Another humid night in the city of Toronto. September has not let go of the great summer weather just yet, on a nice Tuesday evening some of the best southern bands to emerge in the death metal scene set its eyes on our city. Lee’s Palace was the mark of the beast for the night, and fans flocked from all over the city to come see them. I’m talking about Goatwhore and Necrofier with Vitriol and Thantifaxath. Metalheads from all over Ontario headed into Lee’s Palace, a medium sized venue that can hold 600 people or so, and the first band to hit the stage and get the fire started is Toronto’s own Black metal cult Thantifaxath (that’s a mouthful to say). The name comes from the kabbalistic tree of life (meaning “Great Ghoul”), and the band consisting of 3 unnamed souls played some great black metal riffs and got this eager crowd in the mood for what they had coming next.
Second band of the night from out of the lone star state of Houston, Texas was Necrofier, and you’d think a band from Texas must be country or rock like ZZ Top, but no way, Texas has some of the heaviest bands to date like Pantera, Frozen Soul, Kubli Khan, to name a few. Man, this band did not waste time right from the first strum of the downtuned guitar they hit us with some real heavy riffs. Necrofier has been together since 2018 and continues to get better and better, and like with any band they grow and get to be a tight band. All I can say is these guys kick some serious ass on stage and I definitely like to see them headline a show in the near future. Third band of the night from the great state of Oregon, Portland, was Vitriol, an extreme death metal band was a three piece band not long ago, when Adam Roethlisberger quit the tour at the start for reasons unknown to us all, but that did not stop the winds from the west as they came and kicked some ass and left just like a tornado. The two members of Vitriol did what they came to do and kick our asses, with super fast and heavy riffs, some really nice blast beats and shredding mind blowing guitar riffs.
Now for the headliners, the band everyone was there to see the most, from New Orleans, Lousiana, here comes Goatwhore. Do I need to explain who they are? Probably not, but I’m going to. Simply put, this band is one of the heaviest metal bands on this planet and in this universe. The pulverizing drums from Zack Simmons, the beyond heavy drop C guitar riffs from Sammy Duet, bone shaking bass from Robert Coleman, and the best frontman ever to grace the stage, Louis Benjamin Falgoust II. These four guys kick ass, the energy from Goatwhore lasts a few days after they kicked your ass, I mean in all fun that is. Whenever they hit our city I always come out to see them. For me, I first saw this band in Toronto back in 2017 at The Garrison. My brother Kevin and I were there to see another band play and said let’s see who they are, and man, from that moment they got on stage and started playing I was a huge fan. Ben Falgoust playing the air guitar and head banging, and Sammy shredding just blew me away. I have met them outside the venues a few time just saying hello but this year I got my photos with them. This is why I love the Toronto metal scene and venues, if they play a small venue you get a more personal concert versus a big stage where they stay backstage. Every band on this bill will be walking around the venue sitting merch, shaking hands and sharing stories with fans. I’ll always support our metal scene and our fans that are friends and some family.
The Metal Gods proudly raised the Invincible Shield in Niagara Falls on Saturday night in a celebration of the beauty and glory of our beloved Heavy Metal.
If you’ve never seen a concert at the OLG Stage at Fallsview Casino in Niagara Falls, Ontario, Canada, go check their calendar and don’t miss the chance of visiting one of the best venues of the current Canadian landscape. It’s a beyond phenomenal venue with a great seating chart and excellent view from wherever you end up seating (or standing, if the concert you attend saves some space upfront for a small pit), therefore the perfect choice for the one and only Metal Gods JUDAS PRIEST, plus their more-than-special guests SABATON, to kick some serious ass during the second show of the new leg of the Invincible Shield Tour North America 2024. My friend Keith Ibbitson of Metal Paparazzi (who by the way had his photos shared by the Metal Gods themselves on their official Instagram) were obviously there to worship the Metal Gods in another night of the purest form of heavy music you can think of, and let me tell you that the show was beyond memorable, simply mind blowing from start to finish.
Once again, Swedish Power Metal brigade SABATONwas the chosen band to warm up the avid Priest fans at a sold out OLG Stage, showing how strong the partnership seems to be between the two bands. Not only that, Sabaton are also becoming a fan-favorite worldwide, attracting countless fans to the show at the Falls this Saturday, and once they started playing it became crystal clear why they’ve already gathered such an immense fanbase. The band spearheaded by the charismatic Joakim Brodén was on fire during their entire show, delivering a solid hybrid of Heavy and Power Metal infused with warlike themes. Songs like Ghost Division, Stormtroopers, and in special the last three songs, Primo Victoria, Soldier of Heaven and To Hell and Back, inspired all fans at the venue to jump up and down nonstop, to raise their fists and horns, and to singalong all songs with Joakim and his henchmen, all of course boosted by a stage that transpired wars and battles. If you’re seeing any concerts of this tour, make sure you arrive in time for Sabaton even if you know nothing about them, because their live performances are as explosive as a hand grenade.
Setlist The March to War
Ghost Division
The Last Stand
Swedish Pagans
The Red Baron
Bismarck
Stormtroopers
Carolus Rex
Resist and Bite
The Attack of the Dead Men
Primo Victoria
Soldier of Heaven
To Hell and Back
Band members
Joakim Brodén – lead vocals, keyboards
Thobbe Englund – guitars, backing vocals
Chris Rörland – guitars, backing vocals
Pär Sundström – bass, backing vocals
Hannes Van Dahl – drums, backing vocals
After a quick break, it was time for the Metal Gods JUDAS PRIESTto raise the Invincible Shield for the second time on this leg of the tour, one day after their also ass-kicking concert in Montreal, and let me tell you that what I had the pleasure of witnessing in Niagara Falls this Saturday was one of their best performances ever. After the flag dropped during the intro to Panic Attack, it was a wild and frantic feast of undisputed Heavy Metal by Rob Halford, Richie Faulkner, Andy Sneap, Ian Hill and Scott Travis, leaving every single person at the OLG Stage absolutely disoriented after all was said and done. As a result, the fans at the pit went completely mental from the very first second of the show, igniting some sick mosh pits until the very end, something not so common for a band like Judas Priest. Well, when you start the show with some fast-paced masterpieces like Panic Attack, You’ve Got Another Thing Comin’, Rapid Fire, Breaking the Law and Riding on the Wind, I think it’s fair to expect some action in the pit. To be fair, the pit during Rapid Fire was so intense it looked like a Death Metal pit, just to give you an idea of how rowdy the crowd was.
