Houston, Texas-based masters of absolute brutality are back with their sophomore beast, out-slamming, out-blasting and utterly eviscerating anyone who crosses their path of gore and destruction.
When Houston, Texas-based Brutal Death Metal brigade Stabbing came together in 2021, the goals were simple. “We were really just having fun and wanted to emulate the style of the bands we really liked,” said frontwoman Bridget Lynch. “Old school 90’s and early 2000’s Brutal Death Metal bands like Disgorge, Deeds of Flesh, stuff like that.” Fast forward to 2026 and the indomitable Bridget alongside Marvin Ruiz on the guitars, Matt Day on bass, and Aron Hetsko on drums are ready to pulverize everything and everyone who dares to cross their path with their sophomore beast, entitled Eon of Obscenity, the follow-up to their 2022 crushing debut Extirpated Mortal Process. Recorded by Ben Gott and mixed and mastered by Chris Kritikos at Southwing Audio, and displaying a brutally classic artwork by Rudi Yanto of Gorging Suicide, the visceral Eon of Obscenity out-slams, out-blasts and utterly eviscerates their debut album and basically their competition, with Bridget taking her spot as one of the genre’s most powerful and distinct voices.
Get ready to be absolutely pulverized by Stabbing right from the very first second in Rotting Eternal, with Bridget proving why she has become a reference in deep guttural. In other words, it’s Brutal Death Metal at its finest (and goriest), which also applies to Inhuman Torture Chamber, where she keeps barking the song’s Stygian lyrics rabidly (“Mercilessly beaten to a wet pulp / Violently reduced into a lesser form / Vehemently smashing and degrading / Deeper fall into a state of catatonia”) while her bandmates crush our spinal cords with their undisputed heaviness. Aron sounds like a machine gun out of control in Masticate the Subdued, adding an extra dosage of total carnage and chaos to the band’s already putrid sounds, whereas the title-track Eon of Obscenity perfectly depicts what Stabbing are all about, a ruthless, demented overdose of sheer brutality where the riffage by Marvin sounds heavy, caustic and demonic. And in Reborn to Kill Once More, as expected, Bridget vomits the song’s infernal words on our damned faces mercilessly in another blast of Brutal Death Metal.
There’s still a lot more fuel to be burned by Stabbing in the name of extreme music, starting with the short and sweet instrumental interlude Ruminations, setting the stage for the band to kill us all with Nauseating Composition, featuring Ricky Myers of Suffocation. Moreover, Aron sounds even more demented on drums, offering Bridget and Ricky exactly what they need to bark like two monstrous entities. If you think Bridget can’t sound even more inhumane, think again, as she reaches a whole new level of dementia with her guttural in Their Melted Remains, accompanied by the venomous axes by Marvin and Matt. Then we have Sonoluminescent Hemoglobinopathy, and if you don’t know, “sonoluminescent” is the emission of light from imploding bubbles in a liquid when excited by sound, while “hemoglobinopathy” is an inherited blood disorder where the body makes abnormal hemoglobin or doesn’t make enough of it. Put these two words together, and there you have the epitome of Brutal Death Metal. When you reach the last part of the album with Symphony of Absurdity, you know you’re in front of something special (aka the revamping of Brutal Death Metal), with Bridget once again stealing the show with her cadaverous guttural madness, flowing into Sinking Into Catatonic Reality, where inspired by all giants of the genre the quartet concludes the album on the most violent note imaginable.
Exceeding the term “Brutal Death Metal” with their undisputed violence and gore, Stabbing have plundered the crypts of claustrophobia and darkness, only to surface with Eon of
Obscenity, a benchmark for modern Death Metal. “It’s just more extreme,” commented Bridget. “It’s everything that’s extreme about death metal, just taken a little bit further. The vocals. The drums. The riffs. It’s just faster and more boundary-pushing.” Having said that, I bet you’re dying to put your hands on Eon of Obscenity, and in order to do that simply go to the band’s own BandCamp, or grab a copy of the album from the Century Media Records webstore as a CD or as a stunning neon-violet LP, and don’t forget to also follow those masters of absolute violence and gore on Facebook and on Instagram, keeping an eye on their breathtaking live concerts, and to stream their putrid creations on Spotify. Bridget and the boys are ready to join the new army of brutality formed of bands like Frozen Soul and PeelingFlesh with their newborn spawn, aiming at global domination and, of course, being more than eager to destroy your frail bodies with their undisputed, first-class Brutal Death Metal magic.
Best moments of the album:Inhuman Torture Chamber, Eon of Obscenity, Their Melted Remains and Symphony of Absurdity.
Worst moments of the album: None.
Released in 2026 Century Media Records
Track listing 1. Rotting Eternal 1:24
2. Inhuman Torture Chamber 2:58
3. Masticate the Subdued 2:41
4. Eon of Obscenity 2:10
5. Reborn to Kill Once More 3:16
6. Ruminations 1:34
7. Nauseating Composition 3:09
8. Their Melted Remains 4:04
9. Sonoluminescent Hemoglobinopathy 1:52
10. Symphony of Absurdity 4:12
11. Sinking Into Catatonic Reality 3:33
Band members Bridget Lynch – vocals
Marvin Ruiz – guitars
Matt Day – bass
Aron Hetsko – drums
Guest musicians Ricky Myers – vocals on “Nauseating Composition”
These unrelenting Texas-based Brutal Death Metal bruisers are out for blood armed with their sophomore beast, serving up a banquet of the band’s inimitable brutality.
Almost six years after the release of their debut offering Cordyceptic Anthropomorph, Houston, Texas-based Brutal Death Metal bruisers Architectural Genocide are finally back in action with their sophomore opus, titled Malignant Cognition. Mixed and mastered at Southwing Audio, and encased in the superb artwork by Rudi Yanto (Devastrosity, E-Force, Perveration) and Den Yudi (Decrepitation, Realm Of Chaos, Rotting Demise), the perfect visual depiction of the soul-eating madness within, the new album by Daniel Brockway on vocals, Tom Savage on the guitar, Matt Day on bass, and Nat Conner on drums serves up a banquet of the band’s inimitable brutality, being therefore perfect for fans of Cannibal Corpse, Skinless, Devourment, and Disentomb, just to name a few.
