Savage Lands – Nonprofit featuring members of Megadeth, Sepultura, Obituary and other legends of metal to support forests in Costa Rica

Savage Lands – Nonprofit featuring members of Megadeth, Sepultura, Obituary and other legends of metal to support forests in Costa Rica 🇨🇷

Artists occasionally support causes through donations to organizations. With SAVAGE LANDS, Megadeth drummer Dirk Verbeuren teamed up with his guitar-wielding friend Sylvain Demercastel to create their own US 501(c)3 non-profit.

Savage Lands raises money for reforestation & the creation of sanctuaries free of human destruction. Using their own royalties, donations and other fundraising efforts, the organization builds nature sanctuaries, establishes green zones and other land preservation projects. They partner with other non-profits, scientists and forest engineers, as well as Decibel Magazine and Season of Mist.

Donate: https://savagelands.org/donation/

“If you want to make a difference, take action! Our greatest hope with Savage Lands is that it will inspire you to join us, and if you can, to start your own initiative to help preserve animals, forests, and our planet”, says Dirk.

Learn more about Savage Lands: https://savagelands.org/

Fittingly, “The Last Howl” is a howling tribute to the howler monkey, which are endangered in Costa Rica. The song features Savage Lands co-founders Sylvain Demercastel & Dirk Verbeuren, as well as support from John Tardy (Obituary), Andreas Kisser (Sepultura), Poun (Black Bomb A) & Etienne Treton (Black Bomb A).

100% of the song royalties will help fund nature sanctuaries, establish green zones and other land preservation projects in Costa Rica.

Lineup
Dirk Verbeuren (Megadeth) – drums
Sylvain Demercastel – guitar
Andreas Kisser (Sepultura) – guitar
John Tardy (Obituary) – vocals
Poun (Black Bomb A) – vocals
Etienne Treton (Black Bomb A) – bass

Recording
Savage Lands / Adair Daufembach / John Tardy / Andreas Kisser / Steeven Corsini

Production
Savage Lands

Mixing & Mastering
HK – Vamacara Studio

Donate: https://savagelands.org/donation/

***Listening to Savage Lands is already donating directly to this forest preservation effort.***

Concert Review – Megadeth (FirstOntario Centre, Hamilton, ON, 05/08/2023)

The unstoppable MegaDave and his henchmen crushed “the Hammer” in another night of first-class Thrash and Speed Metal.

OPENING ACTS: ONI and Bullet For My Valentine

Known to locals as “the Hammer” or “Hammertown” due to its industrial roots, the city of Hamilton has always been a mandatory stop for countless metal bands form all over the world. Names like Iron Maiden, Judas Priest, Motörhead and so on have played at least once in their careers in such important city for the Canadian industry, and one of the bands that always returns to Hamilton to kick some serious ass is of course our beloved Megadeth. That’s exactly what happened last night at FirstOntario Centre when guests ONI and BULLET FOR MY VALENTINE, together of course with the one and only MEGADETH, took the Hammer by storm as one of the Canadian stops of their Crush the World Tour 2023, and I must say it was indeed another memorable night of heavy music for the thousands of fans at the venue.

The first band to hit the stage, precisely at 7pm, was Windsor, Ontario-based Progressive Metalcore/Djent act ONI, and although there was still a lot of people outdoors those guys put on an excellent concert, properly warming up the fans of both Bullet For My Valentine and Megadeth with their harsh and clean vocals, thunderous and intricate bass lines, sharp riffs and headbanging drums. Still promoting their 2022 album Loathing Light, the band spearheaded by frontman Jake Oni, who’s by the way a fantastic vocalist capable of switching from demonic growls to stylish clean vocals without any actual effort, put everyone to jump up and down with them during their short and sweet performance, already igniting some fun mosh pits for the delight of lovers of such unique sport. I’m definitely going to take a more detailed listen at their music on Spotify, and you should do the same to get to know more about such interesting band of the current Canadian scene.

