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Concert Review – Lorna Shore (Great Canadian Toronto, Mississauga, ON, 10/27/2025)

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Fans from all over Ontario and the rest of Canada felt the everblack festering within them in one of the heaviest and most emotional performances of the year in the entire country.

OPENING ACTS: Shadow of Intent and The Black Dahlia Murder

I don’t think there’s another way to start this review without stating my profound disappointment (and I’m sure everyone else who attended the show also feels the same) for not having PEELINGFLESH as one of the opening bands for LORNA SHORE this Monday night at Great Canadian Toronto during their North American Tour 2025. I mean, SHADOW OF INTENT and THE BLACK DAHLIA MURDER were both phenomenal guests, but I strongly believe the raw energy emanating from the Brutal Death Metal blasted by PeelingFlesh would have been beyond welcomed by the crowd. We should have had the pleasure of witnessing the unstoppable Damonteal Harris and his henchmen mercilessly kicking our asses onstage like when they opened for Aborted a few months ago in Toronto, and although I don’t want to start with any politics bullshit, I’ll never understand why a band that simply wants to play their music in any city in Canada during their US and Canadian tours has their entry denied into the country. I wish I could say more about it, but I’ll try to remain calm, and blast some of PeelingFlesh’s sickest tunes on Spotify to lighten up my mood. Well, at least before the other bands started I was able to try Slayer Burger’s new creation In Darkness, and I must say it’s by far their best burger to date. Hopefully they’ll get a lot of positive feedback from fans and keep it as part of their regular menu for a while, because that burger is indeed absurdly tasty.

Keith Ibbitson of Metal Paparazzi was also pissed off he wasn’t going to take some crazy photos of PeelingFlesh, but of course he was more than ready to fire his camera during the brutal performance by Connecticut, United States-based Symphonic Deathcore beast SHADOW OF INTENT. The second “low point” of the night was the fact their frontman Ben Duerr didn’t make it to the show in Toronto as he went back to the US to join his wife for the birth of his second child (congratulations to both!), but his replacement Adam Mercer, former vocalist of the also killer Deathcore entity A Wake in Providence, did a superb job and inspired all fans at the venue for some wild headbanging and mosh pit action. Having recently released the pulverizing Imperium Delirium, available on BandCamp and on Spotify, the band put on a demonic concert, with their heaviness, breakdowns, and the gruesome guttural by Adam making the entire venue tremble like in the best song of the night, the demented hymn Vehement Draconian Vengeance. I can’t wait for Shadow of Intent to visit Canada again, but of course next time I want to see them with Ben Duerr on vocals (despite having enjoyed Adam on the mic a lot). So please, Ben, no more babies during your next Canadian shows, alright?

Setlist
Prepare to Die
Flying the Black Flag
Mechanical Chaos
Vehement Draconian Vengeance
Infinity of Horrors
Feeding the Meat Grinder
The Heretic Prevails

Band members
Adam Mercer – vocals
Chris Wiseman – guitars, samples, backing vocals
Andrew Monias – bass
Bryce Butler – drums

I guess each band on the bill had at least two or three massive walls of death with mosh pits right after during their shows, and of course Detroit, Michigan’s own Melodic Death Metal masters THE BLACK DAHLIA MURDER made sure their fans had a great time while inside such a unique experience only available at extreme music concerts, one of them offered as a “birthday gift” to one of their guitarists, by the way. The band now spearheaded by the charismatic Brian Eschbach was also on fire from start to finish, blending songs from their entire career with their latest album Servitude, released in 2024 (all also available on BandCamp and on Spotify), inspiring everyone who still had enough stamina left to slam like a maniac inside the pit. The gorilla with a giant inflatable banana during Statutory Ape was a nice touch to their already incendiary show, and I just wish their sound, in special the vocals, was a little bit better as it sounded muffled at times. Anyway, those guys put on a tremendous warmup for Lorna Shore, and I’m sure they’ll keep blasting their undisputed blend of melodeath for many years to come, always in honor of our beloved Trevor Strnad (RIP).

