Album Review – Withering Soul / Passage of the Arcane (2025)

A Blackened and Melodic Death Metal entity from Chicago strikes back with their devilish fifth album, a manifestation in the form of chilling soundscapes, foreboding atmospheres, contagious melodies and tortured chants.

Conjured into existence in 1999 in Chicago, Illinois, the uncanny Blackened/Melodic Death Metal entity Withering Soul is unleashing upon us their fifth studio album, entitled Passage of the Arcane, following up on their 2021 beast Last Contact. Mixed and mastered by Dennis Israel at Clintworks Audio, with drums recorded and engineered by Vince Ippolito at Swift Road Studios, and displaying another hypnotizing artwork by the indomitable Adam Burke of Nightjar Illustration, the new album by Christopher Grimes on vocals, guitars and synths, Joel Miller on bass, and Rick Hernandez on drums is a convergence of blackened atmospheres and sweeping song structures, a mystifying journey that exceeds boundaries while remaining fun and exciting, with the overall theme of the album involving human experiences traversing into cursed oblivion where each song explores its own story, ranging from unexplained disappearances to the supernatural.

In the album’s Intro, howling winds warn us all of the storm of heavy music that’s about to come in Attrition Horizon, where Rick sounds absolutely demonic armed with his vicious beats and fills, providing Christopher with exactly what he needs to shine on vocals. The band keeps demolishing our senses in Grievance Eludes the Light, a no shenanigans, in your face Melodic Death Metal beast spearheaded by the striking riffs by Christopher, and let’s then slam into the pit once again together with Withering Soul in The Monolith Embodied, with Rick kicking some serious ass on drums, sounding almost like a pure Death Metal chant. It’s time to face six minutes of dark passages and brutality in Gallery of the End, even presenting elements from Atmospheric Metal without of course forgetting their Black and Death Metal essence; followed by Trajectory, with guest Nick “Exhul” Morgan of Ossilegium providing the song with a sick guitar solo while the music is as infuriated and melodic as possible, albeit not as dynamic. More of their headbanging, visceral sounds penetrates deep inside our minds in Among Covetous Eyes, with Christopher’s roars sounding deep and evil, and last but not least we have Burden of the Valiant, the most progressive of all songs, with all riffs, bass lines and beats complementing each other flawlessly, not to mention its climatic finale.

Fans of Dark Fortress, Windir, Hypocrisy, Dissection, and God Dethroned, among others, will certainly enjoy the new opus by Withering Soul, a manifestation in the form of chilling soundscapes, foreboding atmospheres, contagious melodies and tortured chants echoing above an onslaught of calculated percussion. You can get to know more about such a talented and creative band on Facebook and on Instagram, enjoy their unique creations on Spotify, and purchase their excellent newborn baby from BandCamp. In the end, Withering Soul created a musical elegy that is both majestic and haunting, with Passage of the Arcane representing another phenomenal step in their solid path to darkness.

Best moments of the album: Attrition Horizon, The Monolith Embodied and Burden of the Valiant.

Worst moments of the album: Trajectory.

Released in 2025 Liminal Dread Productions

Track listing
1. Intro 0:51
2. Attrition Horizon 4:50
3. Grievance Eludes the Light 5:00
4. The Monolith Embodied 3:14
5. Gallery of the End 6:37
6. Trajectory 7:10
7. Among Covetous Eyes 5:33
8. Burden of the Valiant 7:50

Band members
Christopher Grimes – vocals, guitars, synths
Joel Miller – bass
Rick Hernandez – drums

Guest musician
Nick “Exhul” Morgan – guitar solo on “Trajectory”

Album Review – Vermilia / Karsikko (2025)

Let your soul wander through the forest to the sound of the stunning third full-length offering by this one-woman Atmospheric and Pagan Black Metal entity from Finland.

