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Album Review – Humanitas Error Est / Human Pathomorphism (2016)

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Mankind is nothing but a failed experiment in this sick world we live in, and this demented Black Metal horde from Germany is here to show you why.

Rating4

141-1Human Pathomorphism, a perverted or abnormal morphology (or study of the human form), is not only the debut full-length opus by German Black Metal horde Humanitas Error Est, but a cutting statement that mankind is nothing but a failed experiment in this sick world we live in. Furthermore, the name of the band translated from Latin already means “humanity is a mistake”, a pivotal detail that shows you the band is not fooling around, sending their sad but true message to everyone that somehow still believes our society has a promising future ahead even after all the shit we’ve been witnessing lately.

And this deranged army from the city of Leipzig, also known as the “boomtown of eastern Germany”, vehemently spills their venom against any type of religion throughout the entire album, which according to the band can be considered the first chapter of their pandemic hatred against mankind. Evidently, there couldn’t be a better sub-genre of heavy music to perfectly represent all their negative feelings and thoughts than our good old Black Metal, and due to the highly developed skills by each band member what we have is an extremely well-crafted sonic assault that achieves its main goal hands down.

The intro Destroyer Of Worlds gives you about a minute to get ready to be destroyed by the band, which is what will happen to you when you face their heavy artillery in Quod Homo Appellatur Morbus Est (or something like “that man called disease”, translated from Latin). What a fantastic massacre generated by those six musicians, sounding like a rawer version of Dimmu Borgir with a merciless approach. Their bursting Black Metal keeps crushing our minds in Pain Feeder, where Ahephaïm is a lunatic fringe on drums while the band’s own succubus S Caedes and the barbarian demon Ghoul provide us their most nightmarish growls, and despite the second half of the song slowing down a bit it ends up getting even more demonic than usual.

HEE-Band2-printOne interesting fact in Human Pathomorphism is that there isn’t a single second of silence between songs, and the insane fury emanating from the guitars by Tsar and Void114 in Jagdzeit (or “hunting season” in German) from the very first second of the song only corroborates that, leading to an important question: how can a band sound more violent than this? It’s a gargantuan level of devastation without a shadow of a doubt. Then we have some eerie sounds kicking off another boisterous chant entitled My Sexual Benediction, an ancient Black Metal tune with a disturbing musicality tailored for fans of the genre, followed by Raping Religions, a Black Metal hymn with hints of brutal Death Metal where S Caedes and Ghoul keep spewing their dark words upon humanity. Well, I guess the name of the song says it all.

In One Piece Human the listener will probably face the most disturbing rhythm of all, never getting too fast but always being deeply dark. In addition, all vocal lines are as hellish as possible (including some sick howling), with some blast beating moments adding more complexity to the overall result. Humanitas Error Est are back to their “wrecking mode” in Die Macht Deines Glaubens (“the power of your faith”, from German), with Tsar, Void114 and Ahephaïm becoming unstoppable music machines firing endless amounts of darkness through their instruments; whereas in Skinning Alive, a thrilling Blackened Death Metal tune, the guitar lines sound more metallic than ever. It’s four minutes of sheer savagery led by S Caedes (what a voice this woman has!) and Ghoul, or in other words, a spot-on ode to human violence. And why not closing the album with more inhumanity in the form of music, starting with a track fondly named Bestial Penetration? Albeit being a decent song, it lacks its own identity to differentiate it from the previous tracks. Nothing that damages the high quality of the album, though. And lastly we have the title-track Human Pathomorphism, which might not be exactly a full-bodied song, but it is definitely one of the most disquieting outros you’ll ever listen to.

Now that you have finally become aware of the soundtrack to human extinction crafted by Humanitas Error Est, go pay a visit to the band’s Facebook page and listen to their blatant music at their YouTube channel, SoundCloud and ReverbNation. And in order to truly show your support for this amazing band, you can buy your copy of Human Pathomorphism at their BandCamp page, at the Satanath Records’ BandCamp page or official webstore, or also at Discogs.com where you can find the regular version of the album as well as the digipak version including the official video for “Raping Religions”. Do you still believe humanity is not a mistake after listening to the music by Humanitas Error Est?

Best moments of the album: Quod Homo Appellatur Morbus Est, My Sexual Benediction and Die Macht Deines Glaubens.

Worst moments of the album: Bestial Penetration.

Released in 2016 Satanath Records

Track listing
1. Destroyer Of Worlds 0:55
2. Quod Homo Appellatur Morbus Est 3:26
3. Pain Feeder 3:42
4. Jagdzeit 3:06
5. My Sexual Benediction 5:09
6. Raping Religions 3:12
7. One Piece Human 6:23
8. Die Macht Deines Glaubens 1:58
9. Skinning Alive 4:14
10. Bestial Penetration 5:20
11. Human Pathomorphism 2:02

Band members
S Caedes – vocals
Ghoul – vocals
Tsar – guitar
Void114 – guitar
Rogan – bass
Ahephaïm – drums

Album Review – Primal Fear / Rulebreaker (2016)

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Who said rules must be broken for a metallic eagle to spread its wings and soar high in the skies of heavy music?

Rating2

coverOne important thing must be said about the action-packed Rulebreaker, the brand new release by German Power Metal soldiers Primal Fear. Although the album is called “Rulebreaker”, there are barely any rules being actually broken by the band in its 50 minutes of pure effulgent Heavy Metal. However, who said rules must be broken for a metallic band such as Primal Fear to thrive? The eleventh studio album by this long-established Teutonic act might not aim at all at revolutionizing heavy music, but it will unquestionably put you to bang your heads and raise your fists (and beers) to the unique sound of the most traditional form of Power Metal, and for me that’s pretty much all we need in a good metal album.

There are a few new elements added to Rulebreaker that end up differentiating it from the most recent releases by Primal Fear. First of all, it marks the debut of Italian drummer Francesco Jovino (U.D.O., Edge of Forever), a high-skilled musician who brings everlasting stamina to the band’s musicality. Secondly, German artist Stephan Lohrmann returns as the designer of the band’s emblematic eagle on the cover artwork for the first time since their 2006 compilation Metal Is Forever – The Very Best of Primal Fear. And last but not least, the album also features a third guitarist, the left-handed Tom Naumann, back as a permanent member of the band after a long studio break (since their 2005 album Seven Seals) and after touring with the band for the past two to three years. And with that “triple axe attack” you can have a very good idea of how blazing the band’s riffs and solos are going to sound.

