Metal Chick of the Month – Julia Elenoir

I see your faces… Bleeding from within…

Ciao, miei cari metallari! Are you ready to embark on a wild journey to the “Bel Paese” together with The Headbanging Moose to know more about our metal lady of this month of April? Not just a metal singer and songwriter, but she’s also a psychologist and psychotherapist, creating a strong connection between heavy music and mental health, or as she prefers to say, she talks to the community where loud music meets deep healing. Bridging metal, psychology, and visual art, shaping a voice and a vision that are both intense and deeply human, she’s the frontwoman for the up-and-coming Italian band 5RAND, and one of the must-see names of the new generation of growlers. Her name is Julia Eleonora, better known by her stage moniker Julia Elenoir, and she will kick your ass mercilessly with her undeniable talent, charisma and passion for all things Heavy Metal.

Born and raised in the beautiful city of Rome, Italy, Julia has been creating music since her childhood, having grown up surrounded by rock and metal. She started playing classical guitar at the age of 13, and formed her first band when she was 17, beginning to compose her earliest songs. Over the years, her musical style evolved naturally from lighter styles like Hard Rock to a heavier, more introspective metal sound, with Death Metal becoming her main style. “Because I love its edge, its rawness, the catharsis it creates. The extreme side lets me explore, push boundaries and channel aggression and vulnerability at the same time. With 5RAND we mix melodic death and deathcore …not to provoke, but to dig deeper,” she said when asked why she decided to follow such an extreme path with Death Metal.

Founded in 2015 in Rome, Italy by Julia on vocals and Pierluigi Carocci on the guitars (who was working on his own solo project), Riccardo Zito on bass, and Francesco Marroni on drums, but currently formed of Julia and Pierluigi alongside bassist Acey Guns and drummer Andrea De Carolis, the up-and-coming Melodic Death/Groove Metal act 5RAND builds on a punishing modern metal foundation layered with the cinematic depth of melodeath, creating an intense and emotionally immersive soundscape and, therefore, carving out a distinctive place in the modern metal scene. “The name 5RAND comes from a South African 5 Rand coin that Pierluigi once received from a shaman as a good-luck charm. It stayed with him and with us,” explained Julia in one of her interviews. “Musically, we live at the crossroads of aggression and melody. We play, we record, we move forward.”

Having since toured extensively across Europe, sharing the stage with iconic acts such as Dark Tranquillity, Vader, Butcher Babies, Infected Rain and many others, 5RAND alredy released their debut album Sacred / Scared in 2017, followed by their 2019 sophomore Dark Mother, and their excellent third installment Ordhalia, from 2025, a sonic evolution in their already solid career, sounding darker, more introspective, and conceptually daring. Furthermore, Julia has written all the lyrics for 5RAND and has co-composed the music for every song released by the band to date, showing how much she’s involved with 5RAND. Not only that, even Julia couldn’t give a precise answer when asked how she would label the music by 5RAND, just to give you an idea of how dynamic, fresh and unique their style can be. “That would be hard to say precisely, since we don’t fit exactly in only one subgenre, like many many modern bands don’t. We’ve got a bit of Thrash and Death Metal, but also Industrial Metal and a lot of melodies too.” And if you want to experience their music in loco you can find their albums on Spotify, and also visit YouTube to enjoy their official videos for songs like Old Angel Midnight, Paint of Pain, Erase, Several Injuries, Cordyceps, live versions of Preacher of Lies and Cordyceps, and many more.

Owner of such a powerful and versatile voice, it was obvious that we would see Julia as a guest vocalist for different bands and projects. For instance, you can find her doing all female vocals for the 2022 album Ex Mortis Gloria, by Bristol, England-based Technical Death Metal band Imperium; as a guest vocalist for the song A New One, from the 2018 album Liberation, by Italian Symphonic Heavy Metal band Infinita Symphonia; and also as a guest vocalist for the 2020 album Phagocity, by Italian Groove Metal outfit South of No North. Moreover, when asked about venturing on a solo project in the near future, she said that’s indeed a possibility. “I’m always open. For now, I’m focused on 5RAND, but I don’t rule out solo work or collaborations in the future. Art is fluid; it transforms. I’d especially like to do something acoustic with my own songs, but for now we’re working on the next release.”

As expected, Julia is highly influenced by some of the most important names in the history of heavy music. “Growing up, we’d say the classics: Iron Maiden, Metallica, Slayer… now the names are slightly different and more recent though, like Slipknot, Gojira, Fear Factory,” she commented. In addition, as one of the most promising female growlers of the current scene, Julia is also a huge admirer of the music by Arch Enemy and Jinjer. “I’ve been inspired by voices like Corey Taylor from Slipknot, and among the women I really admire Cristina Scabbia, Alissa White-Gluz, Tatiana Shmayluk, and other artists who know how to blend intensity and versatility. I admire anyone who can shake me to the core while destroying the stage.”

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Regarding her vocal technique, Julia said that she works a lot on her clean and growl dual-voice style. “It’s not about volume, but control, endurance, and intensity. You have to be able to express emotion even when the voice is rough. I always warm up, focus on breathing, and pay close attention to vocal health. Clean parts and growls require completely different mindsets.” She practices a lot everyday, always focusing on warmups and breathing exercises, saying that singing in a Death Metal and/or Metalcore style has its easy parts, as well as really hard ones. “The hard part is keeping vocal health and expressiveness. The ‘easy’ part or at least what becomes more natural with experience is letting emotion flow once technique is solid.”

