Tag Archives: sweden

Album Review – Scitalis / Maledictum (2025)

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Your body and soul will burn to the new opus by this Swedish Black Metal horde, a haunting exploration of despair and wrath inspired by Sweden’s witch trials during “Det stora oväsendet” (1668–1676).

After their successful 2022 debut Doomed Before Time, Umeå, Sweden’s own Black Metal horde Scitalis returns with their sophomore opus, entitled Maledictum, a haunting exploration of despair and wrath inspired by Sweden’s witch trials during “Det stora oväsendet” (1668–1676). The band’s evolving lineup is reflected throughout the entire album, with newcomers W on drums and L on rhythm guitars joining vocalist and bassist A and lead guitarist S, resulting in a raw, emotional record that captures the agony and anger of the time while showcasing the band’s growth and uncompromising approach to our beloved Black Metal.

W already showcases his welcome card with his demented blast beats in Reborn, an old school, in-your-face Black Metal beast with A gnarling nonstop for our total delight, followed by Suffering, an avalanche of ruthless, sulfurous Black Metal for the masses led by the scorching riffs by S and L, showcasing over six minutes of absolute darkness for admirers of the genre. Seven Years Ov Blood is another bold, multi-layered creation by such an uncanny horde, with the strident riffs by S and L matching perfectly with A’s devilish vociferations; flowing into the also harsh and impious Trial, presenting hints of Blackened Doom in its sluggish beats and low-tuned bass.

This unyielding Swedish horde comes ripping once again in Burn Before Dawn, another savage composition blending the fury of classic Black Metal with the hypnotizing passages of Melodic Black Metal; and the guitars by S and L transpire pure evil in Ashes After The Fire, being gradually accompanied by the massive beats by W and the always visceral roars by A, resulting in a monumental aria of darkness and blasphemy. There’s time for one final breath of evil by Scitalis, entitled Endless Wrath, with the reverberating bass by A and his always menacing gnarls haunting our damned souls for all eternity, all boosted by another violent performance by W on drums.

After all is said and done, you’ll realize the Black Metal feast blasted by Scitalis in Maledictum (available in full on YouTube and on Spotify) is a more than perfect choice for representing the horror of the witch trials in Sweden in the 1600’s, and you can know more about the band, their music and the whole concept behind their pulverizing new album by following them on Facebook and on Instagram, by streaming their wicked creations on Spotify, and by grabbing a copy of the album on BandCamp or by clicking HERE or HERE. The burning of witches has always been a constant topic discussed by countless bands from all genres and subgenres of metal music, but it’s when you face a band like Scitalis that you can feel the fires burning your body and soul while they keep filling every single space in the air with their caustic music, exactly like what’s found in the incendiary Maledictum.

Best moments of the album: Suffering, Burn Before Dawn and Ashes After The Fire.

Worst moments of the album: Trial.

Released in 2025 Vendetta Records

Track listing
1. Reborn 4:16
2. Suffering 6:21
3. Seven Years Ov Blood 5:59
4. Trial 7:13
5. Burn Before Dawn 5:44
6. Ashes After The Fire 6:20
7. Endless Wrath 6:31

Band members
A – vocals, bass
S – lead guitars
L – rhythm guitars
W – drums

Album Review – The Halo Effect / March Of The Unheard (2025)

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Let’s join this Swedish melodeath juggernaut in their march of the unheard to the sound of their incendiary sophomore album.

Gothenburg, Sweden’s own Melodic Death Metal outfit The Halo Effect may have begun as five old friends just making music for fun, but they’re now one of the most beloved new bands in Heavy Metal. Now in 2025 fans of bands like Dark Tranquility, Insomnium and Soilwork have a lot to celebrate with March Of The Unheard, a triumphant successor brimming with everything that made their 2022 debut Days of the Lost an instant breakthrough, showcasing all the talent and passion for heavy music by frontman Mikael Stanne (Dark Tranquillity, Grand Cadaver, Cemetery Skyline), guitarists Jesper Strömblad (Ceremonial Oath, Cyhra, Dimension Zero) and Niclas Engelin (We Sell The Dead, In Flames), bassist Peter Iwers (Fleetburner, In Flames), and drummer Daniel Svensson (In Flames, Diabolique).

Their Swedish melodeath vein pulses harder than ever in the opener Conspire To Deceive, with Jesper and Niclas slashing their axes in the best Scandinavian style, followed by Detonate, which will work majestically if played live, a pedal-to-the-metal creation by the band where Mikael’s roars and Daniel’s beats match flawlessly; and there’s no sign of slowing down at all, as the quintet continues to distill their Melodic Death Metal attack in great fashion in Our Channel To The Darkness. Then investing in a more cadenced, traditional sound, it’s time for Cruel Perception, led by the classic drums by Daniel, followed by What We Become, one of those songs perfect for some sick headbanging thanks to the pounding drums by Daniel, supported by the metallic bass lines by Peter.

After that, we face the epic, imposing interlude This Curse Of Silence, working as an intro to the title-track March Of The Unheard, offering our avid years an overdose of first-class Melodic Death Metal with nuances of classic Heavy and Power Metal. Needless to say, Mikael is once again bestial on vocals, which is also the case in Forever Astray, another great option for banging our heads while the band’s guitar duo continues to deliver sheer electricity form their sonic weapons. A grim start then evolves into another massive feast of hammering drums and sharp riffs in Between Directions, albeit not as powerful as the other songs; whereas in A Death That Becomes Us the band gets back to a more ferocious yet very melodic sonority, with Mikael leading his horde in another strong candidate for their live performances. There’s more classic Swedish metal music for the masses with Mikael roaring to the riffage by Jesper and Niclas in The Burning Point, before the album ends with the stunning Coda, an atmospheric and epic outro that puts a climatic conclusion to the entire record.

