Concert Review – Arch Enemy & Behemoth (Rebel, Toronto, ON, 04/25/2022)

A night of rain, insanity, blasphemy and, above all that, first-class Heavy Metal for the delight of thousands of metalheads in Toronto.

OPENING ACTS: Unto Others and Napalm Death

Despite the heavy rain that decided to hit Toronto only a couple of hours before the fantastic tour named The North American Siege 2022 took the city by storm, the venue chosen for such metal attack, the spacious Rebel, was almost packed already when the first band of the night hit the stage exactly at 6:30pm, American Heavy Metal/Gothic Rock act UNTO OTHERS, and let me tell you I feel a little ashamed for not knowing those guys before last night. Promoting their 2021 opus Strength, vocalist and guitarist Gabriel Franco and his henchmen put on a sensational show, with songs such as Give Me to the Night, Summer Lightning and When Will God’s Work Be Done inspiring all fans to dance, slam into the pit, or simply raise their horns in the name of Rock N’ Roll. It was a short and sweet performance by such talented band, and I hope to see them again in Toronto (or anywhere else in the world) in a not-so-distant future.

Setlist
Subdivisions (Rush song)
Heroin
Give Me to the Night
No Children Laughing Now
Can You Hear the Rain
Nightfall
Summer Lightning
When Will God’s Work Be Done

Band members
Gabriel Franco – vocals, guitars, keyboards
Sebastian Silva – guitars
Brandon Hill – bass
Colin Vranizan – drums

Right after a bathroom/beer break (not necessarily in this order), it was time for the iconic Barney Greenway and his Grindcore/Death Metal institution NAPALM DEATH to show Toronto what noise is all about for the delight of admirers of the heaviest and most demented side of music who attended the concert. Having released earlier this year the album Resentment Is Always Seismic – A Final Throw of Throes, the band was on absolute fire from start to finish, with Shane Embury and John Cooke hammering their respective bass and guitar mercilessly throughout their entire set. Amidst a hurricane of infernal tunes the likes of Fuck the Factoid, Contagion, Scum and the one-second masterpiece You Suffer, Barney had time to distill his opinion about controversial topics such as illegal immigration, being always of course on the side of the less fortunate. Closing their boisterous setlist, the band smashed our faces with their rendition of Dead Kennedys’ all-time classic Nazi Punks Fuck Off, sending a message of love and peace, and warning us it won’t take long for those four British noisemakers to return to our beloved city.

Setlist
Unchallenged Hate
Fuck the Factoid
Backlash Just Because
Hung
Contagion
Continuing War on Stupidity
Everyday Pox
Invigorating Clutch
Suffer the Children
Breed to Breathe
Scum
Throes of Joy in the Jaws of Defeatism
You Suffer
Smash a Single Digit
Deceiver
Dead
Nazi Punks Fuck Off (Dead Kennedys cover)

Band members
Mark “Barney” Greenway – vocals
John Cooke – guitars
Shane Embury – bass, backing vocals, noises, effects
Danny Herrera – drums

ARCH ENEMY

Precisely at 8:35pm Sweden’s own Melodic Death Metal army ARCH ENEMY (although we can say the band is now 60% Swedish, 20% American and 20% Canadian) hit the stage and delivered exactly what the crowd wanted, which was a fusion of some of their best classics with the new songs Deceiver, Deceiver, House of Mirrors and Handshake With Hell, from their upcoming album Deceivers (to be released in July), spearheaded by the unstoppable Alissa White-Gluz and, of course, by one of the best guitarists of the Scandinavian metal scene, Mr. Michael Amott. It was clear in their faces how much they missed playing in front of an audience during the pandemic, in special Alissa who always gets very emotional when playing for her Canadian “family”, which translated into sheer adrenaline for our vulgar delectation. As a longtime fan of the band I was obviously more inspired to bang my head to songs such as Ravenous, Dead Bury Their Dead and Nemesis, but I must say their entire performance was awesome. How long will we have to wait to see Alissa and the boys again in Toronto? Massive circle pits like the ones we witnessed yesterday are not created out of silence, you know. We need Arch Enemy!