Setlist
Alone
Chasing Ecstasy
Silhouette
Cyanide
Heart to Stone
The Lie
Secrets

Band members
Jake Oni – vocals
Brandon White – guitars
Martin Andres – guitars
Johnny DeAngelis – xylosynth
Chase Bryant – bass
Joe Greulich – drums

After ONI finished their solid performance, and after a quick bathroom/beer/merch break, it was time for Welsh Melodic Metalcore icons BULLET FOR MY VALENTINE (or just BFMV, if you prefer) to begin their incendiary performance for their several fans at the venue, and I must admit there was a huge chunk of the audience that was there to see BFMV first and Megadeth as a bonus, and not the opposite. Despite not being my cup of tea, I had a good time watching Matthew “Matt” Tuck, Michael “Padge” Paget, Jamie Mathias and Jason Bowld delivering a solid show on stage, mixing their classics with newer songs from their 2021 self-titled album. Songs like Waking the Demon, Knives and the closer Scream Aim Fire worked really well last night while the band had a strong chemistry with the audience during their entire set, and of course although the mosh pits (full of young kids) were not as violent as the ones from Immolation and Obituary the night before, they were still decent enough for a band that lots of people don’t consider metal.

Setlist
Your Betrayal
Waking the Demon
Piece of Me
4 Words (to Choke Upon)
You Want a Battle? (Here’s a War)
Knives
Over It
Shatter
Tears Don’t Fall
Scream Aim Fire

Band members
Matthew “Matt” Tuck – lead vocals, rhythm guitar
Michael “Padge” Paget – lead guitar, backing vocals
Jamie Mathias – bass, backing vocals
Jason Bowld – drums, percussion

MEGADETH

The moment most fans in Hammertown were waiting for finally arrived at 9:15pm, when one of the most important names in the history of heavy music, Mr. Dave Mustaine, supported by his henchmen Kiko Loureiro on the guitars, Steve Di Giorgio on bass and Dirk Verbeuren on drums, collectively known as American Thrash/Speed Metal institution MEGADETH, kicked off their performance overflowing classics, heaviness and speed, all spearheaded by our beloved “MegaDave” as usual. The last time Megadeth played in Hamilton was 11 years ago, during their Gigantour 2012, and one of the bands that night was the unparalleled Motörhead, which is why I think the band’s diehard fans ignored ONI and BFMV yesterday and spent all the time prior to Megadeth outside smoking and having some beers.

Anyway, back to the concert, it was simply electrifying from the very first notes of Hangar 18, with flammable hits the likes of Sweating Bullets, She-Wolf, Trust and Tornado of Souls, plus newer songs like Dystopia, inspiring us all to scream the lyrics together with Dave, banging our heads and raising our horns nonstop, and even venturing inside the sick mosh pits formed in the centre of the floor section. I also loved the fact they played Dread and the Fugitive Mind, a very underrated metal classic in my opinion, and I wish they had kept Angry Again in their setlist, but overall it was a lecture in heavy music by Megadeth, with kudos to Kiko once again for revitalizing the band and bringing so much energy, charisma and intricacy to their studio albums and live performances. In other words, Dave knew exactly what he was doing when he invited one of the best metal guitarists of the past 20 years to be part of the Megadeth family.

However, it was when Dave gave a short speech about how Covid-19 and his cancer delayed the release of the breathtaking The Sick, the Dying… and the Dead! (and he received a huge shout and a round of applauses from his fans when he proudly said he beat cancer) before playing the incendiary We’ll Be Back, when Vic Rattlehead joined the band onstage during the hard-hitting classic Peace Sells, plus of course his all-time masterpiece Holy Wars… The Punishment Due, that drove all fans mental at the venue, creating a beautiful connection between the band and the crowd. Needless to say, I don’t care if the play in Hammertown, in Toronto or anywhere else in the area, I’ll be there, and based on Dave’s final words they’ll be back to this part of the world sooner than you can say “Wake up dead! You die!”