Are you awake? Are you alive? Are you ready for a fight? That’s what you’re going to get in the opening track, the excellent Angels of Mercy, a song that represents all we love in the music by Primal Fear, including their powerful riffs, pounding drums, and Ralf Scheepers kicking fuckin’ ass as usual. The crisp production of the album only makes this song even better, as well as its official video presenting everything we live for, or in other words, girls, leather jackets and spikes, motorbikes and, obviously, Heavy Metal played louder than hell (at the “legendary” Rule Breaker’s Inn). In the electric metal chant The End Is Near, newcomer Francesco doesn’t take it easy with his beats, which is one of the main reasons why this tune so gripping, not to mention its sing-along chorus perfectly screamed by Ralf. And the metallic party goes on with Bullets & Tears and its Judas Priest-ish vibe, more specifically “Breaking the Law”, putting you to dance with the band. Moreover, Mat Sinner is not only an amazing metal bassist, but his work on the album production is superb, delivering a polished and melodic sounding no matter how heavy the music gets like in this amazing tune.

primal fear 2016The title-track Rulebreaker is a great Heavy Metal/Hard Rock hymn, the best of the whole album in my opinion, where all instruments sound solid and fiery, showcasing another lesson in Power Metal by Ralf on vocals while the bass lines by Mat keep breathing thunder. In addition, its powerful chorus sounds like a tribute to Lemmy, which obviously means it’s badass (“He’s a rulebreaker / Hell on wheels / And it’s not my last goodbye / Rulebreaker / Hell on wheels / And there’s no one left to hide / He’s a rulebreaker / Born a rebel and born to die alone / Rulebreaker / Hell on wheels / Into the great unknown”). And despite In Metal We Trust being as cliché as possible, the work done on guitars by the razing trio Magnus, Alex and Tom is awesome, and its overall electricity will make sure we all go mental during their live performances.

The 11-minute song We Walk Without Fear is very similar to “One Night in December”, from their previous album, with highlights to its beautiful guitar lines and smooth passages, as well as the flawless vocals by Ralf; whereas At War with the World, boosted by its uprising lyrics (“There is something deep inside me / That keeps my faith alive tonight / You’re gonna burn, there’s no return / A fight to survive”), presents the listener a perfect combination of speed and heaviness. I love the high energy of this simple but effective Power Metal tune, not to mention how Primal Fear have truly mastered the art of crafting catchy choruses through the years. In The Devil in Me, the band offers something between the classic “Heaven & Hell” by Black Sabbath and many songs by Manowar, but it feels a little out of place amidst so many high-octane songs. I enjoyed the accurate synchronicity between Mat and Francesco during the whole song, though.

primal fear_rulebreaker_boxset

Primal Fear Rulebreaker Limited Edition Boxset

Things speed up again with Constant Heart, where the guitars are like nuclear weapons so heavy they sound. It can’t get more Primal Fear than this, with Ralf’s potent vocals excelling once again in special through the song’s ascending chorus. But as we can always expect emotional heavy ballads coming from Primal Fear, it’s time to soothe our souls with The Sky Is Burning, a memorable tune thanks to its harmonious guitars and passionate vocals. Lastly, in Raving Mad we can enjoy the high-pitched screams by Ralf reaching the skies in a powerful fusion of madness and metal, spiced up by the song’s deranged lyrics (“Can’t sort the pictures all blurred and skewed / Dystopian vision I’m simply screwed / Schizophrenic – addled brain”), putting a maniacal end to the regular version of this more than pleasant album. And if you get any of the special editions of Rulebreaker, there’s more incredible Heavy Metal for you to relish, especially the orchestral alternate version for “The Sky Is Burning” that comes in the Japanese deluxe edition of the album.

And in case your craving for the uproarious Power Metal by Primal Fear keeps burning inside you incessantly, the special edition of Rulebreaker also comes with a DVD including the official videos for “Angels of Mercy” and “The End Is Near”, and the making of the album. Well, I think I don’t even need to mention the magnitude of the special Rulebreaker boxset strictly limited to a thousand copies, which includes the deluxe edition digipak version of the album, the DVD and an eaglehead sculptur, right? Anyway, I read somewhere Primal Fear never have anything innovative to offer fans of Heavy Metal, but I don’t recall that being an issue for this band at any point of their career. Quite the contrary, this metallic eagle from Germany doesn’t need to break any existing rules to spread its wings and soar high in the skies of heavy music, and Rulebreaker is a faultless illustration of the band’s galvanizing traditionalism and dominance.

Best moments of the album: The End Is Near, Bullets & Tears, Rulebreaker, At War with the World and the alternate version of The Sky Is Burning.

Worst moments of the album: The Devil in Me.

Released in 2016 Frontier Records

Track listing
1. Angels of Mercy 3:35
2. The End Is Near 4:27
3. Bullets & Tears 3:05
4. Rulebreaker 4:38
5. In Metal We Trust 3:34
6. We Walk Without Fear 10:45
7. At War with the World 4:06
8. The Devil in Me 4:44
9. Constant Heart 4:50
10. The Sky Is Burning 4:45
11. Raving Mad 3:14

Deluxe edition digipak bonus tracks
12. Final Call 4:04
13. Don’t Say You’ve Never Been Warned 4:23 

Japanese deluxe edition bonus track
14. The Sky Is Burning (Alternate Mix) 3:48

Band members
Ralf Scheepers – vocals
Mat Sinner – bass, backing vocals
Magnus Karlsson – guitars, keyboards
Alex Beyrodt – guitars
Tom Naumann – guitars
Francesco Jovino – drums

Album Review – Axel Rudi Pell / Game of Sins (2016)

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You might be a sinner, but don’t be a fool and go relish another magnificent album by the one and only Mr. Axel Rudi Pell and his loyal henchmen.

Rating3

frontWe’re not even a full month into 2016, and here come the unstoppable guitarist Axel Rudi Pell and his crew of accomplished musicians to provide us an album that will most probably feature among our top releases of 2016 when the year is over, and I’m not fooling around when I say that. Game of Sins, the seventeenth studio album by this iconic Heavy Metal/Hard Rock guitar virtuoso from Germany, is not only a full-bodied album full of catchy and thrilling chants, but the outstanding performances by Axel Rudi Pell, by keyboardist Ferdy Doernberg and especially by frontman Johnny Gioeli (owner of one of the sharpest voices in heavy music) make this a must-have album for admirers of classy heavy and rock music.

To be fair, Game of Sins is not very different from what Mr. Axel Rudi Pell and his loyal henchmen did in the excellent Into the Storm, in 2014, but that doesn’t mean you’ll experience that awkward feeling of “been there, done that” while listening to it. Quite the contrary, it’s truly amazing how this incredible band is capable of always renovating themselves without losing their essence, just like what the biggest rock and metal icons such as AC/DC, Motörhead and Judas Priest do. That’s what keeps the band alive and on fire, and their music flowing smoothly and magnificently through the years.

The jester-ish intro Lenta Fortuna invites the listener to play the so-called “game of sins” with Axel Rudi Pell, and what a fun game that’s going to be starting with the high-octane Fire, a perfect opening for their live performances with its incandescent rhythm and Mr. Pell delivering his trademark riffs and solos. It takes less than five seconds for Lucifer to rise when the music starts, and I dare you not to sing the chorus along with Mr. Gioeli so catchy it is. And the masters of Hard Rock and Rock N’ Roll strike again with yet another “road hymn” entitled Sons in the Night, highly recommmended for riding your badass Harley-Davidson with your girl. Furthermore, although Bobby Rondinelli might not be an unstoppable stone crusher behind his drums, he’s surely a high-skilled drummer that adds a lot of groove to the music with his spot-on beats.

