Album Review – Grand Magus / Sunraven (2024)

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After a very long wait, Sweden’s own Heavy and Doom Metal institution is back with a new collection of battle hymns inspired by the tale of Beowulf and Grendel.

In their over 20 years of career, Stockholm, Sweden’s own Heavy/Doom Metal institution Grand Magus has been eternalized in the music history and looks back on a treasury full of all-time Heavy Metal anthems. Now in 2024 the band formed of Janne “JB” Christoffersson on vocals and guitars, Mats “Fox” Skinner on bass, and Ludwig “Ludde” Witt on drums is back with a new blast of memorable battle hymns entitled Sunraven, a concept album about Beowulf and Grendel, a worthy follow-up to their 2019 album Wolf God, and a lecture in heavy doom that will certainly feature among the best metal albums of the year on any list that worships the power of the mighty riff.

And the riffs by Janne sound beautifully heavy and doomed in Skybound, setting the tone in a lesson in Epic Doom Metal by the trio, with the deep, passionate vocals by Janne adding even more epicness to the overall result. Yes, I guess I’ll overuse the word “epic” on this review as you might have already notice. Then investing in a more direct Doom Metal sound we have The Wheel of Pain, with the pounding drums by Ludwig and the low-tuned bass by Mats bringing sheer heaviness to the music, followed by the title-track Sunraven, where the trio keeps delivering sonic awesomeness with their crisp, sharp riffs and blasting beats sounding majestic. It’s time to darken the skies with the melodic and heavy Winter Storms, as cold as it’s vibrant and grim, in line with their Swedish roots and loyal to their foundations; whereas The Black Lake is perhaps the most Black Sabbath-ish song of the entire album (and even of their entire career), to the point we can imagine the almighty Dio singing it. Needless to say, Janne is once again spot-on with his vocals and riffs.

The second half of the album begins with the utterly epic, electrifying Hour of the Wolf, with the guitars by Janne and the rumbling kitchen by Mats and Ludwig inviting us all to head into the battlefield together with Grand Magus, followed by Grendel, another blast of their classic fusion of Heavy, Epic and Doom Metal, offering more of their trademark riffs and beats as well as the low-tuned bass by Mats. To Heorot sounds utterly stunning form start to finish, inspiring us all to raise our fists in the air to the classic vocals by Janne while Ludwig hammers his drums in great fashion, sounding also perfect for some vigorous headbanging in the name of doom; and the power of the riff is also outstanding in the closing tune The End Belongs to You, putting a classy ending to the album and leaving us all more than eager for more (as the album has only 35 minutes of music in total).

I would have simply loved if the album had an extra 10 or 15 minutes of music, mainly because we’ve all been waiting for a new Grand Magus opus for quite some time, but let’s say the band kept Sunraven tight and sharp from start to finish  without sounding cheesy, tiresome or anything like that, which means it might have only 35 minutes in duration, but those are damn intense 35 minutes for our total delight. Hence, don’t forget to stream the album in full on YouTube and on Spotify, to follow the band on Facebook and on Instagram for news, tour dates and so on, and above all that, to grab a copy of the hammering Sunraven by clicking HERE. “The album is about Beowulf and Grendel. In essence, Sunraven is Beowulf, and that’s my own invention,” Janne explains. “But some of the songs are written about and from the perspective of Beowulf, and some of the songs are written about and from the perspective of Grendel, the monster he faces in Denmark. That kind of steered me and carried me through the lyrical process this time. I’ve never done anything like this before. I’ve always been fascinated by that tale. These myths and legends are about all the basic things that we sing about – life, death, glory, dishonour, love, hate, overcoming difficulties, facing impossible opposition and so on.” In other words, what can sound more Heavy Metal than such a strong tale, right? And of course, only Grand Magus could bring all that to life with so much passion, epicness and glory.

Best moments of the album: Skybound, Sunraven, Hour of the Wolf and To Heorot.

Worst moments of the album: None.

Released in 2024 Nuclear Blast

Track listing
1. Skybound 3:28
2. The Wheel of Pain 3:23
3. Sunraven 3:37
4. Winter Storms 5:15
5. The Black Lake 5:34
6. Hour of the Wolf 4:03
7. Grendel 3:32
8. To Heorot 3:00
9. The End Belongs to You 3:21

Band members
Janne “JB” Christoffersson – lead vocals, guitars
Mats “Fox” Skinner – bass, backing vocals
Ludwig “Ludde” Witt – drums

Album Review – Avtotheism / Reflections Of Execrable Stillness (2024)

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A Death Metal work-of-art consisting of two parts, the first revolving around the relationship between Man and Nature, while the second focuses on the connection between Man and God.

“We are entangled in illusions of movement
Lying into incarnations of hush”

Formed in Brescia, Italy in 2016, Technical Death Metal horde Avtotheism crafts a unique blend of Death Metal by adding sulfurous, atmospheric and dark ambient elements to their sound, which is exactly what you’ll get in their newborn beast titled Reflections Of Execrable Stillness, the follow-up to their 2021 debut The Sleeper Awakens. Displaying a beautiful painting by Vama Marga, the new album by P on vocals, R on the guitars, L on bass and N on drums consists of two parts, with the first four tracks being brand new, unreleased material composed in 2022, while the second part is a single, challenging 17-minute song written between 2016 and 2017, and while these two parts deal with different topics, yet they’re inherently linked, as the first is a concept revolving around the relationship between Man and Nature, the cyclic nature of time and events, while the second, on the other hand, is a monolithic song focusing on the connection between Man and God.

