The Year In Review – Top 10 Hard Rock/Heavy Metal Albums of 2025

“Who the fuck is Justin Bieber?” – Ozzy Osbourne

There’s not much to celebrate in rock and metal music in the same year when we lost the one and only John Michael “Ozzy” Osbourne. Nothing will ever be the same without the Prince of Darkness, the Madman, The Wizard of Ozz. There isn’t a single artist or band reviewed in the history of The Headbanging Moose that wasn’t influenced in several ways by Ozzy and, of course, by Black Sabbath. It is a very sad year indeed. However, Ozzy was always in a great mood, always happy, and I’m sure that, wherever he is now, he wants to see us all smiling and laughing, because that’s what life is all about. He also wants us to keep attending rock and metal concerts to have a good time with our loved ones, with our closest friends, just like Keith Ibbitson of Metal Paparazzi and I did so many times this year, covering incredible bands the likes of Blackbraid, Ne Obliviscaris, Cattle Decapitation, Blind Guardian, and so on. I’ve also had the utmost pleasure of seeing the mighty Judas Priest in Dalhalla, Sweden, a dream come true for this fanboy here, and I can’t wait to “run for my life” in 2026. Having said all that, let’s honor the life of Ozzy with The Headbanging Moose’s Top 10 Hard Rock/Heavy Metal Albums of 2025, excluding EP’s, best of’s and live albums, and keep on rockin’ like the Madman until our very last breath!

1. Blackbraid – Blackbraid III (REVIEW)
Behold the stunning next chapter in the musical and spiritual journey of the witch hawk of Black Metal hailing from the Adirondack Mountains.
Best song of the album: Wardrums At Dawn On The Day Of My Death

2. Werewolves – The Ugliest of All (REVIEW)
The torchbearers of “Caveman Death Metal” continuing to annihilate intellects with an unlistenable barrage of truly hideous music.
Best song of the album: The Ugliest of All

3. Testament – Para Bellum (REVIEW)
Let’s prepare for war to the sound of the breathtaking fourteenth studio album by California’s own masters of old school Thrash Metal.
Best song of the album: Para Bellum

4. Helloween – Giants & Monsters (REVIEW)
These German giants of Heavy Metal and monsters of Rock N’ Roll are back with their ass-kicking seventeenth studio album.
Best song of the album: Majestic

5. An Abstract Illusion – The Sleeping City (REVIEW)
This incredible Swedish Progressive Death and Black Metal entity returns with their heaviest and most atmospheric work to date.
Best song of the album: Like a Geyser Ever Erupting

6. Allegaeon – The Ossuary Lens (REVIEW)
World domination awaits to the sound of the striking new beast by one of the must-see bands of the current tech death scene worldwide.
Best song of the album: The Swarm

7. 1914 – Viribus Unitis (REVIEW)
Trench warfare meets blackened death and doom in 1914’s fourth onslaught of war-torn fury.
Best song of the album: 1918 Pt 3: ADE (A Duty to Escape)

8. Cryptopsy – An Insatiable Violence (REVIEW)
Canada’s own Death Metal machine returns with their ruthless ninth studio album.
Best song of the album: Until There’s Nothing Left

9. Baest – Colossal (REVIEW)
Back from the fires of Denmark, this unstoppable creature will crush you with their fourth studio album.
Best song of the album: Colossus

10. Diabolizer – Murderous Revelations (REVIEW)
The torchbearers of diabolical abomination unite once again to drag us down into the fiery abysses of Turkish Death Metal without warning.
Best song of the album: Deathmarch of the Murderous Tyrant

And here we have the runner-ups, completing the top 20 for the year:

11. Lorna Shore – I Feel The Everblack Festering Within Me (REVIEW)
12. Impureza – Alcázares (REVIEW)
13. Crimson Shadows – Whispers of War (REVIEW)
14. Primal Fear – Domination (REVIEW)
15. Serenity In Murder – Timeless Reverie (REVIEW)
16. Khôra – Ananke (REVIEW)
17. Panzerchrist – Maleficium – Part 2 (REVIEW)
18. Ominous Ruin – Requiem (REVIEW)
19. Wrath of Belial – Embers of Dead Empires (REVIEW)
20. Grima – Nightside (REVIEW)

Not only that, here’s once again our Top 10 EP’s of 2025, proving once and for all that the duration of an album is not that important in the end. As long as the music is great, the whole thing can be only one second long, like the classic “You Suffer” by Napalm Death!

1. When Plagues Collide – Kingmaker (REVIEW)
2. De Profundis – The Gospel Of Rot (REVIEW)
3. Fimbul Winter – What Once Was (REVIEW)
4. NecroticGoreBeast – Brute (REVIEW)
5. Serpent Corpse – Retaliate (REVIEW)
6. Akouphenom – Connections To The Erebus (REVIEW)
7. Necht – The Inevitable Suffering (REVIEW)
8. Discovery Through Torment – Telesynthetic Rebirth (REVIEW)
9. Der Rote Milan – Verlust (REVIEW)
10. Eleine – We Stand United (REVIEW)

Do you agree with our list? What are your top 10 albums of 2025? Also, don’t forget to tune in every Tuesday at 10pm BRT on Rádio Coringão to enjoy the best of classic and underground metal with Jorge Diaz and his Timão Metal, and every Thursday at 8pm UTC+2 on Midnight Madness Metal e-Radio for the best of underground metal with The Headbanging Moose Show!

Metal Xmas and a Headbanging New Year! See you in 2026!

And of course, as we really don’t like those boring Christmas songs here on The Headbanging Moose, we’ll leave you with what’s perhaps the most emotional and strongest metal hymn of the year, the charity version of “War Pigs”, by Black Sabbath, recorded by Judas Priest and with Ozzy himself sharing the vocal duties with the Metal God Rob Halford! This is the epitome of rock and metal music!

Generals gathered in their masses
Just like witches at black masses…

Concert Review – Judas Priest (Dalhalla, Rättvik, Sweden, 07/10/2025)

Thousands of metalmaniacs heeded the call of the Metal Gods to join them at the Gates of Dalhalla for a perfect night of pure Heavy Metal.

INTRO: At the Gates of Dalhalla

I think before starting the review of the actual concert, we should first talk a little about the venue. By the way, it’s my new favorite venue in the entire world, and I doubt any other place I see a concert in my life will be so beautiful and mesmerizing. Dalhalla or Draggängarna as it was previously called, is the name of a former limestone quarry where mining ceased in 1990, used nowadays as an open air theatre and music venue during the summer. It is located 7km north of Lake Siljan in the municipality of Rättvik in Dalarna, central Sweden. 360 million years ago, a meteor fell from space. It fell over Dalarna and the result was the Siljansringen and the surrounding Siljansbygden. The entire bedrock of the area was affected and formed an exciting composition of colorful vertical stripes that are different soil and rock layers, from which lime has become easy to access.

For about fifty years, they blasted and excavated what has now become the basis for Dalhalla, an acoustically designed arena with dimensions that form a kind of ideal golden ratio, albeit in three dimensions. A stroke of luck, which means that Dalhalla can be compared to famous stages in ancient Greece and Italy. In other words, it was the PERFECT venue for JUDAS PRIEST, with support from PHIL CAMPBELL AND THE BASTARD SONS, to stun us all with their undisputed Shield of Pain Tour 2025. And as soon as we got inside such a phenomenal venue, we were impressed with the entire structure, with not only the stage, the pit and the seats looking awesome, but the whole food and merch court was excellent, with plenty of options for all types of people, lots of spots to sit, and extra space for friends to chat about music and life. I obviously got myself a tour shirt and a set of patches, as I had to register that day not only in my memory, but also in my own fashion.

OPENING ACT: Phil Campbell And The Bastard Sons

A Welsh rock band established in 2016 by longtime Motörhead guitarist Phil Campbell, following the 2015 death of Motörhead iconic frontman Lemmy, PHIL CAMPBELL AND THE BASTARD SONS had the utmost pleasure of warming up the wild Dalhalla crowd on a perfect night, or maybe I should say day, as this time of the year it doesn’t really get dark in Sweden, with a lot of sun, blue skies, no clouds, rain or strong winds, and temperatures around +25oC. Seriously, the weather couldn’t have been better. I have mixed feelings about Phil Campbell and his crew, as sometimes they sound like a badass ensemble, sometimes like a college band with that “crazy drunk uncle” we all know on the guitar. Their setlist was fine, mixing songs form their 2023 album Kings of the Asylum with some Motörhead classics such as Going to Brazil and Born to Raise Hell, the two best songs of their entire show by the way, but there was something “missing” to give it that extra kick. I’m not going to say that extra ingredient would have been Lemmy because that would be daydreaming, but I think you know what I mean. In the end, it was a decent opening act for the Metal Gods, and they all seem to be very nice guys, so it was a good show for what it is.

Setlist
We’re the Bastards
Step Into the Fire
Going to Brazil (Motörhead cover)
Hammer and Dance
High Rule
Born to Raise Hell (Motörhead cover)
Straight Up (Phil Campbell song)
Dark Days
Ace of Spades (Motörhead cover)
Strike the Match

Band members
Joel Peters – lead vocals
Phil Campbell – guitar
Todd Campbell – guitar, harmonica
Tyla Campbell – bass
Dane Campbell – drums

JUDAS PRIEST

Faster than a bullet. Terrifying scream. Enraged and full of anger. They’re half man, half machine, and one hundred percent Metal Gods. Just like the meteor that fell from space hundreds of millions of years ago to form the stunning Dalhalla, the almighty Heavy Metal institution JUDAS PRIEST began ripping out hearts mercilessly with their flawless celebration of pure metal magic. The Hell Patrol showed no mercy for our metallic souls, blending some of their biggest classics like You’ve Got Another Thing Comin’ and Breaking the Law with new songs from their 2024 beast Invincible Shield, and of course almost all songs from the most metal album in history, the unparalleled 1990 masterpiece Painkiller. I can’t remember a setlist by the Metal Gods that sounded so powerful, electrifying and heavy, an ode to all things metal that inspired everyone at Dalhalla to keep their horns high throughout their entire set, headbanging and screaming like crazy until the very last second.

