The Year In Review – Top 10 Hard Rock/Heavy Metal Albums of 2025

“Who the fuck is Justin Bieber?” – Ozzy Osbourne

There’s not much to celebrate in rock and metal music in the same year when we lost the one and only John Michael “Ozzy” Osbourne. Nothing will ever be the same without the Prince of Darkness, the Madman, The Wizard of Ozz. There isn’t a single artist or band reviewed in the history of The Headbanging Moose that wasn’t influenced in several ways by Ozzy and, of course, by Black Sabbath. It is a very sad year indeed. However, Ozzy was always in a great mood, always happy, and I’m sure that, wherever he is now, he wants to see us all smiling and laughing, because that’s what life is all about. He also wants us to keep attending rock and metal concerts to have a good time with our loved ones, with our closest friends, just like Keith Ibbitson of Metal Paparazzi and I did so many times this year, covering incredible bands the likes of Blackbraid, Ne Obliviscaris, Cattle Decapitation, Blind Guardian, and so on. I’ve also had the utmost pleasure of seeing the mighty Judas Priest in Dalhalla, Sweden, a dream come true for this fanboy here, and I can’t wait to “run for my life” in 2026. Having said all that, let’s honor the life of Ozzy with The Headbanging Moose’s Top 10 Hard Rock/Heavy Metal Albums of 2025, excluding EP’s, best of’s and live albums, and keep on rockin’ like the Madman until our very last breath!

1. Blackbraid – Blackbraid III (REVIEW)
Behold the stunning next chapter in the musical and spiritual journey of the witch hawk of Black Metal hailing from the Adirondack Mountains.
Best song of the album: Wardrums At Dawn On The Day Of My Death

2. Werewolves – The Ugliest of All (REVIEW)
The torchbearers of “Caveman Death Metal” continuing to annihilate intellects with an unlistenable barrage of truly hideous music.
Best song of the album: The Ugliest of All

3. Testament – Para Bellum (REVIEW)
Let’s prepare for war to the sound of the breathtaking fourteenth studio album by California’s own masters of old school Thrash Metal.
Best song of the album: Para Bellum

4. Helloween – Giants & Monsters (REVIEW)
These German giants of Heavy Metal and monsters of Rock N’ Roll are back with their ass-kicking seventeenth studio album.
Best song of the album: Majestic

5. An Abstract Illusion – The Sleeping City (REVIEW)
This incredible Swedish Progressive Death and Black Metal entity returns with their heaviest and most atmospheric work to date.
Best song of the album: Like a Geyser Ever Erupting

6. Allegaeon – The Ossuary Lens (REVIEW)
World domination awaits to the sound of the striking new beast by one of the must-see bands of the current tech death scene worldwide.
Best song of the album: The Swarm

7. 1914 – Viribus Unitis (REVIEW)
Trench warfare meets blackened death and doom in 1914’s fourth onslaught of war-torn fury.
Best song of the album: 1918 Pt 3: ADE (A Duty to Escape)

8. Cryptopsy – An Insatiable Violence (REVIEW)
Canada’s own Death Metal machine returns with their ruthless ninth studio album.
Best song of the album: Until There’s Nothing Left

9. Baest – Colossal (REVIEW)
Back from the fires of Denmark, this unstoppable creature will crush you with their fourth studio album.
Best song of the album: Colossus

10. Diabolizer – Murderous Revelations (REVIEW)
The torchbearers of diabolical abomination unite once again to drag us down into the fiery abysses of Turkish Death Metal without warning.
Best song of the album: Deathmarch of the Murderous Tyrant

And here we have the runner-ups, completing the top 20 for the year:

11. Lorna Shore – I Feel The Everblack Festering Within Me (REVIEW)
12. Impureza – Alcázares (REVIEW)
13. Crimson Shadows – Whispers of War (REVIEW)
14. Primal Fear – Domination (REVIEW)
15. Serenity In Murder – Timeless Reverie (REVIEW)
16. Khôra – Ananke (REVIEW)
17. Panzerchrist – Maleficium – Part 2 (REVIEW)
18. Ominous Ruin – Requiem (REVIEW)
19. Wrath of Belial – Embers of Dead Empires (REVIEW)
20. Grima – Nightside (REVIEW)

Not only that, here’s once again our Top 10 EP’s of 2025, proving once and for all that the duration of an album is not that important in the end. As long as the music is great, the whole thing can be only one second long, like the classic “You Suffer” by Napalm Death!