I believe there are three reasons for the band to be so tight, so heavy and so precise at this point of their 50-year career. First and foremost, Mr. Rob Halford, the one and only Metal God, the heart of the band, is delivering stellar vocal performances night after night at the age of 73, something so unbelievable it makes me wonder if he’s an actual god. I mean, guys like Rob Halford and Bruce Dickinson are definitely role models for anyone who wants to enjoy a healthy and fun life after you turn 60 or 70. In other words, if I get to Halford’s age with one fifth of his energy, I’ll be a very happy man. Second, Richie Faulkner is now the soul of Judas Priest, blasting our ears with his electrifying riffs and solos nonstop, which I’m sure makes Glenn Tipton very, very proud of how he’s helping carry the band’s legacy forward. And third, Scott Travis continues to hammer his drums majestically, becoming the band’s engine, and all that power and speed always translates into more action on and off stage.
Even the slower songs like Love Bites and Crown of Horns brought a lot of energy to the show, plus of course some heavy classics like Sinner and Turbo Lover; however, as expected, it was during the most hard hitting songs of the night, their new anthem Invincible Shield and the most metal song of all time, the unparalleled Painkiller, that the crowd had the biggest reactions of the entire show, with the pit during Painkiller going out of control to the point there were almost a few fights inside of it. It was a beautiful, memorable moment by a band that is not only celebrating 50 years of Heavy Metal, but that is the ultimate depiction of Heavy Metal. For instance, when a renowned guitarist like Rob Barrett of Cannibal Corpse is in attendance of the show as a fan, you can have a good idea of the importance of Judas Priest to the world of music. The encore with the timeless classics The Hellion/Electric Eye, Hell Bent for Leather and Living After Midnight simply proved that, and it didn’t matter if it was a 60, 70 or 80-year old veteran or a three-year old kid (who not only got the sunglasses of the vocalist for Sabaton, but also a pick, a setlist, and a special post on Instagram by Judas Priest), everyone at the OLG Casino was mesmerized by the Metal Gods in another celebration of the beauty and glory of Heavy Metal.
Setlist War Pigs (Black Sabbath song) Invincible Shield Tour Anthem
Panic Attack
You’ve Got Another Thing Comin’
Rapid Fire
Breaking the Law
Riding on the Wind
Love Bites
Devil’s Child
Saints in Hell
Crown of Horns
Sinner
Turbo Lover
Invincible Shield
Victim of Changes
The Green Manalishi (With the Two Prong Crown) (Fleetwood Mac cover)
Painkiller
Encore:
The Hellion
Electric Eye
Hell Bent for Leather
Living After Midnight We Are the Champions (Queen song)
Band members Rob Halford – vocals
Richie Faulkner – guitar
Andy Sneap – guitar
Ian Hill – bass guitar
Scott Travis – drums
This Canadian entity will show you that hell is other people with their excellent newborn spawn of Black Metal, imbibing influences from several of its related subgenres.
Hailing from Windsor, a city in Ontario, Canada, across the Detroit River from the US city of Detroit, Post-Black Metal outfit Hell is Other People (by the way, “Hell Is Other People” is a quote from Jean-Paul Sartre’s No Exit) has elegantly and passionately crafted a brilliant Black Metal album, titled Moirae (which means “goddesses of fate or destiny” in Greek), that imbibes influences from several of its related subgenres such as Atmospheric Black Metal, Post-Black Metal and even DSBM in parts, forming a cohesive, expressive and all-encompassing sound that the band is comfortable in carrying throughout. Displaying a stunning cover art by Adam Burke of Nightjar Illustration, the new album by Nathan Ferreira on vocals and bass, Nathan Boots and Nicholas Luck on the guitars, and James Ditty on drums is a beautifully tempered opus with a remarkable range of expression that comes across as genuine and heartfelt, being recommended for fans of Agalloch, Altar of Plagues, Winterfylleth, White Ward, and Drudkh.
The dark, caustic riffs by Nathan Boots and Nicholas walk hand in hand with the sluggish Doom Metal beats by James in the title-track Moirae, while the vocals by Nathan Ferreira exhale pure Atmospheric Black Metal, sounding anguished and grim. Moreover, it’s impressive how they sound devilish while at the same time so elegant and delicate throughout the entire song. Fates keeps the ambience as somber and pensive as possible, with the hammering drums by James dictating the pace while Nathan Ferreira continues to roar and gnarl in a great fusion of Black Metal with Post-Metal, followed by Degrade, offering us all almost eight minutes of breathtaking, deep and meaningful music that will tear your soul apart to the minimalist yet sharp and austere riffage by the band’s guitar duo, starting in a serene manner before the band attacks once again with their visceral Post-Black Metal, building an instant bridge with the also venomous Loss, where Nathan’s enraged growls are nicely boosted by the intricate yet demented drumming by James while their guitars continue to exhale the harshest and most piercing sounds found in contemporary extreme music. And all comes to a climatic and epic conclusion in Atropos, offering our damned ears an overdose of heaviness and atmospheric elements, with James kicking our asses on drums, while Nathan Boots and Nicholas continue to cut our skin deep with their razor-edged axes, with all layers, breaks, passages and variations turning it into a must-listen for admirers of the genre.