Speaking of the crowd, I couldn’t have asked for a better one that night. The Swedish metalheads proved you don’t need to push anyone for a concert to be absolutely wild, showing nothing but utmost respect for each other, and leaving enough space for each and every person in the floor section to breathe and actually enjoy the concert to the fullest. Kudos to the Swedes! Furthermore, when the speakers started playing Black Sabbath’s all-time classic War Pigs, and pretty much the entire venue began singing it at the top of their lungs, I knew the whole concert was going to be phenomenal, and as soon as the band took the stage by storm with the hard-hitting anthem All Guns Blazing, followed by the metal hymn Hell Patrol, the whole area turned into the most metal place on earth.

I love the way Rob Halford, Richie Faulkner, Andy Sneap, Ian Hill and Scott Travis managed to bring so much stamina, passion and energy to their setlist, going from a total banger like Freewheel Burning to the dark venom of A Touch of Evil, keeping all fans engaged from start to finish. The new songs selected for this tour also brought endless joy to my metal heart, with Gates of Hell putting everyone to dance, the fast and furious The Serpent and the King (which is my favorite song from Invincible Shield) exhaling the essence of pure Heavy Metal, and Giants in the Sky being the most emotional moment of the entire show with its homage to our fallen heroes. The fact Halford added Jill Janus to such a stellar group of rock and metal icons almost made me cry, and if you know nothing about her I highly recommend you go after her music. Halford loved her, her voice and her creations, just to give you an idea of how metal she was.

I was already on cloud 9 at that point, but when Mr. Scott Travis began hammering his drums in the iconic intro to Painkiller (which would certainly be my chosen song to be added to a time capsule to show all future generations the meaning of Heavy Metal), it was a collective metallic orgasm as everyone started screaming its lyrics together with the Metal Gods. I don’t remember seeing such a demented reception to that song ever before, as if it was the musical climax in the life of everyone at Dalhalla. I don’t think there’s a song by Judas Priest that the Swedish fans love more than that, and when the band is onstage playing it to perfection, you know you’re in for a treat.

Once again, I had some hope in my heart that Mr. Glenn Tipton would join them onstage for the encore, in special after they skipped Metal Gods (which was a part of their setlist, and a song Mr. Tipton might still be able to play at a high level), but unfortunately one of the best guitarists in the history of metal wasn’t there to jam with his bandmates during the encore. Well, I can’t complain at all about the work done by Richie and Andy, as those guys were shredding their axes in great fashion nonstop, but Glenn will always have a very special place in our hearts and minds.

Speaking of heart, mind and soul, it’s very hard nowadays to say who’s Rob Halford, and who’s Judas Priest. He’s always been the Metal God, no doubt about it, but it feels like his passion for heavy music has grown even stronger in recent years, adding even more strength and feeling to the band’s undisputed live performances. Rob was on fire as usual, being worshipped by all concert goers and driving the fans in the pit absolutely mental with his high-pitched screams. And when he rode his Harley-Davidson to the stage during the encore for Hell Bent for Leather and Living After Midnight, well, that’s one of those moments when you perfectly understand why you love Heavy Metal so much.

After the show was over, it was time to unfortunately say goodbye to Dalhalla, or maybe I should say farewell as I’m sure I’ll be back to that phenomenal venue, and drive back in almost broad daylight to our cabin not too far from there. I must say it was hard to fall asleep due to the adrenaline flowing through my body before, during and after the show, and of course the next morning I had to listen to the entire setlist again to relive such an unforgettable event, in special songs like Hell Patrol, The Serpent and the King, Giants in the Sky, and Painkiller. The big screen behind the band at the end of the show showed in big letters “THE PRIEST WILL BE BACK”, and I guess I don’t need to say that whenever they announce a new show in Dalhalla, I will be there.

Setlist
War Pigs (Black Sabbath song)
All Guns Blazing
Hell Patrol
You’ve Got Another Thing Comin’
Freewheel Burning
Breaking the Law
A Touch of Evil
Night Crawler
Solar Angels
Gates of Hell
The Serpent and the King
Battle Hymn
One Shot at Glory
Between the Hammer and the Anvil
Giants in the Sky
Painkiller

Encore:
The Hellion
Electric Eye
Hell Bent for Leather
Living After Midnight
We Are the Champions (Queen song)

Band members
Rob Halford – vocals
Richie Faulkner – guitar
Andy Sneap – guitar
Ian Hill – bass guitar
Scott Travis – drums

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Concert Review – Scorpions (Heinz von Heiden Arena, Hannover, Germany, 07/05/2025)

The city of Hannover welcomed home one of the most important bands in the history of rock music on a night to remember.

OPENING ACTS: Rosy Vista, Bülent Ceylan, Alice Cooper and Judas Priest

They have played all over the world in stadiums and open-air arenas, in La Paz, Bolivia, at 3,636 meters, in Rio de Janeiro in front of 1.3 million fans, in Los Angeles and Moscow, but it was on July 5, 2025 when the unstoppable SCORPIONS, with support from ROSY VISTA, BÜLENT CEYLAN, ALICE COOPER and JUDAS PRIEST, played their most emotional concert in history, in a stadium in their home city of Hannover for the first time ever, the massive Heinz von Heiden Arena. Billed as Scorpions 60 Years Anniversary Concert – Coming Home to Hannover, it was a day and night to remember in the hearts and minds of the almost 50,000 fans who took every single space available at the arena, and when you add to that the perfect weather that was over the city, plus the quality or all merch, food and drinks, it definitely makes me want to go back in time to relive such an amazing celebration of heavy music. Well, to be honest, I will be able to do so, as the show was professionally recorded to be released as a live album titled Coming Home Live later this year.

Due to all attractions in the bill, the event started really early at around 3:30pm, when another band from Hannover, the girls from Melodic Heavy Metal/Hard Rock band ROSY VISTA, kicked off the festivities. The band formed of Andrea Schwarz, Anca Graterol, Heike “Bass Sistah” Müller and Marina Hlubek has just released a new album named F.o.r.t.y. this year, celebrating their 40 years on the road (and yes, Scorpions were not the only ones celebrating an important milestone that day), and of course available on most platforms like Spotify, but unfortunately we couldn’t make it to the stadium in time to see the girls. I have no idea how their performance was, but based on the quality of their music it might have been a cool opener for their hometown heroes. Maybe next time I visit Hannover I can catch them live, who knows.

Setlist
I Can’t Live Without My Radio
I Wanna Get You Back
Master of Control
Too Much Feeling
Addicted to Freedom
Poor Rosy

Band members
Andrea Schwarz – vocals
Anca Graterol – guitars
Heike “Bass Sistah” Müller – bass, backing vocals
Marina Hlubek – drums

After the girls from Rosy Vista, it was time for BÜLENT CEYLAN, a German comedian and Cabaret artist who plays several comic roles with frequent themes being the quirks of Germans from Turkish family backgrounds and people from Mannheim (told in the dialect of Mannheim), to hit the stage with his fusion of comedy and music. Once again, due to the early time slot allocated for Bülent Ceylan we couldn’t make it in time to see the band playing, and besides, I guess I wouldn’t have understood any of the jokes from his performance as they might have been all in German. I have no idea how the band sounds like, but I might take a listen at some of their songs on Spotify just out of curiosity.

Setlist
Yallah Hopp
Schmutzige Liebe
Wenn Metaller traurig sind
Rüstung aus Hass
Wohin du gehst
Anders gleich
Ich liebe Menschen
Brüder
Booom

Band members
Bülent Ceylan – vocals
Julia Lange – guitar
Tobi Stulz – guitar, backing vocals
Hannes Merten – bass, keyboards
Marcel Vojvodic – drums

After grabbing the event shirt at the merch booth outdoors, as well as a couple of beers (which included different versions of a Scorpions commemorative cup), we entered the arena about 20 minutes before American Heavy Metal/Hard Rock legend ALICE COOPER kicked off his horror-inspired rock show, increasing the temperature inside the venue with his collection of undisputed hits, including No More Mr. Nice Guy, I’m Eighteen, Under My Wheels, Hey Stoopid, Poison, School’s Out, and as the encore, Feed My Frankenstein. There were no songs from his upcoming new album The Revenge of Alice Cooper, but I don’t think anyone cared about that to be honest. The entire band was on fire, the theatricals during the songs were spot on, and it looked like the cameramen and the crowd were there to worship the stunning guitarist Nita Strauss. Seriously, she appeared on the big screens A LOT more than Mr. Cooper, and when she was introduced by him to the fans, the entire arena trembled. Well, long live Alice Cooper, and long live Nita Strauss.

