Tag Archives: toronto

Interview – Keagan Ross, Caleb Lavictoire and Gray Laine (027)

Posted on by
Reply

Let’s have a blast with Keagan, Caleb and Gray as they talk about their fun and noisy music, their passion for live gigs, and their current tour across Southern Ontario.

Keagan Ross, Caleb Lavictoire and Gray Laine (027)

The Headbanging Moose: Thank you for the interview, guys! Could you please introduce yourselves to our readers? Who are 027, and how would you label your music?

Keagan: Hi all! We are 027, a three-piece punk rock outfit from Southern Ontario. We consist of Gray Laine – Drums, Caleb Lavictoire – Bass, and myself, Keagan Ross – Guitar/Vocals. I find it hard to label our band anything other than a strange style of punk rock.

THM: What are the origins of the band? It’s known that in November 2022, you scored a gig opening for a popular local band. Was that the official beginning of 027? Which band was that you guys opened for, and how was the overall experience?

Caleb: Before having scored the gig, we had never practiced as a three-piece. When we got to the venue, we jammed in the parking lot with unplugged instruments and lap drumming. The set was pretty cover-heavy since we hadn’t gotten together to write anything, but the people were liking it, so the show was a success. The band we opened for was an indie band, Absolutely You. We ended up playing another show with them at The Golden Apple in Kitchener earlier this year. The experience for our first show was a blast and helped kick-start and inspire us to stick with our band.

THM: Is it true that bassist Caleb Lavictoire and drummer Gray Laine had never met until that point, and you played that first show having never practiced or rehearsed as a three-piece? That must have been absolutely scary and fun at the same time.

Keagan: I scored our first gig just a few days before it took place. Gray and I had been jamming on some Primus for a few weeks prior, and I’ve known Caleb my whole life. Gray and Caleb had briefly met once or twice, but never played music together. When I told the promoter we were down for the gig, I didn’t quite know what to expect, but I knew who to call. We made a game plan that was to split the set into two. The first half, Caleb and I would play an instrumental set, myself on drums and Caleb on bass. We played YYZ and a Meshuggah song, even some old originals. The second half of the set included Gray on drums, and I hopped on vocal/guitar duties; this is where 027 began. We played a few Nirvana tunes and called it a night. I still remember hearing Gray’s pounding drum intro to Nirvana’s Mr. Moustache, and knowing that this was the beginning of something special.

THM: What can you tell us about your new single Umbilical Cord, and what do you think are the main differences from your first EPs Light Of The Black Sun and You’re Not Supposed to Know?

Caleb: With ‘Umbilical Cord’, we set out for a ‘Converge’ inspired sound. Faster, heavier, and more intense than the previous releases. We tried to stay true to the rawness of our previous EPs with this single. Also, the production for our single is a bit different than our previous releases, much more developed and professional, which we credit to Gray as he recorded and produced this new track. This is our first release where we recorded all instruments one at a time rather than all live off the floor, other than a couple of the tunes on our physical EP You’re Not Supposed to Know.

027 Spring 2025 Tour

THM: I believe the new single Umbilical Cord is also being released as an EP containing a few songs from your previous EPs, plus two live songs, Umbilical Cord and Cabbagehead, recorded live in Orangeville on August 18, 2024. Why did you decide to release those live songs now with the new single, and what can you tell us about that whole show in your hometown last year?

Caleb: We decided to release those songs as we’ve been hearing a lot of good things with Cabbagehead, a lot of people have been wanting us to release that one, so we figured we’ll satisfy them while working on recording it. The live track of Umbilical Cord was included since we wanted to give people a chance to hear the song live from one of our shows. The Orangeville show, where those songs were recorded, was a special one. The crowd was having a blast, and we were playing alongside bands we’re very close with. That show just felt like the perfect one to include on the compilation.

THM: You guys play a nice (and noisy) fusion of Punk, Heavy Metal, Stoner Rock, and Fuzzcore, so I guess you might have a wide variety of idols and influences, right? Could you please list your main ones and explain how much they impacted or still impact your sound?

Keagan: Our influences definitely vary per release / era of the band. For example, during our ‘Light Of The Black Sun’ days, we were super into Kyuss, Melvins, and Nirvana. Whilst during our ‘You’re Not Supposed To Know’ EP, we were obsessed with Converge, EyeHateGod, and Gout. When we made ‘Umbilical Cord’, we were definitely deep into our Converge phase.

THM: Let’s talk about your current tour in Ontario, with multiple dates now in May and June across Orangeville, Hamilton, Toronto, Kitchener, Aurora, and St Catherine’s. What can we expect from you guys as soon as you hit the stage? Also, as you guys are definitive supporters of the youth, committed to only playing venues that allow all ages and doing your best to book younger bands on their bills to allow them the same exposure you strive for yourselves, how hard was it to put together those dates, and which bands are going to be supporting 027?

Keagan: Our spring tour is in full swing right now, so far we’ve played Orangeville, Hamilton, and Toronto, with our next gigs being in Waterloo and another Toronto date. All these dates are all ages, which is important to us. We do our very best to play all ages gigs. We won’t turn down any show because it’s 19+, yet we won’t take our time to book a 19+ venue. We were really young when we started, so we figured it wasn’t fair to play age-restricted venues. This has never changed and never will. We’re bringing along young locals Mazel from Orangeville to our Waterloo date, they also played with us on our Orangeville date. We’re big fans of them and really respect what they do. These tour dates weren’t too difficult to put together. A handful of these shows were brought to us by other bands, while I (Keagan) booked the rest.

THM: I believe we can expect your first full-length album in a not-so-distant future, right? What else does the future hold for 027, including of course your live performances?

Keagan It’s hard to tell what the future holds for us as far as releasing music. We’ve always had a pretty busy gigging schedule and don’t plan on slowing down any time soon, and since our sound is constantly evolving, it’s hard to tell when we will finally settle in and make our first full-length.

Keagan Ross, Caleb Lavictoire and Gray Laine (027)

THM: How’s social media in general, as well as streaming services like Spotify and Apple Music, helping you guys spread your music and reach fans of heavy music from far distant lands? Are you receiving any feedback or support from people from places like Finland, Japan, or Australia, for example?

Keagan: We haven’t had too much feedback from fans outside of Canada. We’ve been featured in a few playlists in Australia/Europe, but that’s it. We utilize social media to promote our relentless gigging schedule, as well as networking with other bands/venues. People can take the social media game pretty seriously, but latching onto trends or marketing games really isn’t our thing. We like to have fun with it, posting satirical content while also plugging our shows.

THM: Thanks again for the interview! Please feel free to send a final message to our readers, and of course to invite everyone to your upcoming shows this month.

Gray: As always we like to encourage people to support all ages shows, and everyone is always welcome to come see us live for an evening of energy and community and dancin. This month we’re hitting up Toronto, Kitchener, Aurora, St Catherine’s and more, so come have fun.

Links
027 Official Website | Instagram | YouTube | Spotify | BandCamp

Concert Review – Tribulation (Lee’s Palace, Toronto, ON, 05/25/2025)

Posted on by
Reply

***Review by Kevin Ibbitson and photos by Keith Ibbitson of Metal Paparazzi***

OPENING ACTS: Unreqvited, Final Gasp and Early Moods

Thankfully the rain had stopped by the time us fans began to queue up in front of Lee’s Palace as Swedish goth/death metal band TRIBULATION and friends (UNREQVITED, FINAL GASP and EARLY MOODS) visited our fair city on their North America 2025 Tour, another great event brought to Toronto by Noel Peters of Inertia Entertainment. It was not a sold out show by any means, which was quite surprising since the these are all killer bands. Maybe the Scattered showers scared folks away. Who knows? Their loss I guess! They happened to miss out on a fantastic night of heavy metal sorcery. Ultimately the lower turn out made the show feel more intimate and Lee’s is a smaller venue anyway, besides, the crowd that showed up proved to be die-hard supporters (good on them!). All in all I would say that at least over 100 head bangers showed up in support.
The first band to play was UNREQVITED, out of our nations capital Ottawa, and they promptly set the mood with their brand of post-black/shoegaze which reminded me a lot of  the French band Alcest, which I didn’t mind because I’m a fan of them also. I found their music to be atmospheric and introspective as well as head-bobbing/banging. This band has fantastic vocals from soothing cleans to raspy black metal grumblings and howls. Although I could see that for some in the crowd that shoegaze was not exactly their cup of tea, they still appreciated the music set before them. By the way, if you enjoy that type of music, the band has recently released the album A Pathway to the Moon, and you can purchase it or stream it in full on BandCamp and on Spotify.