After all is said and done, March Of The Unheard isn’t just another opus of Gothenburg melodeath; it announces that The Halo Effect still have fresh ideas for the genre, 30 years after their members helped catapult it to international acclaim. Now united under one banner, they are gunning for global success once again, and you can know more about the band and enjoy their classy music by following them on Facebook and on Instagram, by subscribing to their YouTube channel, by streaming their music on Spotify, and of course by purchasing their new album by clicking HERE, joining The Halo Effect on their exciting and metallic march of the unheard.

Best moments of the album: Detonate, What We Become, March Of The Unheard and A Death That Becomes Us.

Worst moments of the album: Cruel Perception and Between Directions.

Released in 2025 Nuclear Blast

Track listing
1. Conspire To Deceive 3:57
2. Detonate 3:58
3. Our Channel To The Darkness 3:29
4. Cruel Perception 4:04
5. What We Become 3:47
6. This Curse Of Silence 2:01
7. March Of The Unheard 2:59
8. Forever Astray 3:41
9. Between Directions 4:29
10. A Death That Becomes Us 4:07
11. The Burning Point 3:48
12. Coda 3:54

Band members
Mikael Stanne – vocals
Jesper Strömblad – guitars
Niclas Engelin – guitars
Peter Iwers – bass
Daniel Svensson – drums

Album Review – Völva / Desires Profane (2024)

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Behold the new album by these three ruthless Swedish Black Metal ladies, a howling, hate-filled voice of rage, fueled by the fire and the fists that have subjugated womankind.

“Like the screams from a thousand vengeful souls from the witch’s bonfire.” – Vittra describes the sound of Völva

Forged in 2018 in in the simmering underground cauldrons of Punk and Black Metal of Malmö, Sweden, Black Metal/Crust outfit Völva will crush your damned soul to pieces in their new album, titled Desires Profane, a howling, hate-filled voice of rage, fueled by the fire and the fists that have subjugated womankind since the old ways were undone by the insidious Christian contamination of the world. Recorded by Oliver Dah in Studio Quaalude, mixed and mastered by Ulf Blomberg at Hoborec, and with a cryptic artwork by The Black Bird Sings, the first full-length album by vocalist and bassist Hedonosticia, guitarist Vittra and drummer Skuld seeks to explore Satanic Feminism, breaking away from conformity and exploring a higher purpose through free will, body and lust, all while being recommended for admirers of the caustic creations by Darkthrone, Urgehal, Wolfbastard and Taake, among many others.

Their evil, dirty and cryptic feast of Black Metal kicks off in full force with The Tower (check their performance playing this amazing song at Quaalude Sessions #15), with Hedonosticia already crushing our minds with her she-wolf gnarls, and it’s time to walk through the fires of hell together with those talented Sweds in Walk With Me, with Vittra showing no mercy for our souls, blasting infernal riffs nonstop. They then go full Black Metal in Expulsion of the Flesh, delivering endless animosity and darkness, with Hedonosticia’s harsh vocals sounding utterly piercing; followed by Inverted Cross, displaying a beautiful name for another explosion of Black Metal magic by the trio, again melting our faces with their unrelenting savagery, blast beats and hellish growls, before we face five minutes of sluggish, grim and visceral passages in Never Forgive, showcasing elements of Doom Metal added to their devilish core essence.

And they keep hammering our putrid souls with their blend of Black Metal and Crust in The Serpent, also delivering elements of Death Metal and Blackened Death Metal, led by the infernal roars by Hedonosticia and the massive beats by Skuld, whereas Perpetual Putrefaction sounds a bit generic compared to the rest of the album, albeit still presenting the band’s characteristic blasphemous, demonic sounds. Asmodeus is one of the most infuriated of all songs in Desires Profane where Vittra’s riffs are the epitome of evil, sounding devilishly metallic, while Hedonosticia continues to summon the creatures of the underworld with her she-demon gnarls; followed by Salvation, another evil onrush of Black Metal masterfully brought into being by the band, living up to the legacy of Swedish Black Metal, with Skuld once again kicking ass on drums. And last but not least, they offer us all a ruthless Black Metal extravaganza titled Vagabond, reminding me of some of the most wicked creations by the mighty Skeletonwitch.

In summary, those three Swedish ladies sound absolutely insane and on fire throughout their entire newborn beast, proving once again that women not only have their place in heavy music, but that they can also sound heavier, darker and more caustic than any man. Hence, you can check what they’re up to on Instagram, including their tour dates, stream their creations on any streaming service like Spotify, and grab a copy of their scathing new album from their own BandCamp, from the Grind To Death Records’ BandCamp, or from the Fiadh Productions’ BandCamp, helping them spread their infernal howl in the name of feminism and Black Metal to all four corners of our sexist and decaying world.

Best moments of the album: Expulsion of the Flesh, The Serpent and Asmodeus.

Worst moments of the album: Perpetual Putrefaction.

Released in 2024 Grind To Death Records/Fiadh Productions

Track listing
1. The Tower 4:10
2. Walk With Me 2:59
3. Expulsion of the Flesh 3:45
4. Inverted Cross 3:12
5. Never Forgive 5:19
6. The Serpent 3:42
7. Perpetual Putrefaction 2:30
8. Asmodeus 2:31
9. Salvation 4:38
10. Vagabond 2:28

Band members
Hedonosticia – vocals, bass
Vittra – guitars, backing vocals
Skuld – drums, backing vocals

Album Review – Grand Magus / Sunraven (2024)

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After a very long wait, Sweden’s own Heavy and Doom Metal institution is back with a new collection of battle hymns inspired by the tale of Beowulf and Grendel.

In their over 20 years of career, Stockholm, Sweden’s own Heavy/Doom Metal institution Grand Magus has been eternalized in the music history and looks back on a treasury full of all-time Heavy Metal anthems. Now in 2024 the band formed of Janne “JB” Christoffersson on vocals and guitars, Mats “Fox” Skinner on bass, and Ludwig “Ludde” Witt on drums is back with a new blast of memorable battle hymns entitled Sunraven, a concept album about Beowulf and Grendel, a worthy follow-up to their 2019 album Wolf God, and a lecture in heavy doom that will certainly feature among the best metal albums of the year on any list that worships the power of the mighty riff.