Setlist
Set Flame to the Night
Deceiver, Deceiver
The World Is Yours
Ravenous
War Eternal
My Apocalypse
House of Mirrors
The Eagle Flies Alone
As the Pages Burn
Handshake With Hell
Dead Bury Their Dead
Nemesis
Fields of Desolation (Outro)
Enter the Machine

Band members
Alissa White-Gluz – vocals
Michael Amott – lead guitars, backing vocals
Jeff Loomis – lead guitars, backing vocals
Sharlee D’Angelo – bass
Daniel Erlandsson – drums

BEHEMOTH

And at 10:05pm the gates of hell opened once again and the almighty Blackened Death Metal horde BEHEMOTH emerged from the underworld with another flawless and very theatrical performance, darkening the skies of Toronto and putting a huge, devilish smile on the faces of everyone at Rebel (at least on the faces of the ones not wearing masks). Kicking off their demonic concert with one of my favorite Behemoth songs of all time, the incendiary Ora Pro Nobis Lucifer, the multi-talented Nergal, Seth, Orion and Inferno did not disappoint their fans, sounding utterly heavy, dark and blasphemous until the very last second. Their brand new song, entitled Ov My Herculean Exile, from their upcoming (and still untitled) new album, sounded amazing live, but of course there’s nothing like raising our horns in the name of evil to masterpieces such as Ov Fire and the Void, Christians to the Lions, Chant for Eschaton 2000, and the hymn to Satan himself, O Father O Satan O Sun!, proving why Behemoth are one of the best and most obscure bands of the current metal scene. And when the night was over and those Polish blasphemers left the stage, it was time for us Torontonians to keep some of that darkness inside our hearts, face the cold and rainy weather outside again, and return to our lairs waiting for the next time Behemoth come back to crush the infidels in Toronto with their undisputed music.

Setlist
Ora Pro Nobis Lucifer
Wolves ov Siberia
Ov Fire and the Void
Evoe
Christians to the Lions
Bartzabel
Conquer All
Ov My Herculean Exile
Decade of Therion
Slaves Shall Serve
Chant for Eschaton 2000
O Father O Satan O Sun!

Band members
Adam “Nergal” Darski – lead vocals, guitars
Patryk Dominik “Seth” Sztyber – guitars
Tomasz “Orion” Wróblewski – bass guitar
Zbigniew Robert “Inferno” Promiński – drums and percussion

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Metal Chick of the Month – Diva Satanica

Kill’em all, Diva Satanica!

My dear metalheads, how about we celebrate SEVEN FUCKIN’ YEARS of The Headbanging Moose in great fashion with one of the most charismatic, hardworking and talented growlers of the current metal scene? Not only she will haunt your soul with her wicked screams and roars, but she’s also a stunning alternative model and a collaborator of one of the best metal magazines in her home country. I’m talking about the venomous she-wolf Rocío Vázquez, better known by her incendiary moniker Diva Satanica, the frontwoman for Spanish Melodic Death Metal band Bloodhunter and more recently for the international all-female Thrash Metal horde Nervosa, kicking some serious ass with her onstage performance and her beyond potent vocals wherever she goes. Are you ready to have Diva Satanica screaming like a beast right in your face on our humble tribute to such amazing exponent of the Spanish Extreme Metal scene?

Born on June 25, 1988 in La Coruña, Galícia, in the North-West of Spain, known as “the land of witches”, but currently residing in Madrid, the capital city of Spain, Diva Satanica is a lover of all kinds of music, but of course she nurtures a special, deep passion for Rock N’ Roll and almost all subgenres of Heavy Metal, especially the ones that suit her needs of talking about feelings. As mentioned by our unstoppable diva in one of her interviews, no one in her family enjoys metal music and in the beginning it was really hard for her to find friends with the same taste in music, but she managed to find her place in society as we can all witness now. In addition, although she said she was terrified the first time she listened to a Death Metal band, due to the fact she didn’t feel comfortable with melodic singing she decided to give growling a try, and well, we must all agree it was the best decision in her life, offering us all fans of heavy music the furious and thrilling creations brought forth by our diva together with her henchmen from Bloodhunter.