Setlist
What a Horrible Night to Have a Curse
Everything Went Black
Nightbringers
A Vulgar Picture
Warborn
Statutory Ape
Cursed Creator
Unhallowed
Funeral Thirst
Deathmask Divine

Band members
Brian Eschbach – vocals
Ryan Knight – guitars
Wes Hauch – guitars
Max Lavelle – bass
Alan Cassidy – drums

LORNA SHORE

Finally after a short break it was time for New Jersey’s own Deathcore behemoth LORNA SHORE to kick off one of the heaviest performances of the year in Canadian lands. Blending songs from their three releases with Will Ramos on vocals, those being their 2021 EP …and I Return to Nothingness, their 2022 masterpiece Pain Remains, and their recently released beast I Feel the Everblack Festering Within Me, all available on BandCamp and on Spotify, the band was on absolute fire from start to finish, already hypnotizing the entire crowd from the very first notes in Oblivion. They made sure their show was not only a lecture in Deathcore, but also visually appealing, with the big background screen and the lights adding an extra touch of electricity to their already insane performance.

Songs like Unbreakable, Sun//Eater, Cursed to Die, Into the Earth, and the extremely emotional Glenwood reached deep inside our hearts and souls, but I must say as a fan of really heavy music I had a total blast with Prison of Flesh and To the Hellfire. Those breakdowns were demented, plus of course the inhumane guttural by Will and the crushing blast beats by Austin Archey, igniting some of the wildest mosh pits of the entire night. Everyone was having a great time, including our lord and savior Jesus Christ, leaving the doors open for another concert by those guys in Canadian lands in a not-so-distant future. The highlight of the night was obviously their three-part masterpiece Pain Remains during the encore, and until today I can’t decide which one is my favorite. Sometimes it’s Pain Remains I: Dancing Like Flames, sometimes Pain Remains II: After All I’ve Done, I’ll Disappear, and sometimes Pain Remains III: In a Sea of Fire, like this Monday night. Those were flawless, and I bet several fans were crying of joy during such an intense part of their set.

On a side note, a few minutes before the first band hit the stage, when I was eating the In Darkness Burger at the Slayer Burger food truck, I met a very young and cool guy (and I’m so sorry, I forgot his name just because I’m terrible with names) who flew from Saskatoon to Toronto only for the show, and if you know the geography of Canada you have a very good idea of how lengthy and exhausting that journey can be. He said he was beyond excited to see his favorite band of all time live for the first time ever, and I bet he was on cloud 9 after the show was over. Furthermore, that’s a good indication of how big Lorna Shore are getting to the point people are going out of their way to see them live, just like Iron Maiden and Metallica fans do all the time. Another guy, for instance, was flying to Montreal the next morning to see Lorna Shore again. Because Lorna Shore are simply awesome, and as long as they’re around, heavy music will remain.

Setlist
Oblivion
Unbreakable
Of the Abyss
Sun//Eater
Cursed to Die
Into the Earth
Glenwood
Prison of Flesh
To the Hellfire

Encore:
Pain Remains I: Dancing Like Flames
Pain Remains II: After All I’ve Done, I’ll Disappear
Pain Remains III: In a Sea of Fire

Band members
Will Ramos – vocals
Adam De Micco – guitar
Andrew O’Connor – guitar
Michael Yager – bass
Austin Archey – drums

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Album Review – Lorna Shore / I Feel the Everblack Festering Within Me (2025)

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Call them heroes or hell-bringers, the torchbearers of modern-day Deathcore are inviting us all to be part of their own movie to the sound of their the declarative and breathtaking fifth album.

Call them heroes or hell-bringers, it doesn’t matter to the  men of New Jersey, United States-based Symphonic Deathcore beast Lorna Shore. Produced and engineered by Josh Schroeder, and displaying a sinister artwork by Zac Shiffer, I Feel The Everblack Festering Within Me, the declarative fifth album in their career, and the follow-up to their 2022 masterpiece Pain Remains, sees the band currently formed of Will Ramos on vocals, Adam De Micco and Andrew O’Connor on the guitars, Michael Yager on bass, and Austin Archey on drums putting all of metal’s subgenres on notice. Because after one listen, you’ll wonder what motivates them and what took metal so long to evolve. You also might wonder whose truck may have hit you while you were listening to the album.