Setlist
Lock Me Up
Welcome to the Show
No More Mr. Nice Guy
I’m Eighteen
Under My Wheels
Bed of Nails
Billion Dollar Babies
Hey Stoopid
Go to Hell
Poison
The Black Widow
Nita Strauss Guitar Solo
Black Widow Jam
Ballad of Dwight Fry
Killer
I Love the Dead
School’s Out

Encore:
Feed My Frankenstein

Band members
Alice Cooper – lead vocals, harmonica, guitars, percussion, synthesizer
Nita Strauss – guitars, backing vocals
Ryan Roxie – guitars, backing vocals
Tommy Henriksen – guitars, backing vocals
Chuck Garric – bass, backing vocals
Glen Sobel – drums, percussion

When you have as a supporting act the almighty JUDAS PRIEST, you know the whole event is going to be more than special. Add to that the fact the Metal Gods are currently running their phenomenal Shield of Pain Tour 2025, blending their 2024 beast Invincible Shield with the most metal album of all time, the masterpiece Painkiller, and you’re in for an unforgettable night alongside Rob Halford, Richie Faulkner, Andy Sneap, Ian Hill and Scott Travis. I had high hopes for Mr. Glenn Tipton to join them during the encore due to the caliber of such a special event, but I think his health has sadly deteriorated to a point he can’t perform live anymore. I love the fact he’s in their official video for their cover version for Black Sabbath’s War Pigs, but unfortunately I believe that’s all we’re going to get from Mr. Tipton from now on.

Anyway, back to the show, despite the fact they had to shorten their current setlist as they were “just” a supporting act, the Metal Gods kicked some serious ass with their avalanche of hits, with of course songs like Breaking the Law and Painkiller getting the wildest reactions from the crowd. It was also clear a lot of people were there only to see Scorpions and knew nothing about Judas Priest, or knew only their classics, showing indifference to their excellent new song Gates of Hell, for example. As mentioned, it was a Scorpions gig, not a Judas Priest one, but several fans like myself had an amazing time with one of the most important bands in the history of Heavy Metal. Add to that the fact Halford wasn’t afraid at all to grab the Ukrainian flag from a fan at the barrier and proudly carrying it onstage at the end of the show, without being afraid at all of any type of backlash or criticism, and you know you’re in front of the one and only Metal God.

Setlist
War Pigs (Black Sabbath song)
All Guns Blazing
Hell Patrol
You’ve Got Another Thing Comin’
Freewheel Burning
Breaking the Law
A Touch of Evil
Night Crawler
Solar Angels
Gates of Hell
Between the Hammer and the Anvil
Painkiller
Hell Bent for Leather
Living After Midnight
We Are the Champions (Queen song)

Band members
Rob Halford – vocals
Richie Faulkner – guitar
Andy Sneap – guitar
Ian Hill – bass guitar
Scott Travis – drums

SCORPIONS

It was getting late as apparently SCORPIONS and the entire production were waiting for the skies to get dark to kick off their more-than-special hometown concert, and that was a bit of a bummer as it was a very long day for tons of fans (who are not kids anymore, by the way). When the show finally started, the energy was back to the faces of all concert goers, and I wish I had a professional photographer working with me that night as my crappy cellphone photos do not live up to the visual magic that took over the entire arena. When we were entering the venue, we got a special wristband with a led that would automatically turn on and change colors depending on the song played, and in the end that worked really well, adding an extra special touch to the show as if the whole arena and the band were united as one.

Regarding their setlist, not only it was the same as from their most recent concerts, but also the lack of special guests (like Doro, or maybe even Halford joining them to sing Blackout) took away a bit of the uniqueness of the night. We still got their biggest classics, of course, such as the obvious choice for opening the night, Coming Home, followed by Make It Real, Bad Boys Running Wild, Send Me an Angel, Wind of Change, and so on, but maybe they could have also played a few deep cuts to add an extra kick to the show. I loved all songs, no doubt about that, but as a fan of new music or non-classics, that would have been even better for my personal taste. Furthermore, if there’s one thing that really adds absolute power to the live performances by Scorpions these days, that’s Mikkey Dee. The “motörhead” behind the band’s drums is a true rock and metal beast, filling every single space in the air with his precision, punch and stamina, and even adding hints of progressiveness to each song. The man in unbelievable live, making it worth every penny just to see him playing drums, to be fair. Just to give you an idea, as much as I hate drum solos, his own solo is a thing of beauty and I like the fact it’s part of their setlist.

Time, it waits for no man, and if you’re the frontman of a rock or metal band with very demanding songs, that’s even harder. That’s exactly the case with Klaus Meine, who’s still performing at a high level, but you can notice he’s struggling already in a few songs due to the beyond hectic schedule of singing for almost two hours day in, day out. Don’t get me wrong, his voice is still beautiful, it gives a soul to mesmerizing songs like the undisputed ballad Still Loving You, but the man definitely needs to slow down with the band’s crazy touring schedule. The support he gets from his bandmates is superb, which makes it easier for him to keep moving forward, but the vocals are by far the most difficult instrument to handle after so many decades on the road, and I fear he’s getting to the end of the road regarding his vocal power and reach, unfortunately.

When the whole celebration was coming to its end, it was time for the band’s colossal scorpion mascot to rise behind Mikkey Dee for their encore with the mega hits Blackout and Rock You Like a Hurricane, and oh boy, what a massive, gigantic scorpion! I loved its imposing vibe, just like all giant Eddies from Iron Maiden’s previous tours, and he even moved well for its size, giving the show a nice creepy vibe. Unfortunately, as aforementioned, I don’t have any professional photos of it, but let’s say that’s a good thing as you’ll be able to enjoy it in all of its glory when Coming Home Live is released, right? I can’t wait to watch the full concert again, because it was a night to remember, a night when Hannover welcomed home one of the greatest rock bands of all time, and if they manage to celebrate their 70th anniversary in style like that, I guess I’ll have to pay Hannover a visit again in ten years.

Setlist
Coming Home
Gas in the Tank
Make It Real
The Zoo
Coast to Coast
Top of the Bill / Steamrock Fever / Speedy’s Coming / Catch Your Train
Bad Boys Running Wild
Delicate Dance
Send Me an Angel
Wind of Change
Loving You Sunday Morning
I’m Leaving You
New Vision
Tease Me Please Me
Big City Nights
Still Loving You

Encore:
Blackout
Rock You Like a Hurricane

Band members
Klaus Meine – vocals
Matthias Jabs – guitars
Rudolf Schenker – guitars, backing vocals
Paweł Mąciwoda – bass
Mikkey Dee – drums

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The Year In Review – Top 10 Hard Rock/Heavy Metal Albums of 2024

“Fans still compare me to Bruce Dickinson. I have people coming up to me and saying, Don’t you know that could’ve been you? And I tell them, That was me! I just didn’t want it..” – Paul Di’Anno

It’s hard to put into words the loss of our beloved Paul Andrews (17 May 1958 – 21 October 2024), better known by his stage name Paul Di’Anno, one of the most iconic musicians in the history of heavy music, helping Iron Maiden be what they’re today by giving that edgier vibe to the albums Iron Maiden and Killers, therefore influencing all future generations of musicians not only in Heavy Metal, but also in Punk Rock and Rock N’ Roll. He was a legend and will be sorely missed by anyone who loves good music. There’s not much we can do at The Headbanging Moose to honor his life and work, but we’ll keep celebrating heavy music in his name for as long as we can. I wish he could have played one final show in Toronto so Keith Ibbitson of Metal Paparazzi and I could have registered such a unique moment in the city, but unfortunately time is not always in our favor. Anyway, it might be a very sad year to the metal community worldwide with an irreplaceable loss like that, but heavy music lives on, and that’s why here we have once again The Headbanging Moose’s Top 10 Hard Rock/Heavy Metal Albums of 2024, excluding EP’s, best of’s and live albums, to keep the spirit alive and keep raising our horns to countless metal musicians like our great Paul Di’Anno.

1. Judas Priest – Invincible Shield (REVIEW)
Nothing can stand in the way of the Metal Gods as they raise the invincible shield of Heavy Metal.
Best song of the album: The Serpent and the King

2. Werewolves – Die For Us (REVIEW)
Australia’s most savage beast is back with their fifth studio opus, a lecture in Death Metal perfect for beating anyone back to life.
Best song of the album: Spittle-Flecked Rant

3. Aborted – Vault of Horrors (REVIEW)
These Death Metal and Deathcore beasts open their demonic vault of horrors to bring brutality, gore and evil to our damned souls.
Best song of the album: Death Cult

4. Necrowretch – Swords of Dajjal (REVIEW)
This French Blackened Death Metal horde returns blacker than ever with a magnificent opus dedicated to the Islamic Antichrist.
Best song of the album: Vae Victis

5. Gaerea – Coma (REVIEW)
The torchbearers of present-day Black Metal arise again, erupting with intensity, casting forth black ashes over the world.
Best song of the album: Coma

6. Blood Incantation – Absolute Elsewhere (REVIEW)
Blood Incantation offer us all two sensational compositions that are as confounding as they are engaging in their scope.
Best song of the album: The Stargate [Tablet I]

7. Benighted – Ekbom (REVIEW)
Let’s dive into the auditory abyss with this Brutal Death Metal and Grindcore entity armed with their newborn beast.
Best song of the album: Fame of the Grotesque

8. Fleshgod Apocalypse – Opera (REVIEW)
One of the torchbearers of Symphonic Death Metal worldwide returns with their strongest opus to date.
Best song of the album: I Can Never Die

9. Arhat – Secrets of Ancient Gods (REVIEW)
The newborn spawn by this Ukrainian horde will take you on a journey into the world of ancient gods and mysterious rituals.
Best song of the album: Abyss of Flame

10. Grand Magus – Sunraven (REVIEW)
Sweden’s own Heavy and Doom Metal institution is back with a new collection of battle hymns inspired by the tale of Beowulf and Grendel.
Best song of the album: Skybound

And here we have the runner-ups, completing the top 20 for the year:

11. Ecclesia – Ecclesia Militans (REVIEW)
12. The Last of Lucy – Godform (REVIEW)
13. Rotting Christ – Προ Χριστού (Pro Xristou) (REVIEW)
14. Rage – Afterlifelines (REVIEW)
15. Ingested – The Tide of Death and Fractured Dreams (REVIEW)
16. Blaze Bayley – Circle of Stone (REVIEW)
17. Striker – Ultrapower (REVIEW)
18. Kerry King – From Hell I Rise (REVIEW)
19. Accept – Humanoid (REVIEW)
20. Hiraes – Dormant (REVIEW)

In addition, as I always like to say, sometimes a band doesn’t need to release a full album to kick some ass, and that’s why we also have our Top 10 EP’s of 2024 to show that sometimes less is more, or maybe I should say, less is heavier!