In regards to Bloodhunter, the band started about a year before Diva Satanica joined them, more specifically in 2008 in La Coruña (but also currently based in Madrid), by the hands of sole founding member, guitarist and main songwriter Dani Arcos, also known as Fenris, to develop some demos that didn’t fit at his other bands at that time, even with a melodic singer in the beginning. It was after several changes in their lineup and concept when Diva Satanica finally joined the band, currently comprised of our metal lady and Fenris, of course, together with guitarist G. Starless, bassist Daniel Luces and drummer Marcelo Aires. However, she only started singing (and growling) for the band in 2012, after writing the lyrics for a few of their songs and joining their rehearsals, and according to Diva Satanica her bandmates had to be very patient with her in the beginning as she used to sing looking to the wall instead of looking to the band, but from that moment on things started to happen for them, culminating with the release of their debut demo The First Insurrection, in 2013.

It was just a matter of time until the release of their debut full-length opus, self-titled Bloodhunter, which came to light in 2014 and quickly made a huge impact on the local Spanish scene, gathering the attention of fans and critics not only in Spain but anywhere else in the world where high-quality Melodic Death Metal is appreciated. A couple of years later, in 2017, the band released their sophomore effort, titled The End of Faith, showcasing a huge evolution in terms of sound quality, creativity, violence and, above all, in Diva Satanica’s guttural vocals, presenting a much more demonic, piercing and thrilling side of our devilish banshee. Apart from their two studio albums, Bloodhunter also released a couple of singles through the years, those being Ages of Darkness, in 2014, which was featured on a compilation called Oráculo Magazine: From the Shadows Vol.I, and a very entertaining cover version for Helloween’s all-time classic I Want Out, in 2018, where Diva Satanica shares the vocal duties with Spanish vocalist and guitarist Leo Jiménez, known for his solo band and other projects such as Stravaganzza and Saratoga. In addition to that, Bloodhunter also offered us fans a few more amazing cover songs, with their version for Arch Enemy’s hit Bury Me an Angel, featured on a compilation called Hardcore Hits Cancer Vol. III in 2018, Death’s Crystal Mountain, and more recently their rendition for Cradle of Filth’s demolishing tune Gilded Cunt, showing all of our diva’s versatility and range as the fantastic Extreme Metal singer she is.

Apart from those albums, singles and cover songs, you can also have a blast with Diva Satanica and the boys in their excellent 2020 live album Live in Madrid, containing six amazing live versions recorded on March 19, 2019 at the now (unfortunately) defunct We Rock in Madrid, including Dying Sun, All These Souls Shall Serve… Forever!, and Bring me Horror. Furthermore, you can find other non-official live footage from Bloodhunter on YouTube, such as for example Ancestors Ov All Gods also live at We Rock, but in 2015, The Bloody Throne live at Mangualde Hard Metal Fest 2017, and Eyes Wide Open live at Le Club in La Coruña in 2018, among many, many others. However, if you prefer watching official videos with all the usual production, special effects and other shenanigans, you can bang your head to the songs All These Souls Shall Serve… Forever!, Dying Sun, Embrace the Dark Light and Let the Storm Come.

As we don’t have anything official yet with Diva Satanica fronting the thrashing girls from Nervosa except for a live chat done in June 2020 with the “four horsewomen”, Brazilian guitarist and founder Prika Amaral, Italian bassist Mia Wallace (The true Endless, Triumph of Death, Niryth, Abbath), Greek drummer Eleni Nota (Lightfold, Mask of Prospero, Simplefast) and of course our beloved Diva Satanica, let’s talk a little about her previous bands, projects and special appearances in an array of bands from the most diverse styles, starting with a band she fronted from 2015 until 2019, Spanish Progressive/Melodic Death Metal/Metalcore band Outreach. Despite her short stint with Outreach, she recorded with the band the full-length Ephemeral Existence and the single Insane Mind, both in 2019, showcasing all her range and potency throughout the entire album (which I highly recommended you take a listen at).