1. When Plagues Collide – Kingmaker (REVIEW)
2. De Profundis – The Gospel Of Rot (REVIEW)
3. Fimbul Winter – What Once Was (REVIEW)
4. NecroticGoreBeast – Brute (REVIEW)
5. Serpent Corpse – Retaliate (REVIEW)
6. Akouphenom – Connections To The Erebus (REVIEW)
7. Necht – The Inevitable Suffering (REVIEW)
8. Discovery Through Torment – Telesynthetic Rebirth (REVIEW)
9. Der Rote Milan – Verlust (REVIEW)
10. Eleine – We Stand United (REVIEW)

Do you agree with our list? What are your top 10 albums of 2025? Also, don’t forget to tune in every Tuesday at 10pm BRT on Rádio Coringão to enjoy the best of classic and underground metal with Jorge Diaz and his Timão Metal, and every Thursday at 8pm UTC+2 on Midnight Madness Metal e-Radio for the best of underground metal with The Headbanging Moose Show!

Metal Xmas and a Headbanging New Year! See you in 2026!

And of course, as we really don’t like those boring Christmas songs here on The Headbanging Moose, we’ll leave you with what’s perhaps the most emotional and strongest metal hymn of the year, the charity version of “War Pigs”, by Black Sabbath, recorded by Judas Priest and with Ozzy himself sharing the vocal duties with the Metal God Rob Halford! This is the epitome of rock and metal music!

Generals gathered in their masses
Just like witches at black masses…

Album Review – Baest / Colossal (2025)

Back from the fires of Denmark with a fresh sound and a badass attitude, this unstoppable creature will crush you with their fourth studio album, a thrilling celebration of Heavy Metal played with Extreme Metal intensity.

Back once again from the fires of Aarhus, Denmark with a fresh sound and a badass attitude, the ruthless Death Metal creature known as Baest will crush our damned minds and souls with their fourth full-length opus, entitled Colossal, following up on their fantastic albums Danse Macabre (2018), Venenum (2019) and Necro Sapiens (2021) while also cementing their reputation as Extreme Metal mavericks with an ear for lethal hooks. Produced, recorded, mixed and mastered by Tue Madsen at Antfarm Studio, and featuring a demonic artwork by Solo Macello, the new offering by frontman Simon Olsen, axemen Lasse Revsbech and Svend Karlsson, bassist Mattias “Muddi” Melchiorsen, and drummer Sebastian Abildsten is an absolute monster, bursting at the seams with catchy riffs and classy melodies, with stylistic salutes to everyone from Ozzy Osbourne and Dokken, through to Iron Maiden and Whitesnake, while still rooted in the belligerent Death Metal that informed previous records, resulting in a magnificent Rock N’ Roll rebirth of such a prominent beast from the Danish metal scene.

The AC/DC-infused riffs by Lasse and Svend ignite the opening tune Stormbringer before the music turns into a wild fusion of Death Metal with Progressive Rock and Metal elements, followed by the indomitable Colossus, showcasing heavy-as-hell, Doom Metal-infused lyrics growled by Simon (“Colossus / Breath the air of the deceit / Colossus / Feel the weight of your defeat / Colossus / Never stray from the common line / Colossus / Crushed under the weight of the colossus”) while the sounds blasted by his bandmates are absolutely dark and menacing. The band keeps delivering sheer adrenaline spearheaded by the venomous vocals by Simon in In Loathe and Love, a lesson in modern-day Death Metal, whereas in King of the Sun, featuring Jesper Binzer of Danish rock band D-A-D on guest vocals, we’re treated to a rockin’ sonority led by the classic beats and fills by Sebastian.

Then blending the fury of Death Metal with the heaviness of Doom and Sludge Metal we have Imp of the Perverse, with Mattias and Sebastian hammering their thunderous weapons mercilessly; and featuring additional vocals by Danish black metal band ORM, the band offers another blast of insanity, heaviness and classy Death Metal in Misfortunate Son, with the riffage by Lasse and Svend exhaling pure adrenaline. Then get ready to be crushed into tiny pieces to the sound of Mouth of the River, where Simon’s deranged growls walk hand in hand with Sebastian’s pounding drums; and a guitar-driven instrumental tune titled Light the Beacons, which feels like an ode to all of their idols and influences, sets the stage for Depraved World, a multi-layered, groovy and vibrant composition where the deep roars by Simon match perfectly with all riffs, bass lines and beats, putting a climatic ending to the album.