Setlist
Prince of Darkness
Hangar 18
Wake Up Dead
Dread and the Fugitive Mind
Sweating Bullets
A Tout Le Monde
She-Wolf
We’ll Be Back
Trust
Conquer or Die!
Dystopia
Tornado of Souls
Symphony of Destruction
Peace Sells
Holy Wars… The Punishment Due
Silent Scorn

Band members
Dave Mustaine – lead vocals, lead and rhythm guitar
Kiko Loureiro – lead guitar, backing vocals
Steve Di Giorgio – bass
Dirk Verbeuren – drums

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The Year In Review – Top 10 Hard Rock/Heavy Metal Albums of 2022

“Life is funny. If you don’t laugh, you’re in trouble.” – Taylor Hawkins

And just like that, after 880 days of nothing, I was finally able to attend a metal concert this year, just like countless other metalheads who patiently waited for the Canadian government to lift all restrictions due to the pandemic to get back to our normal lives. And it was a busy year concert-wise as you can see HERE, with Judas Priest, Lamb of God, Megadeth, Iron Maiden, Cannibal Corpse, Trivium, Amon Amarth, Arch Enemy, Behemoth and several others putting a smile back on our faces and the horns back in our hands, because in the end the beauty of heavy music is when it’s played live, right? On the other hand, we unfortunately saw some important names of the global metal scene disbanding such as Nuclear Assault, Tristania and Every Time I Die, plus of course the brave warriors who left us and are now sitting beside the metal gods in Valhalla. Just to name a few, we all mourned the losses of Fredrik Johansson (former guitarist of Dark Tranquillity), Jon Zazula (co-founder of Megaforce Records), Bruce Greig (former guitarist of Misery Index and Dying Fetus), Taylor Hawkins (drummer of Foo Fighters), Ronnie Deo (former bassist of Incantation), Trevor Strnad (vocalist of The Black Dahlia Murder), Alec John Such (former bassist of Bon Jovi), Bob Heathcote (former bassist of Suicidal Tendencies), Steve Grimmett (vocalist of Grim Reaper), Stuart Anstis (former guitarist of Cradle of Filth), David Andersson (guitarist of Soilwork), and Dan McCafferty (former vocalist of Nazareth).

However, one of the biggest losses in the world of heavy music happened right here in Toronto, Canada, as we lost the biggest metalhead of the entire Torontonian scene, Walter Froebrich.  Our super fan Walter, who was a staple in the local scene for over 20 years (and I remember seeing him in every single concert I’ve attended in the past 10 years or more at least), sadly died alone at home last month following three visits to a local hospital due to severe abdominal pain. This is extremely tragic and cannot happen again, as we all have the right to decent healthcare it doesn’t matter who we are. There will be a memorial show for Walter on January 7, 2023 at The Rockpile (details can be found HERE and tickets HERE) with several local independent bands, and we at The Headbanging Moose also want to honor the life of Walter and his undisputed passion for heavy music by dedicating to him The Headbanging Moose’s Top 10 Hard Rock/Heavy Metal Albums of 2022, excluding EP’s, best of’s and live albums.

1. Kreator – Hate Über Alles (REVIEW)
Let the hate flow through you to the sound of the magnificent new opus by one of the trailblazers of the German Thrash Metal scene.
Best song of the album: Hate Über Alles

2. Lorna Shore – Pain Remains (REVIEW)
The most explosive name of the current Deathcore scene invites us all to dance like flames to the sound of their newborn masterpiece.
Best song of the album: The Pain Remains Trilogy

3. Megadeth – The Sick, the Dying… and the Dead! (REVIEW)
The unstoppable Mr. Dave Mustaine strikes again with the sick, the dying… and the Megadeth!
Best song of the album: Life in Hell

4. Rammstein – Zeit (REVIEW)
Germany’s own Neue Deutsche Härte institution wasted no time during the pandemic and is back in action with their fantastic eight opus.
Best song of the album: Angst

5. Behemoth – Opvs Contra Natvram (REVIEW)
A stunning work against religious oppression by Poland’s most important Extreme Metal institution of all time.
Best song of the album: Malaria Vvlgata