Setlist
The Starforger
Void Essence / Frozen Tears
The Autumn Fire

Band members
鬼 (Ghost) – vocals, all instruments
Victor Forest – guitars
Robin Parsons – bass
Alec Curren – drums

For those in the crowd that were feeling a bit drowsy, EARLY MOODS out of Los Angeles, California, bitch-slapped their asses and got the place buzzing. This band is so freaking awesome. They blasted us with their brand of energetically powerful doom metal and swagger. You get everything you need out of this band like energy, excitement, groove, sore necks and killer riffs. These guys are killer! I highly recommend that you check them out the next time they swing by town, you won’t be disappointed, and go check their music on BandCamp or Spotify, like their 2024 album A Sinner’s Past. The crowd absolutely loved this band and so do I. I also loved that these guys joined the crowd after their set and head-banged along side us in support of their fellow tour mates.

Setlist
Isolated
Blood Offerings
Return To Salem’s Gate
Live To Suffer
Soul Sorcery
A Sinner’s Past
Damnation

Band members
Alberto Alcaraz – vocals
Eddie Andrade – guitars
Oscar Hernandez – guitars
Elix Feliciano – bass
Chris Flores – drums

Next up was a band called FINAL GASP out of Boston, MA. This deathrock outfit kept the buzz going throughout the building with a highly energetic set. The lead singer Jake Murphy tried on several occasions to get a circle pit going but nobody took the bait but he did manage to get the crowd to come a little closer to the stage. It was a small crowd after all, but you can’t knock him for trying though. Even still, the crowd was receptive to Final Gasp and they put on a great performance for the crowd as it was their final show on this tour. I wouldn’t say no to seeing them again if they ever come back to town. Killer band, and you can enjoy their entire discography, like their most recent album Mourning Moon, released in 2023, in places like BandCamp and Spotify.

Setlist
Look Away
Climax Infinity
Mourning Moon
Apparition
Blood & Sulfur
Temptation
Homebound
Suicide

Band members
Jake Murphy – vocals
James Forsythe – guitars
Peter Micanovic – guitars
Sean Rose – bass
Eric Lester – drums

TRIBULATION

I last saw blackened-goth metallers TRIBULATION when they opened up for Opeth this past Thanksgiving and they impressed me, so I was delighted to hear that they were coming back to Toronto for their North American tour. Seriously, are there any shitty metal bands in Sweden? Because I haven’t found one yet. Swedish Metal is so consistent and Tribulation out of Arvika, Sweden are no slouch. They are an absolutely fantastic band, as you can see in their 2024 opus Sub Rosa in Æternum, available on several streaming services like Spotify. Tribulation put on another amazing show, ensorcelling and enchanting all of the die-hard supporters that showed up with unrelenting class. They are such a tight, professional band, you seriously can’t go wrong seeing them live. I look forward to seeing them again some day.

Setlist
The Unrelenting Choir
Tainted Skies
Nightbound
Hamartia
Suspiria De Profundis
Melancholia
In Remembrance
Hungry Waters
Saturn Coming Down
Murder In Red
Strange Gateways Beckon

Band members
Johannes Andersson – vocals, bass
Adam Zaars – guitars
Joseph Tholl – guitars
Oscar Leander – drums

This slideshow requires JavaScript.

Album Review – Witchrot / Soul Cellar (2025)

Posted on by
Reply

Toronto’s own conjurers of doom and psychedelia return with their sophomore opus, reflecting the lives of its creators, delving into themes of hopelessness, betrayal, paranoia, and societal frustration.

Emerging from Toronto’s underground in 2018, Doom/Sludge Metal/Psychedelic Rock conjurers Witchrot have captivated audiences with their heartfelt fusion of Doom Metal with fuzzed-out psychedelia and haunting shoegaze, with their atmospheric melodies and crushing heaviness pushing genre boundaries, creating a sound that lingers like an echo in the abyss. Now in 2025 the band formed of vocalist Lea Reto, guitarist Peter Turik, bassist Jon Ferreira, keyboardist Patrick Sherrard, and drummer Myles Deck is set to release Soul Cellar, the follow-up to their 2021 debut Hollow. Recorded by Nixon Boyd at Simcoe Mechanical and by Dylan Frankland at Palace Sound, with additional recordings by Chad Ross and Scott Deathe, mixed by Dylan Frankland, mastered by Tony Reed at HeavyHead Recording Company, and displaying a darkly sexy cover art by ZZ Corpse, Soul Cellar reflects the lives of its creators, delving into themes of hopelessness, betrayal, paranoia, and societal frustration, inviting listeners to immerse themselves in the raw emotion and sonic depth the band has become known for.

In the opener Possession Deepens, a smooth, sexy and enfolding start gradually evolves into a psychedelic sonic voyage led by the minimalist yet powerful vocals by Lea, supported by the atmospheric sounds by her bandmates; and Peter then enhances the band’s aggressiveness with his sharp riffs in Tombstoned, blending Doom, Sludge and Stoner Metal in great fashion while Myles offers those trademark sluggish beats. Throat Cutter is another song that starts in a phantasmagorical way before exploding into more of their fierce rock and metal sonority, with Peter stealing the show again armed with his axe; whereas adding an extra pinch of old school Rock N’ Roll to their core sound we have Die Alone, with Patrick’s striking keys being nicely boosted by the rumbling kitchen by Jon and Myles. Green River is a way too mellow tune that’s not at the same level as the other songs of the album, flowing into Spineless, sounding a lot heavier, darker and stronger thanks to another mesmerizing vocal performance by Lea, resulting in a lecture in modern-day Doom Metal infused with Psychedelic Rock. And lastly, we face the title-track Soul Cellar, with the reverberating, menacing bass by Jon making your head tremble in the name of dark and merciless Doom Metal.

In Soul Cellar, Witchrot continues to evolve while staying true to their roots, creeping and crawling under your skin armed with their insane grooves and eerie keys that will haunt you for days, sounding absolutely diabolical and addictive. Hence, you can get in touch with this precious gem of the Torontonian underground via Facebook and Instagram, staying up to date with all things Witchrot (including their excellent live performances), subscribe to their YouTube channel, stream their music on Spotify or on any other platform, and of course purchase Soul Cellar from BandCamp. Doom and psychedelia have never sounded better together thanks to the undeniable talented of the Witchrot crew, and once you savor their music for the very first time, there’s no turning back.

Best moments of the album: Tombstoned, Die Alone and Spineless.

Worst moments of the album: Green River.

Released in 2025 Fuzzed and Buzzed Records/Majestic Mountain Records

Track listing
1. Possession Deepens 6:51
2. Tombstoned 5:05
3. Throat Cutter 6:23
4. Die Alone 5:06
5. Green River 2:44
5. Spineless 5:03
6. Soul Cellar 8:14

Band members
Lea Reto – vocals
Peter Turik – guitar
Jon Ferreira – bass
Patrick Sherrard – keyboards
Myles Deck – drums

Concert Review – Paradise Lost (Lee’s Palace, Toronto, ON, 05/18/2025)

Posted on by
Reply

One of the pioneers of death and doom returned to Toronto after seven long years with a beyond flawless performance, sounding absolutely heavy, dark and vibrant.