Colossal never bends to current trends; instead, it is a thrilling celebration of Heavy Metal played with Extreme Metal intensity, representing a wholesale transformation. Inspired by and infused with old school, classic metal riffs, Colossal is an album that delights in the glory of Heavy Metal and the fine art of rocking out, inviting us all to bang our heads and raise our horns together with those beyond talented Danes, and they’re waiting for you on Facebook, InstagramYouTube and Spotify with more of their ass-kicking music, undisputed attitude, and deep passion for all types of rock and metal music. Hence, you can purchase a copy of Colossal by clicking HERE, or you can also click HERE for all things Baest, getting to know more about one of the best bands of the current scene worldwide. As you might have noticed, something colossal is coming, and you better brace for impact as those boys are armed to the teeth with the pulverizing sounds of their incendiary newborn beast.

Best moments of the album: Colossus, In Loathe and Love, Mouth of the River and Depraved World.

Worst moments of the album: None.

Released in 2025 Century Media Records

Track listing
1. Stormbringer 4:32
2. Colossus 4:23
3. In Loathe and Love 5:09
4. King of the Sun 4:09
5. Imp of the Perverse 5:56
6. Misfortunate Son 4:02
7. Mouth of the River 4:24
8. Light the Beacons 3:42
9. Depraved World 6:03

Band members
Simon Olsen – vocals
Lasse Revsbech – guitars
Svend Karlsson – guitars
Mattias “Muddi” Melchiorsen – bass
Sebastian Abildsten – drums, percussion

Guest musicians
Jesper Binzer – vocals on “King of the Sun”
ORM – vocals on “Misfortunate Son”

Concert Review – Arch Enemy (Queen Elizabeth Theatre, Toronto, ON, 05/09/2025)

The classy Queen Elizabeth Theatre in Toronto became a huge circle pit this Friday night in a celebration of pure fuckin’ metal.

OPENING ACTS: Thrown Into Exile, Baest and Fit For An Autopsy

Only two days after absolute chaos and carnage in Toronto, the city was ready for another round of insanely heavy and vibrant music this Friday night, courtesy of THROWN INTO EXILE, BAEST, FIT FOR AN AUTOPSY and ARCH ENEMY during their North American Blood Dynasty 2025 Tour at the Queen Elizabeth Theatre, another ass-kicking event brought to the city by Noel Peters of Inertia Entertainment. This time I was able to arrive to the venue in time to enjoy all bands together with my buddy Keith Ibbitson of Metal Paparazzi, and as expected it was indeed a celebration of pure fuckin’ metal with four fantastic bands that truly deserve our total respect, admiration and support for making the world of Heavy Metal a much better (and heavier) place. The venue selected for this concert was also excellent in my opinion, because not only it is a well structured one, but its location is also very convenient for anyone driving or taking public transportation, making our lives a lot easier and, therefore, saving our energy for the circle pits. And hell yeah, there were plenty of circle pits for our vulgar delectation.

Los Angeles, California-based Metalcore outfit THROWN INTO EXILE kicked off the festivities around 6:30pm, already setting fire to the stage at the Queen Elizabeth Theatre with their pounding, unfriendly sounds. I must say the venue was way too empty for Thrown Into Exile, which makes me wonder if most people were still stuck at work, traffic, or some type of appointment, but that didn’t stop Evan, Mario, Austin Monzon, Javier Quinto and Tom Tierney from bringing forth an amazing performance, jumping up and down and headbanging nonstop alongside the crowd. You can check all of their sick creations on Spotify, including their latest EP Passageways (which was the base of their setlist, by the way), and whenever they schedule a show in your city don’t miss the chance of seeing those LA bastards live, because they kick some serious ass.

Setlist
The Forsaken
Caskets Beyond Creation
Desolation
Eternal Nothingness
You’ve Fallen so Far

Band members
Evan – vocals
Mario – guitars
Austin Monzon – guitars
Javier Quinto – bass
Tom Tierney – drums

After the short and sweet display of savagery by Thrown Into Exile, it was time for the also short and sweet explosion of pure heaviness by Denmark’s own Death Metal creature BAEST, who sounded ruthless and brutal onstage just the way we like it in old school Death Metal. Spearheaded by the iconic frontman Simon Olsen, the band nailed it with their infernal performance, with their new songs Colossus and Misfortunate Son, from their upcoming album Colossal (to be released on August 15) sounding amazing live. Furthermore, it was Simon’s birthday that night, which means that not only he got a happy birthday and a cake onstage, but he decided to celebrate it by getting offstage during Necro Sapiens and singing it in the middle of the circle pit, showing how much he loves what he does and his admiration for fans of extreme music. Go check those guys on Spotify because they’re phenomenal, one of the must-see bands in the current Death Metal scene, and I honestly can’t wait to see them again live in Toronto playing a much bigger setlist, pretty please.