Multitudes Of The Sand I is utterly experimental and progressive during a good part of its intro before razor-edged riffs and blast beats fill every single space in the air in a beautiful feast of Technical Death Metal, all boosted by the cadaverous roars by P, whereas Multitudes Of The Sand II already begins in full force to the massive drums by N, flowing majestically until the very last second with tons of intricacy and rage bursting from N’s classic drums, therefore resulting in one of the strongest songs of the album. Then we have Incarnations Of Hush, as heavy and infuriated as it’s phantasmagorical and progressive, and definitely not recommended for the lighthearted, with the guest solo by Matteo Gresele (Ad Nauseam) bringing an extra touch of insanity to the music; connecting with the atmospheric, ethereal Upon Wrecks Of Desolation, one of those cryptic instrumental tunes that puts an end to the first part of the album before the band attack all of our senses with 17 minutes of uncanny Death Metal entitled Dogma Sculptured In The Flesh, a venomous, thunderous creation by the band overflowing violence, hatred and obscurity where the guitars by R sound absolutely austere and evil, not to mention how deep, enraged the growls by P are during the entire song. Put differently, it’s like multiple songs in one, a metallic and experimental sonic voyage that ends in a beyond atmospheric way for our total delight.

The name Avtotheism is used to describe both sacredness and iconoclasm, the elevation of the self beyond religion and divinity, and add to that the band’s lyrics dealing with philosophical concepts of the end of times and human annihilation and you have a bold, caustic blend of Death Metal perfect for the apocalypse. Hence, don’t forget to follow the band on Facebook and on Instagram, to stream their wicked music on Spotify, and to purchase the excellent Reflections Of Execrable Stillness from Avantgarde Music or from Sound Cave, strengthening your connection with Nature, with God and, consequently, preparing your soul for the inevitable end of our decaying world.

Best moments of the album: Multitudes Of The Sand II and Dogma Sculptured In The Flesh.

Worst moments of the album: None.

Released in 2024 Unorthodox Emanations

Track listing
1. Multitudes Of The Sand I 6:55
2. Multitudes Of The Sand II 5:40
3. Incarnations Of Hush 4:56
4. Upon Wrecks Of Desolation 3:26
5. Dogma Sculptured In The Flesh 17:06

Band members
P – vocals
R – guitars
L – bass
N – drums

Guest musician
Matteo Gresele – guitar solo on “Incarnations Of Hush”

Album Review – Torrefy / Necronomisongs (2024)

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This Canadian horde is offering us all the Songs of the Dead in their new opus, a fusion of ripping Thrash Metal and abrasive Black Metal.

Formed in 2011 in Victoria, British Columbia, Canada, the unrelenting Blackened Thrash Metal horde known as Torrefy has just unleashed upon humanity their fourth full-length beast, titled Necronomisongs, following up on their 2020 album Life Is Bad. Recorded by Torrefy and Cody Baresich at Circle A Studios, mixed by Cody Baresich, mastered by Brad Boatright at Audiosiege, and displaying a cadaverous artwork by Blackstory, the new album by John Ferguson on vocals, Adam Henry and Ben Gerencser on the guitars, Simon Smith on bass, and Daniel Laughy on drums brings to our avid ears ripping Thrash Metal and abrasive Black Metal as its prime elements, yet the band’s self-described unorthodox approach to composition has paid big dividends, as the album slashes, burns, and genre-bends with unhinged ferocity, all without sacrificing an ounce of memorability.

Of Wind and Worm offers a ruthless attack from the very first second, with a demonic roar by John already welcoming everyone to the band’s thrashing extravaganza while the wicked solos by Adam bring an extra dosage of fury to their sound. Adam and Ben put the pedal to the metal in Street Reaper, with the support of the rumbling bass and drums by Simon and Daniel, respectively, resulting in a sulfurous display of Thrash Metal by the band, followed by Corpseback Rider, portraying a beautiful name for a heavy and grim creation by Torrefy, with the deep gnarls by John sounding inhumane. And Arachnomancer starts in an eerie way, kinda jazzy to the low-tuned bass by Simon, exploding into a Skeletonwitch-like sound to the massive, venomous beats by Daniel.

Back to a more infernal sonority, the band will crush our damned souls to pieces in Enslaved New World, a true Blackened Thrash Metal beast where John’s demented vociferations are nicely supported by the riff, bass and drum hurricane crafted by his bandmates, whereas Nature Vs Torture is another song with a very peculiar name surpassing the six-minute mark, with the strident and piercing riffs by Adam and Ben sounding absolutely thrashy and vile. Those guys certainly know how to name their songs in a fun way, which is the case with Apex Shredatorr, and the song’s epic, somber intro once again evolves into a metallic party by the band, showcasing their love for the riff and sheer violence. And last but not least, the band ventures through more melodic lands in Total Perspective Vortex without forgetting their usual rage and heaviness, and the final result is perfect for some action inside the pit with Daniel dictating the pace with his intricate beats and fills.

You can join the dark side of Thrash Metal by listening to Necronomisongs in full on YouTube and on Spotify, by following the band on Facebook and on Instagram to stay updated with all of their news and tour dates, and of course, by purchasing their sulfurous new opus from their own BandCamp page, from the Witches Brew webstore, or by clicking HERE. The Necronomicon might be the Book of the Dead, but let’s say Torrefy are bringing to our putrid ears the Songs of the Dead with their caustic new album, and you better be ready because once you start listening to it, you’ll begin your one-way descent into the underworld.

Best moments of the album: Of Wind and Worm, Enslaved New World and Total Perspective Vortex.

Worst moments of the album: Arachnomancer.