OPENING ACTS: Nepenthe and Gigan

Concerts on a Sunday night are only truly fun when you don’t have to work the next morning, allowing you to enjoy the whole event to the fullest without checking the time every 30 seconds. Well, fortunately for all Torontonian fans of first-class Doom Metal, the iconic PARADISE LOST, with support from NEPENTHE and GIGAN, brought to the always cozy Lee’s Palace their undisputed The Devil Embraced North America 2025 exactly in the middle of the Victoria Day long weekend, meaning we could inhale all heaviness and doom blasted by one of the trailblazers of the style without worrying about the next day. A huge shout-out to Noel Peters of Inertia Entertainment for not only bringing Paradise Lost to Toronto after almost seven years, but for also fixing the issue with tickets from a few buyers that were showing Helmet instead of Paradise Lost, and another one to Keith Ibbitson of Metal Paparazzi for making magic with the photos of the opening bands as the lighting during both was way too red or too green, plus all the smoke, making it almost impossible to see the bands onstage. They looked like shadows only, to be fair.

The lighting might have been horrible for good photos, but the music by Guelph, Ontario-based Blackened Doom Metal outfit NEPENTHE, the first attraction of the night, was beyond amazing. Playing songs from their two EPs, those being Elegies of Loss and Doom (2020) and The Fading Promise of Tomorrow (2024), both available on Spotify (and I highly recommend you go listen to both), like the excellent Dawn, the band spearheaded by the multi-talented Konrad Schroeder, who has the undisputed ability of playing really complex beats and fills while at the same time delivering solid clean vocals and desperate harsh screams, kicked some serious ass onstage for the delight of everyone who was already at the venue. Seriously, those guys were an incredible opening act, and hopefully I’ll get to see them again on the stages of Toronto in the near future, because the reaction of the crowd to their austere, captivating songs was awesome.

Band members
Konrad Schroeder – vocals, drums, percussion
Scott Rice – lead guitars
Steven Rowlands – rhythm guitars
Chris Rowan – bass

After a quick break (which I used to go grab some food outside, as I was starving), it was time for a lot of noise, heaviness and smoke, courtesy of Chicago, Illinois’ own Progressive/Technical Death Metal entity GIGAN, and when I say there was a lot of smoke, believe, it was A LOT of smoke. Having released the beautifully titled album Anomalous Abstractigate Infinitessimus in 2024, which is by the way available in full on Spotify, the band formed of Jerry Kavouriaris, Eric Hersemann, Rajan Davis, and Nathan Cotton turned Lee’s Palace into a cauldron of violence and insanity, blasting heavier-than-hell sounds that would make your head explode if you were not wearing any type of ear protection. The smoke made it almost impossible to see the band members on stage, only their silhouettes, but that didn’t make their performance any less enjoyable. Eric’s riffs were utterly heavy and dissonant, and when you add to that the insane drumming by Nathan and the demented roars by Jerry, you have the perfect recipe for a brutal sonic chaos. In other words, if Gigan ever visit your city with their live concerts, don’t miss the chance of witnessing a tsunami of first-class noise.

Band members
Jerry Kavouriaris – vocals
Eric Hersemann – guitars
Rajan Davis – bass
Nathan Cotton – drums

PARADISE LOST

After the top-notch concerts by Nepenthe and Gigan, the crowd was more than ready for the feast of top-of-the-line Doom Metal by the main attraction of the night, the one and only PARADISE LOST. Although they’re not purely Doom Metal anymore, blending their core music with Death and Gothic Metal, plus a high dosage of Gothic Rock, the band spearheaded by the “voice of doom” Nick Holmes was finally back in Toronto after so many years, not only playing songs from their latest album Obsidian, released in 2020 (available on Spotify, and which fans in Toronto had never had the chance to see live), but from their entire career, including my favorite Paradise Lost songs of all time, Enchantment and The Last Time. These two were flawless, and the reaction of the fans to them was also beautiful to say the least.

Greg Mackintosh and Aaron Aedy were insane armed with their axes, blasting incredible riffs, solos, and headbanging nonstop like if they were part of the crowd. Steve Edmondson and Guido Zima made sure the venue kept trembling during the entire show with their demonic kitchen, and of course, Mr. Nick Holmes was perfect with both his clean and deep guttural vocals. Songs like As I Die, The Devil Embraced, and No Hope in Sight, which showcase the band’s strongest doom vein, simply darkened the atmosphere (in a very good way, of course) for the delight of the band’s most diehard fans. Add to that the absurdly catchy Say Just Words, and a stunning cover version for Bronski Beat’s Smalltown Boy, and there you have the perfect setlist for a very enjoyable and fun night of heavy music in Toronto. I don’t think it will take another seven years for Paradise Lost to return to the city again, and it doesn’t matter if it’s a holiday or in the middle of the week, or even if it’s Christmas Eve, I’ll be there. Because as the lyrics say in the closing song of the setlist, the excellent Ghosts, “for the ghosts, the ones to break me for Jesus Christ.”

Setlist
Enchantment
Forsaken
Pity the Sadness
Faith Divides Us – Death Unites Us
Eternal
One Second
The Enemy
As I Die
The Devil Embraced
The Last Time
No Hope in Sight
Say Just Words

Encore:
Embers Fire
Smalltown Boy (Bronski Beat cover)
Ghosts

Band members
Nick Holmes – vocals
Greg Mackintosh – lead guitars, keyboards
Aaron Aedy – rhythm guitars
Steve Edmondson – bass
Guido Zima – drums

This slideshow requires JavaScript.

Concert Review – Arch Enemy (Queen Elizabeth Theatre, Toronto, ON, 05/09/2025)

Posted on by
Reply

The classy Queen Elizabeth Theatre in Toronto became a huge circle pit this Friday night in a celebration of pure fuckin’ metal.

OPENING ACTS: Thrown Into Exile, Baest and Fit For An Autopsy

Only two days after absolute chaos and carnage in Toronto, the city was ready for another round of insanely heavy and vibrant music this Friday night, courtesy of THROWN INTO EXILE, BAEST, FIT FOR AN AUTOPSY and ARCH ENEMY during their North American Blood Dynasty 2025 Tour at the Queen Elizabeth Theatre, another ass-kicking event brought to the city by Noel Peters of Inertia Entertainment. This time I was able to arrive to the venue in time to enjoy all bands together with my buddy Keith Ibbitson of Metal Paparazzi, and as expected it was indeed a celebration of pure fuckin’ metal with four fantastic bands that truly deserve our total respect, admiration and support for making the world of Heavy Metal a much better (and heavier) place. The venue selected for this concert was also excellent in my opinion, because not only it is a well structured one, but its location is also very convenient for anyone driving or taking public transportation, making our lives a lot easier and, therefore, saving our energy for the circle pits. And hell yeah, there were plenty of circle pits for our vulgar delectation.

Los Angeles, California-based Metalcore outfit THROWN INTO EXILE kicked off the festivities around 6:30pm, already setting fire to the stage at the Queen Elizabeth Theatre with their pounding, unfriendly sounds. I must say the venue was way too empty for Thrown Into Exile, which makes me wonder if most people were still stuck at work, traffic, or some type of appointment, but that didn’t stop Evan, Mario, Austin Monzon, Javier Quinto and Tom Tierney from bringing forth an amazing performance, jumping up and down and headbanging nonstop alongside the crowd. You can check all of their sick creations on Spotify, including their latest EP Passageways (which was the base of their setlist, by the way), and whenever they schedule a show in your city don’t miss the chance of seeing those LA bastards live, because they kick some serious ass.