In the Finnic religion, a “karsikko” was a set of markings made on a tree somewhere between a deceased person’s home and the burial site, which was believed to prevent the individual’s spirit from coming back. In heavy music, Karsikko is the stunning third full-length offering by one-woman Atmospheric Pagan/Black Metal entity Vermilia, following up on her 2018 critically acclaimed debut Kätkyt and her also amazing 2022 opus Ruska. Since 2017, vocalist and multi-instrumentalist Vermilia has been playing a beautiful hybrid of Epic Pagan Metal and sweet, raw and melancholic vocal harmonies with lyrics in her native language, and in Karsikko she has outdone herself with her strongest effort to date, a charming yet visceral album that lives up to the legacy of extreme music while at the same time it pays homage to her beautiful culture and roots.

The charming piano by Vermilia kicks off the dancing Pagan Black Metal title-track Karsikko, with her powerful, penetrating vocals matching perfectly with the song’s stunning wall of sounds. Vakat is the name of a traditional Finnish pagan festival, and that’s exactly what we get from Vermilia in this excellent song, perfect for dancing around the fire and raising our horns high in the sky. Then we have Kivutar, a Finnish goddess of pain and suffering whose name translates to “Lady of Pain”; musically speaking, Vermilia once again delivers an overdose of blast beats, scorching Black Metal riffs, and her fusion of clean vocals and harsh roars. And her classic drums and whimsical keys set the tone in Suruhymni, or “an anthem of mourning” from Finnish, embracing us in pitch black darkness in the middle of the forests of Finland.

Then the atmospheric, enfolding sounds crafted by Vermilia will penetrate deep inside your soul in Koti, or “home”, offering us all a well-balanced fusion of Black and Pagan Metal while again presenting her hypnotizing vocalizations; and in Veresi, or “your blood”, the name of the song says it all, demanding a heavier, more visceral sonority, and our lone she-wolf brings it while also sounding haunting thanks to her Doom Metal-inspired riffs and beats, presenting a fantastic rhythm, crisp instrumental and spot-on vocal lines. In Talven Jälkeen, or “after the winter”, we’re treated to more of her hybrid of harsh sounds and whimsical, embracing passages, with her work on the guitars and drums sounding utterly vibrant. Lastly, Vermilia ends the album on a high note with the dark and heavy Kansojen Kaipuu, or “the longing of nations”, where she gnarls like a creature of the forest for our total delight amidst sounds of pure Atmospheric Black Metal magic.

You can experience Karsikko in all of its glory on YouTube, on Spotify, or on any other streaming service, but of course in order to support the beyond talented Vermilia you can purchase her newborn beast from her own BandCamp or webstore, or by clicking HERE. Also, don’t forget to join her pagan festivities by following her on Facebook and on Instagram (including her unique, mesmerizing live performances), and by subscribing to her official YouTube channel, letting her fascinating music penetrate deep inside your mind, as your soul wanders freely through the darkly peaceful forests of her homeland. Karsikko is one of those albums that gradually takes over your spirit with each and every listen, a precious gem of the underground that will surely feature among the best albums of the year, inspiring Vermilia to continue her amazing path of Atmospheric and Pagan Black Metal for many years to come, as her connection with her pagan roots get stronger and stronger with each album released.

Best moments of the album: Karsikko, Suruhymni, Veresi and Kansojen Kaipuu.

Worst moments of the album: None.

Released in 2025 Independent

Track listing
1. Karsikko 4:44
2. Vakat 7:07
3. Kivutar 4:32
4. Suruhymni 5:08
5. Koti 3:28
6. Veresi 6:39
7. Talven Jälkeen 3:46
8. Kansojen Kaipuu 6:01

Band members
Vermilia – vocals, all instruments

Metal Chick of the Month – Vermilia

Vastaan kulkee kuu kasvot kutsuen…

Miten teillä menee, rakkaat metallipäät? If you have no idea what this means, maybe we could ask our metal lady of the month of April here on The Headbanging Moose to help us with the translation, as not only it’s in her mother tongue, but she also uses this language in one hundred percent of her lyrics. Not only that, she’s more than just a singer, being responsible for all instruments in her one-woman Black Metal project. Owner of a mesmerizing voice, she will stun us all with her undisputed fusion of Pagan Black Metal with Nordic and Scandinavian melodies, offering us all beautiful lyrics in the form of poems about life, death and nature in her native language. Her name is Julia Mattila, usually referred to as her alter-ego Vermilia, a very creative woman and a free soul from the land of ice and snow who has a vision and a deep passion for music inside her head, always ready to let everything out in the form of her unique sounds.