Released in 2024 Witches Brew

Track listing
1. Of Wind and Worm 5:34
2. Street Reaper 4:18
3. Corpseback Rider 4:38
4. Arachnomancer 5:49
5. Enslaved New World 5:48
6. Nature Vs Torture 6:20
7. Apex Shredatorr 6:06
8. Total Perspective Vortex 6:25

Band members
John Ferguson – vocals
Adam Henry – lead guitar
Ben Gerencser – rhythm guitar
Simon Smith – bass
Daniel Laughy – drums

Concert Review – Opeth (Queen Elizabeth Theatre, Toronto, ON, 10/14/2024)

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There’s nothing better than a night of Progressive Rock and Metal to celebrate the Thanksgiving holiday in Toronto.

OPENING ACT: Tribulation

There’s nothing better than celebrating Thanksgiving in Canada than with an ass-kicking metal concert, don’t you agree? That’s exactly what we got in Toronto this Monday when OPETH and TRIBULATION paid a visit to the city during their North American Tour 2024 at the Queen Elizabeth Theatre, in another event organized by the awesome Noel Peters of Inertia Entertainment. And if you think the venue was empty due to one of the biggest holidays in Canada, you’re absolutely wrong, as fans simply took the venue by storm in a sold out (or almost sold out) night of sheer progressiveness and heaviness. Keith Ibbitson of Metal Paparazzi and I were there to cover such a unique display of heavy music made in Sweden, and I guess both bands will surely return to Toronto sooner than later with a new show as not only both have new albums coming out in the next few weeks, but the reception of the crowd to them was also fantastic during the whole night.

Precisely at 7:30pm, Stockholm’s own Death/Gothic Metal outfit TRIBULATION hit the stage for a dynamic and diverse performance, and I say diverse because their sound has evolved and changed so much through the years it feels like every song is a different band playing on stage, plus the fact each band member looks like they belong to a different music style. That doesn’t mean the show was bad or boring; quite the contrary, the quartet was on fire during their entire show, with their new songs Tainted Skies, Hungry Waters and Saturn Coming Down, from their new album Sub Rosa in Aeternum (to be released on November 1) sounding really strong and vibrant live. I personally prefer their older material when they were more inclined to Death Metal, but any of their phases work really well on stage, and the crowd’s reaction to each song played proved that. Now let’s wait and see what their new album will bring to us all, and next time they visit Toronto I’m sure a lot of people that were at the Queen Elizabeth Theatre to see only Opeth will feel more than excited to see Tribulation headlining a concert in the city.

Setlist
Tainted Skies
Nightbound
Suspiria de Profundis
Hungry Waters
Saturn Coming Down
Strange Gateways Beckon
Melancholia

Band members
Johannes Andersson – vocals, bass
Adam Zaars – guitars
Joseph Tholl – guitars
Oscar Leander – drums

OPETH

As Stockholm’s iconic Progressive Death Metal/Rock institution OPETH was scheduled to start their performance at 8:45pm, I honestly thought the show was going to end earlier than most shows in the city, maybe even earlier than 10:30pm, but when the band in question is Opeth you can rest assured they’ll provide you with a long and detailed concert, to the point I only got back home close to midnight. The charismatic Mikael Åkerfeldt and his henchmen did a fantastic job on stage not only with their unique blend of progressiveness and heavy music, but also with the bonus “stand up comedy show” by Mikael in between songs. Seriously, the guy was on fire, and as I love that type of dark humor that only made the concert even more fun for my personal taste.

Their new songs §1 and §3, of their upcoming new album The Last Will and Testament (to be released on November 22), plus classics the likes of Ghost of Perdition, Sorceress and Deliverance, drove their fans crazy during their entire set, and as mentioned, Mikael’s jokes about only getting the munchies and eating an entire package of ham and one of cheese after trying marijuana for the first time, or saying that they’re not a pop band to accept requests for songs unless it’s the next song in their setlist, put an even bigger smile on the faces of everyone at the venue. I’m not a diehard Opeth fan but I believe there’s a recurring joke with the song “You Suffer”, by Napalm Death, and Opeth ended up playing it four or five times demanding us to “sing” its lyrics along with them. If you know that specific song, you can imagine how funny that was.

This was my third time only seeing Opeth, the latest one being my first (or second) show after the pandemic was over, when they played alongside Mastodon, and I don’t know why, maybe because I was more prepared this time, Opeth sounded way cooler to me, putting on a very entertaining and vibrant show exactly the way their Torontonian fans were asking for. The sound quality was excellent, the visuals were stunning, and the band sounded sharp and tight from start to finish. Having said that, I won’t be surprised if they visit Toronto again next year with a full tour focused on their new album due to the amazing reception from all fans this Monday, and I’m sure the venue will be pretty much sold out again as Opeth are becoming one of the most beloved bands by metalheads (and even non-metalheads) from Toronto and surroundings.

Setlist
§1
The Leper Affinity
The Grand Conjuration
The Devil’s Orchard
Eternal Rains Will Come
In My Time of Need
Face of Melinda
Heir Apparent
§3
Ghost of Perdition

Encore:
Sorceress
Deliverance

Band members
Mikael Åkerfeldt – vocals, guitars, cittra, mellotron, percussion
Martín Méndez – bass, backing vocals
Fredrik Åkesson – guitars, backing vocals
Joakim Svalberg – keyboards, Hammond organ, mellotron, piano, synthesizers, backing vocals
Waltteri Väyrynen – drums, percussion, backing vocals

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Album Review – Dragoncorpse / The Fall of House Abbarath EP (2024)

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This international Powercore army is back into the battlefield armed with a brand new EP, taking their already innovative, energetic sound to a whole new level.