The band doesn’t waste a single second and begins their putrid fest with the evil intro Precursor To Bloodshed, flowing into the insanely gory Coercion Into Carnality, where Daniel vomits the song’s devilish words with tons of hatred and aggressiveness while Nat delivers those pounding beats we all love in Brutal Death Metal. It’s then pedal to the metal in the slamming tune Leave It To Cleaver, with Tom extracting pure violence from his axe supported by the always ass-kicking drumming by Nat, and there’s no sign of happiness or joy in Trophies For My Murders, an ode to all serial killers led by Daniel’s demented “breeeeeeeeeees” in an overdose of sheer violence.
Malicious Wager is absolutely mental from start to finish, a lesson in brutality by Architectural Genocide where Tom and Matt are savage armed with their stringed axes; and there’s no sign of the band slowing down at all in Decent Deranged, a slab of Brutal Death Metal tailored for admirers of the genre. Zed Requiem features the iconic Damonteal Harris of PeelingFlesh on vocals, who brings the groove to the band’s trademark sound, and the final result is simply demolishing, evil and absurdly fun; whereas a dark, wicked narration sets the tone in Stuffed Under Floorboards, another song inspired by the darkest corners of the human mind, with Nat stealing the spotlight with his pounding beats.
In a nutshell, Architectural Genocide’s long awaited second album is an even more dangerous, vicious creation that adds an unnerving, skin crawling terror to their trademark elixir of darkness and depravity. You can get more details about those ruthless death dealers on Facebook and on Instagram, stream their demented creations on any platform such as Spotify, and of course grab a copy of the venomous Malignant Cognition from Comatose Music’s BandCamp or webstore. In other words, prepare yourself for the fearsome assault of Malignant Cognition, as the year of 2026 is kicking off on a vile and gory mode with the brand new Brutal Death Metal holocaust by those unrelenting Texans.
Best moments of the album:Coercion Into Carnality, Malicious Wager and Zed Requiem.
Worst moments of the album: None.
Released in 2026 Comatose Music
Track listing 1. Precursor To Bloodshed 1:25
2. Coercion Into Carnality 2:56
3. Leave It To Cleaver 2:27
4. Trophies For My Murders 2:39
5. Malicious Wager 2:53
6. Decent Deranged 3:26
7. Zed Requiem 4:01
8. Stuffed Under Floorboards 3:51
Band members Daniel Brockway – vocals
Tom Savage – guitar
Matt Day – bass
Nat Conner – drums
Guest musician
Damonteal Harris – vocals on “Zed Requiem”
Blasting us across deserts, dunes, mountains, and woodlands, the first full-length offering by this blazing hot Texas-based Metalcore outfit goes deep and dark into the pit of our hearts.
Hailing from from the heart of Del Rio, Texas, the blazing hot Metalcore act known as Semper Acerbus (a Latin phrase that translates to “always bitter” or “always harsh”) goes straight for the jugular with their blistering third full-length album, titled Following Omens. Produced, mixed and mastered by Chris Mora (Upon a Burning Body, Kingdom Collapse), and showcasing a classy artwork by Federico Bossinga of Abstract Chaos Design (Dark Funeral, Dimmu Borgir, Old Man’s Child), the follow-up to their 2021 album Ouroboros sees the band formed of vocalist Nelson Acerbus, guitarists Jaime Vargas and Joe Dragich, bassist Sammy Farhat, and drummer Tyler Thomas deliver an explosion of sonic heaviness that thematically covers the whole of the psychological super spectrum, oftentimes all the way to the fringes where the darkness is the deepest and despair is thick as fog on old cobblestone. Lyrically, the band explores all types of toxic relationships leading to destructive aftermaths that teach us the hard lessons, the ones that change us forever.
A very Metalcore intro ignites the opening tune Suffering Awaits, exploding into a well-balanced mix of their core sound and nuances of Death Metal led by the venomous roars by Nelson. After such a demented start the band offers our avid ears Unwanted, with Tyler stealing the spotlight with his progressive, intricate drumming, whereas in One Day At A Time the title carries a deep meaning to all of us, and the band makes sure the music reflects that with its Melodic Death Metal and Metalcore riffs, background keys and anguished screams. And Jaime and Joe rev up the band’s metallic engine with their razor-edged riffs in The Gallows, inspiring us all to bang our heads nonstop to their scathing, electrifying extravaganza.
The second part of the album begins with the cinematic interlude Alluring Vendetta, warming us up for the hard hitting Archangel, where Nelson keeps vociferating rabidly from the bottom of his blackened heart accompanied by another rumbling performance by Sammy and Tyler armed with their respective bass and drums. Wounded sounds a bit generic compared to the other songs, as it doesn’t offer the same level of intricacy nor dynamism; fortunately, Torn Inside gets the band back on track with a striking blend of Progressive Metalcore spearheaded by the demolishing yet very technical drumming by Tyler, not to mention the guitars by Jaime and Joe are breathing fire. And their coup-de-grace comes in the form of District Coward, again presenting a truly menacing kitchen by Sammy and Tyler, as heavy and headbanging as it can be.
Blasting us across deserts, dunes, mountains, and woodlands, Following Omens goes deep and dark into the pit of our hearts while the band entertains themes of isolation, addiction, vendettas, and death, religion and romance, omens and ghosts. Such a must-see name of the current Metalcore scene is waiting for you on Facebook and on Instagram with news, tour dates and other nice-to-know details, and you can also stream their acid creations on YouTube and on Spotify, and purchase your copy of their excellent newborn spawn by clicking HERE or HERE. In the end, the new album by Semper Acerbus is perfect for those who want to rock out, while simultaneously important for those who need to engage in a search of the self. We dig them. We play them loud as all hell, and we’re one of them.