You’ll also be able to enjoy her she-wolf roars in the songs Nothing to Believe, from the 2018 album Misanthropy, by El Salvadorian Thrash/Death Metal band Apes of God; Mutiladora Genital, from Spanish Death Metal masters Aposento’s 2014 self-titled album; Darkness Within, from the 2018 album Purgatory, by Spanish Melodic Death Metal band Suru; doing additional vocals in the entire album Mesías, released in 2019 by Spanish Heavy Metal band Leo Jiménez; impersonating the one and only Baphomet in the 2019 album El Secreto de los Templarios, by Spanish Heavy Metal/Hard Rock band Legado de una Tragedia, together with soprano Nancy Catalina and Sara Grün from Hiranya (and you can enjoy this nice making of with an explanation as to why those three vocalists were chosen for the part); and last but not least, doing additional and choir vocals in the songs La Cantiga de las Brujas (check also this amazing live version of the same song) and El Séptimo Sello, from the 2019 album Ira Dei, by Spanish Celtic/Folk Metal institution Mägo de Oz.

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Such multi-talented metal diva would obviously have tons of distinguished influences in her style and career, and despite the fact that her moniker was clearly inspired by one of the best Arch Enemy songs of all time, Diva Satanica, and that most fans tried to label them as the Spanish version of Arch Enemy in the beginning, the members of Bloodhunter have many different influences in their musical careers, from Judas Priest to Behemoth and Death. When asked about her own personal favorites, Diva Satanica mentioned bands and artists the likes of Astarte, Eths, In This Moment, Skullfist, Behemoth, Axewound, Rotting Christ, Nightrage, Firewind and Lana del Rey, showing she enjoys any type of music, not only rock and metal, but also saying that it’s in Extreme Metal where she found her identity when singing. If you know Spanish and want to spend some time with Diva Satanica and her collection of metal and non-metal albums, you should definitely watch this video on YouTube, where she presents some of her favorite albums from bands and artists like Jimi Hendrix, Ramones, Bon Jovi, Guns N’ Roses, Skid Row, Alice In Chains, Firewind, Rotting Chirst, The Agonist and Eths. Regarding French metalcore band Eths, she mentioned in one of her interviews that the amazing Candice Clot, former frontwoman for what’s in my opinion one of the most underrated metal bands of all time, was essential in her decision to become an extreme music vocalist. In addition, you can enjoy Diva Satanica paying her own personal tribute to some of her biggest idols on her own YouTube channel, including her vocal performances of Septicflesh’s Prototype, Holy Moses’ Triggered, Behemoth’s Ov Fire And The Void, and a very unique version for Slayer’s darkest hit Raining Blood together with Spanish rock and metal cover band Femme Fractal.

As we’re talking about women in rock and metal, Diva Satanica complemented her thoughts by saying that apart from Candice Clot (and Diva Satanica even said that when Candice left Eths she was offered to audition, but she had to refuse it as she was barely 20 years old and had no means to travel nor the equipment to record with), she also loves the music by In This Moment, Jinjer and a Spanish underground band named Bones of Minerva, which I highly recommend you go check their music on their BandCamp page. In addition, she mentioned in one of her interviews that the song The Queen Beast is dedicated to Maria “Tristessa” Kolokouri from Greek Black Metal horde Astarte, one of her main influences and a good friend that sadly passed away in 2014 due to complications from leukemia, saying she was the first woman to create the first Black Metal band formed only by women, and we can easily see that beautiful tribute Diva Satanica paid to Tristessa in the song’s amazing lyrics (“Feel her wrath / She’s watching from the stars / Abstraction of life / The air, the nature, the skies are now her reign / The shades in darkened silverlights / The black flame burns! / The highest priestess arise”).