Back into the battlefield and armed with a brand new EP entitled The Fall of House Abbarath, International Symphonic Deathcore/Power Metal dynamos Dragoncorpse took their already innovative, energetic sound, plus all feedback gathered from the release of their 2023 debut EP, The Drakketh Saga, to heart and used it to refine their approach in their new release. Produced by the band itself alongside Matt Schmidt, who was also responsible for all mixing and mastering, and displaying a killer artwork by Avellustration, the new EP by Mardy Leith on vocals, Kris Chayer on the guitars, Noah Nikolas Laidlaw on bass, Justin Gogan on drums, and Mark Marin on all orchestrations takes place in the space between “Sunlover” and “Blood And Stones” (both songs from The Drakketh Saga), offering a heavy yet very melodic sound perfect for admirers of the music by Dragonforce, 3 Inches of Blood, Nekrogoblikon, Lorna Shore and Brand of Sacrifice, among others.

An Introduction To [HEROISM] is a wicked spoken track that introduces the listener to Dragoncorpse’s realm of dragons, warriors and battles, exploding into the heavy and epic Welcome Home, where Mardy delivers his Deathcore-infused vocals supported by the riffs by Kris and the whimsical orchestrations by Mark, followed by I Live… AGAIN!, even more infuriated and heavier than the previous song, with the pulverizing beats by Justin inviting us all to head into the battlefield together with the band, showcasing a great balance between harsh screams and Power Metal clean vocals. A Quest For Truth starts in a weird dancing way, almost sounding pop, but quickly morphing into another Power Metal attack by Dragoncorpse with all background keys and visceral gnarling enhancing its punch. Then featuring guest vocals by Lauren Coleman we have Whisper on the Wind, a dark and enfolding ballad (if we can call it this way) that soothes our souls before their last metal aria titled Fear and Hunger, showcasing a venomous riff and bass attack by Kris and Noah while Justin keeps hammering his drums in the name of heavy music (and dragons).

“For new fans, I believe we’ve added more elements of deathcore and power metal while adding more excitement into the music for an authentic listening experience like no other band,” Noah explains. “We put a lot of emphasis on the atmosphere of the music,” adds Justin. “Throughout the entire EP there is a medieval theming that resonates in the music that keeps the tracks feeling refreshing and fun. With the addition of Mark on keys/orchestration, he brought with him a completely different approach to songwriting that I am sure fans are going to appreciate!” Hence, if you want to experience all that sonic madness brought into being by this multinational entity from Australia, Canada and the United States, you can purchase The Fall of House Abbarath from their own BandCamp, from the Shattered Earth Records webstore as a CD or as a vinyl, as well as by clicking HERE. Also, don’t forget to start following the band on Facebook and on Instagram, and to stream more of their music on Spotify, letting their Powercore invade your ears as you prepare to march into battle to fight dragons and, of course, to raise your horns to one of the most unique bands of the current scene.

Best moments of the album: I Live… AGAIN! and Fear and Hunger.

Worst moments of the album: None.

Released in 2024 Shattered Earth Records

Track listing
1. An Introduction To [HEROISM] 3:22
2. Welcome Home 3:15
3. I Live… AGAIN! 3:55
4. A Quest For Truth 4:38
5. Whisper on the Wind 3:49
6. Fear and Hunger 3:59

Band members
Mardy Leith – vocals
Kris Chayer – guitars
Noah Nikolas Laidlaw – bass
Justin Gogan – drums
Mark Marin – orchestration

Guest musicians
Nick Miller – guitars on “I Live… AGAIN!”
Lauren Coleman – vocals on “Whisper on the Wind”

Concert Review – Nervosa (Hard Luck Bar, Toronto, ON, 10/10/2024)

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Five excellent bands of the current Thrash and Death Metal scene led by the all-female beast Nervosa brought the Great American Jailbreak to Toronto on a night of pure underground madness.

OPENING ACTS: Prospects, Duskwalker, Hatriot and Lich King

Just one day after the incredible Sepultura concert in Toronto, it was time to head back into the battlefield (aka circle pit) for THE GREAT AMERICAN JAILBREAK TOUR 2024 with NERVOSA, LICH KING, HATRIOT, DUSKWALKER and PROSPECTS, who despite having the fierce “competition” of Skeletal Remains and Bewitcher at the exact same date and time at The Rockpile, put on an amazing show to a small but unstoppable crowd at Hard Luck Bar. In addition, all those shows happening at the same time in the city forced Keith Ibbitson of Metal Paparazzi and I to divide and conquer, but while he was covering the show at The Rockpile I fortunately had the support of the amazing metal photographer Afrida Nawar, which is why you’re seeing some classy photos of the night instead of my terrible mobile ones. Once again due to work commitments I missed the show by Toronto’s own Progressive Metal band PROSPECTS, and again I have no idea which songs they played, but if you’re curious about their music you can find them on Spotify and on BandCamp. Spoiler alert, they’re awesome.

Band members
Robert Medeiros – vocals, guitar, keyboards
Jerry Zhang – guitar
Matthew Lothian – bass
Anthony Zicari – drums

As mentioned, the venue wasn’t even half full when Niagara Falls-based Thrash/Death Metal act DUSKWALKER kicked off their frantic, heavy-as-hell and devilish show, with their frontman Joey Scaringi roaring nonstop and with a lot of passion as if he was playing in front of a sold out arena with 20,000 fans watching him. Well, those guys simply love the underground from the bottom of their hearts, which is more than explicit in their new album Underground Forever (available in full on Spotify), and that energy translated into a small but most excellent mosh pit during their entire set. The title-track for their new album, Underground Forever, sounded amazing live, with the band demanding us all to raise our fists and horns in the name of our beloved underground scene. Duskwalker are a killer crew, and I can’t wait to see what they can do in front of a bigger audience, opening for a band like Exodus or Death Angel, for example.