If you want to put your damned, dirty hands on the excellent Moirae, you can find the album available from the band’s own BandCamp page, as well as from the Transcending Obscurity Records’ BandCamp page, main store, US store, or EU store in different formats and as part of some very special bundles, and don’t forget to also give those talented Canadian musicians a shout on Facebook and on Instagram, keeping an eye on the announcements of their live concerts, to stream their music on Spotify, and to stay updated with all things Hell Is Other People by clicking HERE. In the end, after listening to Moirae, you’ll finally realize that hell is indeed other people, and that the Post-Black Metal by this amazing Canadian band is perfect for representing all that darkness and melancholy found inside each one of us.
Two of the most important bands of the current scene delivered powerhouse performances to their fans in Toronto, maintaining the spirit of classic metal alive.
***Review by Elizabeth “Liz Bathory” Anderson, with photos by Keith Ibbitson of Metal Paparazzi***
The Queen Elizabeth Theatre in Toronto hosted an unforgettable night of classic heavy metal music on September 10th, 2024. With doors opening at 6:45 PM, eager metalheads had to wait until about 8 PM for the first band to hit the stage. Despite the wait, the anticipation was palpable, and the venue offered 750 ml of beer for $20, which wasn’t bad considering the cost at most venues.
The crowd was mostly veteraned metalheads with a few younger fans who appreciate the classic sound of old-school heavy metal. Interestingly, the venue was entirely seated, which is a rarity for metal concerts, but that didn’t stop the audience from rockin’ out once the music started.
Setlist The Reckoning
Humanoid
Restless and Wild
Straight Up Jack
London Leather Boys
Midnight Mover
Demon’s Night
Princess of the Dawn
Metal Heart
Teutonic Terror
Fast as a Shark
Pandemic
Balls to the Wall
The band ACCEPT kicked off their set with their opening song, “The Reckoning,” and as the first note was played, the crowd immediately stood up from their seats. Although long-time bassist Peter Baltes was no longer in the band, Martin Motnik, who has been playing with them since 2019, showed off his versatility on stage. The band’s stage presence and energy was as electrifying as ever. Following up with “Humanoid,” they delivered raw, raspy vocals and a classic metal sound complete with a blistering guitar solo. It was incredible to hear and see, filled with electric musical energy.
As they tore through “London Leather Boys,” the audience was fully immersed, with even an elderly man using an accessibility walker headbanging by his seat. The enthusiasm was contagious, and the fans moved to the venue’s aisles and sides to get closer to the action. One of their hit songs, “Princess of the Dawn,” turned into a bellowing crowd-wide chant, showcasing the timeless bond between the band and their followers.
The set culminated in a powerful rendition of “Balls to the Wall,” leaving the crowd awash in nostalgia. From the buzzsaw riffs in “Fast as a Shark” to the anthemic “Teutonic Terror,” Accept proved they still command the stage with authority and ferocity, bringing satisfaction to the ticket holders.
Setlist Hellfire Thunderbolt
Strike of the Viper
One More Shot at Glory
The Ripper
Reap the Whirlwind
Sermons of the Sinner
Burn in Hell
Diamonds and Rust
Hell Patrol
The Green Manalish
Before the Dawn
Breaking the Law
Sinner
Raise Your Fists (encore)
When it was KK’S PRIEST‘s turn to perform, the majority of the audience had abandoned their seats and crowded the stage area, preparing for what could possibly be an epic show. They opened with “Hellfire Thunderbolt.” The song was captivating and also captured the audience’s attention with an accompanying visually stunning display. The band utilized custom visuals on large screens to complement each song, making the experience akin to a metal-infused action movie. For instance, “One More Shot at Glory” featured lighting effects that mimicked sharp bullets, while “Reap the Whirlwind” brought the storm to life with thunder on their back screen, lightning effects from their laser stage lighting, and smoke from smoke machines at both sides of the stage. It was quite a mesmerizing experience, and I felt that people got more than just music for what they paid but also a light and art show.
The vocalist’s ability to hit and hold high notes effortlessly was jaw-dropping, showcasing a vocal range that would make even the most experienced singers envious. K.K. Downing, the legendary guitarist and founder of the band, performed his riffs with ease, his casual demeanor belied the complexity of the music. He showed immense talent, which was clearly on display.
When they played “Diamonds and Rust,” the crowd clapped along to the intro, and during the Judas Priest cover “Hell Patrol,” the audience was singing in unison, with robot army visuals enhancing the performance. “Before the Dawn” offered a brief respite with a space-themed visual, slowing things down before launching back into high-octane metal with “Breaking the Law,” complete with a British flag backdrop. Downing’s speed picking and shredding during “Sinner” were nothing short of spectacular, with some insane whammy bar effects thrown in for good measure.
As they finished their set, the audience demanded an encore, and the band obliged with “Raise Your Fists,” ending the night on a high note and creating a lasting memory for those in attendance.
Final Thoughts
Both Accept and KK’s Priest delivered powerhouse performances, maintaining the spirit of classic metal. The seated venue didn’t stop the crowd from rocking out, proving that the music and the energy of metal know no bounds and that people will always find a way to rock out to the music. From start to finish, it was a night of incredible musicianship, theatrical visuals, and a shared love for the genre that transcended generations. For those in attendance, it was most definitely a night to remember, and I’m sure the fans will return whenever they decide to come back.
An evening out in the greatest city in Ontario with even better weather than the last few concerts we have been to. Fall weather is much cooler and makes for a great comfortable concert without the hot humid stench of sweat . The smell of crisp air filled with pumpkin spice from every store along Bloor Street in Toronto is great and with that the venues are cooler in terms of air quality inside, making it a perfect time to take some awesome death and metalcore bands.
Lee’s Palace is the venue tonight where five amazing bands have come together to whip us up in a frenzy of circle pits and moshing. First band of the night is A WAKE IN PROVIDENCE, aka AWIP, who has recently release the album I Write To You, My Darling Decay. Hailing from NYC this band is spearheaded by vocalist Adam Mercer, guitarist Dandre Tyre, bassist Anthony Adipietro, and drummer Jesse Mcenneny. I am not familiar with this band as its my first time hearing them and let me be honest I was not a fan of early deathcore but this band has got me listening to them. Awesome performance great music and a ton of groovy bass and drumming.