Like the soundtrack to a horror movie, the opening track Prison of Flesh grows in intensity until all hell breaks loose to the visceral beats and fills by Austin in a demented display of brutal and vile Deathcore, while Oblivion follows a similar pattern, with Will’s deep, inhumane growls and screeches sounding like a creature form the abyss, being therefore perfect for some insane action inside the circle pit to the wicked riffs by Adam and Andrew. In the infuriated In Darkness, the background orchestrations and choir elevate the song’s epicness to a whole new level, with once again Will growling manically while the sound of their guitars exhales harmony and electricity; and they continue to fill every single space in the air with their striking fusion of Deathcore and symphonic elements in Unbreakable, leaning towards the sound from Pain Remains. Then a serene start ignites Glenwood, another epic and atmospheric creation by the band overflowing melancholy and darkness, albeit a bit generic in the end.

Will keeps roaring like a true lion in Lionheart, where Austin makes sure his beats and fills are not only heavy-as-hell, but also complex enough to keep the music as vibrant and fresh as possible, followed by Death Can Take Me, another pulverizing display of Symphonic Deathcore where the crushing drums by Austin walk hand in hand with Will’s desperate screams. Then presenting elements from traditional metal styles like Heavy and Thrash Metal we have War Machine, with its background keys elevating its punch, not to mention the excellent job done by Adam and Andrew armed with their axes. Their second to last metallic attack is offered in the form of A Nameless Hymn, with Michael and Austin sounding ruthless with their heavy-as-hell kitchen; and last but definitely not least, Lorna Shore bring forth a masterpiece of darkness entitled Forevermore, starting in an almost Atmospheric Black Metal manner before morphing into a grandiose feast of symphonic elements intertwined with the sheer heaviness of Deathcore, or in other words, it’s definitely a beautiful conclusion to such an epic album.

Lorna Shore are neither dire misery goats, nor flower-picking pollyannas and definitely not lapdogs currying favor from those who would exalt the ordinary, inviting us all to embrace I Feel The Everblack Festering Inside Of Me and, therefore, become part of the band’s own movie. “I think a lot of bands – especially in deathcore – they write stuff that they think is cool, but they’re not necessarily writing stuff that’s true to them,” commented Will Ramos. “I think between everything that we’ve been through over the last couple years, those things have helped push the band to think bigger. We’re putting our heart and soul into it. I think it’s those little experiences that we’ve been through that help shape that. It doesn’t necessarily work for everybody, but it works for us.” Furthermore, you can get in touch with one of the torchbearers of modern-day Deathcore via Facebook and Instagram, stream their vicious, down-tempo creations on Spotify, and of course grab your copy of the poetically titled I Feel the Everblack Festering Within Me by clicking HERE or HERE. When heroes are hard to find, try looking inside yourself first. and when good heavy music is hard to find, simply enjoy the phenomenal new album by Lorna Shore.

Best moments of the album: Prison of Flesh, Unbreakable, Lionheart and Forevermore.

Worst moments of the album: Glenwood.

Released in 2025 Century Media Records

Track listing
1. Prison of Flesh 7:00
2. Oblivion 8:19
3. In Darkness 6:43
4. Unbreakable 4:49
5. Glenwood 6:43
6. Lionheart 5:44
7. Death Can Take Me 7:16
8. War Machine 4:53
9. A Nameless Hymn 5:14
10. Forevermore 9:47

Band members
Will Ramos – vocals
Adam De Micco – guitar
Andrew O’Connor – guitar
Michael Yager – bass
Austin Archey – drums

Album Review – Soulcarrion / Enthrone Death (2024)

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A ruthless Death Metal entity from Poland will demolish your damned souls with their heavy-as-hell sophomore full-length opus.

Formed in 2019 in the always pleasant city of Warsaw, Poland, the ruthless Death Metal duo comprised of Michał on rhythm guitars and bass and Greg on lead guitars, known as Soulcarrion, will demolish your damned souls with their sophomore full-length opus, titled Enthrone Death. Mixed and mastered by Darek Młody at PanzerStudio, and displaying a sick cover art and layout by Maciej Kamuda Art and an evil logo by Paweł Pawłowski Illustration, the follow-up to their 2023 self-titled EP and their 2022 debut album Infernal Agony offers the listener 30 minutes of intense, undisputed Death Metal for the masses, with the support of session musicians Mateusz Sibila (Imperial Sin) on vocals and Darek Młody (Hellfuck, Embrional, Stillborn) on drums adding an extra touch of heaviness and insanity to the whole album.