Setlist
Crippled at the Core
Shadowcreeper
The Loss
You’ve Got Another Thing Comin’
Vanquisher
Underground Forever
The Crawling Tongue

Band members
Joey Scaringi – vocals
John Robinson – guitars
John Neadow – bass
Cale Costello – drums

Speaking of Exodus, the third band of the night was formed of brothers Cody and Nick Souza, sons of the legendary Exodus frontman Steve “Zetro” Souza, plus Kosta V. and Miguel Esparza on the guitars, collectively known as California’s Melodic Death/Thrash Metal beast HATRIOT, and holy shit, what an amazing performance by one of the most hardworking bands of the current American scene. Playing basically songs form their 2022 album The Vale of Shadows (available on Spotify), with Horns & Halos, Clemency Denied and Hymn for the Wicked sounding absolutely demented, plus the excellent new song Forest of Illusion, the entire band sounded ruthless on stage, with Cody not only blasting inhumane screams (like an even more demonic version of his amazing father), but also showing how much the entire band loves the underground, just like Duskwalker, thanking us all for another unforgettable night in Canada for them. Those boys are an incredible live act, and if you have a chance to see them live don’t think twice and simply go for it, getting ready for an intense night of mosh pits, blast beats and crazy screams.

Setlist
Horns & Halos
Delete
Forest of Illusion
Clemency Denied
Ethereal Nightmare
Hymn for the Wicked

Band members
Cody Souza – vocals, bass
Kosta V. – guitars
Miguel Esparza – guitars
Nick Souza – drums

Another quick break and it was time for Amherst, Massachusetts-based Thrash Metal/Crossover brigade LICH KING to show us all why they’re considered one of the precious gems of the underground scene, a cult band that always delivers an endless amount of adrenaline on stage for the lovers of our gold old Thrash Metal. In 2015, original vocalist Tom Martin stopped performing with the band, remaining a “shadowy puppetmaster”, writing the band’s material and running things; in addition, their last official release dates way back to 2017, the excellent The Omniclasm (available on both Spotify and BandCamp), which means there’s nothing new from those guys since then. Do you think that means their show was weak or lame? Quite the contrary, it was total anarchy led by their unstoppable frontman Zach Smith, and the band also had the support of Cody Souza of Hatriot on bass as their bassist Mike Dreher could not join the band here in Toronto. Everyone at the pub simply loved each and every second of their show, leaving us all eager for more Lich King in the near future, and more than pumped for the main attraction of the night.

Setlist
All Hail
Attack of the Wrath of the War of the Death of the Strike of the Sword of the Blood of the Beast
In the End, Devastation
Lich King V: Stalemate
Crossover Songs Are Too Damn Short
Waste
Combat Mosh
We Came to Conquer

Band members
Zach Smith – vocals
Nick Timney – lead guitars
Joe Nickerson – rhythm guitars
Cody Souza – bass
Brian Westbrook – drums

NERVOSA

A lot has changed for the beyond talented and hardworking Prika Amaral and her Thrash/Death Metal creature NERVOSA since the last time they played in Toronto opening for Destruction in 2022. Now with a completely different lineup, including Prika being now responsible not only for the guitars, but also for the vocal duties, the now half-Brazilian, half-Greek band formed of Prika alongside Helena Kotina on the guitars, Hel Pyre on bass and Gabriela Abud on drums sounds even more infuriate than before, which can easily be seen in their 2023 album Jailbreak, available on Spotify and on BandCamp. As a matter of fact, due to personal reasons, Hel Pyre could not join the band on this North American tour, being replaced (at least in Toronto) by the beautiful Natalie Nova, vocalist for Los Angeles, California-based Heavy/Groove Metal band Beyond the Roots, who by the way spent pretty much the entire time the opening bands were playing together with fans at the floor section, dancing, headbanging and enjoying some good underground heavy music nonstop.

And Prika, Helena, Natalie and Gabriela simply destroyed on stage, sounding amazing from the first notes of Seed of Death until the very last seconds of Endless Ambition. There were mosh pits, horns being raised everywhere, fans screaming the lyrics together with the band, and so on, with things getting even more serious during true bangers like Death!, Kill the Silence, Kill or Die, and my two favorite songs of the night, Jailbreak and Guided by Evil. Prika promised the band will return to Toronto sooner than later, and I really hope next time they get a much bigger crowd because they definitely deserve it. After their electrifying show was over, I had the pleasure of briefly chatting with Prika, who was very humble and thanked me (an everyone else) for attending the show and supporting Nervosa. To be fair, I was the one who wanted to thank her and the girls for such an awesome night, and despite being tired for back to back shows with amazing bands the likes of Obituary and Sepultura on one night and Nervosa on the next, a good dosage of Death and Thrash Metal like what the girls provided us with this Thursday night is exactly what we all needed to regain our strength and keep headbanging nonstop in the name of live music.

Setlist
Seed of Death
Behind the Wall
Death!
Nail the Coffin
Kill the Silence
Perpetual Chaos
Venomous
Ungrateful
Masked Betrayer
Under Ruins
Kill or Die
Jailbreak
Guided by Evil
Endless Ambition

Band members
Prika Amaral – vocals, guitars
Helena Kotina – guitars
Natalie Nova – bass
Gabriela Abud – drums

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Album Review – Notturno / Our (2024)

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The newest chapter in the story of this Italy-based Atmospheric/Depressive Black Metal entity continues the exploration of the human psyche and our obsessive compulsions.

One year to the date of their last album, titled Inside, and two years after their debut opus Obsessions, the newest chapter in the story of Italy-based Atmospheric/Depressive Black Metal entity Notturno has just seen the light of day once again in the form of their new album Our, continuing the exploration of the human psyche and our obsessive compulsions. Recorded at BVNKER Studio, with vocals recorded at HK Studios and drums recorded by Stefano Nuccetelli at Music Up Studio, mixed and mastered by Stefan Traunmüller at Soundtempel Studio, and displaying a captivating atwork by Sky Studach, with photos by Riccardo Ziosi and featuring model Giulia Simonelli, the new album by vocalist Kjiel and multi-instrumentalist Vittorio Sabelli, alongside session drummer Aeternus (aka Sven Vinat), is rooted in Atmospheric and Depressive Black Metal with classical instruments incorporated into the compositions, only adding to the rich sonic tapestry, though perhaps never as seamlessly as on this latest album.