If you think it was easy for Diva Satanica to reach her current vocal style and growth as an Extreme Metal vocalist, she said her path so far has demanded (and will always demand) from her a lot of hard work, discipline and trial and error, acknowledging that she couldn’t sing properly on the band’s first album as she didn’t know exactly what she was doing nor she could sustain her vocals for long periods of time. It was only after watching several tutorials on YouTube , after consulting with different extreme music singers and after studying in detail the performances of all vocalists of the concerts she attended that she properly began shaping her voice, spending about two years improving her technique, even taking melodic singing classes at a given point in her life, and applying necessary warmup and diaphragm strengthening exercises to improve her performance. Then she said that because she started her “Extreme Vocal Lessons” to help other growlers to improve their vocals in the early stages of their careers, she ended up discovering different vocal types and ranges that she considered great choices to incorporate to her own style. If you want to take a peak at some of her videos where she gives important tips for growlers like her, you can watch this tutorial (also in Spanish) where she teaches how to do guttural and screaming vocals, and also this short lesson where she explains the difference between growls and screams versus grunts, pig squeals, shrieks and other vocalizations. One thing that is quite annoying to Diva Satanica is when people use gender to justify why women can’t growl, with her solution to that simply being inviting those people to watch Bloodhunter live, which in my opinion is indeed an amazing experience for the non-believers who will undoubtedly be stunned by her vicious roars.

When asked about the current metal scene in Galicia, where she comes from, and if her music and Death Metal are well-received by the people from that region in Northwest Spain, she said that although they’re a small community there are different styles that people tend to listen to the most from time to time. Around a decade ago, the Gothic scene was the most prevalent, switching to Alternative Metal and Metalcore in recent years. She also mentioned the importance of their own summer festival, Resurrection Fest, which started years ago as a small act but that it’s now one of the most important festival in Europe, proving the scene in Galicia is in excellent shape. As you might have noticed already, Diva Satanica loves performing on stage, and among her favorite songs to play live she mentioned some of her band’s most violent creations such as Let the Storm Come, Possessed by Myself and of course The Queen Beast, as already mentioned, as this song has a strong meaning for her and helps her add an extra amount of emotional feeling to her singing.

Not only an accomplished vocalist, Diva Satanica has also done some modeling in the past and contributed as a writer and journalist to a couple of magazines, including La Heavy, one of the biggest rock and metal publication in Spain, managed by the website Mariskal Rock. She said she started her modeling career a few years ago, but as she discovered a lot of people are interested in many different things other than art, she gave up and decided to focus on the metal scene, starting with a Greek webzine named Subexistance Music Production and then moving on to La Heavy. Apart from that, she’s also working towards a Degree as a Doctor in Nursery, and was a participant in the Spanish TV program La Voz (the Spanish version of The Voice) in 2017, surprising the coaches by screaming and growling instead of only doing clean vocals, being the first contestant to perform this type of singing. The international artist Juanes chose her to be part of his team, where she performed songs like Eurythmics’ Sweet Dreams, Survivor’s Eye of the Tiger and Lady Gaga’s Bad Romance. There’s even an interview she gave to a guy named Juan Destroyer on Mariskal Rock TV where she talks about her participation on the show, and how she inspired Juanes to get back on doing a heavier kind of rock. Moreover, she always mentions that being on La Voz was one of the best experiences of her life without any doubt, saying that as she was the first even participant to do guttural, she got a lot of recognition from fans and bands from all over the world, with icons such as  Michael Amott of Arch Enemy or Christos Antoniou of Septicflesh congratulating her for her amazing performance on the show.

Our dauntless diva also mentioned that there’s still a long road ahead of all musicians that dedicate their careers to more extreme styles of rock and metal, as there’s still a lot of prejudice everywhere (saying that even today in Madrid she has to cover her tattoos depending on the situation), but that it’s up to the musicians themselves to make their style more accepted by society, and that the more musicians bring their experience to light and defend their identity, the more the road will open up. As you can see, Diva Satanica is not only extremely talented and focused on her career, but she also has a strong opinion about the current state of the metal scene and about what any person needs to do to thrive in the music industry. Hence, you can check some extra interviews with this amazing Spanish she-wolf on YouTube, such as this one where she shares the latest update on both Bloodhunter and Nervosa, the current coronavirus pandemic situation and more, or this one to a show called “That Metal Interview with James”, recorded in June 2020, where she speaks of how she met Prika Amaral of Nervosa and how she was approached to join the Brazilian death metallers, about her experience being on the TV show La Voz, and about the future plans of both Bloodhunter and Nervosa regarding their musical direction for their next records. You’ll notice from all those interviews and from her music that Rocío Vázquez is more than just another vocalist; she’s a very humble and gentle human being, a hardworking musician, and a fulminating growler. Having said that, all that’s left to say is… ALL HAIL THE ONE AND ONLY DIVA SATANICA!