Setlist
The Forsaken
Caskets Beyond Creation
Desolation
Eternal Nothingness
You’ve Fallen so Far

Band members
Evan – vocals
Mario – guitars
Austin Monzon – guitars
Javier Quinto – bass
Tom Tierney – drums

After the short and sweet display of savagery by Thrown Into Exile, it was time for the also short and sweet explosion of pure heaviness by Denmark’s own Death Metal creature BAEST, who sounded ruthless and brutal onstage just the way we like it in old school Death Metal. Spearheaded by the iconic frontman Simon Olsen, the band nailed it with their infernal performance, with their new songs Colossus and Misfortunate Son, from their upcoming album Colossal (to be released on August 15) sounding amazing live. Furthermore, it was Simon’s birthday that night, which means that not only he got a happy birthday and a cake onstage, but he decided to celebrate it by getting offstage during Necro Sapiens and singing it in the middle of the circle pit, showing how much he loves what he does and his admiration for fans of extreme music. Go check those guys on Spotify because they’re phenomenal, one of the must-see bands in the current Death Metal scene, and I honestly can’t wait to see them again live in Toronto playing a much bigger setlist, pretty please.

Setlist
Genesis
Colossus
Misfortunate Son
Gargoyles
Necro Sapiens

Band members
Simon Olsen – vocals
Lasse Revsbech – guitars
Svend Karlsson – guitars
Mattias Melchiorsen – bass
Sebastian Abildsten – drums

The venue only got truly busier when New Jersey’s cult Deathcore brigade FIT FOR AN AUTOPSY hit the stage for an absolute insane performance, with the circle pits getting so wild to the point a guy right beside me, who was about to enter the circle pit, stopped, looked at me, said “nope, too fast and too dangerous”, turned his back and gave up joining the action. The band spearheaded by the demented Joe Badolato was on fire from start to finish, with songs like Warfare and The Sea of Tragic Beasts, plus the new one Savior of None / Ashes of All, from their 2024 album The Nothing That Is (available on Spotify), inspiring an already packed venue to keep running like maniacs inside the pit. This is the type of show that requires fans who have floor tickets to be extremely fit. Maybe not “fit for an autopsy” per se, but you better work out, do some cardio and so, otherwise the name of the band will make total sense if you’re out of shape and try to venture inside their wicked circle pits.

Setlist
Lower Purpose
Red Horizon
Warfare
Hostage
Pandora
The Sea of Tragic Beasts
Savior of None / Ashes of All
Far From Heaven

Band members
Joe Badolato – lead vocals
Pat Sheridan – guitars, backing vocals
Tim Howley – guitars
Will Putney – guitars
Peter “Blue” Spinazola – bass
Josean Orta – drums

ARCH ENEMY

Ticket prices in Toronto are way too expensive these days, with the exception being the show this Friday, in special when you have as the main attraction of the night the one and only Swedish Melodic Death Metal machine ARCH ENEMY. I’m not joking, it was a very, very cheap concert for the quality of all bands on the bill, and if you’ve never seen Arch Enemy live, well, they’re one of the most professional and electrifying bands you can think of, making every penny invested beyond worth it. Having recently released the excellent Blood Dynasty (also available on Spotify), such an amazing band currently formed of the stunning Alissa White-Gluz on vocals, Michael Amott and Joey Concepcion on the guitars, Sharlee D’Angelo on bass, and Daniel Erlandsson on drums was flawless with their mix of new songs the likes of Dream Stealer and Liars & Thieves, and undisputed classics including Ravenous, My Apocalypse and Dead Bury Their Dead, one of the heaviest songs of the night and, therefore, one of my favorites.

All fans at the Queen Elizabeth Theatre were having a superb time together with Arch Enemy, with the circle pit going absolute mental, plus tons of crowd surfers giving a lot of work to security, while the band kept blasting their slab of melody and brutality. The only song I think could have been replaced in their setlist was Avalanche, but overall it was a near perfect selection of songs, with the closing tune Nemesis making me and several other fans lose our voices screaming. There were some giant balloons at the end of the show that gave it a very festive touch, proving extreme music brings happiness to our hearts, and not the opposite like non-metalheads like to “vomit” out there. Let’s see when the band returns to Canada if they’ll deliver the same amount of energy onstage, or even more, and whenever that happens I’ll certainly be there, because when Michael Amott takes your city by storm with his phenomenal riffs and solos accompanied by his spectacular crew, that’s definitely a no-brainer for anyone who loves good quality music.

Setlist
Deceiver, Deceiver
Ravenous
Dream Stealer
Blood Dynasty
War Eternal
My Apocalypse
A Million Suns
Liars & Thieves
The Eagle Flies Alone
First Day in Hell
Saturnine
As the Pages Burn
Sunset Over the Empire
Dead Bury Their Dead
We Will Rise

Encore:
Avalanche
Nemesis
Fields of Desolation

Band members
Alissa White-Gluz – vocals
Michael Amott – lead guitars, backing vocals
Joey Concepcion – lead guitars, backing vocals
Sharlee D’Angelo – bass
Daniel Erlandsson – drums

This slideshow requires JavaScript.

Concert Review – Dying Fetus & Cradle of Filth (Rebel, Toronto, ON, 05/07/2025)

Posted on by
Reply

And Toronto savored a wild and frantic night of pure chaos and carnage, offered by seven of the must-see names of the current extreme music scene worldwide.

OPENING ACTS: Corpse Pile, Vomit Forth, Undeath, Ne Obliviscaris and Fleshgod Apocalypse

If there’s one thing that has become a true torment in the lives of all metalheads that live in Toronto and vicinities, that is concerts with an early start time. Traffic to get to the city is already brutal on any regular day, but when the weather is amazing (meaning more people on the streets) and there’s also at the exact same time an NHL playoff game happening in the heart of the city, then it’s an absolute nightmare. Those are the reasons why I had to miss almost half of CHAOS & CARNAGE 2025 (from the must-see Chaos & Carnage series) this Wednesday night when CORPSE PILE, VOMIT FORTH, UNDEATH, NE OBLIVISCARIS, FLESHGOD APOCALYPSE, DYING FETUS and CRADLE OF FILTH arose from the underworld to crush us mere mortals with an overdose of darkness, heaviness and insanity at the almost-impossible-to-get-in-and-out Rebel. Fortunately, Keith Ibbitson of Metal Paparazzi made it in time for all bands, and gave me an overview of the first three attractions of the night, who were kicking ass onstage while I was still stuck in the horrid and tiresome QEW.

Houston, we have a problem. I think it wasn’t event 5pm when Houston, Texas-based Brutal Death Metal/Hardcore outfit CORPSE PILE hit the stage at Rebel, and just to give you an idea of how early that was, I was still in the office having a client meeting at that time. I confess I was listening to their 2024 EPs Hardgore Deathmetal and Holly Jolly Hardgore a few days before the show, plus their new single Fed To The Starved, all available on Spotify, hoping I could do some sort of magic trick and be there in time to see them live, but of course that didn’t happen. Well, Keith said they were insanely heavy and fun, already igniting some sick mosh pits with whoever was lucky enough to be at a concert in the middle of the afternoon on a Wednesday. Maybe next time I’ll catch those guys live, as long as they don’t play at a “matinée” time again.

Setlist
Intro
Genesis Of Suffering
Kicked in Cadaver
Vengeful Hymns
For Flesh and All
Stacking Bodies
Fed to the Starved
Reality
Fuck Your Life

Band members
Jason Lionel Frazier – vocals
Landry Arredondo – guitars
Cody Webb – guitars
Davis Pryse Snyder – bass
Alex Covarrubias – drums

I also missed the next attraction of the night, Connecticut’s own Death Metal brigade VOMIT FORTH, who released last year the excellent album Terrified of God (also available on Spotify and all other streaming platforms), and again I was very disappointed for not having the pleasure of seeing those guys live. All my buddies who could make it to the venue in time for their show said they were ruthless onstage, blasting sheer Death Metal for the delight of a wild crowd avid for some action inside the pit. I’ll have to repeat myself and complain about the start time again, because I think it was maybe 5:30pm when they began their set. Who scheduled those early-as-hell times? Bands like Vomit Forth deserve bigger audiences, but if they keep playing at early slots like this a lot of people will end up missing them and will not care about buying their music or merch, you know what I mean?