1. Rifftera – Coda (REVIEW)
2. Trollwar – Tales from the Frozen Wastes (REVIEW)
3. Atavistia – Inane Ducam (REVIEW)
4. Ways. – Are We Still Alive? (REVIEW)
5. Enforced – A Leap Into The Dark (REVIEW)
6. Gutvoid – Breathing Obelisk (REVIEW)
7. Onslaught Kommand – Visions of Blood and Gore (REVIEW)
8. Golgothan Remains – Bearer of Light, Matriarch of Death (REVIEW)
9. Infernalivm – Conquering the Most High (REVIEW)
10. Dragoncorpse – Fall of House Abbarath (REVIEW)

Do you agree with our list? What are your top 10 albums of 2024? Also, don’t forget to tune in every Tuesday at 10pm BRT on Rádio Coringão to enjoy the best of classic and underground metal with Jorge Diaz and his Timão Metal, and every Thursday at 8pm UTC+2 on Midnight Madness Metal e-Radio for the best of underground metal with The Headbanging Moose Show!

Metal Xmas and a Headbanging New Year! See you in 2025!

In the end, there’s no Christmas-inspired song this year, nor anything festive like that, but I’ll leave you with the official video for one of the most important songs ever recorded by Iron Maiden, one with a strong punk and thrash vibe, with the one and only Paul Di’Anno on vocals. Let’s raise our horns to him forever and ever, my fellow metalheads! RIP legend!

Concert Review – Judas Priest (Fallsview Casino, Niagara Falls, ON, 09/14/2024)

The Metal Gods proudly raised the Invincible Shield in Niagara Falls on Saturday night in a celebration of the beauty and glory of our beloved Heavy Metal.

OPENING ACT: Sabaton

If you’ve never seen a concert at the OLG Stage at Fallsview Casino in Niagara Falls, Ontario, Canada, go check their calendar and don’t miss the chance of visiting one of the best venues of the current Canadian landscape. It’s a beyond phenomenal venue with a great seating chart and excellent view from wherever you end up seating (or standing, if the concert you attend saves some space upfront for a small pit), therefore the perfect choice for the one and only Metal Gods JUDAS PRIEST, plus their more-than-special guests SABATON, to kick some serious ass during the second show of the new leg of the Invincible Shield Tour North America 2024. My friend Keith Ibbitson of Metal Paparazzi (who by the way had his photos shared by the Metal Gods themselves on their official Instagram) were obviously there to worship the Metal Gods in another night of the purest form of heavy music you can think of, and let me tell you that the show was beyond memorable, simply mind blowing from start to finish.

Once again, Swedish Power Metal brigade SABATON was the chosen band to warm up the avid Priest fans at a sold out OLG Stage, showing how strong the partnership seems to be between the two bands. Not only that, Sabaton are also becoming a fan-favorite worldwide, attracting countless fans to the show at the Falls this Saturday, and once they started playing it became crystal clear why they’ve already gathered such an immense fanbase. The band spearheaded by the charismatic Joakim Brodén was on fire during their entire show, delivering a solid hybrid of Heavy and Power Metal infused with warlike themes. Songs like Ghost Division, Stormtroopers, and in special the last three songs, Primo Victoria, Soldier of Heaven and To Hell and Back, inspired all fans at the venue to jump up and down nonstop, to raise their fists and horns, and to singalong all songs with Joakim and his henchmen, all of course boosted by a stage that transpired wars and battles. If you’re seeing any concerts of this tour, make sure you arrive in time for Sabaton even if you know nothing about them, because their live performances are as explosive as a hand grenade.

Setlist
The March to War
Ghost Division
The Last Stand
Swedish Pagans
The Red Baron
Bismarck
Stormtroopers
Carolus Rex
Resist and Bite
The Attack of the Dead Men
Primo Victoria
Soldier of Heaven
To Hell and Back

Band members
Joakim Brodén – lead vocals, keyboards
Thobbe Englund – guitars, backing vocals
Chris Rörland – guitars, backing vocals
Pär Sundström – bass, backing vocals
Hannes Van Dahl – drums, backing vocals 

JUDAS PRIEST

After a quick break, it was time for the Metal Gods JUDAS PRIEST to raise the Invincible Shield for the second time on this leg of the tour, one day after their also ass-kicking concert in Montreal, and let me tell you that what I had the pleasure of witnessing in Niagara Falls this Saturday was one of their best performances ever. After the flag dropped during the intro to Panic Attack, it was a wild and frantic feast of undisputed Heavy Metal by Rob Halford, Richie Faulkner, Andy Sneap, Ian Hill and Scott Travis, leaving every single person at the OLG Stage absolutely disoriented after all was said and done. As a result, the fans at the pit went completely mental from the very first second of the show, igniting some sick mosh pits until the very end, something not so common for a band like Judas Priest. Well, when you start the show with some fast-paced masterpieces like Panic Attack, You’ve Got Another Thing Comin’, Rapid Fire, Breaking the Law and Riding on the Wind, I think it’s fair to expect some action in the pit. To be fair, the pit during Rapid Fire was so intense it looked like a Death Metal pit, just to give you an idea of how rowdy the crowd was.

I believe there are three reasons for the band to be so tight, so heavy and so precise at this point of their 50-year career. First and foremost, Mr. Rob Halford, the one and only Metal God, the heart of the band, is delivering stellar vocal performances night after night at the age of 73, something so unbelievable it makes me wonder if he’s an actual god. I mean, guys like Rob Halford and Bruce Dickinson are definitely role models for anyone who wants to enjoy a healthy and fun life after you turn 60 or 70. In other words, if I get to Halford’s age with one fifth of his energy, I’ll be a very happy man. Second, Richie Faulkner is now the soul of Judas Priest, blasting our ears with his electrifying riffs and solos nonstop, which I’m sure makes Glenn Tipton very, very proud of how he’s helping carry the band’s legacy forward. And third, Scott Travis continues to hammer his drums majestically, becoming the band’s engine, and all that power and speed always translates into more action on and off stage.

Even the slower songs like Love Bites and Crown of Horns brought a lot of energy to the show, plus of course some heavy classics like Sinner and Turbo Lover; however, as expected, it was during the most hard hitting songs of the night, their new anthem Invincible Shield and the most metal song of all time, the unparalleled Painkiller, that the crowd had the biggest reactions of the entire show, with the pit during Painkiller going out of control to the point there were almost a few fights inside of it. It was a beautiful, memorable moment by a band that is not only celebrating 50 years of Heavy Metal, but that is the ultimate depiction of Heavy Metal. For instance, when a renowned guitarist like Rob Barrett of Cannibal Corpse is in attendance of the show as a fan, you can have a good idea of the importance of Judas Priest to the world of music. The encore with the timeless classics The Hellion/Electric Eye, Hell Bent for Leather and Living After Midnight simply proved that, and it didn’t matter if it was a 60, 70 or 80-year old veteran or a three-year old kid (who not only got the sunglasses of the vocalist for Sabaton, but also a pick, a setlist, and a special post on Instagram by Judas Priest), everyone at the OLG Casino was mesmerized by the Metal Gods in another celebration of the beauty and glory of Heavy Metal.

Setlist
War Pigs (Black Sabbath song)
Invincible Shield Tour Anthem
Panic Attack
You’ve Got Another Thing Comin’
Rapid Fire
Breaking the Law
Riding on the Wind
Love Bites
Devil’s Child
Saints in Hell
Crown of Horns
Sinner
Turbo Lover
Invincible Shield
Victim of Changes
The Green Manalishi (With the Two Prong Crown) (Fleetwood Mac cover)
Painkiller

Encore:
The Hellion
Electric Eye
Hell Bent for Leather
Living After Midnight
We Are the Champions (Queen song)

Band members
Rob Halford – vocals
Richie Faulkner – guitar
Andy Sneap – guitar
Ian Hill – bass guitar
Scott Travis – drums

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Concert Review – Judas Priest (Prudential Center, Newark, NJ, 04/19/2024)

The one and only Metal Gods raised the invincible shield in Newark this Friday night in a celebration of pure Heavy Metal magic.

OPENING ACT: Sabaton

Exactly 546 days after seeing Iron Maiden at Prudential Centre, I had the utmost pleasure of visiting the city of Newark, New Jersey again this past Friday to see one of the other pillars of my personal “metal triumvirate”, the almighty Heavy Metal institution JUDAS PRIEST (by the way, the other pillars are the aforementioned Iron Maiden, and Slayer, in case you’re curious about that), supported by the good SABATON, during their undisputed, visceral and absolutely hypnotizing Invincible Shield Tour USA 2024. And just like what happened in 2022, I met with one of my good friends from the IMFC before the show at Bello’s Pub & Grill for some quality chat and drinks. Well, that’s becoming a tradition for me, so maybe next it will be Slayer there?