If there’s one thing that Julia and the boys from 5RAND enjoy doing, that’s hitting the stages with their live concerts. After signing with Art Gates Records, the band started working on new dates, aiming at expanding their touring and reaching a wider audience. A very good reason why all of us should keep an eye on their social media, because if 5RAND are taking your city by storm anytime soon, you surely don’t want to miss it. Also, when asked which song she likes to sing live the most, she mentioned the excellent Cordyceps. “Cordyceps because the crowd goes particularly crazy with that song, but I love to sing all our songs.” Julia also has her “hobbies” behind the scenes during their tours. The rest of the band said they suspect Julia really enjoys watching people eat. “That’s why everything she cooks is in enormous quantity,” commented her fellow bandmates.

When questioned about the current metal scene in Italy, she said that Death Metal, as well as Progressive and Power Metal, might probably be the most appreciated genres by Italian fans, apart of course form the bigger bands like Iron Maiden, Metallica and so on, but she also said that the majority of the Italian people tend to be a bit “lazy” in their musical taste and aren’t that eager to discover new bands or genres. “People mostly like what they already know,” she commented. Furthermore, she also mentioned she’s proud to see a new generation of women participating in the scene in Italy. “We’re seeing more and more women in metal bands, which is obviously very good! Many of them are very talented, maybe they’re still a bit confined to the symphonic style and to singing (too few women play an instrument on stage), but we hope their number keeps growing; versatility will come eventually.” However, she also believes everyone should be treated equal in heavy music. “I don’t think a band should be considered just for its members’ sex. In a better world, the musicians’ sex shouldn’t be more important than the colour of their hair.”

As mentioned in the beginning of this tribute to our multi-talented Italian diva, Julia is also a professional psychologist, having studied Psychiatry, Psychology and Behavioral Sciences (with a major in Psychology) at Sapienza Università di Roma, graduating in 2013, and having also got a major in Brief Strategic Therapy (BST) from Scuola di Specializzazione in Psicoterapia Breve Strategica, currently running her own initiative named “Harmony of Chaos”, offering a fusion of metal music and insights on mental health. Not only that, Julia seems to be a philomath, having also obtained a Master’s Degree in Web Marketing and ICT and a degree in Marketing, Management and Business Economy, both also at Sapienza Università di Roma. And when she’s not studying, she loves arts, books, and sports, especially outdoors and in nature, as well as cooking a lot and keeping fit. As you can see, Julian never stops, she’s always creating new things, always searching for something new, always broadening and deepening her knowledge, and may she keep condensing all that awesomeness in the music by 5RAND for many years to come, because it’s people like Julia who definitely contribute to a much better world.

Julia Elenoir’s Official Facebook page
Julia Elenoir’s Official Instagram
Julia Elenoir’s Official YouTube channel
5RAND’s Official Facebook page
5RAND’s Official Instagram
5RAND’s Official YouTube channel

“Joining 5RAND in 2015 was a big step. I’m also passionate about psychology… in fact, I’m a psychologist and later specialized as a psychotherapist with a metal soul. I love helping people overcome mental struggles.” – Julia Elenoir

Album Review – Dark Heart / Evolution (2026)

Formed during the early eighties, this UK Heavy Metal and Hard Rock outfit is back with their electrifying third album.

Formed during the early eighties, releasing the debut album Shadows of the Night back in 1984, and remaining dormant until 2017 (which culminated with the release of their 2021 sophomore self-titled album), Durham, England-based Heavy Metal outfit Dark Heart is ready to rock once again armed with their third installment, entitled Evolution. Produced by Pete Newdeck and mastered by Harry Hess of Harem Scarem, the new album by vocalist Alan Clark and guitarist Nick Catterick, alongside the more-than-special session musicians Josh ‘Tabbie’ Williams on bass and Pete Newdeck on drums, is a journey back to the glory of the 80’s without sounding repetitive or outdated, always moving forward while staying loyal to the foundations of the NWOBHM.

Crisp, minimalist guitar lines ignite the band’s rockin’ party in Light The Flame, with Alan already showcasing his vocal power supported by the classy guitar work by Nick, sounding perfect for admirers of Melodic Hard Rock. And the guitar riffs and solos by Nick keep embellishing the airwaves in Cold Winter while Josh and Pete bring the groove of the 80’s with their killer kitchen sounds, followed by End Of Tomorrow, a power ballad by the quartet where Alan delivers another solid, emotional vocal performance. Hands Of Fate blends the harmonious sounds of Melodic Rock and AOR, with Pete’s drums dictating the song’s classic pace, whereas Spread Your Wings offers us all another round of melodious riffs and soaring vocals, with its background keys adding a touch of finesse to the overall result.

Then investing in a more old school fusion of Heavy Metal and Rock N’ Roll we’re treated to Ride The Highway, and the final result is obviously electrifying, led by Nick’s razor-edged riffs. Put differently, the name of the song ends up being an invitation. After such a powerful tune we have You And I, presenting an AC/DC-inspired riff and evolving into an AOR feast where all backing vocals support Alan’s vocals in great fashion. Life To Crucify and its 80’s keys will pierce your mind, while the guitar lines by Nick exhale Melodic Hard Rock magic, followed by Eyes Of Light, a more generic version of their own rock music, still enjoyable but not as exciting. Mortality brings forward six minutes of a strong, deep ballad by Dark Heart led by the passionate vocals by Alan; and closing the album we face the dancing tune Burned, again reminding us of the glory of the 80’s while also showcasing a modern, dynamic sound by the band.

As already mentioned, although still rooted in classic NWOBHM, Heavy Metal and Hard Rock, Evolution also reflects the maturity in the band’s songwriting, positioning it as a must-listen for fans of both old school and modern-day rock and heavy music, and if you want to join Alan and Nick in their quest for metal you can start following Dark Heart on Facebook, stream their captivating music on any platform such as Spotify, and of course, put your hands on Evolution by purchasing you favorite version of the album from different locations such as Pride & Joy Music and Rough Trade. This is not just Heavy Metal; it’s an evolution in the style of a band formed in the distant year of 1984, but who’s now “back to the future” and ready to go places to the sound of their exciting new music.