Our first short intermission while they switch up bands gives us time to check out the merch tables and gets some drinks from the bar, or just simply go outside and enjoy a smoke or the now legal weed. Next up is 156/SILENCE. Hailing from The Steel City of Pittsburgh, in the state of Pennsylvania, United States, this metalcore band consists of vocalist and bassist Mike Ernst, guitarist Jimmy Howell, drummer Zac Dranka and vocalist Aleks Pihl. They have a great sound and are tight, great stage presence and can get the crowd hyped up.
Another line change is happening and outside I go to chat with friends and other photographers, plus chatting to the promoter Noel Peters of Inertia Entertainment. I always enjoy chatting to Noel about his business and bringing the best bands to our city. The third band of the night was OV SULFUR. Hailing from my favorite place in the world, Sin City Las Vegas, Nevada, This band has been to Toronto this year three times and I’ve captured them every time The first time I saw them was at the Phoenix Concert Theatre when they opened for some huge bands and they had me hooked. The band consists of vocalist Ricky Hoover, guitarist Chase Wilson, bassist Ding and drummer Leviathan. This deathcore band has a ton of energy and powerful delivery of sound, they will knock you into another dimension if not careful in the circle pits. If you have never seen this band I don’t know what you’re waiting for, get to a venue and see for yourself.
Another short break and CANE HILL was up; this band hailing from New Orleans, Louisiana, in the United States. This metalcore institution consists of Elijah Witt on vocals, James Barnett on the guitar, Ryan Henriques on bass and Devin Clark on drums. This quartet is also new in my listening experience and they are awesome to see live. Elijah is a great frontman delivering guttural and soft vocals while getting the crowd all horny, and by that I mean he was asking the crowd if they were horny or alive. I think the crowd spent a lot of energy on the first three bands and when he said that the crowd came alive again with circle pits and crowd surfers.
The last break of the night was much needed as the venue was getting hot from the near sold out venue. It was time for the headliner, another band from The Steel City area of Pittsburgh, Pennsylvania, SIGNS OF THE SWARM. This deathcore band is made up of vocalist David Simonich, drummer Bobby Crow, bassist Michael Cassese and guitarist Carl Schulz. They have five studio albums with the release of their fifth album Amongst the Low & Empty. This band gets better and better every time I have seen them and it’s been two times this year. Their performance on and off the stage is top notch, friendly people with great showmanship, and if you ever get a chance to see them live do it. Also, if you see them hanging out during their tour, strike up a conversation.
Sons of Odin, can you hear the call of our metal lady of this month of September? If your answer is yes, then I’m sure you’ll have a very good time here on The Headbanging Moose with our humble tribute to Corinne Cardinal, also known as Korrinn or Crook, a multi-talented singer, voice actor and vocal coach who’s making a name for herself in the Canadian scene as the frontwoman for Montreal, Quebec-based Melodic Black/Folk Metal horde Valfreya, proudly waving the flag of Québécois metal high in the sky wherever she goes and hypnotizing us all with both her clean and guttural vocals. She takes no prisoners in her quest for heavy music, leading Valfreya into glory ride, and of course you’re more than invited to stand side by side with Corinne and her henchmen in the battlefield after knowing a little bit more about her life and career.
Born on August 20, 1986 in the charming city of Montreal, Quebec, in Canada, Corinne is not just the founder, main composer and vocalist of Valfreya, but she’s also a voice actor for La Fabrique de Monstres (or The Monster Factory), and a singer for the Growlers Choir, just like one of our most recent metal ladies Maude Théberge, showing how united the Québécois scene is. Not only that, she has also studied classical singing and instrumental composition, does graphic design, and of course she applies all those elements to her work with Valfreya. Her talent seems to be infinite, which translates into first-class heavy music when a new Valfreya album is unleashed upon humanity for our total delight.
After exploring choir singing during her formative years, Corinne, who’s a mezzo-soprano, undertook her studies by enrolling at Cégep Saint-Laurent and obtained her college degree in classical singing in 2007, perfecting her instrument with many teachers between 2007 to 2015 like Cécile Gendron, Mark Pedrotti, Christine Lemelin and Colette Boky, and pursuing a bachelor’s degree at UQAM in music (artistic performance concentration) in 2015. During her studies there, she developed a varied lyric repertoire and sings in more than eight different languages (Russian, Czech, German, Italian, Latin, Catalan, French and English), obtaining her diploma in December 2018. Finally, in 2020 she obtained her Estill Voice Training certificates one and two, and if you have no idea what that means, this course pertains to parts of the anatomy singers can exercise conscious control on to modify their sound.
After founding Valfreya back in 2009, merging the metal genre with classical and folk, Corinne started to develop different vocal techniques, matching guttural singing with opera and pop, which culminated with her joining the aforementioned Growlers Choir back in 2019, plus collaborations with many artists as a performer or composer the likes of Léa Dupuis, Augury, and Jeff Marcoux. That expertise also opened several doors to vocal acting out of specialized fields into voices for creatures and monsters in video games and film, including Resident Evil 7 (Capcom), Helix Season 1 (Syfy), Soul Blade (Namco, Project Soul), Rainbow Six Siege: Operation Chimera (Ubisoft), Tomb Raider: Shadow of the Tomb (Eidos Montréal), and Guardians of the Galaxy (Eidos), and also led to her founding in 2019 La Fabrique de Monstres alongside Sébastien Croteau and Jeffrey MacDermott, working in the sound design of hundreds of monsters and creatures over twenty or so video games, films and television series.