Anyway, after getting to the venue and grabbing some merch (and let me tell you, the Metal Gods are offering some amazing shirts this tour), we got to our seats to enjoy the warlike performance by Falun, Dalarna, Sweden’s own Power Metal brigade SABATON as the more-than-special openers of the night. Although I’m not a huge fan of their music, I must admit they sound amazing live, and Friday night in Newark was no exception to that. Spearheaded by the charismatic frontman Joakim Brodén, Sabaton killed it with a solid and very entertaining show, each song having its own special war-inspired background story, with their setlist encompassing songs from their 2022 album The Symphony to End All Wars, like Stormtroopers and Soldier of Heaven, plus some classic bangers such as Shiroyama (my favorite of their setlist) and To Hell and Back. Everyone who was already at the venue loved their show, and I bet Sabaton will return to Newark soon headlining their own tour based on the warm reaction from all concert goes this Friday night.

Setlist
The March to War
Ghost Division
The Last Stand
Swedish Pagans
The Red Baron
Bismarck
Stormtroopers
Carolus Rex (Swedish)
Shiroyama
The Attack of the Dead Men
Primo Victoria
Soldier of Heaven
To Hell and Back
Dead Soldier’s Waltz

Band members
Joakim Brodén – lead vocals, keyboards
Thobbe Englund – guitars, backing vocals
Chris Rörland – guitars, backing vocals
Pär Sundström – bass, backing vocals
Hannes Van Dahl – drums, backing vocals 

JUDAS PRIEST

It was only 9pm when the main attraction of the night, my beloved, unparalleled, undisputed Metal Gods JUDAS PRIEST took the city of Newark by storm with one of the most metallic, headbanging and intense concerts I’ve ever witnessed. I’m not kidding, it was one hour and forty five minutes of nonstop Heavy Metal magic, courtesy of Rob Halford, Richie Faulkner, Andy Sneap, Ian Hill and Scott Travis, who was by the way phenomenal on drums as usual, taking their heaviness and power to a whole new level Friday night. From the moment the giant banner with the Invincible Shield tour “poem” went up, plus the awesome Invincible Shield tour anthem, until the very last second of the show, it was pure heavy music for the delight of a jam packed Prudential Centre, proving the Metal Gods still got it and that “they’re gonna rock us all ’til our metal hunger’s fed” (if you know what I mean, of course).

Having recently released the majestic opus Invincible Shield, the Metal Gods delivered an ass-kicking mix of timeless classics the likes of Rapid Fire, Love Bites and Sinner, with the brand new songs (which by the way sound like classics too) Panic Attack, Crown of Horns, and my favorite song of the night, the title-track Invincible Shield. Moreover, let’s say that the 72-year old Metal God Rob Halford didn’t want to waste too much time talking, focusing on a stellar vocal performance that made me (and most concert goers) wonder if he’s actually 72, because he sounded decades younger when blasting his soaring, high-pitched vocal lines. Seriously, Halford was flawless, sensational, and so on, making it hard to describe his performance in just a few words. Hence, don’t miss the chance to see him kicking some serious ass on stage this tour, as it’s worth every penny.

One thing I gotta say about the fact that the floor section had seats instead of general admission is that, if you’re going to have seats, make sure people will respect their seats. The crowd was simply rowdy and wild during the entire concert, no one was respecting the seating map, people were standing anywhere they wanted, beer was flying all over people, security was absolutely useless, plus a few minor incidents. That’s why I hate seats. Why not giving everyone the pleasure of standing wherever they want, instead of charging high prices for upfront tickets if no one was going to obey that, right? It was the purest form of “breaking the law, breaking the law” you can think of, so maybe next time in places like Newark the band could avoid offering the seated floor section and just let the crowd go wild.

Anyway, back to the concert, after the band smashed our damned souls with the pulverizing Painkiller, where once again Scott Travis sounded monstrous, I was really hoping for Glenn Tipton to show up during the encore for a couple of songs, which unfortunately didn’t happen. Well, if Glenn was not feeling well enough to do so, that’s more than fine, as long as one of the most important guitarists in the history of heavy music stays strong and keeps fighting against his disease with all his power. No surrender, Glenn! Also, that doesn’t mean the encore wasn’t a real banger, as everyone had the time of their lives enjoying Electric Eye, Hell Bent for Leather, and Living After Midnight, three songs that transpire Heavy Metal, plus of course Richie and Andy made sure they brought Glenn’s energy and passion to the stage during the entire show.

As I mentioned before, there wasn’t a lot of talking during their performance, apart from Halford reminding everyone that the band was celebrating 50 years of Heavy Metal as they released the cult album Rocka Rolla back in 1974, and five decades later here they are still rockin’ hard with Invincible Shield. Damn, time flies, and so did I back to Toronto (pun intended) after an amazing visit to New York and Newark, with my only regret being not having bought tickets for more Judas Priest shows during this awesome tour. Hopefully they’ll announce a new leg soon including Toronto and other Canadian cities, then I’ll make sure I’ll attend multiple concerts to worship the one and only, headbanging, unstoppable Metal Gods. This metalmaniac loves you, guys! Thank you once again for an unforgettable show, and see you on the road!

Setlist
War Pigs (Black Sabbath song)
Invincible Shield Tour Anthem
Panic Attack
You’ve Got Another Thing Comin’
Rapid Fire
Breaking the Law
Lightning Strike
Love Bites
Devil’s Child
Saints in Hell
Crown of Horns
Sinner
Turbo Lover
Invincible Shield
Victim of Changes
The Green Manalishi (With the Two Prong Crown) (Fleetwood Mac cover)
Painkiller

Encore:
The Hellion
Electric Eye
Hell Bent for Leather
Living After Midnight
We Are the Champions (Queen song)

Band members
Rob Halford – vocals
Richie Faulkner – guitar
Andy Sneap – guitar
Ian Hill – bass guitar
Scott Travis – drums

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Album Review – Judas Priest / Invincible Shield (2024)

Nothing can stand in the way of the Metal Gods as they raise the invincible shield of Heavy Metal.

Faster than a bullet, the unstoppable Judas Priest are back in action stronger than ever, raising the invincible shield in the name of Heavy Metal in their nineteenth studio opus, the masterpiece titled Invincible Shield, the follow-up to their critically acclaimed 2018 album Firepower. Produced by Andy Sneap at Backstage Recording Studios, and displaying an incendiary artwork by Mark Wilkinson (Marillion, Fish, Iron Maiden), Invincible Shield offers the listener 11 breathtaking tracks of pure, unfiltered Heavy Metal (or 14 if you go for the deluxe edition of the album) masterfully brought into being by the Metal God Rob Halford on vocals, Glenn Tipton and Richie Faulkner on the guitars, Ian Hill on bass, and Scott Travis on drums, positioning it as a must-listen for any fan of heavy music, and as the most serious contender for album of the year. Well, to be honest, it will be the album of the year, and yes, Invincible Shield is THAT good.

Panic Attack, the first single released back in October, kicks off the album on a high and metallic note, with Halford sounding tight as ever with his high-pitched, soaring screams while always supported by the crisp and incendiary instrumental pieces from his bandmates. Then we have the pulverizing The Serpent and the King, and I honestly don’t know how a 72-year-old vocalist can still deliver these pure metal lyrics with such a high level of power (“Idols to their worlds / Manifesting anger, / Conjurers of evil times! / We can sense the danger! / They claim every soul, / Show you who’s the leader! / Bow before iconoclasts, / Creators of disaster!”), resulting in a lecture in classic Judas Priest offering us all endless heaviness, fire, epicness, speed and fury; whereas the title-track Invincible Shield takes us back to their Ram It Down, Painkiller and Defenders of the Faith times, or in other words, it’s another flawless blast of razor-edged riffs and solos by Glenn and Richie, while Scott hammers his drums as usual for our total delight. Devil in Disguise is an imposing, heavy-as-hell metal hymn where Halford keeps distilling his unparalleled vocals while Ian and Scott make sure the earth trembles with their massive bass and drums, respectively; and the party has no time to end as their rockin’ vein pulses harder than ever in Gates of Hell, where Richie sounds majestic on the guitars as usual (as well as throughout the entire album), followed by Crown of Horns, another one of the singles released prior to the album launch, a more cadenced Hard Rock composition focusing on the melodic vocals by Rob.

Their metallic engine keeps roaring loud in As God Is My Witness, where Scott takes the lead with his classic beats accompanied by the slashing riffage by Glenn and Richie, and I would definitely love to see them playing this one live, whereas in Trial by Fire the band offers more of their darkly poetic lyrics (“Burden of guilt / Branded a liar / Falsely accused / Trial by firе / Committed no crime / In my innocence / I have endured / Trial by fire”) amidst a somber, headbanging sound perfect for their live performances. It’s then time for Ian to smash his bass in Escape from Reality, generating a reverberating atmosphere before Rob comes ripping in a song that reminds me of his time with the awesome Fight. In Sons of Thunder the name of the song says it all, blasting our ears with a Heavy Metal extravaganza led by Richie and Glenn’s blazing riffs while Rob continues to hypnotize us all with his purely metal vocals, sounding like a song taken directly from the 80’s; and closing the regular version of the album we have the horn-raising tune Giants in the Sky, again presenting their trademark riffs and beats, therefore providing Rob with everything he needs to shine on vocals. And if you’re a true metalmaniac and go for the deluxe edition of the album you’ll be treated to three amazing bonus tracks (also released on a bonus 7″ EP sold separately and included in promotional bundles), with all three songs being great and making the extra investment in the special edition totally worth it, with an honorable mention to Fight of Your Life for being the most emotional of those.