Best moments of the album: Light The Flame, Ride The Highway and Life To Crucify.

Worst moments of the album: Eyes Of Light.

Released in 2026 Pride & Joy Music

Track listing
1. Light The Flame 5:25
2. Cold Winter 4:58
3. End Of Tomorrow 6:20
4. Hands Of Fate 4:31
5. Spread Your Wings 5:10
6. Ride The Highway 5:49
7. You And I 5:25
8. Life To Crucify 4:46
9. Eyes Of Light 4:36
10. Mortality 6:20
11. Burned 4:41

Band members
Alan Clark – vocals, keyboards, backing vocals
Nick Catterick – guitars, keyboards, backing vocals

Guest musicians
Josh ‘Tabbie’ Williams – bass (session)
Pete Newdeck – drums, backing vocals (session)

Album Review – Toys That Bïte / You Have Been Warned (2026)

Get ready to rock together with this UK brigade and their debut album, leaning into life’s recognizable moments with tongues firmly in cheeks.

Playing the kind of Heavy Rock that grew up on Judas Priest, Iron Maiden, Aerosmith and Dio, with a focus on big hooks rather than nostalgia, UK’s Hard Rock brigade Toys That Bïte is unleashing upon humanity their debut album, titled You Have Been Warned. Recorded by the band itself and engineered and mixed by Ben Turner at Axe & Trap Studios, and mastered by Romesh Dodangoda at Long Wave Studios, the debut by Adam “AJ” Stanley on vocals, Karl Bauers and Dave Rivett on the guitars, Jason “Shep” Sheppard on bass, and Terry “Tezza” Anderson on drums leans into life’s recognizable moments with tongues firmly in cheeks, offering an overdose of twin guitars, punchy tempos and choruses built to be shouted back.

Those old school rockers rev up their engines in style and hit the road with Toys That Bïte, with AJ taking the lead with his alcohol-infused rockin’ vocals; and presenting the galloping rhythm made famous by bands like Iron Maiden and Judas Priest, with of course Shep and Tezza stealing the spotlight, we have Genius Level Stupid, followed by The Devil Took My Heart, sounding like a song taken from the classic album Turbo, by Judas Priest, mixed with influences from the 70’s while Karl and Dave slash their axes mercilessly. Tezza then hammers his drums in the Rock N’ Roll party Last Train To Hell, making it impossible to stand still to such a thrilling tune, a wild ride where their riffs and solos exhale the essence of the genre. Ladies Of The Night offers another travel back in time to the glory of the 80’s, a song clearly inspired by the Sunset Strip sound, whereas Tits (Makes Him An Animal) showcases a weird name for a song, a bit too sexist, but if you don’t worry too much about it the song is quite entertaining.

Then presenting elements from Sludge and Southern Rock and Metal, the band invests in a more cadenced, yet extremely heavy tune titled Little Black Book, showcasing the power of the riff by Karl and Dave. Shep and Tezza once again craft a rumbling kitchen perfect for an avalanche of riffs in Hit That Like, while AJ delivers those classic, in-your-face Hard Rock vocals tailored for singling along with the band; and they keep firing their blend of classic Hard Rock with a strong Rock N’ Roll vein in Gentleman’s Club, with its backing vocals offering a nice support to AJ throughout the entire song, not to mention their incendiary guitar solos. Let’s keep on dancing the night away together with Toys That Bïte to the sound of Psychopath, also highly recommended for hitting the road (just be careful with the speed, of course), whereas the album closes with their ode to the art of drinking, Pour Me A Whiskey, of course presenting a powerful Southern Metal core, with its background keys elevating the song’s epicness considerably.

The rockin’ crew of Toys That Bïte can be found on Facebook and on Instagram, and I’m sure they’ll love to hear what you have to say about their music, and don’t forget to also subscribe to their YouTube channel, stream their music on Spotify, and put your hard rockin’ hands on You Have Been Warned by clicking HERE and selecting your favorite version of the album. AJ, Karl, Dave, Shep and Tezza are ready to kick some asses armed with their debut album of sheer Rock N’ Roll, and you better get ready for their sonic attack because those toys definitely bite.

Best moments of the album: Toys That Bïte, Last Train To Hell and Hit That Like.

Worst moments of the album: Tits (Makes Him An Animal).

Released in 2026 Dr. Johns Surgery Records

Track listing
1. Toys That Bïte 3:52
2. Genius Level Stupid 3:27
3. The Devil Took My Heart 4:02
4. Last Train To Hell 3:45
5. Ladies Of The Night 5:10
6. Tits (Makes Him An Animal) 3:06
7. Little Black Book 4:41
8. Hit That Like 3:42
9. Gentleman’s Club 3:47
10. Psychopath 3:32
11. Pour Me A Whiskey 4:57

Band members
Adam “AJ” Stanley – vocals
Karl Bauers – guitars, backing vocals
Dave Rivett – guitars, backing vocals
Jason “Shep” Sheppard – bass
Terry “Tezza” Anderson – drums

Album Review – Nite Stinger / What The Nite Is All About (2026)

Get ready to discover what the “nite” is all about to the sound of the sophomore opus by this electrifying Brazilian Hard Rock machine.