And the riffs by Janne sound beautifully heavy and doomed in Skybound, setting the tone in a lesson in Epic Doom Metal by the trio, with the deep, passionate vocals by Janne adding even more epicness to the overall result. Yes, I guess I’ll overuse the word “epic” on this review as you might have already notice. Then investing in a more direct Doom Metal sound we have The Wheel of Pain, with the pounding drums by Ludwig and the low-tuned bass by Mats bringing sheer heaviness to the music, followed by the title-track Sunraven, where the trio keeps delivering sonic awesomeness with their crisp, sharp riffs and blasting beats sounding majestic. It’s time to darken the skies with the melodic and heavy Winter Storms, as cold as it’s vibrant and grim, in line with their Swedish roots and loyal to their foundations; whereas The Black Lake is perhaps the most Black Sabbath-ish song of the entire album (and even of their entire career), to the point we can imagine the almighty Dio singing it. Needless to say, Janne is once again spot-on with his vocals and riffs.

The second half of the album begins with the utterly epic, electrifying Hour of the Wolf, with the guitars by Janne and the rumbling kitchen by Mats and Ludwig inviting us all to head into the battlefield together with Grand Magus, followed by Grendel, another blast of their classic fusion of Heavy, Epic and Doom Metal, offering more of their trademark riffs and beats as well as the low-tuned bass by Mats. To Heorot sounds utterly stunning form start to finish, inspiring us all to raise our fists in the air to the classic vocals by Janne while Ludwig hammers his drums in great fashion, sounding also perfect for some vigorous headbanging in the name of doom; and the power of the riff is also outstanding in the closing tune The End Belongs to You, putting a classy ending to the album and leaving us all more than eager for more (as the album has only 35 minutes of music in total).

I would have simply loved if the album had an extra 10 or 15 minutes of music, mainly because we’ve all been waiting for a new Grand Magus opus for quite some time, but let’s say the band kept Sunraven tight and sharp from start to finish  without sounding cheesy, tiresome or anything like that, which means it might have only 35 minutes in duration, but those are damn intense 35 minutes for our total delight. Hence, don’t forget to stream the album in full on YouTube and on Spotify, to follow the band on Facebook and on Instagram for news, tour dates and so on, and above all that, to grab a copy of the hammering Sunraven by clicking HERE. “The album is about Beowulf and Grendel. In essence, Sunraven is Beowulf, and that’s my own invention,” Janne explains. “But some of the songs are written about and from the perspective of Beowulf, and some of the songs are written about and from the perspective of Grendel, the monster he faces in Denmark. That kind of steered me and carried me through the lyrical process this time. I’ve never done anything like this before. I’ve always been fascinated by that tale. These myths and legends are about all the basic things that we sing about – life, death, glory, dishonour, love, hate, overcoming difficulties, facing impossible opposition and so on.” In other words, what can sound more Heavy Metal than such a strong tale, right? And of course, only Grand Magus could bring all that to life with so much passion, epicness and glory.

Best moments of the album: Skybound, Sunraven, Hour of the Wolf and To Heorot.

Worst moments of the album: None.

Released in 2024 Nuclear Blast

Track listing
1. Skybound 3:28
2. The Wheel of Pain 3:23
3. Sunraven 3:37
4. Winter Storms 5:15
5. The Black Lake 5:34
6. Hour of the Wolf 4:03
7. Grendel 3:32
8. To Heorot 3:00
9. The End Belongs to You 3:21

Band members
Janne “JB” Christoffersson – lead vocals, guitars
Mats “Fox” Skinner – bass, backing vocals
Ludwig “Ludde” Witt – drums

Concert Review – Opeth (Queen Elizabeth Theatre, Toronto, ON, 10/14/2024)

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There’s nothing better than a night of Progressive Rock and Metal to celebrate the Thanksgiving holiday in Toronto.

OPENING ACT: Tribulation

There’s nothing better than celebrating Thanksgiving in Canada than with an ass-kicking metal concert, don’t you agree? That’s exactly what we got in Toronto this Monday when OPETH and TRIBULATION paid a visit to the city during their North American Tour 2024 at the Queen Elizabeth Theatre, in another event organized by the awesome Noel Peters of Inertia Entertainment. And if you think the venue was empty due to one of the biggest holidays in Canada, you’re absolutely wrong, as fans simply took the venue by storm in a sold out (or almost sold out) night of sheer progressiveness and heaviness. Keith Ibbitson of Metal Paparazzi and I were there to cover such a unique display of heavy music made in Sweden, and I guess both bands will surely return to Toronto sooner than later with a new show as not only both have new albums coming out in the next few weeks, but the reception of the crowd to them was also fantastic during the whole night.

Precisely at 7:30pm, Stockholm’s own Death/Gothic Metal outfit TRIBULATION hit the stage for a dynamic and diverse performance, and I say diverse because their sound has evolved and changed so much through the years it feels like every song is a different band playing on stage, plus the fact each band member looks like they belong to a different music style. That doesn’t mean the show was bad or boring; quite the contrary, the quartet was on fire during their entire show, with their new songs Tainted Skies, Hungry Waters and Saturn Coming Down, from their new album Sub Rosa in Aeternum (to be released on November 1) sounding really strong and vibrant live. I personally prefer their older material when they were more inclined to Death Metal, but any of their phases work really well on stage, and the crowd’s reaction to each song played proved that. Now let’s wait and see what their new album will bring to us all, and next time they visit Toronto I’m sure a lot of people that were at the Queen Elizabeth Theatre to see only Opeth will feel more than excited to see Tribulation headlining a concert in the city.