ARPOne constant element found throughout the entire album is the ominous ambience crafted by Ferdy with his awesome keyboard notes, and the title-track Game of Sins is an excellent example of that. This is a heavy semi-ballad that lives up to Mr. Pell’s legacy, with highlights to its fun lyrics about how our lives are an endless gambling game; before “Two Minutes to Midnight”-ish riffs kick off the best track of the album, the exhilarating Falling Star, another classic tune to sing along with the band (in special its beautiful chorus). Moreover, it doesn’t matter if you’re driving down the Sunset Strip on a hot summer day or facing a hideous snow storm at the peak of the winter, this electrifying song will definitely cheer you up.

I always say Axel Rudi Pell is a Hard Rock ballad deity, obviously taking into account the fact that he got even better after Johnny joined the band years ago. With every single album released we get at least one heartwarming tune to soothe our souls and make the toughest days a little easier to face, which in Game of Sins comes in the form of the powerful Lost in Love. How can someone not feel relaxed listening to such a good song? Anyway, the following track, The King of Fools, is a bit generic for what the band is capable of doing, albeit far from being a bad song. It contains those cliché lyrics we tend to disdain at first, but that end up working relatively well due to the way Johnny declaims them (“He was the toughest guy on our street / Always ready to fight / His girl’s a hooker on her knees / Making money all night”).

In Till the World Says Goodbye, Ferdy and Johnny steal the spotlight with their piercing keyboards and passionate vocals, respectively. Heavy and rhythmic, it’s another excellent choice for singing along with Johnny or simply enjoying his brilliant voice, followed by Breaking the Rules, a pure Axel Rudi Pell song that will put you to jump up and down during the band’s live performances thanks to the amazing job done by Volker Krawczak, rumbling his bass guitar in total sync with Bobby’s beats while Axel keeps firing his upscale guitar lines.

ARP_Game of Sins_Special Edition

Game Of Sins Limited Edition Boxset

Finally, he last two songs of the album are an ode to first-class rock music. Forever Free offers us all one of the most emotional vocal performances I can think of, which combined with Axel’s guitar solos, the song’s melodious atmosphere and its stunning lyrics turn it into one of the best songs of the band’s latest albums without a shadow of a doubt. Not only I love the feeling this song brings forth, but can I personally dedicate it to the chameleon David Bowie (R.I.P.)? And what to say about All Along the Watchtower, a magnificent tribute to Mr. Bob Dylan (check out the original version HERE)? Its intro gives me goosebumps, as well as the dynamism that Axel added to his version of this classic, proving why he’s also considered by many an undisputed lord of cover songs.

In summary, Game of Sins, another solid stone added to Axel Rudi Pell’s fortress of Rock N’ Roll, is one of those albums you’ll feel happy anywhere and anytime you listen to it, no matter what you are doing. You might be a sinner, but don’t be a fool and go grab your copy of this soulful album (take a listen at snippets of it HERE) as soon as possible, especially if it’s the jaw-dropping Game Of Sins Limited Edition Boxset (limited to 1000 copies worldwide), featuring the album in a special digipak format and as a two-LP gatefold sleeve, a beautiful miniature replica Fender Stratocaster guitar (scale 1:4) including a guitar giftbox case, a poster, a sticker and a card. It can’t get any better than this, thanks once again to the one and only Mr. Axel Rudi Pell.

Best moments of the album: Fire, Falling Star, Forever Free and All Along the Watchtower.

Worst moments of the album: The King of Fools.

Released in 2016 SPV/Steamhammer

Track listing
1. Lenta Fortuna (Intro) 1:24
2. Fire 5:34
3. Sons in the Night 5:07
4. Game of Sins 8:43
5. Falling Star 5:14
6. Lost in Love 6:07
7. The King of Fools 4:58
8. Till the World Says Goodbye 7:40
9. Breaking the Rules 5:07
10. Forever Free 8:29

Limited Edition bonus track
11. All Along the Watchtower (Bob Dylan cover) 6:03

Band members
Johnny Gioeli – vocals
Axel Rudi Pell – guitar
Volker Krawczak – bass
Ferdy Doernberg – keyboards
Bobby Rondinelli – drums

Album Review – Mastication Of Brutality Uncontrolled / Preemptive Space Warfare (2015)

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Do you have what it takes to survive a flesh ripping Brutal Death Metal Slam Alien Apocalypse attack?

Rating5

MOBU -Preemptive Space WarfareAre you ready for a flesh ripping Brutal Death Metal Slam Alien Apocalypse attack? Well, at least that’s how German/Swiss Technical Slamming Death Metal band Mastication Of Brutality Uncontrolled, also known as M.O.B.U., define the sonic dementia found in their debut full-length album, entitled Preemptive Space Warfare, and they’re not kidding when they say their music will rip your flesh off so bestial it is.

Formed in 2007 as a side project by members of other brutal slamming bands from Germany such as Incesticide and Provocation, this Death Metal steamroller became a full-bodied band by the end of 2009, reaching their apex of devastation now in 2015 with Preemptive Space Warfare, curiously and properly released this Halloween to haunt the souls of those who don’t have the required dexterity or competence to see beauty behind all the cruelty disgorged through the band’s merciless instruments.

Preemptive Space Warfare is probably one of the coolest intros I’ve ever heard in my life, where M.O.B.U. courteously give us around two minutes for stretching our muscles before their psychotic slamming extravaganza takes off, starting with the visceral Mother Earth Abortion, an extremely technical and noisy tune. I truly love how poetic the lyrics in Brutal Death Metal are and how easy it is to follow them, especially when they sound just like “beeh beeh beeh beeh beeeeeh” almost all the time. Of course, that wouldn’t be possible without the deep growls by lead singer Manuel, one of the main catalysts of their musical holocaust.

MOBU Bandpic_300dpiIn the also calamitous Brutal Laser Devastation, drummer Basti M. sounds like a machine gun while Manuel keeps grunting like a wild boar being dissected alive, not to mention how cool the riffs by guitarist Flo are. Then we have Milkstreet Mass Collision, a brutal Death Metal onslaught with some amazing riffs that remind me of old school Cannibal Corpse, and Life-Form Adoption, which confirms this is kind of a “concept” album as all songs are about alien invasions and the outer space (although I don’t think you will care about that as soon as you start being smashed inside the sick circle-pits generated by this song). And Human Resources keeps slamming nonstop, with highlights to its killer drums guiding the seismic activity caused by the band.

Manuel takes a quick break to recharge his snarling while the rest of the band displays their skills in the instrumental Prophecy Of The Apocalypse (Interlude), and as soon as the demolishing chant Orbital Corpses begins, showcasing great synchronicity between its heavy riffs and brutal beats, you can have a pretty good idea of all the bruises you might get all over your body during one of their concerts if this song is played live. Infrastructure Destruction, a high-octane tribute to Death Metal, offers the listener the band’s unique vomiting growls and harmful beats, turning this sick chant into a nightmare for the faint-hearted, but it’s in New Space Order that M.O.B.U. go above and beyond. How can a brutal slamming band like this have a 7-minute song in their repertoire? The only thing I can say about this song is that it’s the end of the world in the form of music.