Explosive riffs, high-energy vocals, and a full-throttle attitude. Sao Paulo, Brazil-based outfit Nite Stinger is aiming at reviving the glory days of Hard Rock with a modern edge with their sophomore album, entitled What The Nite Is All About. Produced by Henrique Canalle of Spektra and  Bento Mello, and mixed and mastered by Henrique Canalle, the new offering by Jack Fahrer on vocals, Ivan Landgraf and Bruno Marx on the guitars, Bento Mello on bass, and Leandro Araújo on drums draws inspiration from icons like Mötley Crüe, Ratt, Def Leppard, and Poison, turning the volume up with sharper riffs, powerful guitar harmonies, and vocal lines that surprise with melodic hooks designed to get everyone singing together.

Their melodic rocket is about to be launched into the Hard Rock space in You Know Why, with Ivan and Bruno already taking the lead with their classic rockin’ riffs; then Jack delivers deep, classic vocal lines in Your Own Way To Be, perfect for being played at any Rock N’ Roll party around the globe. The Night Is Never Over is an old school Hard Rock name for an old school sound, sounding more melodious than its predecessors, with Leandro leading the crew with his spot-on beats and fills, followed by Love & Freedom, with its main riff reminding me of the all-time classic “Balls to the Wall” by Accept, which is obviously awesome, but of course presenting the band’s own Hard Rock twist. Only You also has a classic vibe, but this time inspired by Scorpions, ready to be played on the road with your loved ones, whereas Fantasy is perhaps the most generic of all songs, where not even Jack’s vocals sound exciting.

The sort-of-title-track What The Night Is All About brings the band back on track, with Ivan and Bruno once again slashing their axes in the name of 80’s Hard Rock. In other words, it’s time to bang our heads nonstop together with Nite Stinger. High Above is another ode to the glory of the 80’s, sounding like it was taken from the discography of a classic band from Sunset Strip, whereas their Randy Rhoads-inspired riffs will kick you right in the head in Highway Bound, supported by the rumbling bass by Bento and the hammering drums by Leandro. All The Love That You Need is a power ballad with Melodic Rock and AOR elements, giving the album an extra touch of finesse, before they close the album on a high note with Reach The Sky, with Jack’s vocals being boosted by another killer guitar work by Ivan and Bruno.

Once again, Nite Stinger pay tribute to nightlife, wild parties, and roaring down the highways on a motorbike in their newborn beast, all while delivering the kind of fierce Hard Rock that makes life feel worth living. Hence, if you’re ready to discover what the “nite” is all about, you can follow those Brazilian hard rockers on Facebook and on Instagram, stream their electrifying music on Spotify, and grab a copy of their new album from Pride & Joy Music or by clicking HERE. Because the “nite” is all about pure old school Hard Rock, and Nite Stinger are among us to prove that once and for all.

Best moments of the album: You Know Why, Love & Freedom and What The Night Is All About.

Worst moments of the album: Fantasy.

Released in 2026 Pride & Joy Music

Track listing
1. You Know Why 3:36
2. Your Own Way To Be 4:02
3. The Night Is Never Over 3:12
4. Love & Freedom 3:47
5. Only You 4:08
6. Fantasy 3:56
7. What The Night Is All About 3:26
8. High Above 3:39
9. Highway Bound 3:44
10. All The Love That You Need 4:36
11. Reach The Sky 3:18

Band members
Jack Fahrer – vocals
Ivan Landgraf – guitars
Bruno Marx – guitars
Bento Mello – bass
Leandro Araújo – drums

Guest musician
Stevie Rachelle – vocals on “What The Nite Is All About”

The Year In Review – Top 10 Hard Rock/Heavy Metal Albums of 2025

“Who the fuck is Justin Bieber?” – Ozzy Osbourne

There’s not much to celebrate in rock and metal music in the same year when we lost the one and only John Michael “Ozzy” Osbourne. Nothing will ever be the same without the Prince of Darkness, the Madman, The Wizard of Ozz. There isn’t a single artist or band reviewed in the history of The Headbanging Moose that wasn’t influenced in several ways by Ozzy and, of course, by Black Sabbath. It is a very sad year indeed. However, Ozzy was always in a great mood, always happy, and I’m sure that, wherever he is now, he wants to see us all smiling and laughing, because that’s what life is all about. He also wants us to keep attending rock and metal concerts to have a good time with our loved ones, with our closest friends, just like Keith Ibbitson of Metal Paparazzi and I did so many times this year, covering incredible bands the likes of Blackbraid, Ne Obliviscaris, Cattle Decapitation, Blind Guardian, and so on. I’ve also had the utmost pleasure of seeing the mighty Judas Priest in Dalhalla, Sweden, a dream come true for this fanboy here, and I can’t wait to “run for my life” in 2026. Having said all that, let’s honor the life of Ozzy with The Headbanging Moose’s Top 10 Hard Rock/Heavy Metal Albums of 2025, excluding EP’s, best of’s and live albums, and keep on rockin’ like the Madman until our very last breath!

1. Blackbraid – Blackbraid III (REVIEW)
Behold the stunning next chapter in the musical and spiritual journey of the witch hawk of Black Metal hailing from the Adirondack Mountains.
Best song of the album: Wardrums At Dawn On The Day Of My Death

2. Werewolves – The Ugliest of All (REVIEW)
The torchbearers of “Caveman Death Metal” continuing to annihilate intellects with an unlistenable barrage of truly hideous music.
Best song of the album: The Ugliest of All

3. Testament – Para Bellum (REVIEW)
Let’s prepare for war to the sound of the breathtaking fourteenth studio album by California’s own masters of old school Thrash Metal.
Best song of the album: Para Bellum

4. Helloween – Giants & Monsters (REVIEW)
These German giants of Heavy Metal and monsters of Rock N’ Roll are back with their ass-kicking seventeenth studio album.
Best song of the album: Majestic

5. An Abstract Illusion – The Sleeping City (REVIEW)
This incredible Swedish Progressive Death and Black Metal entity returns with their heaviest and most atmospheric work to date.
Best song of the album: Like a Geyser Ever Erupting