Best moments of the album:Suffering Awaits, The Gallows and District Coward.
Worst moments of the album:Wounded.
Released in 2026 Eclipse Records
Track listing 1. Suffering Awaits 4:11
2. Unwanted 3:22
3. One Day At A Time 4:05
4. The Gallows 3:40
5. Alluring Vendetta 1:00
6. Archangel 3:41
7. Wounded 3:37
8. Torn Inside 3:29
9. District Coward 3:51
Band members Nelson Acerbus – vocals
Jaime Vargas – guitar
Joe Dragich – guitar
Sammy Farhat – bass
Tyler Thomas – drums
What killed the dinosaurs? The Ice Age! But do you know what will crush you like an insect here on The Headbanging Moose? If you said it’s a ruthless bass player as our metal lady of this month of January to properly kick off the year of 2026, you’re damn right, my friend. She’s not only a member of one of the must-see names of the current Death Metal scene worldwide, but also a very talented tattoo artist. Her name is Samantha Mobley, also known as Sam Mobley, the badass bassist for Texas-based Death Metal entity Frozen Soul, and the owner and artist at Heavy Metal Tattoo, and after knowing more about such an up-and-coming artist who lives and breathes heavy music, you’ll definitely feel the heat in this always bitterly cold month to kick off another headbanging year in style.
Born and raised in Fort Worth, Texas, Samantha has always loved arts and music, constantly creating art as a child. “I’ve been an artist since I was a little girl, I would draw on anything I could get my hands on. Being a quiet and sensitive child, art was a perfect outlet for me, and it took up most of my time growing up, as well as having a love of music since I was little,” she commented. Always placed in advanced art classes in which she excelled, those were basically the only formal classes that allowed her to have structure and craft her technique. “I have done freelance photography, logos, artwork and graphic design since I was a teenager. I’ve become proficient in digital media, watercolor, oils, graphite, charcoal, acrylic, clay, and now, putting designs on skin,” said Sam, showing how talented she is not only in music, but also in arts in general.
Long before becoming a bassist, she spent around 11 years working as a pet stylist at a veterinary clinic, bathing, brushing, and styling everything from chihuahuas to great danes. “When Frozen Soul started, I was on a completely different career path. I was like a hermit pretty much. I just went to work and came home.” Also, despite the steady income coming form her days as a pet stylist, her decision to leave that stability and pursue her passion for music is a testament to her courage and determination, and all that can be easily noticed when you listen to her ruthless bass in any of the songs composed by Frozen Soul, proving she took the right decision to invest in her career as a musician.
She was gifted her first guitar at the age of 8, and a cherry red electric guitar at age 10, casually playing off and on throughout the years, always trying to teach herself the basics in between her studies. “I would listen to the radio, record it on a tape player, and teach myself how to play.” Sam grew up on 90’s alternative music, but quickly progressed into listening to heavier and heavier music in her teenage years. “The first thing that made me pick up an instrument when trying to learn how to play guitar was the band Kittie. I saw that they were all female and was like, ‘Shit, if they can do it, I can do it!’ I messed around with guitar in my free time when I was younger but as I got older I just really wanted to pursue music as it’s always been a huge passion of mine. When I finally got the opportunity to do so with Frozen Soul, at the time, the bass was the only instrument open. I had to learn it fast and now it’s my first instrument of choice, but I still play guitar passively too I guess.” She mentioned in an interview that she picked up bass at the end of 2018, and started practicing with a Black Metal band called Vermiculated. While short lived, it allowed her to get some experience under her belt. “We broke up right before I started playing with Frozen Soul, and shortly after (about a month or two after recording the Vermiculated demo) we recorded the Frozen Soul demo.”
However, not everything in her life has been as smooth as her career as a musician and as a tattoo artist, mentioning in an interview she struggled from the age of 15 up until about a few years ago with a mental illness misdiagnosis that deeply affected her life. “It caused me so many hardships, damaged relationships, setbacks, trauma, and ultimately, it caused me a lot of grief with the time lost in my late teens and all through my twenties. Now that I am in my early thirties, things have gotten much better for me because, honestly, I stopped being afraid of everything. I was too scared to go out of my comfort zone for too long and that squandered my potential because of it,” she said back then, but fortunately now she’s stronger than ever, kicking ass on and off stage with Frozen Soul, and spreading the beauty of her tattoos to the four corners of the earth.
Speaking of the frostbitten creature known as Frozen Soul, the band got together back in 2018 in Fort Worth, Texas, when vocalist Chad Green (End Times, Vulgar Display) and guitarist Michael Munday (End Times, Wildspeaker, Creeping Death, Disencumbrance, Contusions) set out to revive the primal force of 90’s Death Metal. After laying down initial riffs steeped in themes of winter’s desolation, the duo realized they needed a rhythm section capable of matching their vision. That’s when they recruited Sam, longtime acquaintance of both Chad and Michael. “I knew Michael and Chad, and they’re like, ‘Well, we need a bass player.’ I was like, ‘Fuck it, I’m going to learn how to play bass,’” she said in one of her interviews. Currently formed of our dauntless Sam Mobley on bass, the aforementioned Chad Green on vocals and Michael Munday on the guitars, Chris Bonner (Steel Bearing Hand, Tolar, Distort, Obstruction, Unit 21, Wild//Tribe) also on the guitars and Matt Dennard (End Times, Sage Fortune, Humanerror, High Anxieties, Negaduck, What They Lack) on drums, the band released the demo Encased in Ice, in 2019, followed by the split Live in Chicago 10/23/2019 (with the bands Molder and Coffin Rot), in 2020, their debut full-length album Crypt of Ice, in 2021, and their sophomore beast Glacial Domination (co-produced by Daniel Schmuck and Trivium’s own Matthew K. Heafy), in 2023 (including additional vocals by Sam herself on the song Morbid Effigy, which also features guest vocals by John Gallagher of Dying Fetus), all available on BandCamp and on Spotify.