Setlist
(Unknown)
(Unknown)
Sacred Apple
Rotting Wool
Negative Penance
Blood Soaked Death Dream
Pain Tolerance

Band members
Kane Gelaznik – vocals
Bailey Olinger – guitars
Ricky Brayall – guitars
Jett Stotts – bass
Luke Zeitler – drums

Guess what? Yes, I also missed the unrelenting performance by Rochester, New York’s Death Metal beast UNDEATH, because despite their starting time being a little later than the first two bands, it was still freakin’ early. Another huge bummer as their 2024 album More Insane, also available in full on Spotify and any other streaming service, is exactly that, an insane explosion of visceral Death Metal. Keith and the other guys said they put on a fantastic show, with the bigger (but not big enough) crowd going mental inside the circle pit. If you’re attending any of the shows from Chaos & Carnage 2025, I highly recommend you try your best to arrive in time at least for Undeath, because those guys are insane live and definitely know how to electrify fans of extreme music during their entire set.

Setlist
Dead From Beyond
Rise From the Grave
More Insane
Necrobionics
(Unknown)
Lesions of a Different Kind
Brandish the Blade

Band members
Alexander Jones – vocals
Jared Welch – guitars
Kyle Beam – guitars
Tommy Wall – bass
Matt Browning – drums

Finally, after my excruciating quest to arrive to Toronto, I made it to Rebel around 7pm, just in time to witness one of the most hypnotizing concerts I’ve ever seen in my life, the atmospheric, progressive and vibrant performance by Australian Extreme Progressive Metal unit NE OBLIVISCARIS. Having released the album Exul back in 2023 (also available on Spotify), the band now fronted by James Dorton, replacing the iconic Xenoyr, who was the band’s lead singer from 2003 until earlier this year (what’s going on with so many extreme music bands switching their vocalists these days?), put on  a short but beyond phenomenal show that inspired us all for some nonstop headbanging, horns raising and crowd surfing, plus of course some crazy mosh pit action to the sound of the crying violin by Tim Charles, turning it into one of the classiest heavy concerts of all time in Toronto. I can’t wait for those amazing musicians from Down Under to return to Toronto with another round of their unique music, and until then we all know what to do. Stay classy, and listen to Ne Obliviscaris.

Setlist
Equus
Suspyre
Painters of the Tempest (Part II): Triptych Lux
And Plague Flowers the Kaleidoscope

Band members
James Dorton – harsh vocals
Tim Charles – violin, clean vocals
Benjamin Baret – lead guitars
Matt Klavins – guitars
Martino Garattoni – bass
Daniel Presland – drums

Another band I was eager to see was Italian Symphonic/Technical Death Metal horde FLESHGOD APOCALYPSE, and once again it was a jaw-dropping, unforgettable experience to all fans at Rebel. When the sensational soprano Veronica Bordacchini took the stage carrying a huge Italian flag, I knew we were about to enjoy a magnificent, epic concert, and that’s exactly what the band provided us with. Francesco Paoli was on fire during their entire set, as well as drummer Eugene Ryabchenko, who can play drums AND headbang at the same time, which was truly impressive in my humble opinion. In addition, not only their latest album Opera (also available on Spotify) is one of the best of 2024, but the songs played from that album, I Can Never Die, Pendulum, and Bloodclock, sounded way more powerful live, and as I’m always pro live music, those Italians won my heart with their flawless concert. Veronica’s voice live is something out of this world, simply beautiful and enfolding, and I highly recommend you go see such a unique band live at least once. And did we get a nice wall of death while Francesco Ferrini was playing his classic piano onstage? Oh, hell yeah! And what about the ending with their metal version of Eiffel 65’s dancing hit Blue (Da Ba Dee)? It was apotheotic to say the least!

Setlist
Ode to Art (de’ Sepolcri)
I Can Never Die
Minotaur (The Wrath of Poseidon)
The Fool
Pendulum
Bloodclock
Sugar
The Violation
Blue (Da Ba Dee) (Eiffel 65 cover)

Band members
Francesco Paoli – lead vocals, guitars, bass
Veronica Bordacchini – vocals (soprano)
Fabio Bartoletti – lead guitars
Francesco Ferrini – piano, orchestrations
Eugene Ryabchenko – drums

CRADLE OF FILTH

Almost three years after their last visit to the city, Suffolk, England’s iconic Extreme Metal miscreants CRADLE OF FILTH were finally back to the city with another round of their undisputed, sulfurous and blasphemous music, this time promoting their latest opus, the collection of sweet lullabies entitled The Screaming Of The Valkyries, which you can enjoy in full on Spotify, of course. Their set might have been extremely short (at least for me, as I would love to see them play for over two hours if possible), but it was as dark as the black wings of a Nazgûl, and as venomous as the bite of a King Cobra. Even after seeing Mr. Dani Filth live countless times I’ll never understand how he can scream like that, and if you add to that the violent yet very technical sounds blasted by his bandmates, there you have the perfect recipe for a wild concert with lots of mosh pits, horns in the air and demonic roars form the crowd. The new songs To Live Deliciously and Malignant Perfection sounded great live, but it was Nemesis plus the closing duo Death Magick for Adepts and Her Ghost in the Fog that inspired all fans to succumb to the dark side of music and worship Suffolk’s finest. Hopefully it won’t take another three years for Dani and his horde to return to Toronto, because Cradle of Filth are one of the best bands to see live in the history of heavy music. And if you’re not convinced yet, just as Richmond from IT Crowd.

Setlist
Resurrection
To Live Deliciously
Nemesis
She Is a Fire
The Principle of Evil Made Flesh
Malignant Perfection
Cruelty Brought Thee Orchids
Death Magick for Adepts
Her Ghost in the Fog
Blooding the Hounds of Hell

Band members
Dani Filth – vocals
Marek ‘Ashok’ Smerda – guitars
Donny Burbage – guitars
Daniel Firth – bass
Zoe Marie Federoff – keyboards, vocals
Martin ‘Marthus’ Skaroupka – drums

DYING FETUS

It was getting late but after facing the brutality of all the traffic to get to the city I needed some relaxing music before heading home, and there’s nothing better than the fusion of Brutal Death Metal and Grindcore by Baltimore, Maryland’s technical and savage trio DYING FETUS. Next time your company’s HR asks for ideas for this year’s office Christmas party, simply say “the Fetus Boys” (like how Dani Filth enjoys calling them), and I’m sure Karen from Operations will love the idea and will be in the middle of the band’s demented circle pit. Blending songs from all of their albums in their setlist, including some from their 2023 offering Make Them Beg for Death, also available on Spotify, John Gallagher, Sean Beasley and Trey Williams simply decimated every single living creature at Rebel, delivering a pulverizing, frantic and absolutely technical concert for the delight of their diehard fanbase. Not even the stress of trying to get out of the city after the show was enough to erase the joy of experiencing Dying Fetus live, and I’m sure whenever they return to the city, there will be blood, sweat, violence, and endless circle pits again.

Setlist
Praise the Lord (Opium of the Masses)
Unbridled Fury
In the Trenches
Wrong One to Fuck With
Compulsion for Cruelty
One Shot, One Kill
Your Treachery Will Die With You
Grotesque Impalement
Subjected to a Beating
Into the Cesspool
Killing on Adrenaline

Band members
John Gallagher – guitars, vocals
Sean Beasley – bass, vocals
Trey Williams – drums

This slideshow requires JavaScript.

Concert Review – Machine Head (History, Toronto, ON, 04/28/2025)

Posted on by
Reply

Monday nights are always boring, except when you have four of the must-see bands of the current metal scene worldwide kicking some serious ass in the city.

OPENING ACTS: Unearth, Lacuna Coil and In Flames

What a night of modern and electrifying heavy music at the always amazing History this Monday during the North American Tour 2025 spearheaded by MACHINE HEAD, with special guests UNEARTH, LACUNA COIL and IN FLAMES, and despite the insane traffic in the city and the fact it was a Monday night, we can say it was a nearly sold out event where every single person at the venue had a phenomenal time, including Keith Ibbitson of Metal Paparazzi and I, of course. History is also a great venue for concerts because not only there are plenty of restaurants in the neighborhood, but they also have a few food options inside, like pizza for example, something not common at most venues in Toronto. This means that if you’re running late to any concert but you need to eat something beforehand, you don’t need to waste any second searching for food outside the venue. Simply get inside, and enjoy a slice of pizza while watching your favorite bands playing.