Corinne started studying for her musicologist’s master’s degree at Université de Montréal in 2020, wishing to analyze vocal techniques in metal music, precisely to identify the process of vocal production permitting control on specific structures of the vocal apparatus linked to guttural metal singing, with her ultimate goal being to produce the first pedagogical treaty on metal singing in English and French. In addition, Corinne is also a member of diverse research groups such as OICRM and ACTOR Project, and one of the rare vocal coaches who’s able to teach metal singing (both growl and fry) in Quebec.
As already mentioned, Corinne founded Melodic Black/Folk Metal horde Valfreya back in February 2009 in Montreal, with the band’s name being influenced by one of the names of Óðinn, Valföður (Old Icelandic for “Father of the Slain”) and Freyja, the Vanic deity, sister of Freyr. Valfreya deals with themes such as Norse mythology, Pagan gods, life, death, and legends, having released their debut EP First Chronicles in 2010, followed by their first full-length album Path to Eternity in 2012, the EP Acoustic Chronicles in 2013, and the full-length albums Promised Land, in 2017, and more recently Dawn of Reckoning, earlier this year, not to mention the band was also feature in the 2011 Galy Records compilation Trois-Rivières Metalfest 11 with the song Deity’s Grace. The band currently formed of our metallic diva Corinne on vocals together with Graz’zt and Erik on the guitars, Abhor on bass, Dommar on drums, and Eva Doucet De Leon on the violin has already played hundreds of concerts across Canada and the United States, and if you want to enjoy their amazing music you can find all of their releases on BandCamp, on Spotify, or by clicking HERE.
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Corinne is much more than just the band’s frontwoman, having also been responsible for the music, lyrics, arrangements, artwork and layout in their 2012 album Path to Eternity, the artwork, layout, cover art and lyrics in their 2017 album Promised Land, and the layout in their most recent album Dawn of Reckoning. Hence, if you want to have an absolute blast with Corinne and her Valfreya, apart from the aforementioned sources like BandCamp and Spotify, you can enjoy their official videos on YouTube for the songs Le Périple, The Rise, Odin’s Fury, Confront Immensity, Ocean’s Assault, and My Everlasting Star, as well as several unofficial footage of the band kicking some ass live.
Besides her career with Valfreya, Corinne also played keyboards and did backing vocals between 2008 and 2010 for a Montreal, Quebec-based Melodic Black Metal band named Vehemal, albeit she didn’t record anything official with the band; and did the live vocals with Canadian Progressive/Experimental Death Metal band Bookakee a few years ago. She can also be seen as a guest musician for a few interesting bands in the past few years, as for example doing additional vocals in the song Impending Apocalypse, from the 2020 EP Repaying Evil with Evil, by Canadian Death/Thrash Metal/Deathcore musician Jeff Marcoux; vocals in the 2017 single La pluie noire, by Canadian Black/Doom Metal band Lacrimae Mortalium; and more recently additional vocals in the songs Welcome, Immuration and Resilience, from the 2023 album Maladaptive Daydreaming, by Canadian Melodic Death/Gothic Metal band Sanguine Glacialis. Moreover, she was also responsible for the layout in the 2012 EP Deviated Inner Spectrum, by Canadian Technical/Melodic Death Metal act Pronostic, under the curious moniker of “Crapule”.
Lastly, as pretty much any metal lady hailing from Canada, Corinne is crazy for animals, having several pets from different species. For instance, in one of her interviews during the pandemic, she said she had at that time three fishes named Super Nova, Galaxy and Comet, five rats named Wicca, Gandalf the White, Zelda, Bouda and Titite (which means Tiny-tiny), and also a cat named Saroumine. As you might have already notice, the inspirations she takes for the music by Valfreya also have an impact on the names of her pets, which in my opinion is simply awesome. She mentioned she enjoys taking her rats to places like stores, parties, family reunions, chilling with friends, and so on, also saying that especially during the pandemic all of her pets brought a lot of joy and comfort as she couldn’t live in an empty house. She also said that all of her pets don’t seem to care about the fact she practices her music at home, and that whenever she’s on tour with Valfreya, it’s either her boyfriend or her sister who usually takes care of them for her. If you want to know more about such an amazing musician and animal lover, you can visit her own website (including a look at her impressive resume), and stay tuned for all news about Valfreya, because if by any chance they take your city by storm, don’t waste a single second and go check the powerful vocals by one of the most talented women of the current Canadian metal scene.
One of the best still-young Death Metal entities from Canada challenges you to stand before their Breathing Obelisk.
Since their formation in 2019, the ascent of Toronto, Canada’s Death Metal entity Gutvoid has been nothing if not meteoric. From their 2019 debut EP Astral Bestiary to their 2022 full-length opus Durance of Lightless Horizons, the band churned forth a world-eating metal of death that duly devoured the listener whole. Currently formed of Brendan Dean on vocals and guitars, Daniel Bonofiglio also on the guitars, Justin Boehm on bass, and D.W. Lee on drums, the band is unleashing upon us their brand new 31-minute EP Breathing Obelisk, a grim and visceral creature embraced by the otherworldly artwork by Marcio Blasphemator that will surely cement their status as one of the best still-young Death Metal entities around.
Those four demented metallers transport us to their Stygian realm with their minimalist notes in Swamp Consumed, gradually evolving into a darkened Death Metal entity to the visceral roars by Brendan and the hammering drums by D.W. Lee, presenting elements from Doom Metal and Blackened Doom embedded in their core (and evil) essence, whereas For We Are Many, the first single of the album (which they played live with Tomb Mold and Horrendous in Toronto), is a lecture in Progressive Death Metal sounding dissonant, intricate and disturbing, with Brendan and Daniel making an amazing guitar duo while Justin supports them with his menacing bass (not to mention it’s easy to sense elements from Brendan’s Fathomless Ritual in the riffs). Let’s then embark on one more cryptic, grim voyage together with Gutvoid in When The Living Dome Opens, again presenting their trademark vociferations, low-tuned, groovy bass lines and pounding drums, sounding dark and evil until the very end; and the last song of the EP, entitled Shodar, offers us all seven minutes of solid, melodic and visceral Death Metal led by the strident riffs by Brendan and Daniel, an awesome headbanging feast by the quartet where Brendan continues to deeply gnarl like a demonic entity.