Diva Satanica’s Official Facebook page
Diva Satanica’s Official Instagram
Diva Satanica’s Official Twitter
Diva Satanica’s Official YouTube channel
Bloodhunter’s Official Facebook page
Bloodhunter’s Official Instagram
Bloodhunter’s Official Twitter
Bloodhunter’s Official YouTube channel
Bloodhunter’s Official BandCamp
Nervosa’s Official Facebook page
Nervosa’s Official Instagram
Nervosa’s Official Twitter
Nervosa’s Official YouTube channel

“Sometimes it’s not easy, sometimes you feel scared and things don’t go as you planned before, but you must keep on fighting to discover what you want in your life and who you are.” – Diva Satanica

Concert Review – Behemoth (The Danforth Music Hall, Toronto, ON, 11/06/2018)

Toronto definitely loves Behemoth at their darkest.

OPENING ACTS: Wolves In The Throne Room and At The Gates

If there’s one thing we cannot complain at all in Toronto is the fact that the winter never really hits us hard before the end of December, which means whenever there’s a concert like this Tuesday’s fantastic triumvirate of extreme music with Wolves In The Throne Room, At The Gates and the masters of blasphemy Behemoth at The Danforth Music Hall during their “Ecclesia Diabolica America 2018 e.v.” tour, you can rest assured it will never be too cold nor snowing, allowing any fan to attend the show and have a great time. Well, I guess even if it was -20oC and snowing like hell the concert would have been absolutely SOLD OUT like it actually happened, with about 1,500 metalheads at the venue, and the reason for that is quite simple. All three bands kicked some serious ass with their austere, obscure and hammering music, especially Behemoth, who put up another memorable performance in the city.

I have to admit I didn’t know much about American Atmospheric Black Metal act WOLVES IN THE THRONE ROOM, formed in 2003 in the city of Olympia, Washington, in the United States, before their show opening for At The Gates and Behemoth this Tuesday, and I’m truly happy with them being chosen to do so. Still promoting their 2017 album Thrice Woven (available from their own BandCamp page), the  band comprised of Nathan Weaver on vocals and guitar, Kody Keyworth on the guitar and backing vocals, Peregrine Somerville also on the guitar, the stunning Brittany McConnell on keyboards and Aaron Weaver on drums (and no, they don’t have a bassist) delivered a solid, entertaining and mesmerizing show, playing only three songs but for around 30 minutes, just the way we love it in Atmospheric Black Metal. If you’re still going to see Behemoth during this North American tour, make sure you get to the venue on time for Wolves In The Throne Room, because watching them on stage is indeed a unique experience.

Setlist
Angrboda
The Old Ones Are With Us
Born From the Serpent’s Eye

Band members
Nathan Weaver – vocals, guitar
Kody Keyworth – guitar, backing vocals
Peregrine Somerville – guitar
Brittany McConnell – keyboards
Aaron Weaver – drums

After a quick break it was time for Gothenburg’s own Melodic Death Metal institution AT THE GATES to prove us all why they’re still one of the most relevant bands from the 90’s unparalleled Swedish scene, slaying everything and everyone throughout their entire concert. All fans at the venue enjoyed a lot the flammable performance by frontman Tomas Lindberg and his henchmen, including the songs from their brand new album To Drink from the Night Itself, such as the title-track and A Stare Bound in Stone. Not only their full concert was a feast of first-class old school and modern-day Melodic Death Metal, but it was nice to watch Mr. Adrian Erlandsson smashing his drums once again after so many years, as the last time I saw him playing live was when he was still drumming for Cradle Of Filth. A great drummer, an amazing and charismatic lead singer, and a very entertaining setlist. What else can you ask for in Melodic Death Metal made in the beautiful Sweden, right?