The doors opening at 5pm, when most people were still at work, plus the first band of the night, Boston, Massachusetts-based Metalcore outfit UNEARTH, kicking off their show already at the early time of 6pm, was kind of a bummer as a lot of people ended up missing their show, including myself, and I was very disappointed with that because their 2023 album The Wretched; The Ruinous is a real banger and I was eager to see them playing some of those not-so-new tunes live alongside some older meterial (although their short onstage time didn’t allow them to play their regular full setlist, of course). Well, Keith said they were beyond ruthless onstage led by their rabid frontman Trevor Phipps, already igniting some sick mosh pits in the floor section, and if you also missed those guys live on Monday at least we can enjoy their music on BandCamp and on Spotify, and patiently wait for the next time they pay a visit to Toronto. Hopefully at a later time slot.

Setlist
The Power of Love (Huey Lewis and the News song)
My Will Be Done
This Lying World
The Wretched; The Ruinous
Giles
Incinerate
Black Hearts Now Reign

Band members
Trevor Phipps – vocals
Buz McGrath – guitars
Peter Layman – guitars
Chris O’Toole – bass
Mike Justian – drums

Luckily, I made it just in time for the superb performance by Italian Alternative Rock/Metal icons LACUNA COIL, more specifically three minutes before they took the stage by storm with their endless charisma, undeniable talent, and highly addictive, catchy tunes, most of them from their brand new album Sleepless Empire (available on all streaming services like Spotify), including the excellent Hosting the Shadow, Gravity, I Wish You Were Dead, and Oxygen. Damn, those tunes sounded amazing live. The beyond stunning diva Cristina Scabbia (she looks younger than ever, by the way) and the enigmatic, sinister Andrea Ferro drove fans wild during their set, making a more-than-dynamic duo onstage for the delight of everyone who enjoys this type of “Beauty and the Beast” vocal attack. As usual, the duo was effectively supported by their bandmates Daniele Salomone, Marco Coti Zelati and Richard Meiz, enhancing the band’s energy and punch and, therefore, inspiring everyone to raise their horns and sing all songs along with Cristina and Andrea. Lacuna Coil are a must-see band of the current scene, and I can’t wait to see them again in the near future. Needless to say, next time they deserve their own headlining tour, so we can enjoy a lot more of their hypnotizing creations.

Setlist
Intro
Layers of Time
Reckless
Hosting the Shadow
Gravity
Our Truth
Blood, Tears, Dust
I Wish You Were Dead
Oxygen
Never Dawn

Band members
Cristina Scabbia – vocals
Andrea Ferro – vocals
Daniele Salomone – guitars
Marco Coti Zelati – bass, keyboards
Richard Meiz – drums

It was already past 8pm when Sweden’s own Melodic Groove Metal/Metalcore/Alternative Rock titans IN FLAMES began their incendiary performance at History (pun intended), already melting our faces with one of their most electrifying songs ever, Cloud Connected. Frontman Anders Fridén and his henchmen, including the fantastic axeman Chris Broderick, showed no mercy for our souls, delivering hit after hit, with the newer songs from their 2023 album Foregone (also available on Spotify), like In the Dark and Meet Your Maker, blending perfectly with their classics and, consequently, igniting some insane circle pits that were nicely acknowledged by Anders. Not only that, he was also on fire with his dark Swedish humor, making an even stronger connection with the crowd. For instance, he noticed one fan was singing ALL songs perfectly at the barrier, so he said he should not screw up any song otherwise that fan would catch his error. The ending with I Am Above and My Sweet Shadow was epic, and I must say their concert this Monday night might have been their best in the city to date. In Flames certainly love Toronto, and we love them back, which means it won’t take long for the band to kick our asses again with another unrelenting concert in the near future.

Setlist
Cloud Connected
Take This Life
Deliver Us
In the Dark
Voices
Coerced Coexistence
Bullet Ride
Trigger
Meet Your Maker
State of Slow Decay
The Mirror’s Truth
I Am Above
My Sweet Shadow

Band members
Anders Fridén – vocals
Björn Gelotte – guitars
Chris Broderick – guitars
Liam Wilson – bass
Tanner Wayne – drums

MACHINE HEAD

Finally, after an avalanche of first-class heavy music from different parts of the world, the main attraction of the night, Oakland, California’s own Groove/Thrash Metal brigade MACHINE HEAD kicked off their electrifying concert to finish destroying anyone who dared to face some wild mosh pits during the execution of their hard hitting tunes. Robb Flynn, Reece Scruggs, Jared MacEachern and Matt Alston were unstoppable onstage, kindly asking every single fan to keep their phones in their pockets and simply have an amazing time with them, banging their heads, slamming into the pit, having a beer and raising their fists in the air. Blending classics the likes of Locust and Bulldozer with several songs form their new opus Unatoned (also spelled UNATØNED, and of course available on Spotify), released this past Friday April 25, such as ØUTSIDER and BØNESCRAPER, the band put on a phenomenal concert that made a boring Monday night feel like a metallic party on a Saturday.

They’ve been on the road since 1991, but their passion for heavy music is so strong it felt like they were just newcomers full of energy and ready to kick our asses. The circle pit action was intense, Robb kept throwing beer to the fans and having a lot of fun interacting with everyone, including a little kid at the back of the balcony section (showing he’s a guy that pays attention to EVERYONE who attends a Machine Head concert), and the background screen, lighting and smoke added an extra touch of insanity to their show. In the end, after they played the classic Halo, they stayed a little longer throwing countless guitar picks and drumsticks to the crowd, who was brave enough to stay at the venue until the very end, already past 11pm on a Monday night. I guess even if they had stayed there until 2 or 3am the fans would have also been there to support them, because this is how superb heavy music is done. Played live, played loud, and with a beautiful connection between the artist and their fans. Thank you, Machine Head, and rest assured whenever you return to Toronto, we’ll all be there for you.

Setlist
Diary of a Madman (Ozzy Osbourne song)
In Comes the Flood
Imperium
Ten Ton Hammer
CHØKE ØN THE ASHES ØF YØUR HATE
Now We Die
Catharsis
NØT LØNG FØR THIS WØRLD
ØUTSIDER
Locust
BØNESCRAPER
Declaration
Bulldozer
From This Day
Davidian

Encore:
Halo

Band members
Robb Flynn – vocals, guitars
Reece Scruggs – guitars
Jared MacEachern – bass, backing vocals
Matt Alston – drums, percussion

This slideshow requires JavaScript.

Concert Review – Warbringer & Allegaeon (The Garrison, Toronto, ON, 03/31/2025)

Posted on by
Reply

The unstoppable Allegaeon and Warbringer joined forces to take the city of Toronto by storm in another breathtaking night of the best of the underground.

OPENING ACTS: Summoning the Lich and Skeletal Remains

Only two days after the humongous metal attack by Meshuggah, Cannibal Corpse and Carcass, it was time to pay a visit to The Garrison on a Monday night for a wild feast of the best of the underground with the bands SUMMONING THE LICH, SKELETAL REMAINS, ALLEGAEON and WARBRINGER during their The Vortex Of Violence Tour 2025, another awesome event brought to Toronto by Noel Peters of Inertia Entertainment. Any concert on a Monday night doesn’t have the same appeal as a weekend concert at a casino, of course, but that doesn’t mean that the four bands on the bill didn’t kick some serious ass, proving why they’re the future of extreme music worldwide. And as weird as this might sound, getting to Toronto on a Monday night is actually easier than on any other day of the week, maybe because it’s not a chosen day for entertainment or because a lot of people take the day off or simply work from home, making traffic a lot more manageable than usual. I was very excited to see all bands live for the first time, in special Allegaeon, one of the best bands of the current scene, and I wasn’t disappointed at all with their performances; quite the contrary, I’m more than happy I decided to spend a cold Monday night in Toronto enjoying their undisputed heavy music. Furthermore, Keith couldn’t make it to the show, unfortunately, but our friend Afrida Nawar was more than happy to help us with the photos this time (soon to be added to this review, I promise!).