The cold and ice-theme of the band might not make a lot of sense at first, as Texas is absolutely scorching during most of the year, but Sam perfectly explained why the band decided to move in such a unique direction. “We wanted to incorporate a band theme that was both true to the brutal nature of death metal without being played out . We like to think our theme sets us apart and gives us a different feel than most bands. It may be hot here, but we’re cold blooded,” she commented. Furthermore, if you want to feel the frostbitten Death Metal crafted by Sam and the boys, you can enjoy the official videos for the fantastic, bitterly cold Death Metal bangers Glacial Domination, Crypt of Ice, Arsenal of War, Encased in Ice, and their most recent single, a cover version for White Zombie’s Creature of the Wheel. Not only that, as Frozen Soul are a band that simply kicks ass onstage, you can also check out several videos on YouTube with their live performances, like their demolishing full set at Bloodstock Open Air Metal Festival 2023.
She mentioned in one of her interviews that some of her favorite bands growing up and her biggest influences are, in no particular order, Dissection, Acid Bath, Cannibal Corpse, Dying Fetus, Bolt Thrower, Crowbar, Black Sabbath, Pantera and Type O Negative, and let’s be honest, all of those influences can easily be seen in her playing style and sound. “I basically just try to be as punchy as possible without overpowering the guitars. I try to be as heavy as possible – the nastier the tone the better.” Frozen Soul are actually compared to Bolt Thrower a lot, and Sam is truly proud of it. “Jo Bench (Bolt Thrower) and Alex Webster (Cannibal Corpse) are my two main influences on bass,” she commented. Moreover, although we don’t have her list of top 10 albums of 2025 yet, you can find online her top 10 albums of 2024, a kickass list, by the way, including Mortal Wound’s The Anus of The World (10), Modem’s Megalomania (9), Gost’s Prophecy (8), Undeath’s More Insane (7), Blood Incantation’s Absolute Elsewhere (6), Enforced’s A Leap Into The Dark (5), Fluids’ Reduced Capabilities (4), 200 Stab Wounds’ Manual Manic Procedures (3), Necrot’s Lifeless Birth (2), and Fulci’s Duck Face Killings (1).
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Let’s now switch gears to her career as a tattoo artist. Owner and artist at Heavy Metal Tattoo, she specializes in colorful traditional and neo-traditional tattoos. “I started a tattoo apprenticeship in 2019, and graduated to a full time tattoo artist that same year.” She said that when she was a teenager, she was also big into painting and charcoal arts. “I took a little break from it in my twenties but it’s really what I love to do. Tattooing has always been super cool and at the time was a good way for me to earn a living while still doing art everyday. I did an apprenticeship and then I got really busy with clientele and then the opportunity presented itself for me to open my own shop. I knew nobody was going to let me work at a regular tattoo shop and be gone seven months out of the year on tour so I decided to open my own shop and that’s pretty much how it was all born.”
With Heavy Metal Tattoo, she has put together a solid team of tattoo artists who share a collective vision to make the shop an all-inclusive and safe space for their vast clientele in a male-dominated industry that has often not prioritized inclusion. “I want everyone to feel like they are welcome there and that it’s a safe play to get tattooed where you’re not going to get harassed or feel uncomfortable by male tattooers — which is a pretty big problem in the tattoo industry. Everyone’s welcome and I just want everyone to have a good time. I also want it to be a good environment for everyone who works there to grow in their career.” She also had some nice words to say about how to gain a loyal clientele. “Networking is a newer thing to me as of this past year… I’m pretty introverted. I’ve found Instagram to be the best for showcasing your work and gaining new clientele. Tattooing my friends that are also musicians or heavily involved in the local music scene has been very helpful too,” commented Sam in one of her interviews.
Back to her career as a musician, more specifically to the equipment she uses as a bass player both in the studio and when she’s kicking some serious ass across the stages worldwide, Sam said that she currently alternates between an 87 NJ BC Rich Warlock with DiMarzio pickups in it, and a 5 string Legacy Series Widow with active EMG pickups, while her pedal board consists of a Decimator, the Lone Wolf Audio Caveman pedal, a Metal Muff and her tuner. For her cab, she plays on a 8×10 Ampeg, and for her head she uses an Ampeg SVT4PRO.
Having already scored high-profile tours with Death Metal legends the likes of Cattle Decapitation, Aborted and Gatecreeper, and an arena run with Swedish Melodic Death Metal veterans Amon Amarth, Frozen Soul are already a force to be reckoned with when they hit any stage, but of course as their touring schedule gets busier and busier, all band members, including obviously Sam, have less and less time for other activities outside of the band. “It’s been very busy and very crazy. Last year, I think we toured seven months out of the year but this year has been a constant grind with touring to get our name out there and promote our new record. It’s been awesome though and it’s been nice to see the reception to everything. That tour with Amon Amarth really was an affirmation that we are doing the right thing. For some of the shows, we were playing to six-thousand people a night, so going from 800-cap venues to that was a little bit jarring but also really cool,” she commented.
During such a hectic touring schedule, Sam always finds time for herself. “For self care, on an off day I will do my own thing and take an Uber somewhere to get a pedicure, manicure or maybe a massage. I feel like that is very important for me on tour because I’m always the only woman in the band. It’s very chaotic and hectic every day, so having a little bit of peace, at least once a week is essential,” she said, also commenting about other things that help her calm down, relax and decompress from her touring madness. “Sometimes, I’ll go find a local card store and play Magic: The Gathering or go shopping even if I don’t end up buying anything. I feel like I’m kind of bougie but I bring a massage gun, face masks and satin eye things to help me go to sleep which really helps me. I also bring my Steam Deck so I can play video games. Any little thing helps.”