Born and raised in Hämeenlinna, a city in Finland and the regional capital of Kanta-Häme, located in the southern interior of the country and on the shores of Lake Vanajavesi, Vermilia has been crafting music basically since she was born, having done everything from classical music to folk singing to metal and everything between that. She grew up in a very musical family, which means making music has always been very natural to her. Moreover, she is also an audio engineer, always listening to different genres to find new ideas for her own sound and production, therefore keeping her music as fresh and unique as possible with each album released.

Her one-woman project Vermilia was founded back in 2017, blending Pagan Black Metal with Scandinavian and Nordic melodies, clean, harsh and melancholic vocal harmonies, and lyrics in the form of poems about life, death and nature, always singing in her mother tongue Finnish, and always responsible for not only all vocal duties (including some amazing harsh growls), but also for all instruments (including even shaman drums), graphics and videos, recording, producing, mixing and mastering of all of her albums, plus all the artworks and photography. Shortly after forming Vermilia, she released her debut album Kätkyt (which means “cradle” in English), in 2018, which ended up being one of the most best selling metal albums on BandCamp during the weekend of its pre-release announcement, receiving a huge amount of praise from a variety of critics, magazines and webzines, and of course from fans from all over the world.

Right after the enormous success of Kätkyt, she released on March 1, 2019 her cover version for a Finnish classic song called Täällä Pohjantähden Alla, originally released by Petri Laaksonen in 1994 (and you can check the original version HERE). Vermilia’s atmospheric version became a huge success on Spotify, jumping straight to number #1 of the most viral songs in Finland on the official Spotify charts. After such a wild feedback from music lovers from all four corners of the earth, it was more than natural for Vermilia to keep her momentum going with the 2020 four-track EP Keskeneräisiä Tarinoita, which translates as “unfinished stories”, also getting tons of positive feedback from all types of metal and non-metal fans.

Then after reaching almost two million streams on Spotify, it was time for Vermilia to unleash upon humanity her highly anticipated sophomore opus, entitled Ruska, or “autumn foliage”, the process of leaves turning to various shades of yellow, orange, red and brown as the trees get ready for winter. The evolution in her music was beyond clear in Ruska, with her always evolving blend of Atmospheric, Pagan and Black Metal getting more personal, tighter and more compelling, culminating now in 2025 with the release of her strongest album to date, the breathtaking Karsikko, an expression that represents a set of markings made on a tree somewhere between a deceased person’s home and the burial site in the Finnic religion, which was believed to prevent the individual’s spirit from coming back. Her visuals are also a crucial part of her music, and you can savor that in all of her official videos on YouTube, including Veresi, Kansojen Kaipuu, Marras, Tuonen Joki, Hautavajo, Ruska, Hauras, Kuollut, Kaunis, and Äiti Maa. All of them are definitely worth a watch, and all of her albums are certainly worth purchasing from BandCamp, and you can also click HERE for all things Vermilia, including her mesmerizing live performances.

Apart from Vermilia, you can find our she-wolf (under her name Julia Mattila) as part of the bands Duo Julia Mattila & Samuli T. Mäkelä and Seele, and as the vocalist for a now defunct project named The Passion of Our Souls. As a matter of fact, Duo Julia Mattila & Samuli T. Mäkelä and The Passion of Our Souls are basically the same band, with the main difference being the type of music they play. In Duo Julia Mattila & Samuli T. Mäkelä, it looks like Julia and Samuli play (or used to play, who knows) cover songs in a sort of folk style, while in The Passion of Our Souls the style was a fusion of Melodic Death Metal with Metalcore with nuances of symphonic and gothic music, having released back in 2015 their first and only record, the EP Soulmates, as you can see in the song Give Me Your Soul.