6. Allegaeon – The Ossuary Lens (REVIEW)
World domination awaits to the sound of the striking new beast by one of the must-see bands of the current tech death scene worldwide.
Best song of the album: The Swarm

7. 1914 – Viribus Unitis (REVIEW)
Trench warfare meets blackened death and doom in 1914’s fourth onslaught of war-torn fury.
Best song of the album: 1918 Pt 3: ADE (A Duty to Escape)

8. Cryptopsy – An Insatiable Violence (REVIEW)
Canada’s own Death Metal machine returns with their ruthless ninth studio album.
Best song of the album: Until There’s Nothing Left

9. Baest – Colossal (REVIEW)
Back from the fires of Denmark, this unstoppable creature will crush you with their fourth studio album.
Best song of the album: Colossus

10. Diabolizer – Murderous Revelations (REVIEW)
The torchbearers of diabolical abomination unite once again to drag us down into the fiery abysses of Turkish Death Metal without warning.
Best song of the album: Deathmarch of the Murderous Tyrant

And here we have the runner-ups, completing the top 20 for the year:

11. Lorna Shore – I Feel The Everblack Festering Within Me (REVIEW)
12. Impureza – Alcázares (REVIEW)
13. Crimson Shadows – Whispers of War (REVIEW)
14. Primal Fear – Domination (REVIEW)
15. Serenity In Murder – Timeless Reverie (REVIEW)
16. Khôra – Ananke (REVIEW)
17. Panzerchrist – Maleficium – Part 2 (REVIEW)
18. Ominous Ruin – Requiem (REVIEW)
19. Wrath of Belial – Embers of Dead Empires (REVIEW)
20. Grima – Nightside (REVIEW)

Not only that, here’s once again our Top 10 EP’s of 2025, proving once and for all that the duration of an album is not that important in the end. As long as the music is great, the whole thing can be only one second long, like the classic “You Suffer” by Napalm Death!

1. When Plagues Collide – Kingmaker (REVIEW)
2. De Profundis – The Gospel Of Rot (REVIEW)
3. Fimbul Winter – What Once Was (REVIEW)
4. NecroticGoreBeast – Brute (REVIEW)
5. Serpent Corpse – Retaliate (REVIEW)
6. Akouphenom – Connections To The Erebus (REVIEW)
7. Necht – The Inevitable Suffering (REVIEW)
8. Discovery Through Torment – Telesynthetic Rebirth (REVIEW)
9. Der Rote Milan – Verlust (REVIEW)
10. Eleine – We Stand United (REVIEW)

Do you agree with our list? What are your top 10 albums of 2025? Also, don’t forget to tune in every Tuesday at 10pm BRT on Rádio Coringão to enjoy the best of classic and underground metal with Jorge Diaz and his Timão Metal, and every Thursday at 8pm UTC+2 on Midnight Madness Metal e-Radio for the best of underground metal with The Headbanging Moose Show!

Metal Xmas and a Headbanging New Year! See you in 2026!

And of course, as we really don’t like those boring Christmas songs here on The Headbanging Moose, we’ll leave you with what’s perhaps the most emotional and strongest metal hymn of the year, the charity version of “War Pigs”, by Black Sabbath, recorded by Judas Priest and with Ozzy himself sharing the vocal duties with the Metal God Rob Halford! This is the epitome of rock and metal music!

Generals gathered in their masses
Just like witches at black masses…

Album Review – Midnite City / Bite The Bullet (2025)

The party is just getting started with the new album by these torchbearers of classic Hair Metal and Hard Rock, and everyone is invited.

Since exploding out onto the scene like a tornado back in 2017, UK’s own Hard Rock/Hair Metal heroes Midnite City have taken on the world, grabbed the tired music scene by the scruff of its neck, injected passion, fun, melody, and colour back into it, and climbed to the top of the tree to be crowned the true kings of Hair Metal. Now in 2025 the band formed of Rob Wylde on vocals and guitar, Miles Meakin on lead guitar, Josh Williams on bass, Shawn Charvette on keyboards, and Ryan Biggs on drums returns with their strongest album to date, Bite The Bullet, ticking every single box fans expect from a Midnite City album. Mixed by Chris Laney (Europe, Crash Diet, Crazy Lixx, Pretty Maids), the album offers a bit of everything, from super poppy, catchy, and hook laden party Rock N’ Roll, to Melodic Rock monsters, to arena sized power ballads, to Glam Metal anthems laced with attitude and a side order of Hard Rock, and so on.

Let’s get this Hair Metal party started with Live Like Ya Mean It, where the classic vocal lines by Rob are boosted by the song’s even more classic backing vocals, followed by Worth Fighting For, another old school tune presenting hints of AOR with the guitars by Miles and Rob exhaling the glory of the 80’s, sounding absolutely inspired by the music from all bands who made those years so amazing. It’s Going To Be Alright is a bit too cheesy for my taste, despite Miles still kicking ass with his soulful solo, but in the end it’s a generic song. Then an overdose of Hard Rock and Hair Metal will crush your senses in Heaven In This Hell, led by the striking keys by Shawn, and their  rock and metal celebration goes on in full force in Running Back To Your Heart, with Rob stealing the show with his stylish vocals. Ryan then puts the pedal to the metal, hammering his drums in the best Hard Rock style, in Lethal Dose Of Love, again presenting those catchy backing vocals we all love so much.