Now that you have a better understanding of what a “flesh ripping Brutal Death Metal Slam Alien Apocalypse attack” is, go show your support for M.O.B.U. at their Facebook page, and of course purchase the unrelenting Preemptive Space Warfare at the Rotten Roll Rex BandCamp page or webstore, as well as on eBay. And if you’re not convinced yet of the disturbing firepower spawned by the music by M.O.B.U., or if you think you can easily survive their slamming assault, simply take a quick listen at the album teaser and be prepared to have your mind brutally swarmed with alien swine fluids.

Best moments of the album: Mother Earth Abortion, Brutal Laser Devastation and Infrastructure Destruction.

Worst moments of the album: Milkstreet Mass Collision.

Released in 2015 Rotten Roll Rex

Track listing
1. Preemptive Space Warfare 2:10
2. Mother Earth Abortion 3:36
3. Brutal Laser Devastation 3:04
4. Milkstreet Mass Collision 2:04
5. Life-Form Adoption 3:48
6. Human Resources 4:16
7. Prophecy Of The Apocalypse (Interlude) 1:45
8. Orbital Corpses 2:22
9. Infrastructure Destruction 3:32
10. New Space Order 7:42

Band members
Manuel – vocals
Flo – guitars
Basti S. – bass
Basti M. – drums

Movie Review – Wacken 3D – Louder Than Hell (2014)

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Experience the biggest metal festival in the world, in 3D, and louder than hell.

Rating4

Wacken 3DIt’s undeniable that Wacken Open Air is the biggest, most exciting and most badass Heavy Metal festival in the entire world. For instance, it only takes couple of days after the festival is over for the next year’s edition to be sold out. If you’ve already had the indescribable pleasure of attending this 4-day monstrous gathering in your life (and I’m pretty sure that if the answer is “yes” you’ve already repeated that metallic ritual many times through the years) you have the chance to go back in time and feel that energy again by watching the awesome documentary entitled WACKEN 3D – LOUDER THAN HELL. And if you’ve never been to Wacken, this is your chance to take a special journey to the heart of the festival, with the 3D screening making you feel like you’re right there with over 75,000 metalheads from all over the world celebrating life and heavy music.

Filmed with 18 stereoscopic 3D cameras during the 2013 edition of the festival, this excellent documentary by award-winning director Norbert Heitker will show you exactly what happens once a year to a calm farming village in the middle of a Northern German countryside, when it becomes the centre of the universe for all things metal. You’ll be able to see in details what it is to camp at Wacken, the daily routine of fans and bands, what musicians think of the festival, and even go crowd-surfing and mud-diving with the more lunatic fans. Not only that, you’ll also have a good time watching some electrifying performances by metal giants such as Deep Purple, Anthrax, Motörhead, Rammstein, Alice Cooper, Lamb Of God, and many more.

12_WackenIn my opinion, as a huge supporter of the underground of heavy music, the best part of the entire documentary is when they focus on some of the national winners of the already famous Wacken Metal Battle, showing what it is to be an up-and-coming band playing at the most important metal festival on earth. There are awesome bands from Uruguay, Romania, Canada and so on showcasing their music to thousands of fans, but my favorite one in terms of creativity and feeling were the Chinese Metal Battle winners Nine Treasures. All members of the band are from Inner Mongolia, with all lyrics being sung in Mongolian, which is beyond incredible. You have to watch it to understand what I’m talking about, and if one day those guys read this review, I would like to ask them to kindly send us their material for review. It would be a huge pleasure for us at The Headbanging Moose to do that.

06_WackenIn case you live in Canada and do not have any plans for tonight (well, even if you do have plans you should definitely cancel them), there will be a special WACKEN 3D – LOUDER THAN HELL “One Night Only Across Canada” event today, October 29 at 7:30pm at several Cineplex theaters. You can check more details at the official Facebook event, see where the movie will be playing by clicking HERE, and also grab your tickets at the official Cineplex website. In addition, following the Cineplex Yonge-Dundas screening in Toronto, Steve “Lips” Kudlow and Robb Reiner of Anvil will be in attendance for a Q&A, and if you cannot make it today but you live near Ottawa the movie will also be playing soon at the Mayfair Theatre, located at 1074 Bank Street, Ottawa, Ontario.

Best moments of the movie: The unique moments of glory provided by the Wacken Metal Battle bands from different countries, the iconic Rammstein playing Du Hast with thousands of fans screaming the lyrics together with the band and, of course, all the classy mud scenes.

Worst moments of the movie: The fact that there were no subtitles when a fan or a band spoke in a language different than English, especially when it was in German. At least the version I saw had no subtitles. Oh, and unfortunately there were no interviews with Lemmy.

Released in 2014 Jumpseat 3Dplus/Wüste Film

Bands and artists featured in the documentary
Rammstein
Alice Cooper
Deep Purple
Motörhead
Henry Rollins
Trivium
Ragnarok
Lamb Of God
Annihilator
Anthrax
…and many more!

Album Review – Nocturnal Escape / Nocturnal Escape (2015)

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Do you love elaborate music, but at the same time do you feel an urge to bang your head nonstop? This skillful German act might have exactly what you’re looking for.

Rating5

Nocturnal Escape - Nocturnal Escape - coverIf you’re one of those demanding metalheads who’s always looking for fresh and complex music, which at the same time still offers a raw vibe or an evil aura that keeps the music as underground as possible the likes of Moonsorrow, Enslaved, Opeth and Amorphis, you’ll have a great time banging your head to Nocturnal Escape, the self-titled debut album by German Progressive Death/Black Metal band Nocturnal Escape.  It might not be an easy listen for people who are used to more straightforward rock and metal at first, but the quality of the music found in this album is so good you’ll end up succumbing to the band’s intricate darkness after a short while.

As a matter of fact, this Augsburg-based group is more like a project created by multi-instrumentalist Leo Bergmann in January 2014, a few months after his previous band, Bleak, disbanded in 2013. Leo was joined by his brother, bassist Klaus Bergmann (who also plays for the excellent German Death Metal band Disgusting Perversion), in late 2014, and also by vocalist Thomas Zimmermann, who added clean vocals to the album in 2015. I don’t know if they can be called a “power trio”, but they surely know how to make a lot of noise and how to fill every empty space with their notes, riffs and beats.

A demonic voice introduces us to the music by Nocturnal Escape in War Of Beliefs, a blend of Death and Black Metal so technical and obscure it’s not recommended for the faint-hearted. However, amidst all turbulence there’s room for tons of progressiveness and melody, with kudos to Leo for crafting such solid and entertaining musicality. What starts as an epic battle hymn evolves to boisterous Black Metal in Age Of Atrocity, with highlights to the nonstop riffs by Leo, the good balance between harsh and clean vocals thanks to a great job done by Thomas, and its meaningful lyrics (“Don’t follow leaders for whom you are lifestock / Pull out now to prevent the shellshock / Cluelessness is bliss of the mindless herd / Set yourself aside and feast on your hate”). Besides, although it’s less progressive than the opening track, it still presents intricate passages and lots of tempo changes.