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Her other band, named Seele, is an Alternative Rock/Electronic Pop band from Finland with whom Vermilia released the album Jos Vain Kaiken Jättäisin (which means “If Only I Left Everything” in English), in 2016, but that was it. Furthermore, you can also find her doing backing vocals on the song Peikonmieli, from the 2017 album Saatto, and vocals on the song Ikarus, from the 2019 album Valo, both released by the now defunct Finnish Melodic Black/Gothic Metal band Mustan Kuun Lapset, another band from Finland that always used their mother tongue to keep their connection to their roots intact and always present in their music.

In regards to Vermilia’s idols and influences, she always mentions in her interviews that her biggest inspirations are nature, sadness, darkness, autumn rain and mythology. “Everything I compose or write happens without bigger plans. I just let the creativity fly and move forward with the feelings I have in that moment,” she commented, complementing by saying that musically speaking she’s influenced by Atmospheric and Pagan Black Metal, as well as by folk music, which in her opinion represents freedom of art and freedom of mind. Furthermore, although her music is sometimes compared to Myrkur, Ulver and Moonsorrow, all bands she respects and admires, she mentioned she still thinks that their music is different from Vermilia, saying that any similarities might come from her subconscious or something like that.

As mentioned before, Vermilia is a skilled singer who can do both clean and harsh vocals, and she commented already in an interview how much her vocals have evolved with time. “I have studied different vocal techniques, which has helped me find all my voices. I love using my voice in many ways, and it’s my favourite instrument.” On a side note, when playing live of course she ends up needing support from other musicians to be able to bring her creations to life. “I do every single vocal by myself. There is no other vocalists on the album. But for example in the live shows I can’t do all at the same time, so there needs to be some compromises, like someone to double the growls in some parts of the songs when I do the clean vocals.” Furthermore, she also has a very good explanation for singing pretty much all the time in Finnish. “The Finnish language is very rich and there are so many metaphors in my lyrics that it’s kind of hard to translate these songs. I have done some lyrics in English in the past before Vermilia, but I am a so much better writer in Finnish so at this point I will keep doing this in Finnish because it fits perfectly to this, but you know, never say never.”

Vermilia also has a strong opinion about all the discrimination and disrespect towards women, both in the music industry and in everyday life. “I think we are going in a better direction, but we are still very far away from a solution for this.” In addition, she also thinks the new wave of women in Black Metal and other styles of extreme music is awesome, showing a lot of respect for bands like Myrkur and Sylvaine. “I think it is awesome that women are rising and doing their own music in their own way.” And of course, as she was born in Finland, a country considered by many as the epicenter of the best heavy music on the planet, she had some nice words to say about her homeland. “I love Finnish music in many genres, not just metal. I guess it’s so cold and dark here that we have to be creative and keep our brains warm by doing metal. For me Finland is a calming place where my mind is clear and my soul is resting. We have so many forests and lakes that you really don’t have to see other people if you don’t want to. Peace of nature is inspirational. I love to write and compose here.”

There are also countless interviews and videos online with Vermilia, like this nice one for a podcast from Latvia named Metālkāsts LV, where she talks about why she decided to fly solo in her career, her songwriting ritual, the importance of writing and singing in her native Finnish language, her favorite season of the year, and more, showing she’s not just a very talented musician, but also a very down to earth woman who will keep working hard and releasing new albums for our total delight, always following her passion for music, always inspired by nature, and always remaining true to her Finnish roots. And do you know her motto? Well, that’s a very simple yet powerful one that all of us should carry inside our hearts. “Be thankful for what you have right now, and don’t take anything for granted.”