The doors at the venue opened at 6:30pm, and just 30 minutes after that the first attraction of the night, St. Louis, Missouri-based Melodic Death Metal/Deathcore act SUMMONING THE LICH, kicked off the festivities with a beyond energetic and vibrant performance according to some friends already at the venue (as I had to miss them due to a private appointment). Having recently released the album Under the Reviled Throne, available on BandCamp and on Spotify, the band set the stage at The Garrison on fire, and if some brutality in the form of music is your cup of tea, you must listen to this band and go see them live. Well, next time they come to Toronto, I’ll try my best to be there in time to witness their visceral performance.

Setlist
My Horrors Unending
Descend
Demon of the Snow
The Nightmare Begins
Return to the Soil
Reviled Crystal Wielders
The Forest Feast

Band members
David Bruno – vocals
Muck – guitars
Ryan Felps – guitars
John Flynn – bass
TJ Chilton – drums

I made it to the venue with plenty of time to see the performance by California’s own Death Metal horde SKELETAL REMAINS; however, their vocalist Chris Monroy didn’t. Apparently he wasn’t allowed to cross the US-Canada border for a reason beyond my knowledge, and what we got from the other three band members was a feast of instrumental Death Metal that despite sounding a bit weird without the vocal parts, was also totally devastating. Playing songs from their latest opus Fragments of the Ageless, available on Spotify or any other streaming platform, plus of course some of their older material, the trio put on their hearts and souls into their concert, doing everything they could to entertain us even without their vocalist, and in the end they got a huge positive reaction from fans who recognized all their effort and passion for heavy music. The show must go on, and Skeletal Remains did exactly that.

Setlist
Void of Despair
Beyond Cremation
Relentless Appetite
To Conquer the Devout
Devouring Mortality
…Evocation (The Rebirth)
Unmerciful

Band members
Chris Monroy – vocals, guitars*
Mike De La O – guitars
Brian Rush – bass
Pierce Williams – drums

*Chris couldn’t make it to the show in Toronto as he had his entry in Canada denied.

ALLEGAEON

It was getting close to 9pm when the band I wanted to see the most hit the stage for a flawless performance, proving why they’re the best band in the world to mix Melodic and Technical Death Metal in a beyond exciting manner. I’m talking about Fort Collins, Colorado-based outfit ALLEGAEON, who were simply demolishing with their blend of dexterity, violence and heaviness, spearheaded by their returning charismatic frontman Ezra Haynes. Their concert was phenomenal, and I think they deserved to have played at a bigger venue like Lee’s Palace or even The Opera House, but of course they made sure their performance was memorable even with the limited space onstage. Blending old school material with two songs of their brand new album album The Ossuary Lens (available on BandCamp and on Spotify), those being The Swarm (the best song of the night in my humble opinion) and Driftwood, the band sounded tight, ruthless and electrifying from start to finish, and again I hope they get a bigger venue next time they headline a concert in Toronto, because their music demands more space, as well as a bigger audience to go wild inside the circle pit while they shred like there’s no tomorrow.

Setlist
All Hail Science
The God Particle
To Carry My Grief Through Torpor and Silence
The Swarm
Terrathaw and the Quake
Driftwood
Dyson Sphere
Of Beasts and Worms
Proponent for Sentience III – The Extermination
Parthenogenesis
1.618
Behold (God I Am)

Band members
Ezra Haynes – vocals
Greg Burgess – guitars
Michael Stancel – guitars, backing vocals
Brandon Michael – bass, backing vocals
Jeff Saltzman – drums

WARBRINGER

And last but definitely not least, it was already past 10pm when Ventura, California-based Thrash Metal brigade WARBRINGER brought total war to the stage with one of the most electrifying, visceral and fun performances of the year in the city. All of their songs sounded amazing, in special the new metal hymn The Sword And The Cross, from their brand new album Wrath and Ruin (already available on BandCamp and on Spotify), with their lunatic frontman John Kevill even yielding a sword onstage (although he was missing the cross, right?), and of course the hard hitting Total War, which closed their show on a high note. The circle pits were insane, the crowd surfing was pure madness, and the band was having an amazing time to the point even John himself went crowd surfing and played a little “jungle gym” with the venue’s lighting equipment attached to the roof, leaving all concert goers absolutely happy and ready for more Warbringer in a not-so-distant future. Again, hopefully at a bigger venue, because just as Allegaeon, Warbringer are undoubtedly one of the best bands of the current metal scene worldwide.

Setlist
Severed Reality
A Better World
The Black Hand Reaches Out
Woe to the Vanquished
Crushed Beneath the Tracks
Firepower Kills
The Sword And The Cross
Through a Glass, Darkly
Hunter-Seeker
Remain Violent

Encore:
Total War

Band members
John Kevill – vocals
Adam Carroll – guitars
Chase Becker – guitars
Chase Bryant – bass
Carlos Cruz – drums

Concert Review – Visions of Atlantis (Lee’s Palace, Toronto, ON, 04/09/2025)

Posted on by
Reply

Sailors, comrades and buccaneers from every nook and cranny of Toronto gathered this Wednesday night for an electrifying feast of first-class Melodic and Symphonic Power Metal.

OPENING ACT: Seraina Telli

Sailors, comrades and buccaneers from every nook and cranny of Toronto gathered at the always cozy Lee’s Palace this Wednesday night for a cinematic, thrilling feast of Melodic and Symphonic Metal, plus some colorful and vibrant Hard Rock, courtesy of VISIONS OF ATLANTIS with special guest SERAINA TELLI during their Armada Over North America Tour 2025, brought to the city by the iconic Noel Peters of Inertia Entertainment. Keith Ibbitson of Metal Paparazzi and I were there to cover such a unique experience in the city, and I must say that from all Symphonic Metal bands out there these days, Visions of Atlantis are by far the most entertaining one, and the one I can listen to on a regular basis without getting bored at all. Quite the contrary, right after the show I kept listening to their music instead of switching to something else, just to give you an idea of how exciting the whole night was.

But before those Austrian pirates (seasoned with French and Italian elements) hit the stage, we were treated to the electrifying Hard Rock by Switzerland’s own SERAINA TELLI, a pleasant surprise as I’ve been following her work since she was part of Burning Witches, but I honestly had zero hope of seeing her live with her solo career in Canada. Well, it was amazing watching Seraina on the stage at Lee’s Palace, as she simply kicked ass with her beyond powerful and beautiful voice, colorful looks (which matched perfectly with her 2023 debut solo album Addicted to Color, available on Spotify), and rockin’ moves, and the crowd loved every single moment of her show. Not even the fact the bass lines were pre-recorded took away the energy of her show, with songs like Addicted to Color and Wish You Well masterfully depicting her passion for Rock N’ Roll. There was a funny moment when during one of her interactions with the crowd she asked us to sing with her some sort of “oooh-oh-oh-oh!”, and one guy screamed “what does that mean?” Seraina laughed out loud as she was caught by surprise, sayinbg no one had ever asked her that before, and that moment made the whole show even more intimate and relaxed. Hopefully we’ll see her again soon in Toronto, because at the same time she’s addicted to color, Toronto is just starting to get addicted to her music.

