Catching the light with every stroke… Bringing to life the soul trapped in stone… Carving your name into eternity!

After witnessing her latest breathtaking live performance in Toronto last month, let’s say that the our metal lady of this month of June on The Headbanging Moose climbed up to the top of the list in terms of priority. She was simply fantastic onstage together with her also amazing band, hypnotizing every single person at the venue with her undeniable talent, incredible voice, and stunning looks. A dramatic soprano better known as the Opera singer of Italian Symphonic Death Metal band Fleshgod Apocalypse, she can sing pretty much any type of music, from Opera to Heavy Metal, from modern rock music to pop, and so on, and whenever she has some free time from music she’s also a PC gamer geek. I’m talking about the beyond talented Veronica Bordacchini, and I’m sure after knowing more about her life and career you’ll definitely get addicted to her beautiful vocals and music.

Born on July 9, 1988 in Todi, a town and “comune” (or municipality) of the province of Perugia, in the region of Umbria in central Italy, Veronica was a fan of games like hide-and-seek and playing cards during her childhood. “I was lucky enough to have been born in a country area, just a few kilometres from the historic centre of my little town, Todi, in the province of Perugia. I grew up in this building with five families. All five families had at least one child my age, so we went to kindergarten, elementary, and middle school together. From the first to the last day of summer vacation always under the house playing hide-and-seek and then cards because I’m old at heart. I was already playing cards when I was 12 years old, it’s wonderful. I still enjoy it. So ‘briscola’ (a typical Italian game cards) with friends of the same age was another game,” she mentioned in one of her interviews.

Speaking about her career with Italian cult metallers Fleshgod Apocalypse, the band had already been active for a few years before she joined them first as a guest musician, and then as a permanent member of the band. Fleshgod Apocalypse were formed back in April 2007 by Francesco Paoli, formerly frontman of the band Hour of Penance, releasing their debut opus Oracles in 2008, and a few years later, more specifically in 2011, it was when Veronica started singing with the band both in the studio as a guest vocalist in a few songs per album, as well as a touring musician, always as a soprano. Her first songs with the band were Temptation and The Egoism, both from their 2011 album Agony, followed by Kingborn, Towards the Sun, Warpledge and Epilogue, from their 2013 album Labyrinth; Cold as Perfection, Paramour (Die Leidenschaft bringt Leiden) and Syphilis, from their 2016 album King; and finally doing all soprano vocals in their 2019 album Veleno, still as a guest musician, like in the songs Sugar and Carnivorous Lamb.

It was back in 2020 when Veronica became a permanent member of the band, doing both soprano and clean vocals in a few singles, those being The Day We’ll Be Gone, No, Blue (Turns To Red), and Pendulum, before recording with them in 2024 the superb full-length opus Opera, definitely marking another step forward for the band, incorporating new suggestions into that unique blend they’re renowned for, such as sheer violence, majestic orchestrations, and soaring melodies. Not only that, the cover art portrays Veronica as Music, a superior entity that defeats the social and artistic decay of modern age, and the music found in the album is simply stunning as you can enjoy in songs like Morphine Waltz, I Can Never Die, and Bloodclock. All of their creations with (and without) Veronica are available on Spotify, as well as all of their official videos can be found on YouTube. Currently formed of Francesco Paoli on lead vocals, rhythm guitar and bass, Francesco Ferrini on the piano, string arrangements and orchestral effects, our diva Veronica Bordacchini on operatic and clean vocals, Fabio Bartoletti on lead and rhythm guitars, and Eugene Ryabchenko on drums, Fleshgod Apocalypse are reaching new heights with Opera, and I can’t wait to see what’s next for the band in the world of music.

Veronica is (or was) also the vocalist for a Perugia, Italy-based Symphonic/Gothic Metal band named In Tenebra, which doesn’t have anything released after their 2009 demo Introspection, a 2012 two-song promo, and a 2014 five-song promo including the two tracks from their 2012 promo, one from their debut demo, and two new songs. The songs from Introspection are available on YouTube, which means you can enjoy some pre-Fleshgod Apocalype Veronica in the songs Against Myself, The Promise, and My Perfect Evil, but that’s it. She was also part of a Gothic/Industrial Metal duo named Wisteria over ten years ago under the moniker ValchiReA, alongside multi-instrumentalist Stefano Urbani (aka AtoragoN), not only recording the vocals for their 2010 demo Mechanical Phoenix and their 2014 album Under an 8-Bit Moon, but also taking care of the layout for the 2014 release. You can enjoy some of the coolest songs of their 2014 album on Youtube, those being R’Lyeh (The Call of the Cthulhu), Cenobite (Hellraiser), and their cover version for Eleanor Rigby, by The Beatles.