Judas Priest Invincible Shield The Complete Bundle

This flawless hurricane of Heavy Metal is available in full on YouTube and on Spotify, but of course you can purchase your favorite copy of it and put a huge smile on the faces of the Metal Gods by clicking HERE (including the insane Invisible Shield The Complete Bundle). Also, don’t forget to follow the Metal Gods on Facebook and on Instagram for all things Judas Priest, including their unmatched live concerts, which is something every decent person on earth should experience at least once in their lives. Nothing can stand in the way of Judas Priest as they raise the invincible shield of Heavy Metal in their brilliant new album, a masterpiece that in my humble opinion is their best effort since Painkiller, and an album that will surely reverberate to all four corners of the earth, spreading some Heavy Metal magic for the absolute delight of us all, mere mortal metalheads, as we praise the Metal Gods for all eternity.

Best moments of the album: The Serpent and the King, Invincible Shield, Gates of Hell, As God Is My Witness and Sons of Thunder.

Worst moments of the album: None, of course.

Released in 2024 Sony Music

Track listing
1. Panic Attack 5:25
2. The Serpent and the King 4:19
3. Invincible Shield 6:21
4. Devil in Disguise 4:44
5. Gates of Hell 4:37
6. Crown of Horns 5:45
7. As God Is My Witness 4:35
8. Trial by Fire 4:21
9. Escape from Reality 4:24
10. Sons of Thunder 2:58
11. Giants in the Sky 5:03

Deluxe Edition / 7” bonus tracks
12.Fight of Your Life 4:15
13.Vicious Circle 3:00
14.The Lodger 3:46

Band members
Rob Halford – vocals
Glenn Tipton – guitar
Richie Faulkner – guitar
Ian Hill – bass guitar
Scott Travis – drums

Metal Chick of the Month – Jeanine Grob

Heavy metal is our way! Loud and fast is what we want!

Happy 2023, my dear metalheads! Are you ready for another year of underground awesomeness here at The Heabanging Moose? I’m sure you are, and in order to properly kick off such promising year for heavy music let’s continue our tradition of honoring a badass bass player as our metal lady of the month of January, just like what we did in all previous years, sounds good? And you better get ready as our ruthless bassist will crush your skull with her rumbling bass and rebellious attitude, helping to put her homeland Switzerland in the map of Heavy and Power Metal together with her also extremely talented bandmates. I’m talking about Jeanine Grob, the red-haired bassist for Switzerland-based all-female Heavy/Power Metal coven Burning Witches. Having said that, it’s time to bang our heads and raise our horns to the sound of the thunderous bass by Jeanine Grob, and let the witches burn in the name of heavy music.

Born on June 4, 1990 in Brugg, a Swiss municipality and a town in the canton of Aargau, the talented Jeanine, or simply Jay as her friends like to call her, considers herself some sort of “novice” in music, as she explained that after meeting Romana Kalkuhl (rhythm guitarist with Atlas & Axis who had been looking for a cast for an all-female metal band for a long time) at a party she actually went to her music school for guitar lessons just for fun, but after a while Romana asked if she could handle the bass guitar. Needless to say, she fell in love with that instrument, and of course Romana asked her if she wanted to be part of her all-female band, leading to the creation of Burning Witches. “Romana is something of the fun factor. She didn’t start the band to be famous or anything like that. She just wants to have fun and see how an all-female band works. For me that was great. I could stand on stage with my best friend and bang my head. Never thought it would develop this far with the band,” commented Jeanine in one of her interviews.

It was during the spring of 2015 when Swiss Heavy/Power Metal act Burning Witches was officially formed by Romana, with Jeanine becoming the band’s first official member, later being joined by vocalist Seraina Telli, drummer Lala Frischknecht and guitarist Alea Wyss. Although there have been a few changes to the band’s lineup since their inception, Romana, Jeanine and Lala have remained as its core, with vocalist Laura Guldemond and guitarist Larissa Ernst being the other two current members of the band. As you all know, Laura is from the Netherlands, which means her mother tongue is Dutch and not German like the rest of the band, but that’s not an issue at all for the band according to Jeanine. “Our band language is now English. Of course, situations can arise from time to time in which you have to ask exactly what that was meant to prevent misunderstandings. But before we quarrel about it, let’s talk about it. But it’s definitely not a problem – and then there’s Google.”

Together with the Burning Witches, Jeanine recorded their self-titled debut album in 2017, the 2018 album Hexenhammer, the 2020 album Dance with the Devil, and their 2021 opus The Witch of the North, as well as the EP’s Wings of Steel, in 2019, and Acoustic Sessions, in 2020, the live album Burning Alive, in 2018, and of course their self-titled debut demo in 2016. In addition, Jeanine has also been featured in several compilations alongside the Burning Witches, including Maximum Metal Vol. 243 (Metal Hammer, 2018), Lauschangriff Vol. 67 (Rock Hard, 2018) and Metal Hammer 1/2019 (Metal Hammer, 2019) with the song Executed; Maximum Metal Vol. 254 (Metal Hammer, 2020) and Lauschangriff Vol. 79 (Rock Hard, 2020) with the song Sea of Lies; and Maximum Metal Vol. 264 (Metal Hammer, 2021) and Lauschangriff Vol. 86 (Rock Hard, 2021) with the song Flight of the Valkyries. You can find those and plenty of other amazing songs and videos from the Burning Witches on YouTube, such as The Witch Of The North, Hexenhammer, We Stand As One, Black Widow, and Dance With The Devil, and countless live footage where you can enjoy Jeanine kicking ass armed with her bass, like the band’s performances live at Salzhaus Brugg in Swtizerland in 2018, at Hell Diest in Belgium in 2022, and at New Wave of Heavy Metal Festival in  Germany in 2018.

When asked about how the band managed the transition from Seraina to Laura on vocals, and if there was a lot of pressure to find the right replacement for a much-vaunted frontwoman like Seraina as quickly as possible, Jeanine said that because Romana writes the music to sound like Burning Witches no matter what, there were no issues nor pressure during that period of change, complementing by saying she thinks Laura sounds even more metal than Seraina (although she considers both great vocalists). “And what makes us very happy, of course, is that Laura is very well received by the fans, and that is ultimately what counts. In terms of character, Laura fits perfectly into the band, she’s just as crazy as we are,” said Jeanine, who doesn’t know exactly where the band could go, while also saying the band would never change their style just to be more successful, and that it was never their declared goal to become such popular metal band. “Hey, we were allowed to perform in Wacken – the dream of every musician who is at home in the metal scene. But we kept our feet on the ground and didn’t take off. And I’m not planning where I want to be in five years, for example to tour with Iron Maiden. We take it as it comes and enjoy every single step!”

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In terms of her idols and influences, Jeanine and the rest of the band are of course inspired by bands the likes of Iron Maiden, Judas Priest, Manowar, Amon Amarth, and Switzerland’s biggest metal band of all time, Celtic Frost, always listening to a variety of music ranging from Jazz to Extreme Metal. Our dauntless bassist is also a huge fan of Exodus, but of course she said the biggest dream tour for her would be with Iron Maiden or Judas Priest, saying she would probably faint if she could go on tour with Iron Maiden. Furthermore, as their musical roots are definitely in the 80’s, Jeanine said there are many parents who attend their concerts and take their kids with them, which certainly has a positive impact on the future of heavy music. Speaking about touring and the life on the road, Jeanine mentioned that playing at Bang Your Head, one of the biggest festivals in Germany, was a fantastic experience to the band and a moment that will be remembered by them. And when asked about the band’s cover version for Manowar’s classic Battle Hymn, Jeanine said that “we’re all Manowar fans and Romana had the brilliant idea of ​​asking Ross The Boss to play on our cover version. And to our delight, he absolutely loved the idea. His bassist Michael Lepond (Symphony X) also found the suggestion exciting, and that’s how the whole thing got rolling.”

Jeanine also has an interesting view on the use of Spotify, YouTube and other streaming services today, and how they impact her music. “Everything is more fast-moving today, especially with all the media platforms that are now available. But I think the real fans who are interested in our music will listen to everything online as well. What was certainly better for us musicians in the past, when everything was still released on disk or CD, is that there were no platforms from which you could simply download music for free. A lot of people are not even aware that we musicians are not doing us any favors because we don’t get anything for our work. On the other hand, these new technologies also offer completely new possibilities. Nowadays it’s much easier to reach people and make them aware of us and our music. If you used to walk into a record store and see a CD from a band you’ve never heard of in your life, you probably hesitated rather than grabbing it spontaneously. Today you’re online, just listen to one or the other song, and if you like it, then you buy it. Everything has its pros and cons.”

In one of her interviews, Jeanine said she likes the fact that the Burning Witches are known as an all-girls group, complementing by pointing out to the importance of having more women in a male-dominated scene. “As a woman, it takes a lot of courage to stand up and fight to be taken seriously. When it all started for us back then, we had to fight against the prejudice that we didn’t set it all up ourselves. It was rumored that we first got a record deal and only then gave concerts, which of course is nonsense. And you really have to want success, because the music business isn’t always a bed of roses. What I can also imagine is that female bands quickly get in each other’s hair and then the whole thing falls apart quite quickly. Luckily, that’s not a risk for us, because we’re all very direct and open when dealing with each other and discuss differences of opinion straight away,” also saying that being called “witches” makes total sense for them, as in metal music no woman wants to be a “princess”. By the way, although Jeanine said the band doesn’t have any male groupies, there’s a fun video on YouTube from when the band played in St. Louis, a major city in Missouri along the Mississippi River in the United States, where one of the guys told Jeanine he loves her, and of course the band played along to make the experience even more fun.