Starting in a sinister, doomed manner, the opening tune Cage of Nothingness already invades our minds with a demonic onrush of Death Metal boosted by tons of Brutal Death Metal elements thanks to the inhumane gnarls by Mateusz and the boisterous drums by Darek, whereas Night Ceremony keeps the album at a Stygian, venomous vibe with the riffage by both Greg and Michał sounding utterly infernal, albeit a bit repetitive at times. Then featuring guest vocalist Vesper Locust (Dammnatorum), the title-track Enthrone Death offers pure hatred and darkness to our putrid ears, with the ripping sound of the guitars matching perfectly with the blast beats by Darek, and there’s no sign of peace or hope, as Infernal Agony is an overdose of old school Death Metal tailored for fans of the genre, with Mateusz once again roaring and barking like a beast for our total delight.

Oblivion will hit us hard with its two and a half minutes of brutality blasted by those talented Polish metallers, with Greg and Michał once again demolishing our senses and adding endless heaviness to the music armed with their stringed axes; and enhancing the album’s obscurity and malignancy, the Doom Metal-infused aria Revenge is Mine brings forward another round of Darek’s massive beats accompanied by the sick riffage by the band’s guitar duo. After that we have Deathoskullum, following a similar pattern as the previous song, with the deep, hellish riffs and beats blasted by the band penetrating deep inside our rotten corpses, being therefore perfect for some intense headbanging; and lastly, World of Putridity carries a beautiful name and puts a beyond vicious ending to the album, with Mateusz vociferating rabidly in the name of classic Death Metal until the very last second.

The Polish underground has always been one of the most exciting of all, in special if you’re a fan of extreme music, and of course Soulcarrion offer in their new opus a high dosage of all that sonic awesomeness that’s found in Poland. Hence, don’t forget to show the guys from Soulcarrion your utmost support and admiration by purchasing a copy of the sulfurous and infernal Enthrone Death from the Godz ov War Productions’ BandCamp page or webstore as a CD or as an ass-kicking CD + shirt bundle, keeping the flames of Polish Death Metal burning for many years to come. Soulcarrion are on fire throughout the entire Enthrone Death, and they’re more than eager to burn your soul armed with the caustic compositions from such insane album.

Best moments of the album: Enthrone Death, Oblivion and World of Putridity.

Worst moments of the album: Night Ceremony.

Released in 2024 Godz ov War Productions

Track listing
1. Cage of Nothingness 4:08
2. Night Ceremony 4:17
3. Enthrone Death 5:03
4. Infernal Agony 3:38
5. Oblivion 2:29
6. Revenge is Mine 3:02
7. Deathoskullum 4:56
8. World of Putridity 2:50

Band members
Michał – rhythm guitars, bass
Greg – lead guitars

Guest musicians
Mateusz Sibila – vocals (session)
Darek Młody – drums (session)
Vesper Locust – vocals on “Enthrone Death”

Album Review – Mental Torment / ego:genesis (2021)

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This amazing Ukrainian doom horde returns from the underworld with over 50 minutes of music covering the catharsis that a person goes through in a moment of despair and hopelessness.

3.5rating

mental-torment-ego-genesis-2021Forged in the fires of Kiev, Ukraine back in 2009, the Stygian Death and Doom Metal entity known as Mental Torment returned from the ashes like a dark phoenix in 2020 after a five-year hiatus to crush us all once again with their undisputed Funeral Doom Metal, resulting now in 2021 in their sophomore effort titled ego:genesis. Bringing to our avid ears over 50 minutes of doom split into seven distinct tracks, ego:genesis covers the catharsis that a person goes through in a moment of despair and hopelessness, searching for answers to eternal questions, resisting the inevitable and final acceptance of their fate, all carefully brought into being by Roman Sagajdachnyj on vocals, Anatolii Doroshenko and Mykhailo Chuha on the guitars, Andrii Avramets on bass, Yaroslav Mosiievsky on keyboards and Artur Myrvoda on drums, being therefore highly recommended for fans of the music by October Tide, Paradise Lost, Anathema, Katatonia and Swallow the Sun, among other torchbearers of pure doom.

The gentle, melancholic keys by Yaroslav kick off the eight-minute aria Acceptance, already showcasing the band’s passion for doomed and obscure music, before Artur begins hammering his drums with tons of anger. Needless to say, fans of bands like  Paradise Lost and My Dying Bride will certainly love it. And the strident and piercing guitars by Anatolii and Mykhailo set the tone in the sluggish and grim New Days Old Wounds, accompanied by the thunderous bass by Andrii and, therefore, offering Roman all he needs to vociferate and roar in the best Doom Metal way possible; whereas Yaroslav strikes again with his sinister keys in Untitled, before the music explodes into a slow and heavy-as-hell fusion of Death and Doom Metal spearheaded by the classic drums by Artur while the growls by Roman get more anguished and desperate as the music progresses.