Setlist
Tainted Skies
Nightbound
Suspiria de Profundis
Hungry Waters
Saturn Coming Down
Strange Gateways Beckon
Melancholia

Band members
Johannes Andersson – vocals, bass
Adam Zaars – guitars
Joseph Tholl – guitars
Oscar Leander – drums

OPETH

As Stockholm’s iconic Progressive Death Metal/Rock institution OPETH was scheduled to start their performance at 8:45pm, I honestly thought the show was going to end earlier than most shows in the city, maybe even earlier than 10:30pm, but when the band in question is Opeth you can rest assured they’ll provide you with a long and detailed concert, to the point I only got back home close to midnight. The charismatic Mikael Åkerfeldt and his henchmen did a fantastic job on stage not only with their unique blend of progressiveness and heavy music, but also with the bonus “stand up comedy show” by Mikael in between songs. Seriously, the guy was on fire, and as I love that type of dark humor that only made the concert even more fun for my personal taste.

Their new songs §1 and §3, of their upcoming new album The Last Will and Testament (to be released on November 22), plus classics the likes of Ghost of Perdition, Sorceress and Deliverance, drove their fans crazy during their entire set, and as mentioned, Mikael’s jokes about only getting the munchies and eating an entire package of ham and one of cheese after trying marijuana for the first time, or saying that they’re not a pop band to accept requests for songs unless it’s the next song in their setlist, put an even bigger smile on the faces of everyone at the venue. I’m not a diehard Opeth fan but I believe there’s a recurring joke with the song “You Suffer”, by Napalm Death, and Opeth ended up playing it four or five times demanding us to “sing” its lyrics along with them. If you know that specific song, you can imagine how funny that was.

This was my third time only seeing Opeth, the latest one being my first (or second) show after the pandemic was over, when they played alongside Mastodon, and I don’t know why, maybe because I was more prepared this time, Opeth sounded way cooler to me, putting on a very entertaining and vibrant show exactly the way their Torontonian fans were asking for. The sound quality was excellent, the visuals were stunning, and the band sounded sharp and tight from start to finish. Having said that, I won’t be surprised if they visit Toronto again next year with a full tour focused on their new album due to the amazing reception from all fans this Monday, and I’m sure the venue will be pretty much sold out again as Opeth are becoming one of the most beloved bands by metalheads (and even non-metalheads) from Toronto and surroundings.

Setlist
§1
The Leper Affinity
The Grand Conjuration
The Devil’s Orchard
Eternal Rains Will Come
In My Time of Need
Face of Melinda
Heir Apparent
§3
Ghost of Perdition

Encore:
Sorceress
Deliverance

Band members
Mikael Åkerfeldt – vocals, guitars, cittra, mellotron, percussion
Martín Méndez – bass, backing vocals
Fredrik Åkesson – guitars, backing vocals
Joakim Svalberg – keyboards, Hammond organ, mellotron, piano, synthesizers, backing vocals
Waltteri Väyrynen – drums, percussion, backing vocals

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Concert Review – Dark Tranquillity & Amorphis (The Opera House, Toronto, ON, 10/01/2024)

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And everyone enjoyed a very melodic, heavy, fun and sold out night of Nordic metal music in the city of Toronto.

OPENING ACT: Fires In The Distance

One day after a beyond wild night with Hatebreed, Toronto hosted another brilliant metal extravaganza with DARK TRANQUILLITY and AMORPHIS, plus very special guests FIRES IN THE DISTANCE, at the always cozy The Opera House, again organized by the one and only Noel Peters of Inertia Entertainment. And let me tell you that I wasn’t expecting the venue to be so jam packed on a Tuesday night, proving once again how passionate the fans in the city are about heavy music. Seriously, I think someone forgot to stop selling tickets after the venue’s maximum capacity was reached, because it was really hard to move around the venue and to get downstairs to the floor section to enjoy the shows, with a lot of people just standing close to the bar at the back, behind the sound table. Even raising our horns or clapping our hands in the pit was difficult, but of course, nothing that would have made the night less enjoyable.

One major problem before the show was the insane traffic to get to the city, plus the fact there were absolutely no parking spots available anywhere near the venue, and because of that I sadly missed the show by Newington, Connecticut-based Melodic Doom/Death Metal act FIRES IN THE DISTANCE. I was dying to see those guys live as both their albums, Echoes from Deep November (2020) and Air Not Meant for Us (2023), both available on Spotify, are a thing of beauty and I’m sure their songs sounded even more powerful on stage. At least my buddy Keith Ibbitson of Metal Paparazzi was there to take some crazy photos of their concert, and I promise next time they visit Toronto I’ll skip work if needed to get to their show on time.

Setlist
Harbinger
Wisdom of the Falling Leaves
Crumbling Pillars of a Tranquil Mind
Idiopathic Despair

Band members
Craig Breitsprecher – bass, vocals
Kristian Grimaldi – guitars, vocals
Yegor Savonin – guitars, keyboards
Jordan Rippe – drums

AMORPHIS

I was just able to get inside the venue around 15 minutes before the first headliner of the night, Helsinki, Finland’s own Melodic Heavy Metal/Rock institution AMORPHIS, kicked off their ultra melodic, vibrant and colorful show, and I say colorful because the way they set up their stage was very appealing to my eyes. Also, the talented frontman Tomi Joutsen and his henchmen did a very good job in blending their new material that’s clearly more inclined to Progressive Rock, like the songs Northwards, On the Dark Waters, The Moon and The Wolf, from their 2022 album Halo, with old classic including the always stunning Doom Metal aria My Kantele, and that fusion of past and present was really well received by all fans that were almost smashed on the floor section. The entire band sounded sharp and spot-on, and their connection with the crowd was also fantastic during the whole show.