As it happens to many, many bands and musicians out there, the girls from the Burning Witches have what can be called regular jobs, including of course Jeanine, but she said that luckily they all have great bosses who support them, saying that if they’re absent for several weeks then they take unpaid leave. “I work in sales, where it wasn’t always easy for the last three years – a lot was promised, but when it came down to it, they suddenly said I was here to work and you couldn’t make money with music anyway. But I was lucky enough to find a new job where I am now really supported. The whole thing is always based on reciprocity. I’m willing to give a lot, but I expect something in return. But this flexibility is not a matter of course, especially in sales, so I was really lucky.” Moreover, on the music side of business, Jeanine is very happy with all the support the band gets behind the scenes from VO Pulver (Poltergeist, Gurd), Marcel “Schmier” Schirmer (Destruction) and Damir Eskic (Destruction). “It’s definitely not the case that Schmier dictates anything to us, like getting involved in the songwriting or something like that, we really enjoy total freedom there. But of course we are also extremely happy about his input, after all he has been in the scene for over 30 years and brings a lot of experience with him. In the end we design the songs the way we want them to, but we also have an open ear for tips and ideas.”

There are several interviews with Jeanine and her bandmates online, such as this one in 2019 with Metal Underground when the Burning Witches performed in the UK for the first time supporting Brujeria and Cryptopsy, talking about the origin of their name, the role of women in modern metal and much more; this one to Bloodstream TV in 2022; this one right before their show at Hell Diest in Belgium in 2022; these five question by Rockers Den Magazine in 2022; or this simple but fun backstage footage from Dortmund, Germany when they were touring with Destruction in 2020. There’s no escape from Jeanine and her rumbling bass, as you can see, because you know, our red-haired diva is a witch of heavy music, and that’s all that she needs to hypnotize us all and drag us to their metal coven for all eternity.

Jeanine Grob’s Official Facebook page
Jeanine Grob’s Official Instagram
Burning Witches’ Official Facebook page
Burning Witches’ Official Instagram
Burning Witches’ Official YouTube channel
Burning Witches’ Official Twitter

Concert Review – Judas Priest – 50 Heavy Metal Years (First Ontario Centre, Hamilton, ON, 04/13/2022)

The Priest finally returned to Ontario, Canada to celebrate 50 years of their undisputed Heavy Metal.

OPENING ACTS: Queensrÿche

Finally, after exactly 880 excruciating days (as my last metal concert was Cannibal Corpse in Toronto on November 15, 2019), I was able to attend a metal concert, and the adrenaline rushing through my veins last night was worth every penny spent in the ticket. The place chosen for my “return” was the nice First Ontario Centre, and the first band I had the pleasure to see on stage after so long was the iconic American Heavy Metal band QUEENSRŸCHE, who led by the talented frontman Todd La Torre put on a great show to properly warm up the crowd for the almighty JUDAS PRIEST.

Blending songs from their most successful album to date, Operation: Mindcrime, those being the title-track Operation: Mindcrime, The Needle Lies and Eyes of a Stranger, with other hits such as their first-ever single Queen of the Reich and the excellent Walk in the Shadows, Todd and his henchmen received a standing ovation from the audience when their performance was over, showing why they’re one of the most respected bands from the 80’s. My only complaint has nothing to do with their setlist, even with “Silent Lucidity” being left out of it, but with the fact that the doors of the First Ontario Centre opened at 7:30pm and it wasn’t even 7:45pm when the band hit the stage, which means a lot of people missed their concert due to such limited time to get to their spots. They should have been given at least 30 minutes to start their show, but it is what it is.

Setlist
Queen of the Reich
Warning
En Force
NM 156
Empire
Walk in the Shadows
The Whisper
Operation: Mindcrime
The Needle Lies
Take Hold of the Flame
Screaming in Digital
Eyes of a Stranger

Band members
Todd La Torre – vocals
Michael Wilton – guitars
Mike Stone – guitars
Eddie Jackson – bass
Casey Grillo – drums

JUDAS PRIEST

After a not-so-long break, it was time for my metal heart to pump frantically once again after over two years thanks to one of the most important and electrifying institutions in the history of rock and metal music, my beloved JUDAS PRIEST. Celebrating 50 years alive and kicking on their tour simply called “Judas Priest – 50 Heavy Metal Years”, which unfortunately had to be postponed a few times due to several reasons, the band comprised of the one and only Metal God Rob Halford on vocals, Richie Faulkner and Andy Sneap on the guitars, Ian Hill on bass, and Scott Travis on drums took the crowd on a magical journey through 50 years of the purest and most crystalline Heavy Metal you can think of, from their 1974 classic Rocka Rolla to one of their most recent hits Lightning Strike. It was a fusion of nostalgia, perfection, adrenaline, happiness and so many other great feelings it’s hard to describe everything in just a few words, proving why Judas Priest have always been one of the pillars of traditional Heavy Metal alongside Iron Maiden and Black Sabbath.

The setlist chosen by Mr. Robert John Arthur Halford and his bandmates, as aforementioned, was a thing of beauty, inspiring all fans at the first Ontario Centre to keep screaming, banging their heads and raising their horns high in the air while the band delivered some precious gems of heavy music the likes of Freewheel Burning, Turbo Lover, Blood Red Skies, Electric Eye, Hell Bent for Leather and Breaking the Law. However, as a huge fan of the album Painkiller, which is by the way one of my top metal albums of all time, it was a true pleasure witnessing Judas Priest playing not one, not two, not three, but FOUR songs from that masterpiece, the majestic One Shot at Glory, the metallic hymn Hell Patrol, the stunning A Touch of Evil, and of course the all-time classic, fan-favorite, hard-hitting aria Painkiller, with Scott doing a fun intro where he not only talked about how much the band loves Canada, but also throwing some last minute jokes about how the band would have to play until Sunday if they played every song requested by the audience (and he even forgot it was a Wednesday, not a Thursday). Halford was on fire in all of those songs delivering his trademark high-pitched screams and interacting with the fans in great fashion, supported of course by the amazing guitar by Richie, and by the way it was great seeing Richie is fully recovered from last year’s scary incident.

Of course, everyone who attended the concert in Hamilton yesterday wanted to see Glenn Tipton joining the band for the encore just like what he’s done several times since he opened up about his fight against Parkinson’s disease, especially due to the fact it was the very last concert of their 2022 North American tour, but I’m sure Glenn had his reasons for not playing with the band last night. Moreover, after the last notes of the closing song Living After Midnight were played by the band, the background screen showed in capital letters the message “THE PRIEST WILL BE BACK”, so I guess there will be more opportunities in the future for Glenn to kick some serious ass on stage with a band that not just represents Heavy Metal to perfection, but a band that is Heavy Metal, period. And may Judas Priest keep coming back to Canada for more of their unparalleled performances for another 50 years.

Setlist
Battle Hymn
One Shot at Glory
Lightning Strike
You’ve Got Another Thing Comin’
Freewheel Burning
Turbo Lover
Hell Patrol
The Sentinel
A Touch of Evil
Rocka Rolla
Victim of Changes
Desert Plains
Blood Red Skies
The Green Manalishi (With the Two Prong Crown)
Diamonds & Rust
Painkiller

Encore:
The Hellion
Electric Eye
Hell Bent for Leather
Breaking the Law

Encore 2:
Living After Midnight

Band members
Rob Halford – vocals
Richie Faulkner – guitar
Andy Sneap – guitar
Ian Hill – bass guitar
Scott Travis – drums

Metal Chick of the Month – Seraina Telli

Don’t leave me out in the cold…

She’s by far one of the best rock and metal singers of the current scene hands down. Owner of a beautiful, stunning and extremely potent voice, she’s also a songwriter, pianist, guitarist, vocal coach and designer, known for her awesome contributions to bands such as Dead Venus, Burning Witches and Surrilium, among other very interesting bands and projects, always ready to rock our hearts with her mesmerizing vocal lines. Ladies and gentlemen, please welcome our metal chick of the month of August, the ravishing Seraina Telli, the unstoppable musician from Aargau, one of the more northerly cantons of Switzerland, who can flawlessly translate all her passion for music and art into emotional and inspiring compositions that will certainly captivate your hearts from the very first second. Having said that, are you ready to rock together with Seraina here on The Headbanging Moose?

A self-employed musician and vocal coach, Seraina has always wanted to make music and sing, and although she’s a team player who loves to play in bands she sees independent people as their role models, saying that she didn’t want to be a singer who just needs a band to play with her, but that she wanted to learn what it’s like to make music herself, playing different instruments and therefore being independent. Her looks and attire are also an important part of her musical persona, with all of her piercings, tattoos and her dyed hair providing a unique look that more than fits in the world of rock and metal music, but you’re wrong if you think Seraina is only a beautiful woman, as she has years of formal and professional study that provided her an invaluable background, allowing her to become the exceptional performer she is. Just to give you an idea of her undeniable talent,  she took classical singing lessons between 2007 and 2008, studied at the Jazz & Rock School in Freiburg, Germany from 2010 to 2011, achieved a Bachelor of Arts at hKDM and International Music College also in Freiburg, with focus on Jazz, Rock and Pop, between 2012 and 2013, and attended the Musik- Akademie Basel in 2015.

