’ve been writing as long as I remember myself. So, story-telling is something that captivates me and the listeners as well.” As you might have just noticed, Helle is also a writer, having already published a book of poems and often shared her creations with her supporters on Patreon. “Words were always easy for me to put together. I started reading and writing at a very early age, and, for some reason, it’s always been easier for me to write rhymed pieces, poems, or lyrics,” she said. “I’d say that whatever I’m trying to do – write music, paint, do some hand-made stuff, I’m just best with words. And maybe I should really master it more and more. As for inspiration, I get inspired most by travelling and seeing new places, new people.”

In 2021, Helle also released a podcast available on all major streaming platforms like Spotify named The Bandsment, which is about everything bands are doing to get out of the basement. These band to band talks and videos dedicated to certain aspect of music business are for independent bands who want to be more efficient in their growth and day-to-day operations, rock and metal artists who want to share their experience of running the band and cross-promote, people willing to start a band and don’t know where to begin with, and everyone who is interested in the backstage life of bands and how they function. Among the bands and artists interviewed we can find some very interesting names like Baest and Diva Satanica (Bloodhunter, Nervosa), and although there aren’t any new episodes after March 2021, the content of the thirteen episodes available are more than interesting and useful already.

In a nutshell, the indomitable Helle Bohdanova is much more than just a singer. She’s a true frontwoman, a talented, focused and very professional musician, a writer, a traveler, a businesswoman, a music lover, a proud Ukrainian, and so on (and you can get more details about all of her endeavors by clicking HERE). Just like her own moniker and the name of her band state, she will burn your soul like the fires of hell, always in the name of heavy music, and always showcasing endless passion for what she does. Helle might be one of the most precious gems of the current Ukrainian scene, and if you consider yourself a true admirer and supporter of the underground, simply go check her music and her art, as I’m sure you’ll get addicted to all of her incendiary creations.

Helle Bohdanova’s Official Facebook page
Helle Bohdanova’s Official Instagram
Helle Bohdanova’s Official YouTube channel
Ignea’s Official Facebook page
Ignea’s Official Instagram
Ignea’s Official YouTube channel

Album Review – Serpent Corpse / Retaliate EP (2025)

This unrelenting Death Metal beast from Canada strikes again with a pulverizing new EP, seeing them take their steely, thrash-tinged sound ahead.

After unleashing a superbly received full-length album in 2023 titled Blood Sabbath, Montreal, Quebec, Canada-based Death/Thrash Metal/Hardcore outfit Serpent Corpse has come up now in 2025 with a new release, a demented, violent four-track EP entitled Retaliate, with strong focus on songwriting and which sees them take their steely, thrash-tinged sound ahead. Displaying a sick cover artwork by Lucas Korte of Shoggoth Kinetics, the new EP by vocalist and bassist Andrew Haddad, guitarists Adam Breault and Christian Lacroix, and drummer Zachariah Su offers four unrelenting tracks fleshed out but never forced, showcasing their full expression with them being generally longer than usual. For instance, the shortest song on this EP is over five minutes while the longest song crosses the nine minute mark, which clearly indicates the band’s progressive tendencies, being highly recommended for fans of bands from the late 80’s and early 90’s when Death Metal still intermingled with Thrash Metal elements, and the sound kept mutating.

Like a demonic entity arising from the pits of the underworld, Serpent Corpse begin their Death Metal ritual to the cryptic guitars by Adam and Christian in Brazen Serpent, sounding as raw and evil as it can be, followed by Iron Corpse, a lecture in 90’s Death Metal with a dark, doomed twist, with Andrew growling deeply supported by the hammering drums by Zachariah. It’s then time to speed things up and increase the aggressiveness and heaviness with The Undying, a demolishing Death Metal tune where Andrew keeps roaring accompanied by the piercing riffs by Adam and Christian. Finally, ending this short but extremely caustic and vile EP we have Meteor Summon, with Zachariah dictating the song’s headbanging pace with his unstoppable beats and fills, resulting in a nine-minute creature form the abyss showcasing an evil Doom Metal vibe, in special during its haunting last part.

In summary, Serpent Corpse have not only aced the test with their faultless rendering of classic sounding, thrashy Death Metal music, but their ability to work on it to make it something more than what we’ve been accustomed to listening to all these years is truly impressive. Needless to say, they’re waiting for you on Instagram with news, tour dates and other nice to know details about the band, and don’t forget to also stream their excellent creations on Spotify, and of course, to purchase Retaliate from the Transcending Obscurity Records’ BandCamp, main store, US store, or EU store, or click HERE for all things Serpent Corpse. I would say that not only the name of the band perfectly represents their aforementioned fusion of Death and Thrash Metal, but when you face a title like Retaliate, you already know it’s going to be a real banger, and may those talented musicians from Montreal keep delivering first-class extreme music to our avid ears for many years to come, proving why pretty much any band from the Montreal scene is a fantastic treat for heavy music lovers.

Best moments of the album: Iron Corpse and The Undying.

Worst moments of the album: None.

Released in 2025 Transcending Obscurity Records

Track listing
1 Brazen Serpent 5:02
2 Iron Corpse 5:36
3 The Undying 6:07
4 Meteor Summon 9:08

Band members
Andrew Haddad – vocals, bass
Adam Breault – guitar
Christian Lacroix – guitar
Zachariah Su – drums