Setlist
Northwards
On the Dark Waters
Sky Is Mine
The Moon
The Castaway
Silver Bride
The Wolf
Wrong Direction
My Kantele
Magic and Mayhem
Black Winter Day
House of Sleep
The Bee

Band members
Tomi Joutsen – lead vocals
Esa Holopainen – lead guitar
Tomi Koivusaari – rhythm guitar
Olli-Pekka Laine – bass
Santeri Kallio – keyboards
Jan Rechberger – drums

DARK TRANQUILLITY

As a lot of people left the pit to grab some merch, a beer or go outside for a smoke, I could then find a spot on the floor section to enjoy the other headliner, the unstoppable Gothenburg, Sweden-based Melodic Death Metal entity DARK TRANQUILLITY, and fortunately I had my concert earplugs with me because those guys were maybe too loud for such a small venue. The multi-talented, iconic, awesome Mikael Stanne alongside his band of first-class musicians also did a beautiful job mixing songs from their excellent new album Endtime Signals, like Shivers and Voids and Not Nothing, with their older material, and all songs sounded so electrifying the circle pit formed in the middle of the floor section looked like one from a pure Death Metal show, putting a huge smile on everyone’s faces including of course Mikael, who was visibly touched by the beyond warm reaction from the sold-out venue. Everyone was singing along with the band, raising their fists, headbanging, and so on, fueling those Swedish rockers to keep hammering our heads with their top-notch metal music until the very end of the night, and after all was said and done it was visible on their faces that it won’t take long for the mighty Dark Tranquillity to take the city of Toronto by storm again.

Setlist
Shivers and Voids
Hours Passed in Exile
Forward Momentum
Unforgivable
Atoma
The Last Imagination
Nothing to No One
Wayward Eyes
One Thought
Cathode Ray Sunshine
Not Nothing
Empty Me
Phantom Days
Lost to Apathy
Misery’s Crown

Band members
Mikael Stanne – vocals
Johan Reinholdz – guitars
Christian Jansson – bass
Martin Brändström – keyboards
Joakim Strandberg-Nilsson – drums

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Album Review – Nighthawk / Vampire Blues (2024)

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Raise your horns to a compilation of fast-paced, spontaneous Rock N’ Roll hymns crafted by this multi-talented Swedish musician and his more-than-special crew.

Formed during the pandemic by bassist Robert Majd (Metalite, Captain Black Beard) as a side project where he got to play the guitar and work with different musicians, Swedish Melodic Hard Rock/AOR powerhouse Nighthawk is ready to unleash its third full-length opus, titled Vampire Blues, following up on their 2023 opus Prowler. Featuring the aforementioned Robert on the guitars alongside Linnea Vikström (Thundermother) on vocals, Nalle Påhlsson (Treat) on bass, Richard Hamilton (Houston) on the keyboards, and Robban Eriksson (The Hellacopters) and Peter Hermansson (220 Volt) on drums, plus guest vocalist Danny Hynes from Weapon, Vampire Blues is a compilation of fast-paced, spontaneous Rock N’ Roll hymns tailored for admirers of the genre, offering some extremely catchy songs while also sounding technical and detailed.

The thrilling opener Hard Rock Fever offers us all a fusion of 70’s and 80’s Rock N’ Roll led by the striking keys by Richard, or as “the real Bruce Dickinson” would say, “I got a fever, and the only prescription is the Hard Rock attack by Nighthawk” (if you know what I mean); followed by Generation Now, the first single of the album, bringing to our avid ears more of the charming yet powerful vocals by Linnea while Robert, Nalle and Richard are on fire armed with their sonic weapons. Then the Deep Purple-inspired keys by Richard keep embellishing the airwaves in Turn To The Night, while the song’s drums sound and fell truly upbeat and vibrant, and there’s no time to breathe as Linnea will penetrate deep inside your mind with her soaring vocals in Living It Up, another great display of old school Hard Rock by the band. The first cover song of the album is S.O.S. (Too Bad), originally released by Aerosmith in their 1974 album Get Your Wings (check the original version HERE), and what an amazing rendition by Nighthawk where Lianne steals the spotlight with her striking vocals; and it’s pedal to the metal with another electrifying rockin’ tune titled Burning Ground, where the riffs by Robert are nicely boosted by the classic keys by Richard, not to mention how powerful Linnea sounds once again on vocals.

A church-like intro quickly evolves into a dancing Hard Rock extravaganza titled Save The Love, showcasing the band’s trademark beats, riffs and keys, inviting us all to hit the dance floor like there’s no tomorrow, and it’s impressive how they sound technical and progressive without forgetting to deliver a huge amount of energy in their music, with the fun and vibrant The Pledge being a very good example of that, followed by Come And Get It, a song perfect for hitting the highway with your loved ones where Linnea an Robert make a dynamic duo with their respective piercing vocals and flammable riffs, making it impossible to stand still to their Rock N’ Roll party. Then featuring the already mentioned Danny Hynes on guest vocals we have Hold It Baby, originally recorded by Sam & Dave in their 1967 album Soul Men (also check the original version HERE), the second cover of the album which will take you back to the late 60’s and fill your heart with Nighthawk’s twist on soul music. Lastly, we’re treated to an electrifying live version of the song Just Let Go, and although I’m not sure if it’s a bonus track, it’s an amazing addition to the album where the band sounds as tight as in the studio.

After all is said and done, I have only one question to you. What are you waiting for to join Robert and his Nighthawk in the electrifying Rock N’ Roll celebration found in Vampire Blues? He’s eagerly expecting you on Facebook with news and more of his music, you can stream all of his creations on Spotify, and of course show your total support to this talented Swedish musician by purchasing a copy of Vampire Blues from different locations like Sound Pollution. It’s known that Robert is already working on his fourth studio album under the Nighthawk banner, and I’m curious to see if it will sound just as inspired and fun as Vampire Blues, but until then we can relax, grab a cold beer, raise our horns and enjoy the excellent music found in one of the best Melodic Hard Rock albums of the year, no doubt about that.

Best moments of the album: Hard Rock Fever, Burning Ground and Come And Get It.

Worst moments of the album: The Pledge.

Released in 2024 Pride & Joy Music

Track listing
1. Hard Rock Fever 2:23
2. Generation Now 2:40
3. Turn To The Night 2:54
4. Living It Up 2:08
5. S.O.S. (Too Bad) (Aerosmith cover) 2:50
6. Burning Ground 2:57
7. Save The Love 2:35
8. The Pledge 2:47
9. Come And Get It 2:41
10. Hold It Baby (Sam & Dave cover) 3:15
11. Just Let Go (Live) 5:05

Band members
Linnea Vikström – vocals
Robert Majd – guitars
Nalle Påhlsson – bass
Richard Hamilton – keyboards
Robban Eriksson – drums
Peter Hermansson – drums

Guest musician
Danny Hynes – vocals on “Hold It Baby”

Concert Review – Judas Priest (Prudential Center, Newark, NJ, 04/19/2024)

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The one and only Metal Gods raised the invincible shield in Newark this Friday night in a celebration of pure Heavy Metal magic.