Vermilia’s Official Facebook page
Vermilia’s Official Instagram
Vermilia’s Official YouTube channel

“I love Finnish music in many genres, not just metal. I guess it’s so cold and dark here that we have to be creative and keep our brains warm by doing metal. For me Finland is a calming place where my mind is clear and my soul is resting. We have so many forests and lakes that you really don’t have to see other people if you don’t want to. Peace of nature is inspirational. I love to write and compose here.” – Vermilia

Album Review – Lord Agheros / Anhedonia (2025)

One of the leading Atmospheric and Avantgarde Black Metal names in Italy returns with its cinematic, emotional and dramatic seventh studio album.

One of the leading Atmospheric and Avantgarde Black Metal names in Italy, Catania, Sicily-based entity Lord Agheros takes us into a musically extreme world that mixes Nordic-style Black Metal with ancient and melancholic atmospheres linked to symphonic and ambient elements in its newborn spawn Anhedonia, the seventh studio album in its brilliant career. Recorded, mixed and mastered by Lord Agheros at Molon Labe Studio, with graphic project and layout by Federico De Luca, the new album by vocalist and multi-instrumentalist Gerassimos Evangelou offers a beautiful slab of what he likes to call “Atmospheric Emotional Black Metal”, bringing forward the cinematic essence of Ulver, the Avantgardism of Ihshan, the strength of Wolves In The Throne Room, the Mediterranean touch of Moonspell, and the dramatic elements of Empyrium.

A melancholic, soothing start evolves into a deep feast of harsh and ethereal vocalizations that lasts for over six minutes in Lament of the Lost, flowing into Harmony of Despair, which also starts in a serene manner before Gerassimos delivers devilish riffs and beats boosted by a grandiose backdrop, also presenting delicate piano notes and endless fire. Eclipse of Hope offers another enfolding dosage of his emotional version of Atmospheric Black Metal, alternating harsh, visceral moments and delicate passages, whereas a reverberating sound will enfold you in darkness in Lost Dreams Ritual, taking too long to take off despite its interesting tribalistic vibe.

Sorrow’s Shroud is a lot heavier, more introspective and somber than its predecessors, with Gerassimos kicking some ass with both his harsh vociferations and serene, soothing instrumental passages; flowing into the beyond atmospheric Soul’s Descent into the Void, with its piano notes matching beautifully with the female vocals by a mysterious guest vocalist, also connecting with the melodic track Tears in the Silence, where Gerassimos focuses on the ethereal sound of his acoustic guitar alongside the gentle sound of the piano, and ending with the Avantgarde Metal feast named Ancient Echoes, with all vocalizations and ambient elements putting a pensive conclusion to the album.

In a nutshell, Anhedonia is a sort of musical journey between esoteric and oriental sounds, Ambient-wave elements and references to Nordic musical traditions, but without losing the identity of the project made by the beauty of the atmospheres that blend inextricably with the sonic extremism of Black Metal. Hence, don’t forget to follow Gerassimos and his Lord Agheros on Facebook and on Instagram, to stream his music on Spotify, and of course to buy a copy of his striking new album from BandCamp or from My Kingdom Music’s BandCamp or webstore. As it is for years now, always expect the unexpected. Because this was, is, and will always be the main path of Lord Agheros.

Best moments of the album: Harmony of Despair, Sorrow’s Shroud and Soul’s Descent into the Void.

Worst moments of the album: Lost Dreams Ritual.

Released in 2025 My Kingdom Music

Track listing
1. Lament of the Lost 6:30
2. Harmony of Despair 3:46
3. Eclipse of Hope 4:34
4. Lost Dreams Ritual 5:02
5. Sorrow’s Shroud 5:50
6. Soul’s Descent into the Void 4:44
7. Tears in the Silence 5:12
8. Ancient Echoes 4:13

Band members
Gerassimos Evangelou – vocals, all instruments

Album Review – Am Himmel / As Eternal As The Starless Kingdom Of Sorrow (2022)

An ecclesiastical nightmare formed by emanations from the metaphysical voids trapped in the eternal light arises to the sound of its debut effort of unearthly Atmospheric Black and Doom Metal.