In regards to her career with Swiss Heavy/Power Metal band Burning Witches, Seraina was the band’s frontwoman between 2015 and 2019, having recorded with the band their debut self-titled album in 2017 and their sophomore effort Hexenhammer in 2018, as well as a four-track live album released in 2018 titled Burning Alive, recorded on September 30, 2017 at the Z7 Club in Pratteln, Switzerland. There are a few official videos on YouTube from when Seraina was the band’s vocalist, such as Hexenhammer, Black Widow and Executed, and also some unofficial live footage including a concert in Mannheim, Germany in 2018, and a pocket show at Salzhaus Brugg in 2018. I’m not going to extend this tribute to Seraina with the origins of the Burning Witches, but as already mentioned when their guitarist and founding member Romana Kalkuhl was our metal chick of the month in July 2019, during a party at a festival she met Seraina, starting a very healthy and productive partnership between them, with Seraina’s ideas and experience from her studies at the Music Academy and her bands being exactly what Romana wanted for Burning Witches. Furthermore, although Seraina always mention Heavy Metal as one of her passions, at the moment she is determined to go full throttle with her own band Dead Venus, saying Progressive Rock has always been her thing; however, we can expect to see Seraina venturing through heavier and faster lands in a not-so-distant future without a shadow of a doubt.

As we already started talking about Seraina’s brainchild, female-fronted Progressive Rock unity Dead Venus, where she’s not only the band’s vocalist but she also plays acoustic guitars, keyboards and piano, let’s discuss a little about the origins of the band, their goals and what their music represents to Seraina. Formed in early 2015 by Seraina herself around a year after being singing for a German Neo-Progressive Rock band named Surrilium, Dead Venus is a triumvirate currently comprised of Seraina on vocals, obviously, together with bassist André Gärtner and drummer Mike Malloth, delivering music that’s at the same time charming, passionate and incendiary, applying her multidimensional vocals to bring the desired message with each and every song, that being through her piercing vocals or just by whispering the lyrics. As a matter of fact, Seraina mentioned that it’s difficult to tell when Dead Venus actually started, as she began writing songs at some point and then began studying music and developed it further with music theory, learning the instruments and techniques better, which helped in the development of the songs, before she started looking for people to play them with. Seraina placed an advertisement recruiting musicians for Dead Venus, getting a reply from Mike, who also referred André for the band, whom by the way she already knew through her father (who had always spoken very well of him).

Apart from a couple of singles, the trio recently released at the end of 2019 their debut album, a 12-track Progressive Rock extravaganza titled Bird of Paradise (available for a full listen on Spotify), pointing to a bright future for Seraina and her bandmates. In addition, Seraina said that their goals with Dead Venus do not include appealing to a broader or more demanding audience, saying their music already has enough pop character in it despite not being disco dance music, of course. She complemented by saying that what Dead Venus and any other band needs is an audience that listens and that feels inspired by the music being played, as long as the music is authentic like what she does with Dead Venus, putting no boundaries to what the trio can do. You can listen to their music and purchase their debut album by visiting the MUSIC page on their official website, or by subscribing to their YouTube channel, where you’ll find some amazing compositions (and videos) for the songs The Sirens Call, Bird of Paradise and Redemptionless in both regular and acoustic versions.

You can also enjoy Seraina’s unique voice in other interesting bands and projects, showcasing all her versatility and skills it doesn’t matter if it’s a rock band playing covers or a full-bodied progressive and symphonic act. For instance, she did female vocals for Swiss Melodic Heavy/Power Metal band Rizon from 2010 until 2014, having recorded with them the album Masquerade in 2012, which you can listen in its entirety HERE; and she’s been the vocalist for German Progressive Rock/Metal band Surrilium since 2011, having recorded with them the album Sir William in 2015. Seraina is also the vocalist for a distinct cover bands called Hit Grinder, taking hits that everyone knows and performing them in a unique way with heavy guitars, rocking drums and hard driving bass, giving those songs a more aggressive edge. The band is formed by Seraina on vocals, Stefan Schroff on the guitars, and a rotation between Yannick Schmidt and Emmi Lichtenhahn on bass and Franceso Gasparini and Alain Ackermann on drums, and you can get in touch with them and listen to more of their music on Facebook, on Instagram and on YouTube, with their renditions of Sia’s Chandelier and Michael Jackson’s Bad showing you all of the band’s awesomeness.

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Perhaps one of the most delicious works by Seraina is her personal YouTube channel, where she puts her heart and soul into delivering beautiful versions of several rock, pop and metal classics, usually only accompanied by her own piano. Simply visit her YouTube channel and you’ll be able to enjoy our talented singer kicking ass with her versions for Red hot Chilli Pepper’s classic Under the Bridge as a studio project band from the hKDM Music High School in Freiburg, Edgar Alan Poe’s The Haunted Palace, Rush’s masterpiece Closer to the Heart together with a children’s choir, Nancy Wilson’s The Nearness of You, The Misfits’ Dig Up Her Bones live at a pub in Zurich, Jason Mraz’s I Won’t Give Up, Sting’s The Hounds of Winter, Lady Gaga’s Million Reasons, John Lennon’s Imagine, and a very special version for Christina Aguilera’s Keep on Singin’ My Song, as according to Seraina herself Christina Aguilera was one of her teenage heroes and one of the reasons she started singing when she was around 13 years old. And let’s keep talking about her idols and influences, with bands like Opeth, Pain of Salvation and the almighty Judas Priest being among her favorite bands of all time. Seraina even mentioned in one of her interviews that playing with one of those three bands would be a dream come true for her, complementing by saying it would be beyond fantastic to be able to talk, interact and especially sing with the one and only Metal God Rob Halford.

When questioned about the fact she was in an all-girls band during her time with Burning Witches, our striking banshee said in the beginning the idea of only playing with other women in a band was quite funny for all of them, and that they never expected it to be such a big topic, having to face sexist comments and other situations related to the male/female gender differences. Needless to say, that didn’t have any impact on the way Seraina performs on stage, saying the most difficult part is actually dealing with her own emotions and feelings to make sure her voice perfectly sends the desired message. In addition, she said she usually has it under control, using the appropriate techniques to have the best results while playing live. Seraina is also responsible for designing her own outfits, saying it’s actually more like a hobby for her despite the fact she wanted to become a fashion designer before singing, mainly because it’s very time consuming. And regarding metal festivals, she said during her time with Burning Witches they always wanted to play something big such as Wacken Open Air, Sweden Rock Festival and Hellfest, but we must all agree that now with Dead Venus her focus is a lot more on smaller, more intimate venues and crowds.

When asked about her singing style, her limits as a vocalist and her writing and composing process, Seraina said she always puts her heart and soul into singing, it doesn’t matter if it’s a heavy-as-hell metal song or a serene rock ballad, complementing by saying that it’s all a matter of practice to know and understand your limits and what’s causing that barrier, such as breathing techniques and discipline. For example, she said she doesn’t do much Opera singing as she’s not professionally trained in it, but maybe with some time and by applying the right techniques she can reach a good performance singing it. Her process for writing and composing her songs is also very detailed and honest, with Seraina usually writing something on the piano and then complementing it with the guitar, not working with sequences and, therefore, sounding a lot more organic. She also said the order in which she writes the lyrics and the music is never the same, always depending on the song being composed and the situation she’s in, with most of the ideas for the music by Dead Venus coming from her past experiences, especially due to her anger, energy and creativity as a teenager, saying it wasn’t easy in the beginning for her as she doesn’t come from a family of musicians like several other artists.

If you also enjoy watching Seraina perform and not only listen to her powerful voice, you’ll notice she always carries a special chain or necklace, a symbol of luck that’s linked to her family. She said she had a very strong bond with her sister when they were kids, which by the way lasts until today, with the necklace being a gift she got for her 12th birthday from her stepfather that symbolizes two parts that are connected together and forever. As a matter of fact, the Dead Venus logo is a variation of that symbol, a Celtic cross knot with an “S” at the end. Talking about stunning looks in rock and metal, Seraina was asked what she would say if one day a band like Arch Enemy invited her to sing for them, and albeit she said she simply loves the charisma, the voice and the looks by the she-wolf Alissia White-Gluz, she said she couldn’t see herself fronting such distinct band.

Lastly, as an artist that has been making  music for a long time despite her young age, Seraina said she will always pursue a career in music no matter what, saying she got to know a lot of good people with both Dead Venus and Burning Witches that provide her all the support she needs to keep moving forward. She sees a lot of potential with Dead Venus, the type of music she has always wanted to do, but you can also hire her to feature on your next album doing backing vocals or singing one or more songs, for example, as she has already done a few studio and advertising jobs in her career. She can even sing in German (or Swiss German) if you prefer, and you can actually check Seraina speaking (not singing, though) in her mother tongue in a short interview where she talks about what it means for her to be from Aargau, how much she loves her hometown, and her life in the city. I guess after knowing about her personal life, her career and her passion for heavy music, there’s nothing better than banging our heads to Seraina’s piercing vocals or simply sitting down, relaxing and enjoying her more delicate creations, resting assured we’ll hear a lot more from such talented artist in the coming years.

Seraina Telli’s Official Facebook page
Seraina Telli’s Official Instagram
Seraina Telli’s Official YouTube channel
Dead Venus’ Official Facebook page
Dead Venus’ Official Instagram
Dead Venus’ Official YouTube channel