A Lucid Mind, which leans towards cleaner Progressive Metal despite the growling vocals by Leo, offers us calm and relaxing passages focusing on Thomas’ clean voice and an embracing atmosphere to soothe our souls, while the other pieces of the song are an ode to madness and freedom; followed by Disillusion Strikes, where the band gets back to a more direct sounding, a modern Death Metal tune with hints of the craziness generated by bands such as Devin Townsend, turning it into one of the top moments of the album. The title-track, Nocturnal Escape, starts in some kind of “cosmic” way due to its synths, before switching to Progressive Metal enhanced by Leo’s devilish growls while Thomas declaims his vocal lines, developing then an interesting storyline to be followed attentively throughout the entire song as you can see in its lyrics (“The pain feels good the pain feels right / This cleansing torture drives me through the night / I follow this path and come to me / With this aquired taste in human tragedy”). A similar situation is found in Screaming Heart, with yet another melancholic intro that grows in sorrow and darkness until it becomes a Progressive Dark/Doom Metal exhibit. Not only it feels like two or three songs in one, but the strong focus on riffs and solos were clearly done on purpose by Leo to enhance the song’s punch.

Nocturnal Escape - logoWhat initially seems to flirt with Alternative Rock and modern Hard Rock turns into a Black Metal feast with a desperate ambience that will invade your mind in Gaia’s Demise, with its funereal riff and the well-balanced duo of harsh and clean vocals leading this progressive tune through its acoustic passages and mesmerizing rhythm. And what if Deep Purple, Devin Townsend and Arch Enemy got together for a jam session? The result would probably resemble the thrilling tune entitled Call To Humanity, which keeps rolling at full speed fueled by its awe-inspiring guitar riffs and solos. It’s indeed an amazing mix of Speed and Death Metal with huge dosages of progressiveness and feeling to close the album on a high note, and in my humble opinion it’s the best tune of the album by far. In addition, pay close attention to the song’s special guests Paul Perlberg, Joscha Radaj (Zerfetzer, Musikalischer Gesundheitsdienst), Tobias Ruf (Disgusting Perversion), Julian Gruber (Running Death) and Simon Bihlmayer (Running Death), as they add some crazy amount of wickedness to the final result.

You can get more details on Nocturnal Escape at their official Facebook page, as well as purchase their debut album through BandCamp. This is a great opportunity for fans of progressive and aggressive music to witness the inception and rise of a talented metal act from Germany who are not afraid of experimenting and adding different layers of complexity to their compositions, creating a unique sounding that, as aforementioned, will beautifully reach to your heart and definitely make you bang your metal head.

Best moments of the album: Age Of Atrocity, Disillusion Strikes and Call To Humanity.

Worst moments of the album: Nocturnal Escape.

Released in 2015 Independent

Track listing
1. War Of Beliefs 7:37
2. Age Of Atrocity 5:23
3. A Lucid Mind 6:52
4. Disillusion Strikes 4:34
5. Nocturnal Escape 7:01
6. Screaming Heart 4:19
7. Gaia’s Demise 6:36
8. Call To Humanity 6:31

Band members
Leo Bergmann – harsh vocals, guitars, keyboards, drum programming
Thomas Zimmermann – clean vocals
Klaus Bergmann – bass

Guest musicians
Paul Perlberg – vocals on “Call To Humanity”
Joscha Radaj – keyboards on “Call To Humanity”
Tobias Ruf – second guitar solo on “Call To Humanity”
Julian Gruber – fourth guitar solo on “Call To Humanity”
Simon Bihlmayer – sixth guitar solo on “Call To Humanity”

Album Review – Disgusting Perversion / Morbid Obsessions EP (2015)

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Let the bloodbath begin and spread all over Bavaria and the rest of the world with the debut album by this up-and-coming old school Death Metal band.

Rating5

Disgusting Perversion - Morbid ObsessionsIf there’s a word that can be used to describe the music found in Morbid Obsessions, the debut EP by German Death Metal band Disgusting Perversion, that would definitely be “stampede”. However, instead of a wild rush of ordinary animals, what we have here is a frantic onslaught by a horde of Teutonic death metallers that will crush your body and soul with their raw old school vibration. What else can you ask for in a Death Metal album, right? Well, I guess the old school album art in Morbid Obsessions can already provide you a trustworthy preview of what you’ll find when you start your listen at the album.

Hailing from the city of Kaufbeuren (about 90km from Munich), in the Free State of Bavaria, Germany, this brand new four-piece group will surely please fans of the combination of brutality and melody made famous by names like Death, Obituary, Cannibal Corpse and so on. Not even the fact that the drums are programmed, instead of having a drummer of flesh and blood with them, makes the the album sound less organic or visceral, which in my humble opinion is the most important attribute we should expect from any type of extreme music. In other words, you have to feel the blood dripping from authentic Death Metal, and Disgusting Perversion unquestionably provide the listener that morbid but awesome perception.

War Annihilation, as its own name indicates, kicks off the album sending a clear message from the band: they play brutal Death Metal, spreading nothing but gore and violence through their path of ruination. Moreover, the riffs by guitarists Claus Schubert and Tobias Ruf are tailored for fans of renowned musicians like Chuck Schuldiner and James Murphy, and as both Claus and Tobias simply love Death, I’m pretty sure this was exactly how they wanted their guitars to sound like. In the raging Bloodbath, lead singer Stefan Bauer vociferates the lyrics as if he was possessed by an evil entity, inspired by the demonic voices of bands such as Obituary and Morbid Angel, while bassist Klaus Bergmann and his low-tuned weapon provide the listener some bestial notes. It’s that type of slow but extremely heavy sounding perfect for headbanging, enhanced by the addition of some excerpts of the fastest savagery you can find in music.

Disgusting PerversionSounding as another tribute to old school Extreme Metal, the good Flying Nightmare shows what happens when Disgusting Perversion accelerate the rhythm, turning their music into a true “nightmare” for the faint-hearted. Besides, its traditional guitar solo helps improve the balance between sheer massacre and its strong melodic lines. Then we have the most melodic of all tunes, entitled House Of The Butcher, which is not as barbaric as the previous songs and has a huge focus on the guitar lines by Claus and Tobias. The vocals by Stefan exhale pure evil as expected, and with a name like that you can have a good idea of how gruesome its lyrics are.

The title-track, Morbid Obsessions, is a great display of straightforward Death Metal, fuckin’ heavy and merciless as hell, with highlights to the dark and low growls by Stefan and the crisp guitar solos by Claus and Tobias; followed by Disgusting Perversion, the song that takes the band’s name, and let me tell you that there couldn’t be a more suitable song to carry their flag. The music is disgusting, atrocious and barbaric, reminding me of old school Sepultura with wicked vocals, leaving the listener avid for more of the band’s cruelty.