After all is said and done, Gutvoid challenge you to stand before their Breathing Obelisk, and you can do that by following them on Facebook, Instagram and YouTube, by listening to their wicked music on Spotify, and by purchasing a copy of their new EP from Blood Harvest’s BandCamp page or webstore as a CD, a MLP or a cassette. In other words, do you think you have what it takes to face Gutvoid’s menacing and caustic Breathing Obelisk?
Best moments of the album:For We Are Many and Shodar.
Worst moments of the album: None.
Released in 2024 Blood Harvest
Track listing 1. Swamp Consumed 9:50
2. For We Are Many 5:51
3. When The Living Dome Opens 7:20
4. Shodar 7:03
Band members
Brendan Dean – vocals, guitars
Daniel Bonofiglio – guitars
Justin Boehm – bass
D.W. Lee – drums
The city of Toronto was expecting total hell this Sunday night, and that’s exactly what we got with Exciter and Midnight, crowning a beyond successful tour in the name of our beloved underground extreme music.
It was definitely one of the hottest nights of the entire summer this past Sunday in Toronto, and things got even hotter with an endless dosage of depravity, heaviness, rebelliousness, circle pits, crowd surfing, Rock N’ Roll, Heavy, Thrash and Speed Metal at the always fun Lee’s Palace, when DEADWOLFF, WRAITH, MIDNIGHT and EXCITER brought to the city the very last stop of their undisputed Feel The Evil Like a Knife North American Tour 2024, courtesy of Noel Peters of Inertia Entertainment, crowning a beyond successful tour with a wild and vibrant show for all lovers of heavy music. Keith Ibbitson of Metal Paparazzi and I were of course invited to join the party, and let me tell you that all bands were absolutely incredible from start to finish, and the fact that the show was in the middle of a long weekend (due to Civic Holiday in Ontario) inspired all concert goers to go mental during the whole night, as they had a full Monday to recover after such a hurricane of insanity blasted by those amazing bands.
Precisely at 8pm, the very first band of the night, Toronto’s own Heavy Metal/Hard Rock trio DEADWOLFF, kicked off their high-octane, no shenanigans concert, with Tommy Wolffe, Bobby Deuce and Patrick Woodall paying a tribute to all things Rock N’ Roll by delivering a hard-hitting performance that put everyone already at Lee’s Palace to dance, bang their heads and raise their horns together with those talented boys. Songs like Locked and Loaded, Homeward Bound, Pedal to the Metal, Six to Midnight and Heavy Rock n’ Roll, all from their 2023 debut Heavy Rock n’ Roll (available on BandCamp and on Spotify) sounded fantastic live, offering an insane amount of electricity and power to everyone at the venue and, consequently, leaving us all eager for the next time Deadwolff kicks some ass on the stages of Toronto. If you want to know more about Deadwolff, simply click HERE, and I’m sure we’ll soon have another great album by those guys and another amazing tour to celebrate all the beauty of Rock N’ Roll with them.
Setlist Double Up
Locked and Loaded
Homeward Bound
Walking on Nails
Down to the Wire
Pedal to the Metal
Gang Wracks
Six to Midnight
Wanted Man
Heavy Rock n’ Roll
Band members Tommy Wolffe – vocals, bass
Bobby Deuce – guitars
Patrick Woodall – drums
If Deadwolff were pure Rock N’ Roll, Indiana’s own Blackened Speed/Thrash Metal act WRAITH were absolute evil, destroying everything and everyone that dared to cross their path in Toronto this Sunday night. The band formed of Matt Sokol on vocals and guitars, Jason Schultz also on the guitars, Chris Petkus on bass and Mike Szymendera on drums was ruthless, demonic and heavy-as-hell during their impressive performance, igniting some of the sickest circle pits of the entire night (and of the entire year, to be honest), also inspiring tons of fans to do some wild, nonstop crowd surfing and stage diving. Their brand new album Fueled by Fear is simply demented, and the songs Asylum and Fueled by Fear, plus their old material including Cloaked in Black, Absolute Power, and my favorite of the night, Devil’s Hour, sounded pulverizing live. If you want to know more about the band and their music, go to BandCamp, Spotify, or click HERE, and if they ever take your city by storm do not miss the chance to witness live one of the most infuriated bands out there.
Setlist Asylum
Fueled by Fear
Heathen’s Touch
Dominator
Gatemaster
Cloaked in Black
Eyes of the Sacred Ram
Absolute Power
Devil’s Hour
Band members
Matt Sokol – vocals, guitars
Jason Schultz – guitars
Chris Petkus – bass
Mike Szymendera – drums
Finally after so many years I was able to witness Cleveland, Ohio-based Black/Speed Metal cult machine MIDNIGHT live for the first time ever, and let me tell you that I got exactly what I was expecting, and that was total hell. Promoting their insane new album Hellish Expectations, the band spearheaded by the iconic beast Athenar kicked some serious ass on stage this Sunday, sounding as blasphemous, depraved acid and heavy as humanly possible, therefore putting a huge smile on the faces of all fans who were having an amazing time inside the circle pits and doing some crowd surfing and stage diving as well. One of the stage divers was Adermo von Pitlord, vocalist for the underground Toronto band Profligator, and if you know the guy you’ll understand when I saw there were at least seven deaths (and counting) after he jumped from the stage into the crowd. All songs sounded brilliant, including Lust Filth and Sleaze, Black Rock’n’Roll, Szex Witchery, and new tunes like Expect Total Hell and Nuclear Savior (all available on BandCamp and on Spotify), and close to the end of Unholy and Rotten all hell broke loose with multiple musicians from the other bands taking over the stage and instruments, showing how much fun everybody was having during one of the craziest shows ever. Now I want to see Midnight live again, and again, and again.