After that, it’s time for a whimsical interlude entitled Archer’s Song, as if it was crafted to be featured in a romantic scene of an afternoon movie from the 80’s or 90’s, warming us up for Seeing Is Believing, one of those power ballads that make the hearts of diehard fans of Hair Metal beat even faster and warmer. The guitars by Rob and Miles are boosted by the rumbling bass by Josh and the upbeat keys by Shawn in No One Wins, keeping the adrenaline flowing through the album and making it impossible to stand still to its catchy vibe; whereas their Melodic Rock and AOR vein pulses harder than ever in Hang On Til Tomorrow, led by the crisp vocals by Rob and the classic drums by Ryan. Their rockin’ party ends with When The Summer Ends, a Van Halen-infused Rock N’ Roll extravaganza with Ryan once again kicking ass behind his drums, also presenting a killer keyboard solo by Shawn as the icing on the cake.

In a nutshell, Bite The Bullet delivers a sound that is made for the biggest stadiums around the globe, bringing back everything that was so thrilling, energetic, and flamboyant about late 80’s Hair Metal in one fell swoop, being highly recommended for fans of Tigertailz, Mötley Crüe, Crash Diet, and Crazy Lixx, just to name a few. You can get in touch with those torchbearers of old school Hair Metal by following them on Facebook and on Instagram, get your party going to the sound of their full discography available on Spotify, and of course purchase a copy of the electrifying Bite The Bullet from countless retailers such as HHVDecks Records, and Bengans.
Because the party is just getting started with the new album by Midnite City, and everyone is invited.

Best moments of the album: Heaven In This Hell, Lethal Dose Of Love and When The Summer Ends.

Worst moments of the album: It’s Going To Be Alright.

Released in 2025 Pride & Joy Music

Track listing
1. Live Like Ya Mean It 4:44
2. Worth Fighting For 4:25
3. It’s Going To Be Alright 4:33
4. Heaven In This Hell 3:47
5. Running Back To Your Heart 4:47
6. Lethal Dose Of Love 3:59
7. Archer’s Song 1:08
8. Seeing Is Believing 5:06
9. No One Wins 4:33
10. Hang On Til Tomorrow 4:24
11. When The Summer Ends 4:41

Band members
Rob Wylde – vocals, guitar
Miles Meakin – lead guitar
Josh Williams – bass
Shawn Charvette – keyboards
Ryan Biggs – drums

Album Review – Battle Beast / Steelbound (2025)

Finland’s own Heavy Metal powerhouse storms forward with unrelenting force armed with their seventh studio album, moving fluently between classic metal, superpowered synthesizers, and symphonic realms.

Three years after the critically acclaimed Circus of Doom, Finnish Heavy/Power Metal/Hard Rock powerhouse Battle Beast storms forward with unrelenting force, dropping their electrifying, highly anticipated seventh studio album, entitled Steelbound. Produced and mixed by Janne Björkroth at JKB Studios, and mastered by Mika Jussila at Finnvox Studios, the new opus by the indomitable frontwoman Noora Louhimo, guitarists Joona Björkroth and Juuso Soinio, bassist Eero Sipilä, keyboardist Janne Björkroth, and drummer Pyry Vikki moves fluently between classic metal, superpowered synthesizers, and symphonic realms, even embracing ’80s-tinged Hard Rock, resulting in a musical palette that’s powerful, engaging, and, above all, extremely fun.

Those talented and unstoppable Finnish rockers kick off another thrilling metal party with The Burning Within, offering their incendiary blend of Heavy Metal with 80’s Hard rock always boosted by Noora’s undisputed soaring vocals, followed by Here We Are, one of the singles previously released by the band which sees Janne kicking ass as usual on keys, giving the song the band’s trademark dancing vibe; whereas the title-track Steelbound sounds absolutely upbeat, with Joona and Juuso’s riffs walking hand in hand with the whimsical keys by Janne. Twilight Cabaret is another song that reeks of Battle Beast, with Noora melting our faces as usual with her hypnotic vocals supported by Pyry’s classic beats; and let’s say Battle Beast are one of the very few bands that can make happy music sound so badass like Last Goodbye thanks to Noora’s powerful vocals, while their guitars sound as electrified as they can be supported by Eero’s thunderous bass.

The second half of the album begins with the cinematic interlude The Long Road, setting the stage for the band to crush us all with Blood Of Heroes, as epic as it is imposing, bringing elements from Viking and Power Metal to their core sound, with all background vocals supporting the battle-like screams by Noora in great fashion. Joona and Juuso rev up the band’s metal engine in Angel Of Midnight, also fully inspired by 80’s rock and metal music, a radio-friendly tune that will surely please all fans of the band; and let’s keep jumping up and down and dancing with Battle Beast in Riders Of The Storm, absolutely futuristic and fun, like if it was taken from an afternoon adventure movie from the 80’s. Finally, the band closes the album on a high note with Watch The Sky Fall, a strong contender to make it to their live performances, where their guitar solos and striking keys bring an extra headbanging touch to the music.

In a nutshell, with Steelbound the band opens an exciting new chapter that offers some very heavy tracks, flirts with pop, unapologetic party anthems, and the empowering title song, or in other words, it is a thunderous monument of defiance and resilience, an earnest battle cry for all who have ever been dismissed, diminished, or silenced and also a big slab of positivity and joy. Hence, you can stay in touch with those marvelous Finnish warriors via Facebook and Instagram, subscribe to their YouTube channel, stream their striking music on Spotify, and of course grab a copy of Steelbound by clicking HERE, throwing your worries into the next trash can during the album’s 38 minutes of duration, and sing, dance, headbang, or do whatever feels right to the sound of their undisputed heavy music.

Best moments of the album: The Burning Within, Last Goodbye and Watch The Sky Fall.

Worst moments of the album: Here We Are.