To sum up, Morbid Obsessions is a very cohesive and full-bodied work for what is “just” an EP by those promising Bavarian death metallers, who are craving for your blood at their Facebook page. And don’t forget to visit the Winterwolf Records page on eBay, where you can purchase the album. Let the bloodbath begin and spread all over Bavaria and the rest of the world with Morbid Obsessions, the debut album by a band that, if they keep working hard and remain loyal to their foundations, has a bright future ahead of them.

Best moments of the album: Bloodbath and Disgusting Perversion.

Worst moments of the album: None.

Released in 2015 Winterwolf Records

Track listing
1. War Annihilation 4:05
2. Bloodbath 6:10
3. Flying Nightmare 4:22
4. House Of The Butcher 5:32
5. Morbid Obsessions 5:35
6. Disgusting Perversion 5:45

Band members
Stefan Bauer – vocals
Claus Schubert – guitars
Tobias Ruf – guitars, drums programming
Klaus Bergmann – bass

Album Review – Helloween / My God-Given Right (2015)

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It’s our God-given right to keep banging our heads to the music by the happiest and most awesome Power Metal band in the world.

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My God-Given RightEvery single time Power Metal heroes Helloween release a new album, my metal heart is filled with joy. No other band beats those German metallers when the subject is fast and solid metal music charged with massive amounts of happiness and electricity. And when our beloved war dog guitarist Michael Weikath said My God-Given Right, the fifteenth studio album in their distinguished career, would be “just good old classic Heavy Metal the way it’s supposed to be”, I couldn’t get more excited to have it in my hands. What Mr. Weikath says, Mr. Weikath does, right?

After listening to My God-Given Right for the hundredth time let’s say he was absolutely spot on with his words, for the total delight of millions of Helloween maniacs all over the world, including myself. It’s beautiful and unswerving Heavy Metal, a metallic lecture to any musician on how to focus your energy and skills into crafting first-class music, and more important than that, it’s pure Helloween. In addition, guitarist Sascha Gerstner and drummer Daniel Löble seem to be getting more and more in sync with the rest of the band with each album, becoming an intrinsic part of the music by Helloween now, which of course brings only benefits to the band as a whole.

Thus, it’s when “Happy Happy Helloween” come ripping that you better get ready for an insane Rock N’ Roll party. Mixing elements from all of their albums, including even their iconic debut album Walls of Jericho, the opening track Heroes punches you right in the face with its powerful instrumental and beyond exciting rhythm and chorus (“Everyone can be a hero / We are, we are / Sometimes up then down to zero / We are, we are / Heroes, heroes”), followed by Battle’s Won, which reminds me a little of “Burning Sun” from their previous album, the also excellent Straight Out of Hell. It is Power Metal to the second power with Daniel leading the sonic attack, the type no other band in the world can create, with highlights to the balance between the lead vocals by Andi Deris and the efficient backing vocals. Then we have the title-track, My God-Given Right, which transpires Helloween from the Andi Deris-era, and I can’t wait to hear this tune live. Besides, you’ll be humming its beautiful riffs for weeks in a row, and it’s impossible not to love its “Star Wars meets Helloween” official video.

Right after that Power Metal trinity, why not hitting the dance floor with the entire band in the amazing Hard Rock/Heavy Metal tune Stay Crazy, one of the best tracks to be added to their setlist in my opinion? Those awesome riffs keep coming nonstop from the guitar duo comprised by Michael and Sascha, with kudos to Andi for an outstanding performance yet again. And sounding like a hybrid between “I Want Out” and “I Can”, the also excellent Lost in America is old school Helloween with the fresh touch of their latest works, with highlights to its fun lyrics and an amazing job done on guitars once again, especially in regards to the solos. Concluding this second trinity, the awesomeness goes on and on in Russian Roulé, a song that represents what I would call “badass Rock N’ Helloween”. Not only it has the heaviest riffs of the whole album, but Andi and Daniel are also thrilled while playing this song, with only one single question left to be answered: are you going to come out and play with the band?

Helloween 2015The Swing of a Fallen World is the weakest of all tracks, not actually fitting in with the rest of the album. Despite a desire for it to be epic, it ends up falling flat due to its very basic and repetitive instrumental, with no outstanding moments at all. Fortunatelly, the album quickly regains momentum with the relaxing ballad Like Everybody Else, a good option for soulmates to enjoy together. We know they’ve created better ballads through the years, but this is still a nice song, and of course the most interesting part are Andi’s vocals as they always work pretty well in slow songs. Then we have the superb Creatures in Heaven, a high-end Power Metal feast where Helloween prove why they’re the masters of this type of metal music: it’s exciting from start to finish, where they pay a tribute to themselves traveling back in time and back to the present and future of the band, with the riffs and solos by Michael and Sascha truly touching our hearts so amazing they are.

No one else could have written If God Loves Rock ‘n’ Roll but Mr. Andi Deris, as it’s pure Hard Rock with the entire band on fire delivering divine rock music to us mere mortals, enhanced by its witty lyrics (“Leather suits you better / Got to let your hair grow / Take the black and enjoy the new show / Welcome to an army spreading over the world / Wild and proud brothers / Haven’t you heard?”). And following the same rockin’ pattern, Living on the Edge is highly recommended to be part of your soundtrack for a road trip, where Michael, Sascha and one of my favorite bassists of all time, Mr. Markus Grosskopf, give us a lesson on how to flawlessly tame their strings.

Are you tired already? There’s no way you can get bored with Helloween, with more Power Metal at its finest to you in the form of Claws, a good complement to an amazing album, as well as You, Still of War, the longest of all tracks, which has an inner beauty that will turn it into a fan favorite without any doubt. It’s a lot more progressive than usual, showcasing those unique guitar duos we learned to love in their music, closing the regular version of the album the best possible way. And if you grab one of the special editions of My God-Given Right, there are different bonus songs, all pretty good, with Free World being my favorite due to its riffs.

However, as Helloween is not an ordinary band, My God-Given Right comes with the whole package. The artwork, once again created by German international photographer Martin Häusler, comes available as a 3D lenticular print (visible without 3D glasses), and you can also be totally entertained by the Helloween family providing their words of wisdom about each track of the album HERE, HERE and HERE.  Because, in the end, what really matters is that it’s our God-given right to stay crazy and keep banging our heads to the music by the happiest and most awesome Power Metal band in the world.

Best moments of the album: My God-Given Right, Stay Crazy, Russian Roulé, Creatures in Heaven and If God Loves Rock ‘n’ Roll.

Worst moments of the album: The Swing of a Fallen World.

Released in 2015 Nuclear Blast

Track listing
1. Heroes 3:51
2. Battle’s Won 4:53
3. My God-Given Right 3:30
4. Stay Crazy 4:05
5. Lost in America 3:35
6. Russian Roulé 3:53
7. The Swing of a Fallen World 4:53
8. Like Everybody Else 4:04
9. Creatures in Heaven 6:36
10. If God Loves Rock ‘n’ Roll 3:21
11. Living on the Edge 5:19
12. Claws 5:52
13. You, Still of War 7:21

Digital/Limited/Earbook Edition bonus tracks
14. I Wish I Were There 4:12
15. Wicked Game 3:56
16. Free World* 3:34
17. Nightmare** 4:43
18. More Than a Lifetime** 3:58

*Limited Edition Bonus track only
**Earbook Edition Bonus track only

Band members
Andi Deris – lead vocals
Michael Weikath – lead and rhythm guitars
Sascha Gerstner – lead and rhythm guitars
Markus Grosskopf – bass
Daniel Löble – drums

Album Review – Scorpions / Return to Forever (2015)

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This rock may be rolling home after so many years of good service, but it still has A LOT to teach the world on how to make true Hard Rock.