Setlist Vomit Queens
Lust Filth and Sleaze
Black Rock’n’Roll
Expect Total Hell
Masked and Deadly
Dungeon Lust
Fucking Speed and Darkness
Szex Witchery
Evil Like a Knife
Nuclear Savior
Mercyless Slaughtor
F.O.A.L.
Satanic Royalty
You Can’t Stop Steel
Unholy and Rotten
Band members Athenar – vocals, bass
Commandor Vanik – guitars
Iron Possessor – drums
Last but certainly not least, it was time for Ottawa’s own Speed Metal institution EXCITER to put on the fourth flawless performance of the night, proving why those veterans have become and will always be a reference in Canadian extreme music. Spearheaded by the unparalleled Dan Beehler on vocals and drums, alongside Daniel Dekay on the guitars and Allan Johnson on bass, the trio crushed our damned souls with their electrifying fusion of speed and heaviness, with songs like Stand Up and Fight, Heavy Metal Maniac and Violence & Force taking us all back in time to the glorious days of Thrash and Speed Metal. Also, I gotta say that playing Judas Priest’s classic “Exciter” on speakers before their show was not only an amazing warmup, but also a beautiful tribute to the Metal Gods, making me and several other fans even more excited to the show (pun intended), which resulted in more circle pit action, of course. You can listen to all songs by one of the staples of Canadian thrash on Spotify, or click HERE for all things Exciter, and hopefully it won’t take too long for them to return to Toronto for another thrilling night of undisputed heavy music.
Setlist Exciter (Judas Priest song)
The Holocaust
Stand Up and Fight
Heavy Metal Maniac
Die in the Night
Iron Dogs
Beyond the Gates of Doom
Evil Sinner
Pounding Metal
Violence & Force
Long Live the Loud
Encore:
Iron Fist (Motörhead cover)
Band members Dan Beehler – vocals, drums
Daniel Dekay – guitars
Allan Johnson – bass
Two of the most important bands of the current metal scene crushed the city of London, Canada in celebration of the 20th anniversary of their most-acclaimed albums to date.
What a wild and busy day and night it was this Wednesday, when the cozy Budweiser Gardens in London, Ontario hosted one of the most insane tours of the year, Ashes of Leviathan Tour 2024, featuring nothing more, nothing less than MALEVOLENCE, KERRY KING, MASTODON and LAMB OF GOD. It was a rough 2-hour drive for me to get to London in time for the shows, but it was absolutely worth it as this tour is simply celebrating the 20th anniversary of two seminal releases, Lamb of God’s biggest-selling album Ashes of the Wake and Mastodon’s acclaimed sophomore album Leviathan, which were both released on August 31, 2004. My friend Keith Ibbitson of Metal Paparazzi was also there and was dying to photograph his favorite band of all time, Lamb of God, for the first time in his career; however, no idea why, he only got the approval for the first band, Malevolence, something we’ve never seen happening before nor any of our friends, which is why the only good photos of this review are for Malevolence. Sorry about that.
The first band to hit the stage was Sheffield, South Yorkshire, England-based Groove Metal/Metalcore piece MALEVOLENCE, and let me tell you those guys kicked some serious ass, working as the perfect warmup for the devastation that was about to come. Still promoting their 2022 album Malicious Intent, the band formed of Alex Taylor, Joshua Baines, Konan Hall, Wilkie Robinson and Charlie Thorpe put everyone at Budweiser Gardens to slam into the pit, turning up the heat on an already extremely hot day in the city. You can get more details about the band by clicking HERE, and also stream their infuriated creations on Spotify. I just wish they had more time to play, and that the start of the show wasn’t so early, before 6pm, which impacted in a negative way the amount of people already inside the venue for their show.
Setlist Malicious Intent
Life Sentence
Still Waters Run Deep
Self Supremacy
Higher Place
Keep Your Distance
On Broken Glass
Band members Alex Taylor – vocals
Joshua Baines – guitars
Konan Hall – guitars, vocals
Wilkie Robinson – bass
Charlie Thorpe – drums
It wasn’t even 7pm when Los Angeles, California’s one and only Thrash Metal icon KERRY KING and his crew took the stage of Budweiser Gardens by storm with their blood red (and sometimes dark blue) stage, endless heaviness, and a strong will to crush everything and everyone that dared to cross their path on Wednesday night. Playing songs from his insane debut solo album From Hell I Rise including Where I Reign and Idle Hands, plus the Slayer all-time classics Raining Blood and Black Magic, Mr. Kerry King was absolutely ruthless during his short but extremely destructive set, supported by the soaring vocals by Death Angel’s frontman Mark Osegueda and also by his Slayer buddy Paul Bostaph on drums, driving fans crazy and igniting some demented mosh pits for the delight of lovers of some good circle pit action. Once again, I really wish his setlist was a bit longer, maybe with a couple more songs from his album or from Slayer, but in the end he certainly proved there’s life outside Slayer as his solo material sounds incredible both in studio and on stage, and you can enjoy Kerry’s wicked music on Spotify, of course, or click HERE for all things surrounding one of the greatest guitarist in the history of Thrash Metal.