Even heavier and more demonic than its predecessors, the multi-layered Conclusion will crush your damned soul mercilessly to the sound of the vicious guttural by Roman and the crisp guitars by Anatolii and Mykhailo while Andrii keeps smashing his bass flawlessly, and more of their delicate but at the same time caustic Funeral Doom Metal is offered to us all in The River, with the gruesome roaring by Roman generating a Stygian paradox with the whimsical piano notes by Yaroslav. Then keeping the album as doomed and infernal as possible, the band once again slams our heads with their boisterous music in Black, with Roman taking the lead once again with his deep growling while his bandmates add a touch of progressiveness to the overall result, followed by the closing tune Oblivion, an instrumental outro where the band’s guitar duo delivers a stunning stringed performance supported by the stylish beats by Artur, blackening the skies one last time for our total delight.

mental-torment-2021If you love funereal and melodic Doom Metal from the bottom of your damned heart, you should definitely start following Mental Torment on Facebook, on Instagram and on VKontakte for news, tour dates and other nice-to-know details about such awesome Ukrainian band, and also subscribe to their YouTube channel for more of their eerie and captivating music. And above all that, of course, let’s show our utmost support to those talented metallers by purchasing their fantastic new album from their own BandCamp page or Facebook webstore, as well as from the Metallug Music Facebook webstore soon. In the end, Mental Torment did a beautiful job turning our darkest emotions and feelings such as despair, hopelessness, fear and anger into cohesive and thrilling music, leaving us all eager for more of their music in the coming years and, consequently, keeping the fires of Ukrainian doom burning brighter than ever.

Best moments of the album: Acceptance and Conclusion.

Worst moments of the album: None.

Released in 2021 Metallurg Music

Track listing 
1. Acceptance 8:15
2. New Days Old Wounds 7:19
3. Untitled 7:21
4. Conclusion 7:34
5. The River 7:48
6. Black 7:01
7. Oblivion 5:54

Band members
Roman Sagajdachnyj – vocals
Anatolii Doroshenko – guitars
Mykhailo Chuha – guitars
Andrii Avramets – bass
Yaroslav Mosiievsky – keyboards
Artur Myrvoda – drums

Album Review – Preludio Ancestral / Oblivion (2018)

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A magnificent opus of epic-painted Power Metal with symphonic arrangements and amazing guitar work, where various guest musicians help give form to an album that will be a delight for any lover of the genre.

Formed back in 2005 by guitarist Leonardo Gatti in San Miguel, a city in the northwest region of Greater Buenos Aires located around 30km from the City of Buenos Aires, Argentina, Symphonic Power Metal band Preludio Ancestral has been making a name for themselves since their inception with a steady flow of high-quality releases, starting with the EP Silencio and the full-length album Hacia lo Inmortal, both in 2012, followed by the 2013 EP Putrefaction, the 2015 album Kybalion, and the 2016 album El Misterio de la Pasión Divina, gaining strong recognition not only in their native country, where they even opened for acts like Rhapsody of Fire and Stratovarius, but also everywhere where the epicness and electricity of Power Metal are admired.

Now in 2018 the band comprised of the aforementioned Leo Gatti on the guitars and keyboards, Ari Katajamäki on bass and Diego Camaño on drums are set to release a brand new album titled Oblivion, a magnificent opus of epic-painted Power Metal with symphonic arrangements and an awesome guitar work, where various guest musicians hailing from different parts of Argentina and Europe give form to an album that will be a delight for any lover of the genre. As a matter of fact, due to the fact that almost every song of the album has a different lead singer, Oblivion feels like three or four album in one, with the music always remaining fresh and captivating throughout its 10 distinct songs (or 12 if you purchase the special Japanese edition of the album).