Setlist
Der Widerstand
To Drink From the Night Itself
Slaughter of the Soul
At War With Reality
A Stare Bound in Stone
Cold
El Altar del Dios Desconocido
Death and the Labyrinth
Heroes and Tombs
Suicide Nation
The Book of Sand (The Abomination)
Blinded by Fear
The Night Eternal

Band members
Tomas Lindberg – vocals
Martin Larsson – guitars
Jonas Stålhammar – guitars
Jonas Björler – bass
Adrian Erlandsson – drums 

BEHEMOTH

Right after At The Gates ended their show, the speakers started playing the devilish children’s choir from the awesome intro Solve, from BEHEMOTH’s blasphemous and totally amazing new opus I Loved You At Your Darkest, putting us all in a trance and warming up our senses for the storm of Blackened Death Metal we were all eager to witness once again in Toronto. And when our favorite Polish horde started their fulminating performance with Wolves ov Siberia, spearheaded as usual by the iconic Nergal, it was hell on earth at The Danforth Music Hall for the total delectation of the 1,500 fans who took the venue by storm.

Blending new songs from their latest albums I Loved You At Your Darkest, which by the way worked extremely well live like the hypnotizing chant Bartzabel and the beyond blasphemous Ecclesia Diabolica Catholica, and The Satanist, with the ominous hymns Ora Pro Nobis Lucifer (my favorite of the setlist) and Blow Your Trumpets Gabriel being a true invocation of evil, with old school material like the pulverizing Ov Fire and the Void, Slaves Shall Serve and Chant for Eschaton 2000, Nergal and his horde comprised of the extremely sharp and talented Seth on the guitar and backing vocals, the bulldozer Orion on bass and backing vocals, and the stone crusher Inferno on drums were on absolute fire from start to finish, worshiping Satan while delivering the best and most intricate fusion of classic and contemporary Death and Black Metal you can think of, with their masks, costumes and props being the icing on the cake. My only “complaint” is that they didn’t end the show with the fantastic O Father O Satan O Sun!, including those menacing horns and masks, but the closing combo Lucifer, We Are the Next 1000 Years  and the outro Coagvla were awesome anyway.

Not only Nergal was extremely happy and excited with the warm reception he received here in Toronto (not to mention the endless, incendiary circle pits beautifully crafted by their, let’s say, “most physical” fans), but seeing such packed venue made him pretty much promise us all that Behemoth will strike us Torontonians once again with their infernal music in a not-so-distant future, and we obviously can’t wait for another bestial performance by one of the most important extreme bands of the current metal scene. Lastly, on a side note, it looks like Behemoth love Toronto even more than we can imagine, as the Polish quartet from hell also played a 7-song setlist at a house party of one of Nergal’s friends the night before as you can see HERE, with the same intensity and energy of their usual concerts at much bigger places. I don’t mind not being invited for those parties as long as Behemoth keep coming back to the city with their insanely heavy and hellish concerts, but if by any chance anyone has a spare “ticket” for that type of event, why not? Just kidding, as I’m not that social, only a metalhead who loves when a band like Behemoth keeps spreading their black wings and unleashing hell upon the earth, showing their love for the city of Toronto as much as we love them back at their darkest.

Setlist
Solve
Wolves ov Siberia
Daimonos
Ora Pro Nobis Lucifer
Bartzabel
Ov Fire and the Void
God = Dog
Conquer All
Ecclesia Diabolica Catholica
Decade of Therion
Blow Your Trumpets Gabriel
Slaves Shall Serve
Chant for Eschaton 2000
Lucifer
We Are the Next 1000 Years
Coagvla

Band members
Adam “Nergal” Darski – lead vocals, guitars
Patryk Dominik “Seth” Sztyber – guitars
Tomasz “Orion” Wróblewski – bass guitar
Zbigniew Robert “Inferno” Promiński – drums and percussion