Released in 2025 Nuclear Blast Records

Track listing
1. The Burning Within 3:58
2. Here We Are 3:03
3. Steelbound 4:30
4. Twilight Cabaret 3:56
5. Last Goodbye 3:34
6. The Long Road 2:12
7. Blood Of Heroes 4:06
8. Angel Of Midnight 3:27
9. Riders Of The Storm 3:51
10. Watch The Sky Fall 4:31

Band members
Noora Louhimo – vocals
Joona Björkroth – guitars, backing vocals
Juuso Soinio – rhythm guitars
Eero Sipilä – bass, backing vocals
Janne Björkroth – keyboards, orchestrations, backing vocals
Pyry Vikki – drums

Album Review – Ültra Raptör / Fossilized (2025)

The fast and furious Cadillac driving dinosaurs hailing from Canada will rock your world to the sound of their incendiary sophomore full-length album.

Formed in 2015 in the charming Quebec City, and having already released their self-titled debut EP in 2018 and their first ever full-length album Tyrants in 2021, Heavy/Speed Metal antediluvian creatures Ültra Raptör are back with album number two, the incendiary Fossilized. Recorded, mixed and mastered by David Lizotte, and displaying an insane artwork by Mario López, the new beast by Phil T. Lung on vocals, Criss Raptör and Zoltan Saurus on the guitars, Dick Van Heuß on bass, and Tony Bronco on drums offers another round of the band’s blend of primeval speed and savagery with meticulous, precision playing, or in other words, everything a metal hungry headbanger could ask for and more.

Those prehistorical Québécois warriors already put the pedal to the metal in the title-track Fossilized, with the frantic, sharp riffs by Criss and Zoltan bringing even more adrenaline to their striking Speed Metal sound. Then the glory of the 80’s, or maybe I should say from “metal’s prehistoric age”, comes in full force in Spinosaurus, led by the hammering drums by Tony in a headbanging feast of heavy music. In Hard ‘N Fast that’s exactly what you’ll get, with Phil T. Lung stealing the show with his old school, passionate vocals, sounding perfect for some action on the dance floor; and Criss and Zoltan show no mercy for their stringed axes in Livin’ for the Riff, delivering nonstop incendiary riffs and solos just the way we love it in Thrash Metal, followed by Bitter Leaf, which starts in a weird way before morphing into a decent thrashing tune, despite still lacking an extra kick.

They get back on track with an 80’s-inspired rock and metal train titled X-Celerator, offering more of the band’s trademark riffs and the raspy vocals by Phil T. Lung, and the band keeps speeding things up and invading our senses with their Thrash Metal-infused sounds in Pterö-Ranger, living up to the legacy of the genre. Those Canadian bastards will invite us to slam into the circle pit once again and shake our bodies to the sound of Down the Drain, where Criss and Zoltan will cut your skin deep with their caustic riffage. Then in the interlude Le voyageur d’Oort, melodious guitar lines will transport you to the whimsical world ruled by Ültra Raptör before facing the closing tune Face the Challenge, a pure Hard Rock and Rock N’ Roll feast inspired by giants the likes of Scorpions, perfect for heading out to the highway with your beloved ones.

In summary, the impact of the new opus by the Cadillac driving dinosaurs from Canada on the metal scene will be seismic. Fossilized is the epitome of energized, exhilarating metal, and you can join the band in their quest for fast and heavy music by following them on Facebook and on Instagram, by streaming their thrilling creations on Spotify, and of course by purchasing Fossilized from the Fighter Records’ BandCamp or from the Xtreem Music’s webstore. The Raptör is back, baby! And if you don’t want to be fossilized as a dull and prehistorical being, you better jump inside your Cadillac and rock to the sound of this newborn beast made in the icy cold Great White North.

Best moments of the album: Fossilized, Hard ‘N Fast and X-Celerator.

Worst moments of the album: Bitter Leaf.

Released in 2025 Fighter Records

Track listing
1. Fossilized 4:08
2. Spinosaurus 3:55
3. Hard ‘N Fast 4:19
4. Livin’ for the Riff 4:14
5. Bitter Leaf 4:40
6. X-Celerator 3:58
7. Pterö-Ranger 4:09
8. Down the Drain 4:54
9. Le voyageur d’Oort 1:10
10. Face the Challenge 5:11

Band members
Phil T. Lung – vocals
Criss Raptör – lead guitar
Zoltan Saurus – rhythm guitar
Dick Van Heuß – bass
Tony Bronco – drums

Album Review – Ambush / Evil In All Dimensions (2025)

One of Sweden’s most electrifying bands returns with a striking new album, bursting with relentless energy while capturing the classic essence of Heavy Metal.

We all know that Heavy Metal is the law, and Växjö, Sweden-based brigade Ambush is more than ready to reinforce that armed with their breathtaking new album, titled Evil In All Dimensions, the follow-up to their critically acclaimed 2020 offering Infidel. Recorded, mixed, mastered and produced by Mankan Sedenberg, and displaying a killer artwork by Péter Sallai of Mortpaintgraphics, the new album by Oskar Jakobsson on vocals, Olof Engqvist and Karl Dotzek on the guitars, Oskar Andersson on bass, and Linus Fritzson on drums draws inspiration from the likes of Judas Priest, Accept, and Iron Maiden, bursting with relentless energy while capturing the classic essence of Heavy Metal, an undeniable proof of the band’s unwavering passion and talent for the genre.

Olof and Karl embellish the airwaves with their striking riffs from the very first second in the title-track Evil In All Dimensions, kicking off the album on a high and incendiary mode, followed by Maskirovka, a metal hymn that exhales of 80’s Hard Rock, with Oskar Jakobsson delivering a passionate, powerful vocal performance that matches perfectly with the song’s headbanging mid-tempo pace. It’s then pedal to the Heavy Metal to the hammering drums by Linus and the rumbling bass by Oskar Andersson in Iron Sign, again sending us back to the glory days of heavy music, and it’s impressive how the band flawlessly blends Heavy Metal with Hard Rock like in The Night I Took Your Life, with their riffs and beats transpiring epicness.