OPENING ACT: Sabaton

Exactly 546 days after seeing Iron Maiden at Prudential Centre, I had the utmost pleasure of visiting the city of Newark, New Jersey again this past Friday to see one of the other pillars of my personal “metal triumvirate”, the almighty Heavy Metal institution JUDAS PRIEST (by the way, the other pillars are the aforementioned Iron Maiden, and Slayer, in case you’re curious about that), supported by the good SABATON, during their undisputed, visceral and absolutely hypnotizing Invincible Shield Tour USA 2024. And just like what happened in 2022, I met with one of my good friends from the IMFC before the show at Bello’s Pub & Grill for some quality chat and drinks. Well, that’s becoming a tradition for me, so maybe next it will be Slayer there?

Anyway, after getting to the venue and grabbing some merch (and let me tell you, the Metal Gods are offering some amazing shirts this tour), we got to our seats to enjoy the warlike performance by Falun, Dalarna, Sweden’s own Power Metal brigade SABATON as the more-than-special openers of the night. Although I’m not a huge fan of their music, I must admit they sound amazing live, and Friday night in Newark was no exception to that. Spearheaded by the charismatic frontman Joakim Brodén, Sabaton killed it with a solid and very entertaining show, each song having its own special war-inspired background story, with their setlist encompassing songs from their 2022 album The Symphony to End All Wars, like Stormtroopers and Soldier of Heaven, plus some classic bangers such as Shiroyama (my favorite of their setlist) and To Hell and Back. Everyone who was already at the venue loved their show, and I bet Sabaton will return to Newark soon headlining their own tour based on the warm reaction from all concert goes this Friday night.

Setlist
The March to War
Ghost Division
The Last Stand
Swedish Pagans
The Red Baron
Bismarck
Stormtroopers
Carolus Rex (Swedish)
Shiroyama
The Attack of the Dead Men
Primo Victoria
Soldier of Heaven
To Hell and Back
Dead Soldier’s Waltz

Band members
Joakim Brodén – lead vocals, keyboards
Thobbe Englund – guitars, backing vocals
Chris Rörland – guitars, backing vocals
Pär Sundström – bass, backing vocals
Hannes Van Dahl – drums, backing vocals 

JUDAS PRIEST

It was only 9pm when the main attraction of the night, my beloved, unparalleled, undisputed Metal Gods JUDAS PRIEST took the city of Newark by storm with one of the most metallic, headbanging and intense concerts I’ve ever witnessed. I’m not kidding, it was one hour and forty five minutes of nonstop Heavy Metal magic, courtesy of Rob Halford, Richie Faulkner, Andy Sneap, Ian Hill and Scott Travis, who was by the way phenomenal on drums as usual, taking their heaviness and power to a whole new level Friday night. From the moment the giant banner with the Invincible Shield tour “poem” went up, plus the awesome Invincible Shield tour anthem, until the very last second of the show, it was pure heavy music for the delight of a jam packed Prudential Centre, proving the Metal Gods still got it and that “they’re gonna rock us all ’til our metal hunger’s fed” (if you know what I mean, of course).

Having recently released the majestic opus Invincible Shield, the Metal Gods delivered an ass-kicking mix of timeless classics the likes of Rapid Fire, Love Bites and Sinner, with the brand new songs (which by the way sound like classics too) Panic Attack, Crown of Horns, and my favorite song of the night, the title-track Invincible Shield. Moreover, let’s say that the 72-year old Metal God Rob Halford didn’t want to waste too much time talking, focusing on a stellar vocal performance that made me (and most concert goers) wonder if he’s actually 72, because he sounded decades younger when blasting his soaring, high-pitched vocal lines. Seriously, Halford was flawless, sensational, and so on, making it hard to describe his performance in just a few words. Hence, don’t miss the chance to see him kicking some serious ass on stage this tour, as it’s worth every penny.

One thing I gotta say about the fact that the floor section had seats instead of general admission is that, if you’re going to have seats, make sure people will respect their seats. The crowd was simply rowdy and wild during the entire concert, no one was respecting the seating map, people were standing anywhere they wanted, beer was flying all over people, security was absolutely useless, plus a few minor incidents. That’s why I hate seats. Why not giving everyone the pleasure of standing wherever they want, instead of charging high prices for upfront tickets if no one was going to obey that, right? It was the purest form of “breaking the law, breaking the law” you can think of, so maybe next time in places like Newark the band could avoid offering the seated floor section and just let the crowd go wild.

Anyway, back to the concert, after the band smashed our damned souls with the pulverizing Painkiller, where once again Scott Travis sounded monstrous, I was really hoping for Glenn Tipton to show up during the encore for a couple of songs, which unfortunately didn’t happen. Well, if Glenn was not feeling well enough to do so, that’s more than fine, as long as one of the most important guitarists in the history of heavy music stays strong and keeps fighting against his disease with all his power. No surrender, Glenn! Also, that doesn’t mean the encore wasn’t a real banger, as everyone had the time of their lives enjoying Electric Eye, Hell Bent for Leather, and Living After Midnight, three songs that transpire Heavy Metal, plus of course Richie and Andy made sure they brought Glenn’s energy and passion to the stage during the entire show.

As I mentioned before, there wasn’t a lot of talking during their performance, apart from Halford reminding everyone that the band was celebrating 50 years of Heavy Metal as they released the cult album Rocka Rolla back in 1974, and five decades later here they are still rockin’ hard with Invincible Shield. Damn, time flies, and so did I back to Toronto (pun intended) after an amazing visit to New York and Newark, with my only regret being not having bought tickets for more Judas Priest shows during this awesome tour. Hopefully they’ll announce a new leg soon including Toronto and other Canadian cities, then I’ll make sure I’ll attend multiple concerts to worship the one and only, headbanging, unstoppable Metal Gods. This metalmaniac loves you, guys! Thank you once again for an unforgettable show, and see you on the road!