“As for thee also, by the blood of thy covenant I have sent forth thy prisoners out of the pit…”

An ecclesiastical nightmare formed by emanations from the metaphysical voids trapped in the eternal light, Atmospheric Black/Doom Metal entity Am Himmel, which translates as “in the sky” from German, is the new solo project from vocalist and multi-instrumentalist JMKP, an old soul from the Netherlands whose inspiration lies between doomy synth-based Drone, raw Black Metal and Shoegaze, channeling ancient and metaphysical energies through the combination of eerie soundscapes with raw and buzzing extreme music in his newborn beast entitled As Eternal As The Starless Kingdom Of Sorrow. There’s a sinister and unearthly atmosphere surrounding the whole record, not just from the devilish growls and shrieks, but also from the hypnotic mystical synth layers, being therefore highly recommended for admirers of the music by Urfaust, Lurker of Chalice and Xasthur, among other servants of darkness.

Bleared By The Infinite Wings is darkly noisy from the very first second, inviting us all to the ethereal world of Am Himmel by blending the melancholy of Atmospheric Black Metal with the obscurity of Doom Metal. Moreover, JMKP does an amazing job with both his sluggish beats and anguished gnarls, and continuing his path of darkness it’s time for The Patience And Silence Of A Saint’s Death, even more somber than its predecessor with our lone wolf’s devilish roars penetrating deep inside your mind in a lecture in Atmospheric Black Metal. Then get ready for over seven minutes of whimsical passages, slow and steady beats and cryptic vociferations in the form of The Virgin Wages Celestial War In The Seraphim Courts, flowing smoothly until the very last second thanks to the piercing riffage by the project’s mastermind; whereas adding elements from Drone and Ambient music to his core sonority JMKP offers us all the visceral The Fumes Of Thy Preposterous Torment, where all background elements match perfectly with his demented gnarling and vile beats, resulting in first-class extreme music. Once again bring to our ears sheer obscurity and despair, JMKP will drag you to his Stygian lair to the sound of his hypnotizing drums and screaming guitars in The Bewildered Firstling Thrusts The Knife Into Her Brother; and lastly, our multi-talented Dutch metaller brings forward another round of wicked, venomous sounds in the title-track As Eternal As The Starless Kingdom Of Sorrow, a song which not only concludes the album on a high note, but that will also please at the same time fans of old school Black Metal and admirers of modern-day Atmospheric Metal hands down.

If you want to put your doomed hands on As Eternal As The Starless Kingdom Of Sorrow, you can soon purchase it directly from Am Himmel’s own BandCamp page, as well as from the Burning World Records’ BandCamp page or webstore (for the US or the rest of the world customers). A starless kingdom bereft of celestial pureness, evoking strange rituals in the gothic catacombs of Christianity and insanity, Am Himmel will certainly change your view of Atmospheric Black and Doom Metal for the better, with As Eternal As The Starless Kingdom Of Sorrow beautifully representing everything JMKP and his new project stand for and, consequently, positioning it not only as one of the most promising names of the Dutch scene, but also as one of the driving forces of the genre worldwide.

Best moments of the album: The Patience And Silence Of A Saint’s Death and The Fumes Of Thy Preposterous Torment.

Worst moments of the album: None.

Released in 2022 Burning World Records

Track listing
1. Bleared By The Infinite Wings 6:56
2. The Patience And Silence Of A Saint’s Death 5:12
3. The Virgin Wages Celestial War In The Seraphim Courts 7:22
4. The Fumes Of Thy Preposterous Torment 6:31
5. The Bewildered Firstling Thrusts The Knife Into Her Brother 6:25
6. As Eternal As The Starless Kingdom Of Sorrow 5:23

Band members
JMKP – vocals, all instruments

Album Review – Kaamos Warriors / Shadows Of Northern Chaos (2019)

All hail the Finnish warriors of the eternal night and their brand new album of Dark Metal, beautifully reflecting the coldness and melancholy of the North.