Moreover, among all concerts ever played by Frozen Soul, there’s one in particular in 2024 that holds a very special place in her heart. “One of the things that I’m super proud of is when we played Red Rocks Amphitheatre last year with Amon Amarth, Cannibal Corpse, and Obituary. All of our families flew out for that. I did special makeup. And I had special stuff on. I had a special bass. And I played what I would consider a perfect set. We were technically the first death metal band to play there. So we have a plaque at Red Rocks. And that means I’m the first female death metal musician to play there as well.” Her first ever concert with Frozen Soul was also a special one for her and the boys, of course. “It was weird for me because I had never toured. Hell, my first live show was with Blood Incantation and Necrot. That was my first time playing live – ever! I still actually get nervous to this day.”
As a proud and strong woman, Sam also had a few beautiful words to say to any girl who wants to start a career in heavy music or in tattooing. “I am in two professions that are male-dominated. My advice is to study hard, work your ass off, and don’t take anyone’s shit. Do everything with your whole heart because anything less is not worth doing. My advice for other women and younger women especially would be to just figure out what means the most to you and just go for your dreams. The worst that can happen is that you fail. And even failure is not an excuse to give up. Keep trying, learn from your setbacks, because sometimes wonderful opportunities will present themselves as a result.”
As expected, our dark diva is also a huge fan of the occult. “I have an entire wall of books that are just occult and astrology stuff. I used to study pagan witchcraft when I was younger and studied it heavily for fifteen years and am still very interested in it. I would say the ‘three of swords’ card is my favorite, I actually wanted to get that tattooed on my chest at one point. I’ve always liked the imagery of it and think it looks sick.” There are lots of excellent interviews online with Sam where she talks about different topics like that, such as episode 55 of the series “She’s with the Band” by Knotfest, where she discusses her passion for Death Metal and tattoos, being the only woman on tour with a lot of men, and more, and you should definitely go check all of those interviews, as well as the music by Frozen Soul. Because Samantha Mobley is an indomitable bassist and tattoo artist that’s getting stronger and more prominent in the world of heavy music year after year, and you better get ready as once she hits you with her devilish music and art, there’s no escape from her ice-cold embrace.
Behold the striking debut album by this new Atmospheric Black Metal entity from Texas, a vessel of exploration set adrift in a vibrant storm of metal intensities.
A new musical project by Charlie Anderson, who is a violinist and composer from the United States known for his work with the band Panopticon, Huston, Texas-based Atmospheric Black Metal entity Weft is ready to unleash upon us its debut opus, entitled The Splintered Oar. Recorded and mixed by Charlie himself (with contributions by Austin Lunn, Andrea Morgan and Jordan Day, who are also guest musicians in the album), mastered by Spenser Morris, and displaying a stylish artwork by Austin Lunn, The Splintered Oar is a vessel of exploration set adrift in a vibrant storm of metal intensities, a very adventurous and exciting album that perfectly represents Charlie Anderson’s vision and passion right from its very first notes until its climatic ending.
Leaves sounds absolutely melancholic and delicate from the very first second, with the crying violin by Andrea walking hand in hand with Charlie’s minimalist acoustic guitar, flowing into False Kingdoms, which also begins in a cinematic manner, evolving into a feast of contemporary Atmospheric Black Metal led by Charlie’s anguished gnarls and his flammable, piercing stringed weapons. The striking violin by Andrea returns in full force in The Hull, clashing with the Black Metal blast beats by Austin and, therefore, resulting in a superb aria of darkness where Charlie keeps vociferating like a demonic entity for our total delight. Then Charlie and his crew continue to embellish the airwaves with their blend of Atmospheric Black Metal madness in Red Dawn, with his guitars and synths adding an extra touch of insanity to the overall result; whereas lastly we’re treated to the longest of all songs, entitled Dream of Oaks, an acoustic display of Black and Folk Metal that morphs into some sort of Blackened Doom insanity during its second half, presenting different layers carefully crafted by our multi-talented Charlie and his crew.
They say that it takes a band or musician their entire life to create their first album, and on the weathered, atmospheric, and truly adventurous The Splintered Oar, it sounds like every note has indeed a lifetime of exploration, joy, loss, and growth behind it. Hence, you can put your hands on such a unique, multi-layered album of extreme music via the project’s own BandCamp, as well as from the Bindrune Recordings’ BandCamp or webstore as a CD or an LP, and I’m sure we’ll soon see Charlie and his Weft take other virtual realms by storm such as Facebook, Instagram and Spotify. In the end, Charlie Anderson is Weft, and Weft is Charlie Anderson, with The Splintered Oar beautifully representing the fusion of body, soul and extreme music by such an amazing new entity of the current American scene.
Best moments of the album: False Kingdoms and The Hull.
Worst moments of the album: None.
Released in 2025 Bindrune Recordings
Track listing 1. Leaves 5:04
2. False Kingdoms 9:12
3. The Hull 10:25
4. Red Dawn 6:36
5. Dream of Oaks 12:11
Band members Charlie Anderson – vocals, guitars, bass, strings, electric violin, synth, piano, additional percussion
Guest musicians
Austin Lunn – drums
Andrea Morgan – violin and vocals on “Leaves”, “The Hull” and “Dream of Oaks”
Jordan Day – vocals on “Dream of Oaks”
This up-and-coming Melodic Death Metal outfit is unleashing a striking new EP, weaving a narrative of decay and despair driven by a maelstrom of intricate guitar work and a pummeling rhythm section.
An up-and-coming Melodic Death Metal entity based in Austin, Texas, featuring members of Obsequiae, Vex, Panopticon, and Horrendous, Aduanten are unleashing their full power on their new EP, entitled Apocryphal Verse. Recorded in the cities of Austin, Arlington, Boston, Chicago, and Dublin, mixed by Damian Herring at Subterranean Watchtower Studios, and mastered by Adrian Benavides, the follow-up to their 2021 debut EP Sullen Cadence sees the band formed of Ciaran McCloskey and Mike Day on the guitars and synths, and Eoghan McCloskey on drums and synths, with the support of guest musicians Tanner Anderson (Obsequiae, Panopticon) and Damian Herring (Horrendous) on vocals, Joel Miller on bass, and Adrian Benavides on percussion and synths, masterfully blend the searing aggression of classic Death Metal with the atmospheric introspection of Melodic Black Metal, weaving a narrative of decay and despair driven by a maelstrom of intricate guitar work and a pummeling rhythm section.