And it’s classic Notturno in the intro Adagio, with the dark, deep sounds of the clarinet by Vittorio generating a truly menacing ambience perfect for the band to crush our souls in Inside, where the delicate but piercing instrumental pieces are exactly what Kjiel needs to shine on vocals, overflowing melancholy and flowing majestically until the very last second, therefore connecting in a beautiful way with Anymore, which starts in a serene manner to the acoustic guitars by Vittorio, alternating between utterly introspective moments to the gentle vocals by Kjiel and sheer heaviness and obscurity with harsher riffs and roars, resulting in a multi-layered aria of Depressive Black Metal. Then all explodes into the heavy-as-hell, Black Metal-infused Paranoia, with Vittorio and Aeternus demolishing our damned souls with an infuriated eight-minute wall of sounds full of classic riffs, beats and fills, with its calm interlude bringing peace to our rotten souls before all hell breaks loose again to the devilish vociferations by Kjiel; and lastly, it’s time for Vittorio to reach deep inside our hearts with his piano in the closing tune Doors, with Kjiel darkly declaiming the song’s lyrics, before morphing into a stylish Depressive and Atmospheric Black Metal onrush and ending in a gentle, somber way.

Such an amazing Italian duo of darkness is waiting for you on Facebook and on Instagram with more of their music, news, tour dates and so on, and don’t forget to also stream their eerie creations on Spotify and, above all that, to purchase Our from the Hypnotic Dirge Records’ BandCamp or webstore, adding an extra touch of obscurity to your collection. Kjiel and Vittorio more than just complete each other in a “Beauty and the Beast” style, specially because Kjiel is also a beast; they actually represent one single entity which purpose is to bring darkness and melancholy to our hearts, with Our being the perfect follow-up to Obsessions and Inside, continuing to pave the duo’s beautiful path to a land where there’s no hope, nor light.

Best moments of the album: Anymore and Paranoia.

Worst moments of the album: None.

Released in 2024 Hypnotic Dirge Records

Track listing
1. Adagio 3:53
2. Inside 7:39
3. Anymore 10:14
4. Paranoia 8:08
5. Doors 8:15

Band members
Kjiel – vocals
Vittorio Sabelli – guitars, bass, clarinet, bass clarinet, piano, keys

Guest musician
Aeternus – drums

Concert Review – Skeletal Remains & Bewitcher (The Rockpile, Toronto, ON, 10/10/2024)

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Two of the most demonic bands of the current American scene fragmented the city of Toronto to a small but very active crowd.

***Review and photos by Keith Ibbitson of Metal Paparazzi***

OPENING ACT: Dominant Species, Phobophilic and Witch Vomit

Unfortunately, due to the show by Nervosa at the exact same day and time at Hard Luck Bar, I had to miss DOMINANT SPECIES, PHOBOPHILIC, WITCH VOMIT, SKELETAL REMAINS and BEWITCHER during their Toronto stop of their Fragmenting North America 2024 Tour at The Rockpile, but my friend Keith Ibbitson of Metal Paparazzi was there to cover the show and take some amazing shots of all bands involved. It’s frustrating when you go from a period of almost zero shows like July and August to an avalanche of concerts happening all at once like this September and October in the city, which in my opinion is nastily hurting the attendance of all shows, in special the underground ones, because it’s just humanly impossible to go see all bands under those circumstances.

The first band of the night, DOMINANT SPECIES, is a Toronto based Heavy Metal and Hardcore band that’s part of Reel Wolf Productions. This band is quite new in the scene but it is gaining some traction here in Toronto. As a matter of fact, their singer is actually the owner of Reel Wolf Productions, a small video production company used for rap and metal bands, so if you’re curious to know more about the band and the company you can visit their official website. They say they play “grimy brutal riffs with hip hop fusion”, and according to Keith that’s exactly what they delivered at The Rockpile.

Then hailing from North Dakota, PHOBOPHILIC are a Death Metal band with two demos, an EP, a split and a 2022 full-length album titled Enveloping Absurdity already under their belts. Although vocalist and guitarist Aaron Dudgeon is no longer with them, that didn’t stop the band from moving forward as a three-headed beast formed of Christian Alm on bass, Vincent Tweten on drums, and Josh Poer on vocals and guitars, plus lead guitarist Miles McIntosh during their live concerts, and they surely put on an energetic show with their no shenanigans Death Metal. And after that it was time for the third opener of the night, Portland, Oregon-based Death Metal act WITCH VOMIT, formed in 2012 by vocalist and guitarist Temper and drummer Filth. Witch Vomit play dark Death Metal in the American tradition with elements of Scandinavian evil and ancient Doom Metal, and that combination of styles created a truly demonic vibe when they hit the stage at The Rockpile for the delight of all fans present at the venue.

SKELETAL REMAINS

Founded in 2011 under the name Anthropophagy, Whittier, California’s own Death Metal squad SKELETAL REMAINS was one of the headliners of the night, kicking some ass with their share of brutality and speed. The band led by founding members Chris Monroy (guitars and vocals) and Mike De La O (guitars) was phenomenal on stage, and despite the smaller than expected crowd their whole performance was insane. Their new album Fragments of the Ageless, released in the beginning of 2024, is an amazing piece of Death Metal that’s definitely worth a listen if you haven’t done so already, and the songs from that album sounded even more fun live, like for example Void of Despair and Relentless Appetite. I’m sure they’ll soon return to Toronto and to a much bigger crowd if all logistics and promotion are done properly next time.