Formed as a duo by vocalist and guitarist Mikko Ojala (Crowned with Black, Dark the Suns, The Beauty of Darkened Hearts) and guitarist Jani Moilanen (R2JBros) in the beginning of 2018 in Kempele, a municipality just south of the city of Oulu in Northern Finland, the sinister Dark Metal unity known as Kaamos Warriors is unleashing upon humanity their second full-length opus entitled Shadows Of Northern Chaos, a follow-up to their debut album Ikuisen Talven Sarastus (or “the dawn of eternal winter” in English), released earlier this year. Now a three-piece band with the addition of bassist Jyri Moilanen to their lineup, Kaamos Warriors once again reflect the coldness and melancholy of the North in the eight dark and somber compositions found in  Shadows Of Northern Chaos, combining the bitterly cold elements from Atmospheric and Doom Metal to their core Black Metal essence. As a matter of fact, the word “kaamos” means “the polar night”, or the period of darkness north of the Arctic Circle and south of the Antarctic Circle when the sun does not rise over the horizon, perfectly summarizing what the music by those Finnish metallers is all about.

Mikko and Jani generate a frosty and raw ambience with their riffs in the opening track Wolves in Storm, an ode to the North blending classic Black Metal with contemporary Blackened Death Metal and with Mikko’s vocals sounding deep and obscure just like the music demands. Then we have Chaos Walks the Earth, even darker and more demonic than its predecessor, with its guitars bringing the most visceral tones from classic Death Metal while Jyri’s bass lines sound absolutely ominous, therefore adding an extra dosage of malignancy to the music, all spiced up by spot-on blast beats and strident guitar solos. And get ready to crack your neck headbanging to the boisterous Chaos & Mayhem, where the brutal sounds of guitars and bass fill every single space in the air, resulting in a dense and violent atmosphere that leans towards Melodic Black Metal; whereas Ruined by Plague is a mid-tempo hellish hymn blasted by the trio with a huge focus on the very detailed work done on the guitars, which complemented by Jyri’s thunderous bass turns it into a storm of heavy music.

In the title-track Shadows of Northern Chaos this talented Finnish triumvirate goes full Black Metal, blasting our ears with an infernal sonority led by Mikko’s Stygian, guttural roars while its riffs add hints of melancholy and hopelessness to the overall result, and they keep slashing their strings in Where Shadows Grow, another classic Black and Death Metal composition showcasing spot-on beats, harsh gnarls and a perturbing, winter-like vibe, offering the listener a fusion of sheer aggressiveness and obscurity with a very pleasant melody. Ruins of Hope sounds as if Unleashed met Marduk and Behemoth for a jam session, with Mikko and Jani firing incendiary riffs from their axes while Jyri keeps delivering rumbling bass punches nonstop, and lastly the band fires Moon and Stars, one of the most melancholic and darkest of all tracks where you can feel the bitterly cold epicness of the North flowing from its riffs and beats, flirting with Doom Metal and remaining truly grim and dark until the very end.

If you enjoy this fusion of extreme music with the chilling, melancholic landscapes from the North crafted by Kaamos Warriors, you should definitely follow the band on Facebook, listen to more of their music on Spotify, and purchase their music from different locations such as Apple Music and Amazon. Shadows Of Northern Chaos might not be a masterpiece nor a revolution in Black and Death Metal, but it’s definitely a very good, cohesive and well-balanced album by those warriors of the never-ending northern night highly recommended for fans of the genre, and if in their first year of existence they were already capable of delivering two really entertaining full-length albums, I can’t wait to see what’s next in their promising (and wintry) career.

Best moments of the album: Chaos Walks the Earth, Chaos & Mayhem and Shadows of Northern Chaos.

Worst moments of the album: None.

Released in 2019 Inverse Records

Track listing
1. Wolves in Storm 2:28
2. Chaos Walks the Earth 2:28
3. Chaos & Mayhem 2:06
4. Ruined by Plague 2:35
5. Shadows of Northern Chaos 3:06
6. Where Shadows Grow 3:28
7. Ruins of Hope 2:28
8. Moon and Stars 4:00

Band members
Mikko Ojala – vocals, guitars
Jani Moilanen – guitars (lead/acoustic)
Jyri Moilanen – bass