Rating2

scorpions_return to forever50 years ago, in Germany, Rudolf Schenker, only 16 years old, decided to follow any school boy’s dream and formed a Rock N’ Roll band, the Scorpions. Schenker, alongside his band mates, put together awesome melodies and great lyrics, added a bunch of exciting backing vocals, touching powerful ballads, crazy guitar solos that made everyone want to be a rock star, and the formula for perfect Hard Rock was created. It turns out that half a century later, this magic formula still works and Scorpions are still one of the most important names of all times in Rock N’ Roll history.

Since Scorpions were formed, countless musicians have joined and left the band, but for the past 11 years the group has a strong line-up with Rudolf on lead guitar; Klaus Meine – who joined the band in 1969 and recorded every Scorpions’ album – on lead vocals; Matthias Jabs on rhythm guitar; James Kottak on drums; and Paweł Mąciwoda on bass guitar. In 2010, the band released Sting in the Tail, which was announced supposedly as the last album of their career. And we are glad they have changed their minds. In 2011 they were back to the studio to work on new material, and although 2014 was not an easy year for the band, with the arrest and period of rehab of Kottak, they rejoined forces to finish the album and the result is Return to Forever, a masterclass on how Hard Rock is supposed to be, released this year to mark the band’s 50th anniversary.

The album is available as a standard album, limited deluxe CD which contains four bonus songs, iTunes version with the same songs as the limited deluxe edition plus the song “Delirious”, double heavyweight vinyl and a limited edition collector’s box set. According to the band, the songs were written between the early 1980’s and 2014 and we can notice the changes and evolution of the musicality through the tracks. The album starts in a very thrilling way: the first song, Going On With A Bang, has a lot of influences of Blues but with a lot of Rock N’ Roll, and is one of the newest songs written for this album; then comes We Built This House, the first single for this album (check the video below). This song is very meaningful and tells the story of Scorpions, the ups and downs and everything they have learned along the way. This song is really touching and beautiful and has those classical backing vocals known on Scorpions work that make all of us, in the audience of their concerts, to sing it out loud together. Rock My Car is a very exciting song: written many years ago, it talks about driving fast on the famous German Autobahn highways. And this song carries all that high-speed feeling, with a breathtaking solo.

House Of Cards, the first ballad of the album, is very deep, exploring different levels of love, until it turns into hate and fades away. All For One is all about friendship and complicity the musicians find in each other to keep the band going on. The beginning of the next song, Rock ‘N’ Roll Band, sounds just like “I Can”, an old song by their German fellows of Helloween, but then the song gets its own shape and turns into a real Rock N’ Roll anthem. Klaus Meine wrote this song in the 1980’s and found the inspiration after visiting some clubs on Sunset Boulevard, in Los Angeles, so you can imagine the environment of sex, drugs and rock n’ roll he found back then.

Catch Your Luck And Play was originally written for the 1988 album Savage Amusement. Rudolf Schenker wrote a new chorus to this nice song, the kind all fans enjoy singing together with the band while clapping their hands tirelessly. Then we have Rollin’ Home, one of the best songs of the album, with great performances by all musicians – it is amazing to notice, for example, that after so many years Klaus’ voice has not changed a tone. But what is intriguing in this song is the message contained in it. It sounds like a good-bye, especially on the chorus (“Here we go! / This rock in rollin’ home”) that, again, has an amazing work on backing vocals. Hard Rockin’ The Place is another good example of Hard Rock, with an amazing riff.

scorpionsLight up your lighters, or your cell phones, because Eye Of The Storm is the perfect song for that and to calm down a little bit before more of their fast Rock N’ Roll. It was supposed to be released in Humanity: Hour I (2007), but did not fit to the album. It has a beautiful solo, maybe the strongest of this album. The Scracth sounds like those old Rock N’ Roll songs from the 1950’s – the highlights here are definitely the drums and the bass that bring a very unique groove to the song. Gypsy Life is a ballad like no other band can do, only Scorpions. It closes the standard version of the album in a very nice way and, again, reflects Scorpions’ life style, living year after year on the road.

For those who got the deluxe or iTunes versions, there are still some bonus tracks. The first is The World We Used To Know, which somehow does not fit well to the rest of the album, although it has good lyrics and backing vocals, but, not such a strong work on guitars. Dancing With The Moonlight, on the other hand, puts everybody to dance. When The Truth Is A Lie has great acoustic guitars alongside the electric guitars, and this combination gives a calm element but still keeps the song quite heavy. Who We Are basically puts together acoustic guitars, Klaus’ amazing voice and stunning backing vocals, and the result is another very deep ballad with the band’s trademark. Delirious closes the iTunes version in a great manner: another song wtih those riffs only a band like Scorpions can do.

It is quite easy to imagine most of those songs being played live and driving the crowd crazy. Is this the very last Scorpions album? We cannot tell. If so, we know we have in our hands a very intimate album, that take us closer to the lives of those iconic musicians. If not, and we hope it is not, we know we still have a lot to learn with those veterans of Rock N’ Roll. One thing we know for sure: they did their job very well throughout the years, leaving their names carved forever in the world of music.

Best moments of the album: Going Out With A Bang, We Built This House, Rock N’ Roll Band, Rollin’ Home and Gypsy Life.

Worst moments of the album: The World We Used to Know.

Released in 2015 Sony Music

Track listing
1. Going Out With A Bang 3:47
2. We Built This House 3:53
3. Rock My Car 3:20
4. House Of Cards 5:05
5. All For One 2:58
6. Rock ‘N’ Roll Band 3:54
7. Catch Your Luck And Play 3:33
8. Rollin’ Home 4:03
9. Hard Rockin’ The Place 4:06
10. Eye Of The Storm 4:27
11. The Scratch 3:41
12. Gypsy Life 4:51

Limited Edition/iTunes bonus tracks
13. The World We Used To Know 3:51
14. Dancing With The Moonlight 3:42
15. When The Truth Is A Lie 4:27
16. Who We Are 2:33

iTunes exclusive bonus track
17. Delirious 2:58

Band members
Klaus Meine – lead vocals
Matthias Jabs – lead guitars, rhythm guitars, acoustic guitars
Rudolf Schenker – rhythm guitars,lead guitars, backing vocals
Paweł Mąciwoda – bass guitar
James Kottak – drums, backing vocals

Metal Chick of the Month – Lahannya

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lahannya01

Justice ravaged by pain… I surrended my innocence in vain.