Presagio is a cinematic intro that takes you to the world of Preludio Ancestral, where the flammable sound of the guitar by Leo and the unstoppable beats by Diego are joined by Alessio Perardi on vocals in King of Silence, a classic Melodic Power Metal tune the likes of Dragonforce and Stratovarius; followed by Storm, a Power Metal extravaganza led by the intricate drums by Diego with Enzo Donnarumma taking the vocal duties, while Leo and Ari bring tons of melody and feeling to the musicality. And Alessio is back on vocals for a fast and harmonious exhibit of modern-day Melodic Metal named Fear of Falling, showcasing all elements we love in this type of music. Furthermore, Ari is simply fantastic with his bass, smashing his strings mercilessly while guest keyboardist Gabliel Crisafulli embellishes the overall sound with his kick-ass solo.

With Fran Vázquez on vocals, Preludio Ancestral offer a mid-tempo, melodic tune titled Ready to Rock, leaning towards the darker and deeper metal crafted by icons such as Dio and Saxon. Moreover, can you feel those beats pounding inside your mind? Moving on with the album, the title-track Oblivion, featuring Juan Pablo Kilberg on vocals, could be part of a concept album due to its initial narration and pace, morphing into straightforward Power Metal the likes of Helloween and the early days of Sonata Arctica, with Juan Pablo also delivering a crisp guitar solo to make things even more epic. Then it’s time to slow things down a bit with a power ballad titled Universal Love, presenting more of the voice of Alessio Perardi, passionate solos by Leo and a dense background, but unfortunately with the overall result falling flat after a while.

In Reflection in the Wind they get back to a faster and more slashing musicality, presenting a solid instrumental base by Leo, Ari and Diego that sets the perfect stage for Kimmo Perämäki to thrive on vocals. This is one of those songs to sing along with the band wherever you are, not to mention another spectacular keyboard solo by Gabliel Crisafulli. In Dust World, a classic mid-tempo tune led by the powerful riffs by Leo, Alessio Perardi returns for one last breath of his potent vocals, while Ari and Diego keep the atmosphere as thunderous as it can be, before the closing act in Oblivion, titled Metal Walls, brings Daniel García on vocals in what can be considered the most modernized of all tracks, displaying elements from distinguished styles such as Alternative, Industrial, Dark Metal and Hard Rock, and let me tall you that the final result is above all expectations, in special due to the amazing job done by Leo on keyboards.

In summary, Oblivion (available for a full listen on Spotify) will not only cement the name of Preludio Ancestral as one of the best and most professional bands from this new wave of Symphonic and Power Metal in their homeland, but it will also help the band spread their wings and reach higher grounds in the world of heavy music. And if you wan to show your honest support to such up-and-coming act, simply go check their Facebook page and YouTube channel for news and other shenanigans, and purchase Oblivion through the band’s own BandCamp page, through the Xtreem Music webstore, through the Spiritual Beast webstore, or on Amazon. May the power of Heavy Metal be with Preludio Ancestral anywhere they go, and may other bands from Argentina and South America follow their steps and deliver more metal music to fans tired of having bad and fake music shoveled down their throats by their local TV shows, radio stations, and websites.

Best moments of the album: King of Silence, Fear of Falling and Reflection in the Wind.

Worst moments of the album: Universal Love.

Released in 2018 Fighter Records/Spiritual Beast

Track listing
1. Presagio 1:04
2. King of Silence 3:49
3. Storm 4:02
4. Fear of Falling 4:30
5. Ready to Rock 3:45
6. Oblivion 5:07
7. Universal Love 4:24
8. Reflection in the Wind 3:31
9. Dust World 4:49
10. Metal Walls 5:35 

Japanese Edition bonus tracks
11. Like A Star (New Version) 3:31
12. No Man’s Land 3:27

Band members
Leonardo Gatti – guitars, keyboards
Ari Katajamäki – bass
Diego Camaño – drums

Guest musicians
Alessio Perardi – vocals on “King of Silence”, “Dust World”, “Fear of Falling” and “Universal Love”
Fran Vázquez – vocals on “Ready to Rock”
Daniel García – vocals on “Metal Walls”
Juan Pablo Kilberg – vocals on “Oblivion”
Raffaele Raffo Albanese – vocals on “No Man’s Land”
Kimmo Perämäki – vocals on “Reflection in the Wind”
Enzo Donnarumma – vocals on “Storm”
Gabliel Crisafulli – keyboards solos on “Oblivion”, “Reflection in the Wind” and “Fear of Falling”
Juan Pablo Kilberg – guitar solos on “Oblivion”
José Paz – keyboards on “Presagio”