Setlist
Addicted to Color
Wish You Well
I’m Not Sorry
Take Care
I Dare to
Think!
All Your Tears
If No One Else Had Ever Been There Before
Modern Warrior

Band members
Seraina Telli – vocals, guitar
Mike Malloth – drums

VISIONS OF ATLANTIS

It was 9pm sharp when the Austrian pirate ship of Melodic/Symphonic Power Metal buccaneers VISIONS OF ATLANTIS docked in the “port” of Lee’s Palace for one of the most entertaining shows of the year, making everyone at the venue raise their fists, jump up and down, dance, headbang, and even row on the floor, thanks to their awesome pirate gimmick (or maybe they’re real pirates, who knows). Their latest albums Pirates (2022) and Pirates II – Armada (2024) resulted in an amazing live album titled Armada (Live Over Europe) (2025), available on Spotify, and that was basically their setlist for the night. I had no idea how they would behave during their first-ever headlining tour in Canada and in the US, after having a few opening slots like when they opened for Korpiklaani in 2024, but Visions of Atlantis were incredible from start to finish and, therefore, deserve a bigger venue when they get back to the city (as much as I love Lee’s Palace).

Songs like Monsters, Heroes of the Dawn, Where the Sky and Ocean Blend, Clocks, Tonight I’m Alive, Hellfire, and so on (and holy shit, they definitely know how to craft catchy tunes!) sounded thrilling live thanks to the perfect synchronicity between their pirate frontman Michele Guaitoli and their stunning siren Clémentine Delauney, plus their heavy artillery brought forth by Christian Douscha, Herbert Glos, and Thomas Caser. Michele and Clémentine are by far one of the best, most talented and most charismatic vocal duos in heavy music, maybe only losing to Helloween’s iconic vocalists Michael Kiske and Andi Deris (just to give you an idea of how good Michele and Clémentine are), and their clash of vocal styles kept the energy flowing majestically during their entire show. Michele brings power and fun to the stage with his crazy pirate character, while Clémentine is simply hypnotizing, driving the crowd crazy and putting huge smiles on everyone’s faces.

The last part of the show was a very entertaining and demanding one, starting with the pirate ship rowing during Pirates Will Return, the unstoppable jumping during the “jump jump” song Melancholy Angel, and of course the screaming of “HAIL JOLLY ROGER!” and “ARMADA!” during their now all-time hit Armada. I was even tired after the show was over, but a good type of exhaustion, I mean, when you’re tired but very satisfied and happy, got it? And if you ask me, not only they need to return to Toronto sooner than you can say “ARMADA!” with an even bigger headlining show, but they also deserve a spot opening for bands like Iron Maiden, Judas Priest and Helloween anywhere in the world. Visions of Atlantis are absolutely awesome, and if you don’t like them, it’s time for you to walk the plank.

Setlist
To Those Who Choose to Fight
The Land of the Free
Monsters
Heroes of the Dawn
Where the Sky and Ocean Blend
Clocks
Legion of the Seas
Tonight I’m Alive
Collide
Hellfire
The Dead of the Sea
Underwater
Magic of the Night
Pirates Will Return
Melancholy Angel

Encore:
Master the Hurricane
Armada

Band members
Clémentine Delauney – female vocals
Michele Guaitoli – male vocals
Christian Douscha – guitars
Herbert Glos – bass
Thomas Caser – drums

This slideshow requires JavaScript.

Concert Review – While She Sleeps & Bury Tomorrow (The Danforth Music Hall, Toronto, ON, 04/03/2025)

Posted on by
Reply

After a Wednesday of snow, ice, rain, and cold, the city of Toronto was treated to a Thursday of sunshine, warm weather, and an overdose of first-class Metalcore.

OPENING ACT: Vended

After a Wednesday of snow, ice, rain, and freakin’ cold temperatures, the city of Toronto was treated to a Thursday of sunshine, warm weather, a nice breeze, and an overdose of first-class Metalcore, courtesy of VENDED, BURY TOMORROW and WHILE SHE SLEEPS during their North America 2025 Tour. Keith Ibbitson of Metal Paparazzi and I were there at the always fun The Danforth Music Hall to enjoy those relatively young but already renowned bands of the Metalcore scene worldwide (but not before savoring a nice and sweet cinnamon roll at Cinnaholic, of course, as quality fuel for the rest of the night), and despite the beyond horrid traffic that’s now a constant in Toronto (except for Monday nights), most fans were able to arrive in time to grab some merch, have a few drinks and get ready for the action that was about to begin on and off stage.

It was 7pm when Des Moines, Iowa’s own Alternative/Nu Metal band VENDED took the stage of The Danforth Music Hall for an incendiary performance, perfectly warming up everyone for the main attractions of the night. If you know nothing about those guys, the band features two musicians who are sons of members of Slipknot, singer Griffin Taylor is the son of Corey Taylor, and drummer Simon Crahan is the son of Shawn “Clown” Crahan, but that doesn’t mean they’re a copy of Slipknot; quite the contrary, they have their own sound and style, and the crowd loved every single second of their show, already igniting a sick circle pit. Their debut self-titled album was out in 2024, it’s available on Spotify and other streaming platforms, and you should definitely give those guys a listen because they’re excellent in what they do.

Setlist
Intro
Nihilism
Ded to Me
Am I the Only One
The Far Side
Pitiful
Asylum

Band members
Griffin Taylor – lead vocals
Cole Espeland – lead guitar
Connor Grodzicki – rhythm guitar, backing vocals
Jeremiah Pugh – bass, backing vocals
Simon Crahan – drums

BURY TOMORROW

Hailing from Southampton, Hampshire, England, BURY TOMORROW needed only a few seconds to electrify the crowd with their frantic performance, with the floor section exploding into an awesome circle pit for the delight of the fans and the band. Their dual vocal attack formed of Daniel Winter-Bates on harsh vocals and Tom Prendergast on clean vocals works extremely well live, with the heavy kitchen blasted by Davyd Winter-Bates on bass and Adam Jackson on drums adding an overdose of groove to their core sound. All of their songs sounded vibrant live, and if you know nothing about them go check their latest release The Seventh Sun, from 2023, on Spotify, and get ready for their upcoming album Will You Haunt Me, with That Same Patience, as I’m sure you’ll have a great time listening to those UK rockers. Needless to say, whenever they schedule a live concert in your town, you know where you’ll be that night, right?

Setlist
Abandon Us
Earthbound
Death (Ever Colder)
Let Go
Villain Arc
What If I Burn
Boltcutter
Black Flame
Cannibal
Majesty
Life (Paradise Denied)
Choke

Band members
Daniel Winter-Bates – harsh vocals
Kristan Dawson – lead guitar, backing vocals
Ed Hartwell – rhythm guitar
Tom Prendergast – keyboards, clean vocals
Davyd Winter-Bates – bass
Adam Jackson – drums, percussion

WHILE SHE SLEEPS

It was already past 9pm when Sheffield, South Yorkshire, England-based outfit WHILE SHE SLEEPS attacked the crowd with their share of Metalcore made in the UK, just like Bury Tomorrow had just done, and once again the fans at the venue went wild, jumping up and down, screaming the lyrics together with frontman Lawrence “Loz” Taylor, raising their fists and horns in the air, and of course slamming into the pit with a huge smile on their faces. There were moments of friendship and love, when Loz asked fans to hug their families and friends, a Slipknot-like moment with everyone going down and waiting for his sign to start jumping, cellphones with their flashlights on in the air, and an overdose of crowd surfing. I’m not kidding, there was this small girl with a ponytail and a red hoodie that might have broken the worldwide record of crowd surfing in one night, as she kept flying around every 10 seconds nonstop. All of their songs also sounde great live, including the new ones from their 2024 album Self Hell (available on Spotify), and I guess based on the warm reaction from the entire venue that it won’t take long for Toronto to enjoy another night together with While She Sleeps.

Setlist
Rainbows
Leave Me Alone
Anti-Social
You Are All You Need
The Guilty Party
You Are We
Self hell
Systematic
Four Walls
Hurricane
Enlightenment(?)
Silence Speaks
To The Flowers
Sleeps Society

Band members
Lawrence “Loz” Taylor – lead vocals
Sean Long – lead guitar, backing vocals
Mat Welsh – rhythm guitar, piano, vocals
Aaran McKenzie – bass, backing vocals
Adam “Sav” Savage – drums, percussion

This slideshow requires JavaScript.