Cerulean Dream sounds experimental, avantgarde and grim from the very first second, with the devilish vocals by Tanner and Damian matching perfectly with the guitar lines by Ciaran and Mike, whereas they invest in a more progressive blend of Melodic Death Metal in Decameron, with the stylish riffs by the band’s guitar duo walking hand in hand with Eoghan’s melodic yet fierce beats and fills. Then bringing forward elements from the Melodic Death Metal played by giants the likes of Insomnium we have Grace of Departure, while also sounding a bit Melodic Black Metal thanks to all of its Stygian vociferations; and the crushing bass by Joel adds even more energy to The Weakening Sovereign, a galloping, intricate and scorching creation by the band, with their guitars once again breathing fire.
Fans of Dissection, Sacramentum, and Obsequiae will find the new offering by Aduanten to be an phenomenal addition to their collection, as the album is not only extremely heavy just the way we like it, but its lyrical themes of destruction, sorrow, and hopelessness are also perfectly mirrored in its dynamic and emotionally charged soundscapes. Those beyond talented musicians are waiting for you on Facebook, on Instagram, on YouTube, and on Spotify with news, tour dates, and more of their striking music, and of course you can show them your utmost support and purchase their new EP from BandCamp. The Melodic Death Metal presented by Aduanten in Apocryphal Verse is as aggressive and vibrant as it is intricate and detailed, and I’m sure we’ll hear a lot more from those guys in the near future based on the high quality of their music.
Best moments of the album:Grace of Departure and The Weakening Sovereign.
Worst moments of the album: None.
Released in 2025 Nameless Grave Records
Track listing 1. Cerulean Dream 5:16
2. Decameron 4:34
3. Grace of Departure 4:36
4. The Weakening Sovereign 5:00
Band members
Ciaran McCloskey – guitars, synths
Mike Day – guitars, synths
Eoghan McCloskey – drums, synths
Guest musicians Tanner Anderson – vocals (session)
Damian Herring – vocals (session)
Joel Miller – bass (session)
Adrian Benavides – percussion, synths (session)
Arising from the scorched earth of Texas, this ruthless Death Metal creature conjures visions of primal wrath and nihilistic clarity in their vicious new album.
Arising from the scorched earth of Texas, the ruthless Death Metal creature known as Tribal Gaze returns with Inveighing Brilliance, a Death Metal monolith shaped by ancient violence and unforgiving truth. Comprised of McKenna Holland on vocals, Quintin Stauts and Ian Kilmer on the guitars, Zachary Denton on bass, and Cesar De Los Santos on drums, the band conjures visions of primal wrath and nihilistic clarity in their new album, a sound rooted in the rawness of old school Death Metal but sharpened with modern intent. With digital artwork by Dom Pabon of Final Resting Place that evokes sci-fi decay and meditations of ancient ruin, Inveighing Brilliance is a meditation on the illusion of beauty in nature and existence, and how it pertains to both Mother Nature, and our wretched, human society. Even in moments of light, brutality lurks, eggs are stolen from nests, flesh is torn for survival, and the album dissects this duality, revealing the suffering embedded in every living moment.
The opening track Smiling From Their Chariots is a two-minute massacre by the band where Cesar crushes his drums nonstop, offering McKenna everything he needs to gnarl like a rabid creature from the abyss, followed by Beyond Recognition, another demented composition that sounds absurdly heavy thanks to the phenomenal riffage by Quintin and Ian in a lecture in primeval Death Metal. They keep inviting us all to join them in their gruesome pit to the sound of Emptying the Nest, where Zachary and Cesar deliver a true metallic kitchen, and there’s no time for shenanigans or any type of filler in the album, as Guarding the Illusion showcases pure, old school Death Metal led by the venomous riffs by Quintin and Ian, whereas you can feel the rage and despair flowing from the vocals by guest Ross Hansen of Ingrown in To the Spoils of Faith, while the Tribal Gaze crew blasts their instruments nonstop.
Ruling in a Land with No God offers our putrid ears another slab of absolute violence and heaviness led by their undisputed Death Metal riffs, followed by the inhumane The Irreversible Sequence, and I have no idea how they managed to craft such a primeval sound so perfectly, while McKenna roars and barks rabidly for our total delectation. Then after the experimental, weird interlude Inveighing Brilliance we’re treated to Draped in Piercing Radiance, led by the hammering drums by Cesar in the best Brutal Death Metal style, speeding things up while maintaining that gory sound we love so much in Death Metal. And last but not least, get ready for over six minutes of chaos, hatred and unfiltered Death Metal in the form of Lord of Blasphemy, with McKenna’s deep guttural walking hand in hand with the sick riffage by Quintin and Ian, presenting a killer drum solo by Cesar as its grand finale.
From their name, inspired by unseen forces watching from deep forests, to the crushing weight of their riffs, Tribal Gaze channel something ancient, unknown, and violently present, and with Inveighing Brilliance they’ve done just that, stripped away illusion, stared into the abyss, and made it echo, being therefore perfect for fans of 200 Stab Wounds, Frozen Soul, Creeping Death, Vomit Forth, Fuming Mouth, and Undeath, among others. Those unrelenting Texan death dealers are waiting for you on Facebook and on Instagram with news, tour dates and more of their music, and don’t forget to also stream their brutal sounds on Spotify and, above all that, to put your damned hands on Inveighing Brilliance by purchasing it from HERE. There’s something lurking in the shadows of the deepest forests, and once you face the music found in Inveighing Brilliance, there’s no turning back from its eternal embrace.