Setlist
War Pigs (Black Sabbath song)
Invincible Shield Tour Anthem
Panic Attack
You’ve Got Another Thing Comin’
Rapid Fire
Breaking the Law
Lightning Strike
Love Bites
Devil’s Child
Saints in Hell
Crown of Horns
Sinner
Turbo Lover
Invincible Shield
Victim of Changes
The Green Manalishi (With the Two Prong Crown) (Fleetwood Mac cover)
Painkiller

Encore:
The Hellion
Electric Eye
Hell Bent for Leather
Living After Midnight
We Are the Champions (Queen song)

Band members
Rob Halford – vocals
Richie Faulkner – guitar
Andy Sneap – guitar
Ian Hill – bass guitar
Scott Travis – drums

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Concert Review – Gloryhammer (The Phoenix Concert Theatre, Toronto, ON, 03/12/2024)

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One of the torchbearers of Symphonic Power Metal worldwide returned to Toronto after five long years with more of their striking music, swords, goblins, hammers, and HOOTS!

OPENING ACTS: AMMO and Twilight Force

It was a beyond pleasant night in Toronto yesterday with temperatures above the two digits, something VERY uncommon for this time of the year but perfect for enjoying some high-quality Power Metal at The Phoenix Concert Theatre (which by the way desperately needs better parking nearby), courtesy of AMMO, TWILIGHT FORCE and GLORYHAMMER during their most excellent The Red, White & Hoots North American Tour 2024, and the Torontonian fans of all three bands answered their call and joined them in the battlefield for a night of soaring vocals, shredding, orcs, goblins, swords, hammers, princess and princesses, and of course my buddy Keith Ibbitson of Metal Paparazzi and I couldn’t be left out of that metallic party in a land far, far away, right?

Well, to be fair, due to other commitments I couldn’t get to the venue in time to see Toronto’s own Heavy Metal act AMMO, but some people told me they were really good and put on a very entertaining warmup for Twilight Force and Gloryhammer. I checked online and it looks like there have been some significant changes to their lineup since their 2019 EP Taking the Throne, available on BandCamp and on Spotify, which means we can expect new music from those guys in a not-so-distant future. Sorry, AMMO, for not catching you live last night opening for Twilight Force and Gloryhammer, but I’m sure there will be plenty of opportunities to see you guys kicking ass on stage in the coming months.

Setlist
Into Death
Street Metal Werewolves
Doomsayer
Taking the Throne
Empire
Too Metal for Metal

Band members
Alex Zdarvkovic – vocals
Brett Hexx – guitars, backing vocals
Matt Lewis – guitars
Necro Hippie – bass
Struan Robertson – drums

It was around 8pm when Sweden’s iconic Symphonic Power Metal unity TWILIGHT FORCE hit the stage for a fantastic performance, I would say just as electrifying as Gloryhammer, with all band members being on absolute fire throughout the entire show and in sync with the crowd, leading each person at the venue into magical battles with dragons (and there was actually a “floating” dragon released over the crowd during Dragonborn) and other mystical creatures. Having released the album At the Heart of Wintervale last year, Twilight Force was unfortunately missing their lead singer Allyon due to unforeseen issues with his family back home, but that doesn’t mean their show was boring; quite the contrary, Long Island, New York-born (but currently residing in Sweden) vocalist Kristin Starkey, of Italian Melodic Heavy/Power Metal act Temperance, and who’s been doing backing vocals for Twilight Force since 2023, did all the vocals last night and, oh boy, she was incredible. What an amazing voice she has, plus of course her charisma and onstage theatricals, making us even “forget” she’s not the actual vocalist for the band. Sword yielding songs like Dragonborn, Thundersword, and the closing one The Power of the Ancient Force, inspired all fans to raise their fists in the air and enjoy an ass-kicking performance by Twilight Force, and I’m sure soon we’ll see those guys headlining concerts in the city thanks to the more-than-warm reception from their Torontonian fans (and if you want to know more about their music, go check them on BandCamp and on Spotify).

Setlist
Dawn of the Dragonstar
Twilight Force
Dragonborn
Thundersword
Sunlight Knight
Flight of the Sapphire Dragon
Sunlight Knight
At the Heart of Wintervale
The Power of the Ancient Force

Band members
Kristin Starkey – vocals
Lynd – lead & acoustic guitars, lute
Aerendir – rhythm guitars
Born – bass
Blackwald – keyboards, piano, violin, harpsichord
De’Azsh – drums

GLORYHAMMER

Finally, five years after their last concert in Toronto, Scotland’s own Symphonic Power Metal brigade GLORYHAMMER returned to Canadian battlefields armed with their 2023 opus Return To The Kingdom Of Fife, and if there’s one word that could define their show, that word has to be HOOTS! It was a fusion of Heavy and Power Metal with symphonic elements, beer, goblins, hammers and other fantasy elements by Angus McFife II, Ser Proletius, The Hootsman, Zargothrax and Ralathor, putting a huge smile on the faces of everyone who attended the show last night. Blending songs from all of their albums with new ones like Wasteland Warrior Hoots Patrol and Fife Eternal, which are extremely catchy and perfect for live concerts, the band kicked some ass and slayed some goblins for our total delight.

Of course, some of the most anticipated songs of their setlist didn’t disappoint at all, including the amazing battle hymns Gloryhammer, Hootsforce and The Unicorn Invasion of Dundee, with Angus McFife II (aka Sozos Michael) proving why he was chosen to become the band’s frontman with not only an amazing vocal performance, but also being very charismatic and leading the crowd with his requests for fists in the air while holding the Gloryhammer high. Also, I was impressed with the fact that there were even mosh pits during Gloryhammer’s performance, because that’s not the type of music you expect mosh pits. Well, it’s Toronto, so mosh pits can happen anytime. Furthermore, when you have a concert where a goblin appears on stage playing the saxophone, that means ANYTHING can happen, and I bet everyone at the venue can’t wait for Gloryhammer to visit Toronto again in the near future with more swords, hammers, and HOOTS!