Setlist
Genesis
Colossus
Misfortunate Son
Gargoyles
Necro Sapiens

Band members
Simon Olsen – vocals
Lasse Revsbech – guitars
Svend Karlsson – guitars
Mattias Melchiorsen – bass
Sebastian Abildsten – drums

The venue only got truly busier when New Jersey’s cult Deathcore brigade FIT FOR AN AUTOPSY hit the stage for an absolute insane performance, with the circle pits getting so wild to the point a guy right beside me, who was about to enter the circle pit, stopped, looked at me, said “nope, too fast and too dangerous”, turned his back and gave up joining the action. The band spearheaded by the demented Joe Badolato was on fire from start to finish, with songs like Warfare and The Sea of Tragic Beasts, plus the new one Savior of None / Ashes of All, from their 2024 album The Nothing That Is (available on Spotify), inspiring an already packed venue to keep running like maniacs inside the pit. This is the type of show that requires fans who have floor tickets to be extremely fit. Maybe not “fit for an autopsy” per se, but you better work out, do some cardio and so, otherwise the name of the band will make total sense if you’re out of shape and try to venture inside their wicked circle pits.

Setlist
Lower Purpose
Red Horizon
Warfare
Hostage
Pandora
The Sea of Tragic Beasts
Savior of None / Ashes of All
Far From Heaven

Band members
Joe Badolato – lead vocals
Pat Sheridan – guitars, backing vocals
Tim Howley – guitars
Will Putney – guitars
Peter “Blue” Spinazola – bass
Josean Orta – drums

ARCH ENEMY

Ticket prices in Toronto are way too expensive these days, with the exception being the show this Friday, in special when you have as the main attraction of the night the one and only Swedish Melodic Death Metal machine ARCH ENEMY. I’m not joking, it was a very, very cheap concert for the quality of all bands on the bill, and if you’ve never seen Arch Enemy live, well, they’re one of the most professional and electrifying bands you can think of, making every penny invested beyond worth it. Having recently released the excellent Blood Dynasty (also available on Spotify), such an amazing band currently formed of the stunning Alissa White-Gluz on vocals, Michael Amott and Joey Concepcion on the guitars, Sharlee D’Angelo on bass, and Daniel Erlandsson on drums was flawless with their mix of new songs the likes of Dream Stealer and Liars & Thieves, and undisputed classics including Ravenous, My Apocalypse and Dead Bury Their Dead, one of the heaviest songs of the night and, therefore, one of my favorites.

All fans at the Queen Elizabeth Theatre were having a superb time together with Arch Enemy, with the circle pit going absolute mental, plus tons of crowd surfers giving a lot of work to security, while the band kept blasting their slab of melody and brutality. The only song I think could have been replaced in their setlist was Avalanche, but overall it was a near perfect selection of songs, with the closing tune Nemesis making me and several other fans lose our voices screaming. There were some giant balloons at the end of the show that gave it a very festive touch, proving extreme music brings happiness to our hearts, and not the opposite like non-metalheads like to “vomit” out there. Let’s see when the band returns to Canada if they’ll deliver the same amount of energy onstage, or even more, and whenever that happens I’ll certainly be there, because when Michael Amott takes your city by storm with his phenomenal riffs and solos accompanied by his spectacular crew, that’s definitely a no-brainer for anyone who loves good quality music.

Setlist
Deceiver, Deceiver
Ravenous
Dream Stealer
Blood Dynasty
War Eternal
My Apocalypse
A Million Suns
Liars & Thieves
The Eagle Flies Alone
First Day in Hell
Saturnine
As the Pages Burn
Sunset Over the Empire
Dead Bury Their Dead
We Will Rise

Encore:
Avalanche
Nemesis
Fields of Desolation

Band members
Alissa White-Gluz – vocals
Michael Amott – lead guitars, backing vocals
Joey Concepcion – lead guitars, backing vocals
Sharlee D’Angelo – bass
Daniel Erlandsson – drums

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