She can also be found as a guest vocalist in a variety of songs and albums from bands from different styles, those being the song What She Creates, She Will Destroy, from the 2021 EP The Holocene Termination, by Indian Death/Black/Thrash Metal machine Demonstealer; all female vocals in the 2022 album Decade of Silence, by Finnish Symphonic Death/Doom Metal band Depressed Mode; the song The Great Tribulation, from the 2022 EP The Alchemy Project, by Dutch Symphonic Metal masters Epica; the song Tartarus Rising, from the 2025 album Tomb of the Tormentor, by International Symphonic Deathcore act Hate Within; and the song Holographic Webs We Weave, from the 2019 album Lamentations: Of Deceit & Redemption, by Australian Technical Black/Death Metal band In the Burial. Let’s say it was more than obvious that we would see Veronica contributing to countless bands, because you know, her vocals are simply perfect for any type of music.

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In some of her interviews, Veronica discussed her life on the road, not only talking about how demanding touring can be, but also about some of her favorite places to play, as well as the weirdest ones. When asked about the weirdest venue she’s ever played at, her answer was a boat named Petit Bain in Paris. “Because it’s a very small boat, even though it’s a full-fledged venue inside. But when the audience does the wall of death, circle pit, or moshpit, the boat moves, and you’re there saying, ‘Oh my God.’ But on the other side, the 70,000 Tons of Metal was twice the best experience of my life, just because of the concept,” commented Veronica, who also prefer long tours with 30 or more shows in a row than smaller ones. “You come back home after three days, then you have to leave for other 3 days, then again you go home, then you leave again and so on. Usually you feel good when you have to face really long tours, even with a hostile weather, even if I have to say that the first week is always a bit tougher, then you go with the flow and you get used to it.”

She also mentioned that although it might be a bit harder for women to be part of a metal band, once you’re in you end up getting all the necessary support from the rest of the band, as well as from fans and even other musicians. “I consider myself lucky because those guys with whom I share so much of my life are brothers,” she said, mentioning all the support she’s been receiving from Francesco from day one. In addition, she also commented about the confidence she now has thanks to the one and only George “Corpsegrinder” Fisher of Cannibal Corpse, who went to see Fleshgod Apocalypse once in Berlin. He hugged her after the show and said “this is the coolest thing I’ve ever seen,” and Veronica replied “I have like all your records, I’ve been a fan of yours since I was a little girl,” because she said she grew up listening to Grindcore and Deathcore. Then she told him she was afraid of his judgment, to which he replied “are you kidding? I mean, it’s well done, it’s beautiful. You’re beautiful and good.”

Veronica also loves to play in the United States and Canada, saying the band has even gotten bigger in those countries than in her homeland Italy, because in her opinion the North American fans are always willing to drive longer distances to see concerts, and buy a lot more merchandise during those concerts. “I still remember when I was the merch chick for Fleshgod Apocalypse. I remember a guy who came to get a copy of the album and he told me that he already had a copy at home, he had also t-shirts and he told me that he wanted to buy even more because he wanted to give us his complete support.” The band has already headlined a few tours across the United States and Canada, all very successful with lots of sold out concerts, which proves Veronica is not wrong at all when she praises her North American fans.

As a very active person in different social media platforms, Veronica believes the internet has done more good than bad to most bands and music in general. She said in one of her interviews that the internet allowed people from the most remote corners of the earth to get to know bands from all across the globe, as well as several kids started playing instruments because of online tutorials and lessons, also mentioning that, on the other hand, the human contact between teacher and student might have been lost a little bit. The internet also played a nice part in the life of Veronica back in January 2023, as she was taken by surprise when her partner asked her to marry him onstage during one of their shows in Madrid, Spain. Her then boyfriend, Alessandro Salari, came out from behind the stage holding the ring box behind his back, approached her, showed her the box and knelt down, and of course she nodded “yes,” and the couple hugged as the crowd cheered wildly. The internet played a huge part in it as she was able to share such a special moment in her life with the entire world via her official Instagram account. “I know this might sound cheesy, but words can’t describe my feelings at all right now. The sacrifices this guy made just to get to Madrid and propose in front of the whole venue are remarkable. I can’t be happier to share my everything with the best person I’ve ever met in my whole life. I know you’ll make me the happiest wife ever and I promise I’ll try to do the same for you. I love you.” Not sure if it was the adrenaline and happiness that took her entire body and soul at that moment, but after that her vocals got even more powerful, touching and emotional both in the studio and on stage. Is it the power of love, of the power of metal? I would say both, and may she continue her incredible path in heavy music for many decades to come, always hypnotizing us all with her undeniable talent and charisma.

Veronica Bordacchini’s Official Facebook page
Veronica Bordacchini’s Official Instagram
Fleshgod Apocalypse’s Official YouTube channel
Fleshgod Apocalypse’s Official Facebook page
Fleshgod Apocalypse’s Official Instagram
Fleshgod Apocalypse’s Official YouTube channel