Setlist
Incoming Transmission
Holy Flaming Hammer of Unholy Cosmic Frost
Gloryhammer
The Land of Unicorns
Fly Away
Angus McFife
Questlords of Inverness, Ride to the Galactic Fortress!
Also Sprach Zarathustra
Wasteland Warrior Hoots Patrol
Fife Eternal
Masters of the Galaxy
Sword Lord of the Goblin Horde
The Siege of Dunkeld (In Hoots We Trust)
Keeper of the Celestial Flame of Abernethy
Universe on Fire
Hootsforce
The Unicorn Invasion of Dundee
The National Anthem of Unst

Band members
Angus McFife II (Sozos Michael) – vocals
Ser Proletius, Grand Master of the Deathknights of Crail (Paul Templing) – guitars
The Hootsman, Astral Demigod of Unst (James Cartwright) – bass
Zargothrax, Dark Emperor of Dundee (Michael Barber) – keyboards
Ralathor, the Mysterious Submarine Commander of Cowdenbeath (Ben Turk) – drums

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Album Review – Arkado / Open Sea (2024)

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This Swedish Melodic Rock band invites us all to navigate the boundless expanse of the their sophomore album, where melody meets symphony in a harmonious fusion.

From the ashes of a band called BB2 (Better Be Together) founded in the early 80’s in Helsingborg, Sweden, comes a Melodic Hard Rock/AOR band named Arkado, inviting us all to navigate the boundless expanse of the their sophomore album, entitled Open Sea, where melody meets symphony in a harmonious fusion. Recorded, produced and mixed by Mikael Svensson at LdM Studios, mastered by Thomas ‘Plec’ Johansson at The Panic Room Studio, and displaying a stunning artwork by Nello Dell’Omo (Mecca, Jim Peterik, Silent Tiger, Stan Bush), the new album by vocalist and guitarist Philip Lindstrand, guitarists Patrik Svärd and Tony Rothla, bassist Bernt Lundgren (who has recently left the band, being replaced by Christer Engholm), keyboardist Mikael Svensson, and drummer Mikael Skafar is the perfect follow-up to their 2020 debut Never Say Never, introducing a slightly symphonic and heavier dimension to their signature sound and, therefore, being highly recommended for fans of Silent Tiger, Drive At Night, Streetlore, Sapphire Eyes, and Strangerland.

It’s time to embark on a musical journey through the seas of Melodic Rock with Arkado, with the cinematic intro Voyage setting the tone for the title-track Open Sea, a very melodic, powerful tune led by the striking vocals by Philip while his bandmates deliver a mix of AOR with 80’s Hair Metal the likes of Bon Jovi and Cinderella, providing us all with an exciting start to the album. The guitars by Philip, Patrik and Tony continue to embellish the airwaves in Running Through The Night, while Bernt and Mikael Skafar generate a solid base with their classy kitchen; and their Rock N’ Roll party has no time to end to the sound of I Gave My Heart, again showcasing their trademark melodious riffs, classic beats, and the whimsical keys by Mikael Svensson. The band then invests in a more harmonious, smoother sonority with the power ballad You Make Me Feel, where Philip steals the spotlight with his passionate vocals, whereas their guitars sound incendiary in the rockin’ tune Rising High, a Hard Rock feast perfect for hitting the road to the sound of the headbanging beats by Mikael Skafar.

The stylish keys by Bernt ignite the AOR extravaganza Her Mothers Lullaby, where their riffs bring an extra touch of heaviness to the overall result. It’s a good song, albeit a bit generic, though. The band gets back on track and their Melodic Rock vein gets even stronger in Long Way To Go, with the band’s guitar triumvirate filling every single space in the air with their endless energy and harmony, also presenting spot-on backing vocals in support of Philip; and Bernt keeps extracting magic and epicness from his keys in the 80’s Hard Rock tune Unchain The Night,  a lesson in rock music by Arkado where Philip is once again fantastic with his striking vocals, or in other words, it’s a must-listen for fans of the genre. There are two more songs to go and their rockin’ aura stays strong and exciting in Like Something Heaven Sent, where their guitars exhale electricity in the name of Melodic Rock, before all comes to an end with another ballad titled Show Me The Light Again, putting a charming ending to the album, overflowing endless passion thanks to the always stylish keys and piano by Bernt.

Those amazing Swedish rockers are waiting for you on Facebook and on Instagram to rock your world with news, tour dates, more of their music and so on, and you can also stream their classy creations on Spotify and, above all that, purchase your favorite copy of Open Sea by clicking HERE. If you’re an admirer of the world of Melodic Rock, Hard Rock and AOR, then it’s time to navigate across the seas of Rock N’ Roll together with the Swedish rockers of Arkado, letting their gentle yet electrifying sounds guide you like the wind always guides a sailor to safety even on unruly waters.

Best moments of the album: Open Sea, Rising High and Unchain The Night.

Worst moments of the album: Her Mothers Lullaby.

Released in 2024 Pride & Joy Music

Track listing
1. Voyage 1:33
2. Open Sea 4:28
3. Running Through The Night 3:08
4. I Gave My Heart 4:00
5. You Make Me Feel 4:25
6. Rising High 4:16
7. Her Mothers Lullaby 3:50
8. Long Way To Go 3:38
9. Unchain The Night 3:18
10. Like Something Heaven Sent 4:18
11. Show Me The Light Again 4:10

Band members
Philip Lindstrand – vocals, lead guitar
Patrik Svärd – lead & rhythm guitar
Tony Rothla – lead & rhythm guitar
Bernt Lundgren – bass
Mikael Svensson – keyboards, synths, backing vocals
Mikael Skafar – drums, backing vocals