BEWITCHER

The second headliner of the night, Portland, Oregon-based Black/Speed Metal horde BEWITCHER, also has a new album out, Spell Shock, released only a couple of weeks ago. Formed of A. Magus on bass and backing vocals, M. Von Bewitcher on vocals and guitars, and A. Hunter on drums, the band kicked ass at The Rockpile for a crowd of less than 100 people, and just like Skeletal Remains they didn’t care about that small attendance at all, keeping the fires of the underground burning nonstop during their pulverizing set. Their new songs Starfire Maelstrom and Spell Shock worked really well with their classics Satanic Magick Attack and Bewitcher, and again, just like what was said about Skeletal Remains, I’m sure next time they visit Toronto they’ll play to a much bigger audience.

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Concert Review – Sepultura (Rebel, Toronto, ON, 10/09/2024)

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The city of Toronto celebrated life through death together with the most important metal band to ever arise from Brazil.

OPENING ACTS: Harvest, Agnostic Front and Obituary

I personally do not trust any farewell tours, because let’s be honest, all bands that scheduled farewell tours kept touring for years and years after that, and some are still touring. Anyway, if this was the last time the city of Toronto ever saw Brazilian metal titans SEPULTURA on stage, alongside OBITUARY, AGNOSTIC FRONT and HARVEST during their CELEBRATING LIFE THROUGH DEATH NORTH AMERICAN FAREWELL TOUR 2024 at Rebel, let’s say they’re going down in style, as it was an amazing night celebrating their impressive 40 years of career. I just have zero idea if the concert by Minneapolis, Minnesota-based Hardcore outfit HARVEST was good or not as I couldn’t make it in time for that. Well, for most of the tour the opening act was Brazilian Death/Thrash Metal veterans Claustrofobia, which would have been a lot more appealing to me, but I’m pretty sure Harvest put on a very decent show this Wednesday night. I don’t know their setlist, nor their lineup, but if you want to know more about them you can find their music on Spotify and on BandCamp, and of course enjoy the nice shots Keith Ibbitson of Metal Paparazzi took of their performance.

I might have missed the entire show by Harvest, but I was lucky enough to get to Rebel a few minutes before New York City’s own Hardcore Punk legends AGNOSTIC FRONT hit the stage for a solid and electrifying concert, igniting some sick mosh pits led by the band’s iconic frontman Roger Miret. My brother and a few of his friends are huge fans of Agnostic Front, so it was a pleasure for me to watch them live for the first time ever, playing some classic punk songs like For My Family and Gotta Go, therefore keeping the action flowing frantically inside the circle pit. I don’t remember exactly which song this happened, but one of their guitarists got down to the floor section in the middle of the circle pit while fans kept running around him, which was a really nice touch to their show in my opinion. I also saw part of their show form the back as I was in line to grab a Sepultura shirt, and I gotta say the quality of the sound way back was excellent, just like in every single show at Rebel.

Setlist
The Good, The Bad And The Ugly Theme
AF Stomp
The Eliminator
Dead to Me
New Jack
For My Family
Friend or Foe
Toxic Shock
Victim in Pain
All Is Not Forgotten
Peace
Gotta Go
Addiction

Band members
Roger Miret – lead vocals
Vinnie Stigma – lead guitar, backing vocals
Craig Silverman – rhythm guitar, backing vocals
Mike Gallo – bass, backing vocals
Danny Lamagna – drums

One year and a few months after their demolishing headlining show in Toronto, Florida’s own Death Metal machine OBITUARY kicked the city in the ass again without a single drop of mercy with a killer performance as the more-than-special openers for Sepultura, and it felt almost like a headlining show because the band spearheaded by the Tardy Brothers had a lot of time to distill their undisputed blend of heavy music for the delight of their fans. All songs sounded extremely heavy, thunderous and ruthless, including The Wrong Time, War, and Dying of Everything, from their 2023 beast Dying of Everything, and when the band started playing their all-time classic Slowly We Rot it was absolute anarchy inside the circle pit. The guys from Obituary surely love Toronto from the bottom of their hearts, and I bet it won’t take long for John, Donald & Co. to attack us again with their redneck-infused Death Metal.

Setlist
Snortin’ Whiskey (Pat Travers song)
Redneck Stomp
Threatening Skies
By the Light
The Wrong Time
Deadly Intentions
Chopped in Half / Turned Inside Out
Solid State
War
Circle of the Tyrants
Dying of Everything
Slowly We Rot

Band members
John Tardy – vocals
Kenny Andrews – lead guitars
Trevor Peres – rhythm guitars
Terry Butler – bass
Donald Tardy – drums

SEPULTURA

In my humble opinion, there was a slight miscalculation in the time each band was going to start their show, because by the time the speakers started playing War Pigs, followed by Polícia, it was already close to 10pm, which means it was getting REALLY late for a full-bodied concert like the one we got from Brazil’s one and only Thrash/Groove Metal institution SEPULTURA. That wasn’t a big issue, though, because as soon as the band kicked off their metallic ceremony with the classics Refuse/Resist and Territory, everyone forgot it was a Wednesday night and decided to slam into the pit, jump up and down, raise their fists and scream the lyrics to all songs together with the band. Their setlist was a thing of beauty, including songs from pretty much all of their albums, therefore properly celebrating 40 years of existence. Songs like Attitude, Choke, Dead Embryonic Cells, Orgasmatron and Troops of Doom sounded perfect for some vigorous headbanging and circle pit action, plus of course the beauty of the tribal beats of Kaiowas.