Setlist Where I Reign
Trophies of the Tyrant
Residue
Toxic
Idle Hands
Shrapnel
Raining Blood
Black Magic
From Hell I Rise
Band members Mark Osegueda – vocals
Kerry King – guitars
Phil Demmel – guitars
Kyle Sanders – bass
Paul Bostaph – drums
It was only 8pm when Atlanta, Georgia Progressive/Sludge Metal beast MASTODON, one of the main attractions of the night (and it’s funny because there was still light outside the venue), kicked off their more-than-special set based on their 2004 album Leviathan, playing the entire album from the very first song, the breathtaking Blood and Thunder, until Joseph Merrick, all supported by a beautiful stage with lots of fire, crazy background images, and a lot of smoke too. Troy Sanders, Brent Hinds, Bill Kelliher and Brann Dailor were insane as usual, mastering the art of their instruments for our total delectation, therefore receiving a wild and huge ovation form the fans at Budweiser Gardens. The overall sound was a bit muffled to my liking, but nothing that could stop the quartet form putting on a fantastic show, taking us all back 20 years with one of the most important metal albums of the past two decades. There was even time for a nice encore with the songs More Than I Could Chew, Circle of Cysquatch and Steambreather, and after that Brann took some time to thank everyone and to say how insane it is to be on this tour with Lamb of God, both celebrating 20 years of their masterpieces, also taking into account the fact they’ve been friends for all that time too. Mastodon always deliver, and hopefully we’ll see them celebrating 30, 40, 50 years and so on of the great Leviathan.
Setlist Leviathan Blood and Thunder
I Am Ahab
Seabeast
Ísland
Iron Tusk
Megalodon
Naked Burn
Aqua Dementia
Hearts Alive
Joseph Merrick
Encore:
More Than I Could Chew
Circle of Cysquatch
Steambreather
Band members Troy Sanders – vocals, bass
Brent Hinds – vocals, guitars
Bill Kelliher – guitars, backing vocals
Brann Dailor – vocals, drums
After a short break, where fans took the time to grab a few final beers and whatever was left from the merch booths, it was time for Richmond, Virginia’s magnificent Groove Metal institution LAMB OF GOD to pulverize our senses with the full play of their 2004 masterpiece Ashes of the Wake, and let me tell you that the city of London, Ontario simply loves Lamb of God from the bottom of their hearts. The reaction of the fans to each and every song played by D. Randall “Randy” Blythe on vocals, Mark Morton and Willie Adler on the guitars, John Campbell on bass and Art Cruz on drums was beyond superb, with the first three of the album, Laid to Rest, Hourglass and Now You’ve Got Something to Die For, already igniting some of the sickest mosh pits of the night. The show moved on majestically, with Randy delivering his trademark “WOOOOOO’s!” inspired by the iconic Ric Flair in between songs, while the fans kept running around like beasts inside the circle pit. And after Ashes of the Wake was over, the band crushed whoever was still alive with the classics Walk With Me in Hell and Redneck, crowning another spectacular performance by Randy and his crew in Canadian lands. As mentioned for Mastodon, I would love to see Lamb of God celebrating many more decades of Ashes of the Wake with amazing concerts like that, and maybe next time there will be less confusion in the communication between us and the organizers, and you readers can have some ass-kicking photos as well to enjoy.
Setlist Ashes of the Wake Laid to Rest
Hourglass
Now You’ve Got Something to Die For
The Faded Line
Omerta
Blood of the Scribe
One Gun
Break You
What I’ve Become
Ashes of the Wake
Remorse Is for the Dead
Encore:
Walk With Me in Hell
Redneck
Band members D. Randall “Randy” Blythe – vocals
Mark Morton – guitar
Willie Adler – guitar
John Campbell – bass
Art Cruz – drums
An evil villain armed with its debut EP and consumed by the violence of Death Metal is lurking in the shadows of Toronto waiting for its next victim.
A cruelly malicious person who is involved in or devoted to wickedness or crime, a scoundrel, or a new Death Metal entity hailing from the ruins of Toronto? That’s how Evil Villian like to label themselves, blending the aggressiveness of their music with the harsh reality of the big city. Earlier this year the band formed of Matt Patterson on vocals, Chris Lee and Tim Hardcastle on the guitars, Dustin Pepper on bass and Patrick Cairns on drums released their debut self-titled EP, offering us all four tracks bursting with Death Metal violence while also showing nuances of Hardcore, Groove and Thrash Metal.
Patrick wastes no time and begin hammering his drums in Tumer’d, accompanied by the neck-breaking riffs by Chris and Tim while Matt roars and gnarls like a rabid beast in a caustic fusion of Death Metal and Hardcore; and get ready for another six-minute attack by Evil Villian entitled The Cycle, where Dustin and Patrick make the earth tremble, providing Matt with exactly what he needs to vociferate nonstop in the name of extreme music. Then blending harsh roars with Hardcore clean vocals, Paste Eater is another pulverizing, dissonant creation by the quintet where Chris and Tim once again slash their axes in great fashion until the very last second, whereas Furuta, the last song of the EP, is an amalgamation of styles, sounding Death Metal but at the same time presenting elements from the music by Faith No More and several Hardcore and Punk Rock acts, with Matt screaming viciously for our total delight.
Evil Villain’s debut EP is available in full on YouTube and on Spotify, but you can show those hardworking metallers from Toronto your support by purchasing a copy of the album from their BandCamp page, of course. Don’t forget to also follow the band on Facebook, Instagram and YouTube, or click HERE for all things Evil Villain, including their live performances in the city and surroundings, inspiring the band to keep moving forward no matter what. Their debut EP sounds great and I can’t wait to see what’s next for them, because you know, there’s always an evil villain lurking in the shadows of Toronto waiting for its next victim.
Another humid night in the city of Toronto. September has not let go of the great summer weather just yet, on a nice Tuesday evening some of the best southern bands to emerge in the death metal scene set its eyes on our city. Lee’s Palace was the mark of the beast for the night, and fans flocked from all over the city to come see them. I’m talking about Goatwhore and Necrofier with Vitriol and Thantifaxath. Metalheads from all over Ontario headed into Lee’s Palace, a medium sized venue that can hold 600 people or so, and the first band to hit the stage and get the fire started is Toronto’s own Black metal cult Thantifaxath (that’s a mouthful to say). The name comes from the kabbalistic tree of life (meaning “Great Ghoul”), and the band consisting of 3 unnamed souls played some great black metal riffs and got this eager crowd in the mood for what they had coming next.
THE HEADBANGING MOOSE 