Best moments of the album:Beyond Recognition, To the Spoils of Faith and Lord of Blasphemy.
Worst moments of the album:Inveighing Brilliance.
Released in 2025 Nuclear Blast Records
Track listing 1. Smiling From Their Chariots 2:01
2. Beyond Recognition 3:43
3. Emptying the Nest 3:49
4. Guarding the Illusion 3:26
5. To the Spoils of Faith 3:02
6. Ruling in a Land with No God 1:50
7. The Irreversible Sequence 1:46
8. Inveighing Brilliance 1:31
9. Draped in Piercing Radiance 3:19
10. Lord of Blasphemy 6:43
Band members McKenna Holland – vocals
Quintin Stauts – guitars
Ian Kilmer – guitars
Zachary Denton – bass
Cesar De Los Santos – drums
Guest musician
Ross Hansen – vocals on “To the Spoils of Faith”
This Texas-based Progressive Metal and Metalcore outfit is back with their second EP, continuing to challenge norms and expressing the full spectrum of feminine experience.
Bringing a distinctly feminine perspective to the heavy music scene since the band’s inception back in 2023, Houston, Texas-based Progressive Metal/Metalcore outfit Gore. makes waves with their emotionally raw and unapologetically vulnerable sound. Currently formed of Haley Roughton on vocals, Alex Reyes on the guitars, Devin Birchfield on bass, and Wills Weller on drums, the band strikes back with their second EP, titled If You Do Not Fear Me…, following up on their 2024 debut EP A Bud That Never Blooms, continuing to challenge norms and expressing the full spectrum of feminine experience through their powerful sound while combining elements of Metalcore with personal and introspective lyrics.
Wrath, the first song of the EP, offers an amalgamation of styles that perfectly depicts the band’s approach, starting in an almost pop manner to the clean vocals by Haley while also presenting heavy, caustic moments where their Djent vein pulses hard. Then investing in a more direct Metalcore sound we have Sepsis, reminding me of some of the creations by Infected Rain, with the bass by Devin sounding utterly metallic and thunderous; followed by Orbiting, again modern and visceral, with Alex firing some piercing riffs while Haley alternates between clean vocals and her screaming madness, clearly inspired by the music by the Butcher Babies. And their last blast of Metalcore infused with Groove, Alternative and Nu Metal, entitled Like You Meant it, will captivate your senses mercilessly, with Wills dictating the pace with his classic beats supported by the rumbling bass by Devin.
Thematically exploring identity, emotional vulnerability, and interpersonal relationships in their lyrics, the band has received support from well-known acts such as Motionless in White, Flyleaf, and Papa Roach, and based on the quality of the music found in If You Do Not Fear Me… I’m sure their fanbase will keep growing in the coming years. Hence, you can also join the band in their quest for heavy music with a delicate touch via Facebook and Instagram, stream their distinct creations on Spotify, and of course add If You Do Not Fear Me… to your respectable collection by clicking HERE or HERE. Gore. will definitely go places after the release of their two excellent EPs, paving their path for an upcoming full-length album for our total delight and, therefore, embracing us with their undisputed progressiveness, passion and darkness.
Best moments of the album:Sepsis and Orbiting.
Worst moments of the album: None.
Released in 2025 Spinefarm Records
Track listing 1. Wrath 4:33
2. Sepsis 3:28
3. Orbiting 3:04
4. Like You Meant it 4:13
Band members Haley Roughton – vocals
Alex Reyes – guitar
Devin Birchfield – bass
Wills Weller – drums
These Texan thrashers are ready to attack armed with their debut album, touching on themes ranging from personal struggle and mental health to global political unrest and conceptual sci-fi narratives.
After two successful EPs and a live album, Mission, Texas-based Thrash Metal DIY powerhouse Overt Enemy is finally unleashing upon us their first ever full-length offering, entitled Insurrection. Recorded, produced, mixed, mastered and engineered by Joshua Lopez (Immortal Guardian), Leo “Lizard” Ortiz and Robert Hahn at Widowmaker Studios, and displaying an apocalyptic and futuristic artwork by Santiago Yanez, the album reflects the growth of a band currently formed of Leo “Lizard” Ortiz on vocals and guitars, Robert Hahn also on the guitars, Laura “Slayerella” Ortiz on bass, and Saul Castillo on drums both musically and personally, touching on themes ranging from personal struggle and mental health to global political unrest and conceptual sci-fi narratives, with every track offering something unique, showing the band’s ability to experiment with diverse sounds and ideas without losing their aggressive edge, while at the same time paying homage to their biggest influences including Slayer, Pantera, Fear Factory, and Sepultura.
The opener Resinated is very epic and imposing, a lot more than your usual Thrash Metal song, with Leo’s visceral vocals matching perfectly with that wall of sounds; and the striking guitars by Leo and Robert ignite the Lamb of God-inspired tune No One Left to Die, while Laura and Saul bring their Groove Metal vibe to the overall result. The quartet continues to blast their blend of Thrash and Groove Metal in The Truth, hitting us hard in the head with their heavy riffs and poundings beats, whereas featuring guest vocals by Marcos Leal (Swim the Current, Shattered Sun, Ill Niño), Bleed like I Do is a track for anyone who has ever dealt with haters or doubters, offering a menacing atmosphere before all hell breaks loose to their vicious thrashing sounds. And in Psychotic Episode the name of the song says it all, an overdose of unrelenting Thrash Metal where Saul sounds like a stone crushing machine on drums, all boosted by the demonic vocal attack by Leo, Robert and Laura.