Our Heavy Metal diva this month is a tribute to Gothic Rock & Metal, a “love it or hate it” type of music that always divides the opinion of the more traditional metalheads. Fans of Iron Maiden, Slayer, Judas Priest and Metallica, for example, usually tend to despise almost everything from bands such as Rammstein, The Prodigy or Disturbed, mainly because “those bands are not true Heavy Metal”. However, they all have a lot of very interesting, creative and especially heavy material, which is also the case for the dark alternative music by our blue-haired gothic goddess Lahannya.

Lahannya was born in the United Kingdom, and although I’m not 100% sure, I believe her birthday is on January 20. Don’t ask me her full name or the year and city she was born (which by the way might be London), though, as it seems she’s one of those girls that doesn’t enjoy sharing her age nor many other details about her personal life with the rest of the world. Well, that doesn’t affect the quality of her work by any means, as what really matters here are her music, vocal performance and, of course, her stunning dark alternative looks.

Let’s say that Lahannya is not a regular singer, songwriter and performer: she’s a lot more than that, we should say a one-of-a-kind frontwoman, and her talent and skills can be enjoyed not only in the music from her own band, Lahannya, but also in the compositions from many other different bands and artists. Although she’s never made it to the mainstream, it’s in the underground world of heavy music where she has established her pillars and it’s also where she keeps influencing the newest generations of gothic and heavy musicians with her unique approach.

To begin with, it was back in 2004 when she met bassist Lutz Demmler, from German Gothic Metal band Umbra et Imago, at the M’Era Luna Festival where things really started to happen for Lahannya. After several projects since the beginning of her career in 1998, including the song Drowning for the compilation album Amduscias (1998) and her first EP entitled Drowning (2000), she finally formed the band Lahannya together with her then (and still) good friend Lutz in 2005, which is nowadays complemented live by German guitarist Christopher Milden and Italian drummer Luca Mazzucconi.

Lahannya’s Gothic Metal music is a complex and rich blend of the sonority from bands and artists such as The Prodigy, Disturbed, Loreena McKennitt, among many others. Actually, it’s kind of hard to truly define their music or compare it to other artists, although their lyrical themes are similar to what some of those artists also sing about, like darkness, pain, agony and relationships. The band has already released a good amount of material besides the EP Drowning: three full-length albums entitled Shotgun Reality (2007), Defiance (2009) and Dystopia ( 2011); another EP named Welcome to the Underground (2008); the live album Scavenger (2010); and the live DVD Sojourn (2013). You can take a listen at her mesmerizing voice in songs like Cocoon and Save Me, both from the album Dystopia.

The band has been touring a lot since its inception, especially in the UK and Germany, as for example in the Wave Gotik Treffen music festival, in Leipzig, in 2009, as well as many other dates in countries such as Austria, Netherlands, Poland and Switzerland, among others, with highlights to their exceptional performance during the Metal Female Voices Fest VII that happened in Wieze, Belgium, in 2009. There are some high quality videos on YouTube with Lahannya’s concert at that festival, like the ones for the songs Open Your Eyes and Burn, where it’s quite impossible to take your eyes out of her moves while her voice “invades” our ears with greatness. Another excellent live moments are the heavy and modern Inside the Machine, filmed at the X-Tra Club in Switzerland in 2008, and  the metallic Never Enough, during the band’s performance at the the M’Era Luna Festival 2012. There’s also a really nice interview with her during that same festival, which can be seen HERE, where she talks about her career and other stuff. It’s totally worth the time spent, especially because she’s a fun and humble woman, and her British accent is beyond beautiful.

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Among her infinite number of partnerships, projects and special guest appearances, the most important or famous ones are certainly her collaborations with English Electronic band Greenhaus, German Power Noise/Techno act Soman, Norwegian Aggrotech band Combichrist, German Industrial project Xotox, German Goth Rock band ASP, and German Gothic Electro band Dracul. None of these are close to Heavy or even Gothic Metal, but that doesn’t make the final results less enjoyable.

With Greenhaus, she was part of the songwriting and the vocalist for almost all tracks of their album Another life, from 2003, while with Soman she was the co-songwriter and vocalist for the following tracks: Tears, from the album Revenge (2004); Antique, from a compilation album with various artists entitled Machineries of Joy (2004); Mask and Eye to Eye, from the album Mask (2007); and Skin Deep, from the album Soman Noistyle (2010).

Our goth diva’s collaboration with Combichrist happened in the form of a spoken sample for the Soman remix of the title-track from their second EP Sex, Drogen Und Industrial (2004), while with Xotox she recorded a spoken intro for the video of the track [psi], from the album [psi] (2005), and was the vocalist on the song Habitat, from the album In Den Zehn Morgen (2008). Finally, she was featured in the remix of the song Nie Mehr, from the album Nie Mehr (2007) by ASP, and was the co-songwriter and vocalist for the tracks Vampiras Dream and Deathwish, from the album Like an Animal (2006) by Dracul.

There are a few other projects she’s involved which unfortunately I cannot list here, otherwise I would never be able finish this document. However, there’s one more interesting detail about Lahannya in regards to her career that you should know: if you’re in London and you are that type of person that likes to party, you might have a chance to see our blue-haired beauty in person doing something very different from singing with her band, which is being a DJ at the London alternative club Slimelight once in a while. Do you want to know where Lahannya finds all that energy to do everything she does? “I think it’s my purpose for living. I don’t really want to find a family or whatever. For me it’s my passion, it’s the legacy I want to leave behind, it’s how I express myself. If I didn’t do it, I would feel like I’m not actually living or breathing.”, she said. That explains a lot.

In regards to her idols in music, the pretty Lahannya mentioned she enjoys listening to and is constantly inspired by many distinct and excellent artists such as Kidneythieves, Dimmu Borgir, The Prodigy, Tori Amos, Celldweller, Bush, Disturbed, Mankind Is Obsolete, Loreena McKennitt, The Cranes etc. However, her inspiration in terms of lyrics comes from what is happening around her life and from her own emotions. Moreover, Lahannya mentioned a couple of times her “dream tour” would be with Industrial Metal icons Rammstein or English Electronic group The Prodigy, which in my opinion are outsdaning options for a full professional and exciting tour, don’t you agree?

Lastly, this nonstop frontwoman said she hasn’t had any free time for hobbies, but when she did she used to go scuba diving and climbing, which in my opinion are “not-so-common” activities for people who live in the gothic world, but each person does what they feel like doing, right? And in order to chill out, Lahannya’s choices often include a good DVD and a glass of wine, especially after a long day of hard work. That’s something even people like us, mere mortals who are not famous masterminds behind a successful band, can relate to, and maybe one of us is lucky enough to enjoy those rare free moments Lahannya has together with her. In the meantime, let’s keep on appreciating her dark and beautiful music.

Lahannya’s Official Facebook page
Lahannya’s Official YouTube channel
Lahannya’s Official Twitter

“The best piece of advice I can give is, don’t waste your time waiting for a manager, booking agent or record label to make things happen for you. If you are prepared to work hard, not just on the music but also on the business side, and you don’t give up, you can achieve an awful lot. No one will work as hard for you as you do yourself and no one will invest more money into your band than you are prepared to do yourself. If you don’t put the work in, why should anyone else?” – Lahannya