6. Arch Enemy – Deceivers (REVIEW)
One of the most important names in metal is back in action with their most solid and detailed album with Alissa White-Gluz on vocals.
Best song of the album: The Watcher

7. Lamb of God – Omens (REVIEW)
Ignore the omens and listen to the pulverizing new album by one of the best and most dynamic metal bands of the past two decades.
Best song of the album: Ditch

8. Amon Amarth – The Great Heathen Army (REVIEW)
Join the great heathen army spearheaded by one of the most respected bands of the current metal scene.
Best song of the album: Saxons and Vikings

9. Hiss From The Moat – The Way Out Of Hell (REVIEW)
There’s only one way out of hell, and that’s to the sound of the incendiary Blackened Death Metal by this Italian horde.
Best song of the album: Generation Of Cowardice

10. Diabolical Raw – Elegy of Fire Dusk (REVIEW)
Behold this grandiose album of Symphonic Black and Death Metal inspired by ancient Central Asian Turkish mythology.
Best song of the album: Face the Judgement

And here we have the runner-ups, completing the top 20 for the year:

11. Abaddon Incarnate – The Wretched Sermon (REVIEW)
12. Cage Fight – Cage Fight (REVIEW)
13. Dark Funeral – We Are The Apocalypse (REVIEW)
14. Stratovarius – Survive (REVIEW)
15. Konvent – Call Down the Sun (REVIEW)
16. Scorpions – Rock Believer (REVIEW)
17. Disturbed – Divisive (REVIEW)
18. Thundermother – Black and Gold (REVIEW)
19. Blind Guardian – The God Machine (REVIEW)
20. Ferum – Asunder / Erode (REVIEW)

In addition to all that, let’s bang our heads with our Top 10 EP’s of 2022 to prove once and for all that not all great albums of the year have to be so long. The EP’s from this list are simply awesome, showcasing the band’s talent and their ability to sound epic even if the music lasts for only a few minutes.

1. Eskhaton – Horracle (REVIEW)
2. Headfist – This New World…. (REVIEW)
3. Sullen Guest – Phase (REVIEW)
4. Pyrrhic Salvation – Manifestum I (REVIEW)
5. Klendathu – Avarist: The Beginning & The End at Once (REVIEW)
6. Through The Noise – Tragedies (REVIEW)
7. Rotten Casket – First Nail in the Casket (REVIEW)
8. Circa Arcana – Bridget Viginti (REVIEW)
9. All Else Fails – The Incident at Black Lake (REVIEW)
10. Haunted By Silhouettes – No Man Isle (REVIEW)

Do you agree with our list? What are your top 10 albums of 2022? Also, don’t forget to tune in every Tuesday at 10pm BRT on Rádio Coringão to enjoy the best of classic and underground metal with Jorge Diaz and his Timão Metal, and every Thursday at 8pm UTC+2 on Midnight Madness Metal e-Radio for the best of underground metal with The Headbanging Moose Show! And if you lost some or most of our special editions of The Headbanging Moose Show, including our Top 20 Underground Albums of 2022 – Parts I and II, go to our Mixcloud page and there you have hours and hours of the best of the independent scene, sounds good?

Metal Xmas and a Headbanging New Year! See you in 2023!

And before I go, I’ll leave you with what’s in my humble opinion not only the best song of 2022, but it also carries a very inspiring message to us all… ROW! ROW! ROW!

Album Review – Megadeth / The Sick, the Dying… and the Dead! (2022)

The sick, the dying… and the Megadeth!