One of the new “features” of a Sepultura show these days is the addition of the very young and insanely talented Greyson Nekrutman on drums. Known first and foremost as a jazz drummer from New York, he was recruited by Andreas Kisser himself to take care of some of the most iconic beats in the history of heavy music, and oh boy, he kicked some serious ass on stage, proving why he was the chosen one to be the band’s new drummer. And it felt like Derrick, Andreas, Paulo and Greyson got even more infuriated and sharp during the last part of the show, blasting our minds with the all-time classics Inner Self, Arise, Ratamahatta and Roots Bloody Roots, the last one of course inspiring everyone at the venue to jump and scream together like a true “Sepultribe”, putting a beyond climatic ending to their show. Let’s see what happens next with Sepultura, if they’ll call it quits for good, or if we’ll see a return to the stages in the next few years. Well, just like Slayer, hopefully we’ll see Sepultura back sooner than later because they still have a lot of fuel to burn, and the city of Toronto would definitely love to host “Sepultura do Brasil” again in the near future.

Setlist
War Pigs (Black Sabbath song)
Polícia (Titãs song)
Refuse/Resist
Territory
Kairos
Phantom Self
Attitude
Means to an End
Choke
Guardians of Earth
Breed Apart
Escape to the Void
Kaiowas
Dead Embryonic Cells
Agony of Defeat
Orgasmatron
Troops of Doom
Inner Self
Arise
Ratamahatta
Roots Bloody Roots

Band members
Derrick Green – lead vocals
Andreas Kisser – guitars, backing vocals
Paulo Jr. – bass
Greyson Nekrutman – drums

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Album Review – Infirmum / From The Depths I Cried (2024)

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This Finnish Symphonic Doom Metal band returns with their captivating sophomore album, offering an atmospheric journey through the darkest corners of the human soul.

Formed in early 2019 in the Finnish city of Jyväskylä, Symphonic Doom Metal outfit Infirmum has been approaching the genre in a unique and complex way with a sound that explores aspects of classical music combined with the traditional weight and melancholy of doom, having already released their debut album Walls of Sorrow, in 2020, followed by the EP The Great Unknown, in 2022. Now in 2024, the band formed of Sabine Blodwin (Moonwitch, Draconian Opera, Pettalom) on vocals, Taka Eliel (Sanctuary of Hate) on vocals and bass, Erna Siikavirta (Lordi, Children of Bodom, Sinergy, Arthemesia, Deathlike Silence) on keyboards, Joonas Siikavirta (Begrim) and Timo Solonen (Grain of Pain) on the guitars, Hanna-Leena “Hanska” (Mourning Wood) on drums, and Elya on cello is unleashing their sophomore opus, titled From The Depths I Cried, pointing to an exciting new direction in their career. Recorded by the band itself, mixed by Tuomas Kokko at Electric Fox Studios, and mastered by Samu Oittinen at Fantom Studio, the album brings forward heavy music that can be described as profound and conflicted, exploring the darkest sides of human emotions, diving into the depths of madness, pain, sickness, and death, while still finding brief moments of hope, offering an atmospheric journey through the darkest corners of the human soul.

Eerie sounds gradually grow in intensity in the sluggish, grim and visceral opening track Pact until the phantasmagorical keys by Erna give the song a strong Doom Metal vibe, with the vocal duet of Sabine and Taka sounding truly haunting, whereas the following tune, titled Everlasting, begins in a even more obscure way, again presenting cryptic background elements before Hanna-Leena begins hammering her drums in the name of doom and with Taka gnarling like a demonic entity nonstop, not to mention how melodic and melancholic the cello by Elya sounds and feels. Then the band goes full Blackened and Funeral Doom in Burn, sounding as heavy as it can be to the massive drums by Hanna-Leena and the guttural roars by Taka.

Deception is another eight-minute feast of darkened sounds with an enfolding atmosphere, with Sabine hypnotizing us all with her darkly melodic vocals supported by the band’s classic riffs and the always charming cello by Elya; and the crying sound of the cello sets the tone in Peace, taking the song’s melancholy to a whole new level. Furthermore, the name of the song is deceiving as the peace they’re singing about might be just outside, while inside you can feel all of their grief and pain. It’s then time for Infirmum to blast their heaviest sonority in Ephemeral, with the sharp riffs by Timo and Joonas walking hand in hand with the hammering drums by Hanna-Leena, while Erna and Elya build a whimsical background to add extra layers to their music. Lastly, a ritualistic start morphs into one final shot of doom by Infirmum titled Icamiabas, with the keys by Erna exhaling obscurity. It’s not the strongest song of the album, but still a decent one to conclude the band’s black mass.

Not many bands can blend the ethereal sounds of Symphonic Metal with the sheer heaviness of Doom Metal like what Infirmum have to offer in their new album (already available in full on Spotify), and you can show your support and admiration for such an amazing band from the land of ice and snow by following them on Facebook and on Instagram, by subscribing to their YouTube channel, and above all that, by grabbing a copy of From The Depths I Cried from BandCamp, from Record Shop X, or by clicking HERE. As mentioned, Infirmum are exposing the darkest sides of human emotions in their newborn spawn, inviting us all for a one-way trip to the depths of doom.

Best moments of the album: Everlasting, Deception and Ephemeral.

Worst moments of the album: Icamiabas.

Released in 2024 Independent

Track listing
1. Pact 9:01
2. Everlasting 7:57
3. Burn 5:18
4. Deception 8:07
5. Peace 8:28
6. Ephemeral 7:51
7. Icamiabas 5:46

Band members
Sabine Blodwin – vocals
Taka Eliel – harsh vocals, bass
Timo Solonen – guitars
Joonas Siikavirta – guitars
Erna Siikavirta – keyboards
Hanna-Leena Lassila – drums
Elya – cello