As like in countless other Heavy Metal albums, there’s a power ballad for us to enjoy with our loved ones titled I Fear The Blood, although I prefer a billion times their fast and heavy creations; whereas Oskar Jakobsson’s vocals live up to the legacy of legends like Bruce Dickinson and Rob Halford in Come Angel Of Night, accompanied by the striking, electrifying sounds blasted by his bandmates. The Reaper then showcases the band back to a more cadenced yet still headbanging sound, feeling like it was taken from one of those afternoon movies from the 80’s, while Bending The Steel is another metal hymn with a powerful name, reminding me of some old school tunes by the mighty Judas Priest and Grave Digger, not to mention their dual guitar attack will pierce your brain mercilessly. And lastly, Heavy Metal Breathren brings forward one final onrush of pure metal magic by Ambush, led by the flammable, classy riffs and solos by Olof and Karl.

Get your denim and leather jackets ready, as Evil in All Dimensions marks the beginning of an exciting new chapter in Ambush’s relentless quest for speed. Hence, as the band is ready to rise to even greater heights with their new opus, you can get to know more about their music, tour dates and everything else surrounding such an amazing crew on Facebook and Instagram, stream all of their incendiary discography on Spotify, and grab a copy of Evil in All Dimensions from Big Cartel or from Napalm Records (or simply click HERE for all things Ambush). Because Heavy Metal is their business, and business is good. Or maybe I should say that business is metal.

Best moments of the album: Iron Sign, Come Angel Of Night and Bending The Steel.

Worst moments of the album: I Fear The Blood.

Released in 2025 Napalm Records

Track listing
1. Evil In All Dimensions 4:38
2. Maskirovka 4:33
3. Iron Sign 4:08
4. The Night I Took Your Life 4:57
5. I Fear The Blood 4:44
6. Come Angel Of Night 4:18
7. The Reaper 4:01
8. Bending The Steel 4:19
9. Heavy Metal Breathren 5:12

Band members
Oskar Jakobsson – vocals
Olof Engqvist – guitars, backing vocals
Karl Dotzek – guitars, backing vocals
Oskar Andersson – bass, vocals, backing vocals
Linus Fritzson – drums, backing vocals

Guest musicians
Elias Jakobsson – harmony vocals on “Maskirovka” and “I Fear The Blood”,  piano on “The Reaper”
Jakob Janson – shout vocals on “Bending The Steel” and “Heavy Metal Breathren”
Johan Janson – shout vocals on “Heavy Metal Breathren”
Adam Hagelin – backing vocals on “Heavy Metal Breathren”
Mankan Sedenberg – guitar solo on “The Reaper”

Concert Review – CallHome Music Festival 2025 (Lion’s Gate Park, Brantford, ON, 07/18/2025 & 07/19/2025)

***Review by Kevin Ibbitson and photos by Keith Ibbitson of Metal Paparazzi***

This past weekend the CallHome Music Festival (formerly known as Crewfest) invited my Brother Keith “The Metal Paparazzi” back to cover this summer’s festival and he brought me to tag along with him this time. The festival was located at Lion’s Gate Park in Brantford, Ontario on July 18 &19, 2025 and consisted of one main stage and one side stage replete with plenty of vendors selling a variety of curiosities, wares, merch and plenty of food options, as well as wrestling brought to us by Brantford Wrestling which I found to be incredibly entertaining. The weather was absolutely perfect that weekend. The event organizers were extremely accommodating to us and we felt welcomed with open arms. All volunteers were awesome as well as the security team and local law enforcement. Everything blended together for a great family-friendly event experience, especially on the first day as it was open to all ages.

Toronto Rapper K-Os kicked off the festival on the main stage and rocked a set complete with a number of his best hits. Every band played solid throughout both days, especially all side stage acts (Barstool Confessions, Harm & Ease for example). Friday saw acts such as K-Os, Bedouin Soundclash, USS, and Walk Off The Earth. All of whom had memorable sets including a band member surfing the crowd. I would have to say that nobody went home disappointed on the first day.

JJ Wilde @ CallHome Music Festival 2025

The second day was 19 and up and had a slightly different feel as many more folks were inebriated and having a great time. Barstool Confessions opened up the day on the side stage and played great and even covered some Tragically Hip hits. On the main stage The Wild High put on a fantastic set covering CCR to start with and easing into their own catalogue and even some Monster Truck hits as this band consists of the remnants of Monster Truck. Rusty was on stage next and put on a memorable show playing their best stuff and let’s just say I’m still humming their songs days after the festival. Harm & Ease delighted on the side stage even though they were missing a guitarist. The lead singer brought a lot of energy and was the focal point of the set. They were very entertaining.

The Glorious Sons @ CallHome Music Festival 2025

JJ Wilde was electric on the main stage and rocked us for what seemed like an hour and a half. I met her backstage after the show and complemented her on such a great show and she was so appreciative about that. She was humble to say the least. Pop Evil was the heaviest group on the whole festival as they are a blend of pop and metal and they kicked ass pretty good. Pop Evil put on an hour and a half-ish long set and had the crowd excited throughout their set. The Glorious Sons came on to close the festival and they were pretty damn good and it was abundantly clear that they were the band that most people were there to see. This was my first time seeing all of these bands and I enjoyed all of them even though I listen to music with more of an edge, this was a good change of pace for me and I would happily recommend the CallHome Music Festival to anyone that enjoys great music and a welcoming family orientated vibe. Thank you to all of the organizers, in special to Jamie Stephens who invited Keith and I, we had a great time.

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