Go Hard or Go Home brings forward three minutes of pulverizing Thrash Metal spearheaded by the piercing, metallic riffage by Leo and Robert, which will certainly provide their fans with endless fuel for some real fun inside the mosh pit. Then we have the heart of the album, the three-part saga of alien invasion, starting with Eradication, with their striking, futuristic riffs and solos cutting our skin deep, followed by Fire in the Skies, with Saul taking the lead armed with his brutal beats and fills, offering his bandmates the perfect ambience for an overdose of demented vociferations and razor-edged riffs, and their alien invasion saga ends with the title-track Insurrection, where the entire band sounds even more infuriated while Laura’s bass lines bring the thunder to their music. Lastly, the album ends as it started, with a sonic attack entitled Even Murder, where Leo and Laura make a dynamic vocal duet in the name of heavy music.
Despite personal challenges, including Leo’s battle with chronic back issues, and Laura’s triumph over cancer, the band has refined their sound with their new album, evolving into a band that draws on the energy of the past while pushing the boundaries of modern metal, marking the culmination of years of hard work, personal sacrifice, and an unwavering commitment to their craft. As Laura puts it, “this album made me grow as a musician, and you can hear it in my playing and in my vocals. It challenged all of us, and I couldn’t be prouder of what we’ve achieved.” Hence, you can get to know more about those Texan thrashers on Facebook and on Instagram, including their live concerts, stream their music on YouTube, Spotify and any other streaming platform, and of course purchase Insurrection from BandCamp or by clicking HERE. In summary, Overt Enemy are marching towards the future without forgetting the past in Insurrection, offering a dynamic and detailed album of our beloved Thrash Metal that will surely help them go places. Who knows, maybe even the outer space.
Best moments of the album:No One Left to Die, Psychotic Episode and Fire in the Skies.
Worst moments of the album: None.
Released in 2025 Independent
Track listing 1. Resinated 4:51
2. No One Left to Die 1:56
3. The Truth 3:50
4. Bleed like I Do 3:53
5. Psychotic Episode 4:32
6. Go Hard or Go Home 3:05
7. Eradication 3:59
8. Fire in the Skies 2:57
9. Insurrection 3:49
10. Even Murder 3:38
Band members Leo “Lizard” Ortiz – vocals, guitars
Robert Hahn – guitars, backing vocals
Laura “Slayerella” Ortiz – bass, backing vocals
Saul Castillo – drums
Guest musician
Marcos Leal – vocals on “Bleed Like I Do”
A storm is brewing in the form of the eight studio album by this phenomenal Blackened Doom band hailing from the United States.
A storm is brewing. Hailing from Dallas, Texas, the unrelenting Black/Death/Doom Metal cult known as Krigsgrav returns two years after their critically acclaimed album Fires in the Fall with a brand new offering of absolute doom titled Stormcaller, the eight studio album in their solid career. Mixed and mastered by Owe Inborr at Wolfthrone Studios, with drums recorded by Sam Paquette at S.A.M. Studios, additional engineering by Cody Daniels, a Stygian cover art by the beyond talented Adam Burke of Nightjar Illustration, and album layout and design by Randi Matejowsky, the new opus by vocalist and guitarist Justin Coleman, guitarist Cody Daniels, bassist Wes Radvansky, and drummer and vocalist David Sikora is another lecture in Blackened Doom by one of the most prominent names of the scene worldwide, bringing sheer darkness and heaviness to our obscure hearts and souls.
Huntress of the Fire Moon, featuring guest vocals by Jens Rydén (of Swedish Viking/Black Metal band Thyrfing), is a very detailed and complex composition from the very first second, with the guitars by Justin and Cody exhaling epicness, whereas the harsh vociferations by Justin sound even darker in Stormcaller, while David keeps blasting his drums in great fashion. The quartet lets their Viking and Folk Metal vein pulse harder than ever in Twilight Fell, spearheaded by the pounding drums by David, and the final result is as epic as it is inspiring. And get ready for over seven minutes of harsh and obscure sounds in None Shall Remember Your Name, led by the always grim roars by Justin while their guitars exhale absolute darkness.
The second half of the album begins with more of their trademark fusion of Black, Death and Doom Metal with epic elements in the form of Bay of the Barghest, where their guitars sound striking and vibrant until the very end; and Cody fires a thrilling solo to kick off the excellent The Tonic of Wilderness, once again morphing into a bestial tune of Blackened Death and Doom Metal supported by the classic beats and fills by David. Ghosts is another six-minute beast of absolute doom, with their riffs and beats walking hand in hand, overflowing epicness and heaviness, and flowing into the grand finale entitled Womb-Death-Dawn, an explosion of Death and Doom Metal where Justin barks and roars like a creature from the abyss, resulting in a sinister, harsh conclusion to such a powerful and compelling album.
“When we started writing the songs that would make up Stormcaller, our intention was to create the most complete Krigsgrav album that took something from every era of the band, while still pushing our sound forward. A culmination of the blackest hues, doomiest of dirges, and most soaring of lead guitars. We think we achieved that, but we also wrote the best album of our career thus far. We trust that when you hear it, you’ll agree,” commented the band, and you can start following those amazing musicians on Facebook and on Instagram, enjoy their fantastic discography in full on Spotify, and of course purchase Stormcaller from BandCamp or from the Willowtip Records webstore, or simply click HERE for all things Krigsgrav. The band’s storm of absolute doom found in their new album is upon us, and once you’re embraced by their heavy sounds, there’s no way out.
Best moments of the album:Huntress of the Fire Moon, Twilight Fell and The Tonic of Wilderness.
Worst moments of the album: None.
Released in 2025 Willowtip Records
Track listing 1. Huntress of the Fire Moon 5:44
2. Stormcaller 5:37
3. Twilight Fell 5:38
4. None Shall Remember Your Name 7:33
5. Bay of the Barghest 6:21
6. The Tonic of Wilderness 6:19
7. Ghosts 6:10
8. Womb-Death-Dawn 8:33
Band members Justin Coleman – harsh vocals, guitar
Cody Daniels – lead guitar
Wes Radvansky – bass
David Sikora – clean vocals, drums
Guest musician
Jens Rydén – additional vocals on “Huntress of the Fire Moon”