Marking the longest gap between two studio albums in the band’s career since their 2016 release Dystopia, the excellent The Sick, the Dying… and the Dead! is not only the sixteenth studio album by American Thrash/Speed Metal icons Megadeth, but a bold statement that the unrelenting Mr. Dave Mustaine and his henchmen are far from calling it quits, offering us all a lecture in thrash, speed and technique split into 12 incendiary songs. Produced by Dave Mustaine and Chris Rakestraw, mastered by Ted Jensen at Sterling Sound, mixed by Josh Wilbur, displaying a classic cover art by Brent Elliott White, and with artwork, layout and design by Josh Graham at Suspended In Light, The Sick, the Dying… and the Dead! is the first Megadeth album to feature drummer Dirk Verbeuren and the second to feature guitarist Kiko Loureiro, with the bass parts originally recorded by founding bassist David Ellefson being re-recorded by Steve Di Giorgio of Testament (although the band’s current bassist is James LoMenzo) after David was dismissed from the band due to a sex scandal during the album’s recording.

Showcasing an intro inspired by the classic scene “Bring Out Your Dead” from the 1975 cult movie Monty Python and the Holy Grail, the title-track The Sick, the Dying… and the Dead! Quickly morphs into pure Megadeth to the stunning riffs by Dave and Kiko, being also perfect for screaming “Die! Die! Die!” together with “MegaDave”. Then we have Life in Hell, sounding fast and furious just the way we like it in Speed Metal with its lyrics being acid and fun at the same time (“Busted, caught red-handed again / You can’t be trusted, born to lose, you’ll never win / You’re so corrupted, you stand before us condemned / So maladjusted to the world we’re living and dying in”), not to mention how thunderous Dirk sounds on drums; followed by Night Stalkers, another one of my favorites where the band puts the pedal to the metal with Dave and Kiko being on fire with their wicked riffs, accompanied by Steve’s rumbling bass and Dirk’s pulverizing beats, all of course spiced up by a spot-on guest appearance by the one and only Ice-T, the man behind Body Count. In Dogs of Chernobyl a heavy and dark start gradually evolves into another metallic feast by Dave & Co., with its second part setting fire to the atmosphere with its razor-edged riffs, solos and beats, whereas Sacrifice sounds very similar to some of the songs from Dystopia, being very melodic and sharp and with Dave’s raspy voice being nicely supported by all backing vocals. And more of their undisputed fusion of Thrash and Speed Metal is offered to us all in Junkie, with Dave kicking some serious ass as usual with both his unique vocals and trademark riffs and solos.

After the tribalistic interlude Psychopathy, it’s time for Dave to distill his venom in Killing Time, showcasing lyrics that seem to be directed to the band’s former bassist Dave Ellefson (“Some people look at you and feel sorry / They see your beady eyes and a soul that is black / It’s clear to see, you’re a pathological liar / And your alibi was a lie, it was all just an act, and that’s a fact”); followed by Soldier On!, a headbanging extravaganza that transpires Megadeth where Dave leads his horde flawlessly, with “The Marching Metal Bastards” part at the end being ridiculously funny. Célebutante is another old school, straightforward tune by the band where Dirk and Steve are in absolute sync from start to finish, albeit presenting some really weird lyrics, while in Mission to Mars the lyrics are even weirder but for a good reason (they’re meant to be cheesy), also displaying excellent instrumental parts including its striking guitar solos. Then the incendiary shredding by Dave and Kiko ignite the closing tune We’ll Be Back, which was curiously the first single released, sounding technical, violent, fast and acid just the way we love it, or in other words, it’s simply flawless until the very end. Moreover, depending on the version of the album you acquire, there are some amazing bonus tracks waiting for you, with the best one being by far This Planet’s on Fire (Burn in Hell), originally recorded by Sammy Hagar on his 1979 album Street Machine (listen to the original version HERE), and featuring Sammy Hagar himself on vocals together with MegaDave.

You can enjoy the album in its entirety on Spotify, where by the way you’ll find the best bonus tracks in my humble opinion, but if you’re a loyal member of Megadeth’s Cyber Army you should definitely purchase your favorite version of the album by clicking HERE or HERE, always keeping an eye on the band’s official Facebook and Instagram for news, tour dates and other fun stuff by Dave and his crew. In a nutshell, The Sick, the Dying… and the Dead! couldn’t have sounded more Megadeth than this, staying loyal to the band’s original Speed Metal infused with Thrash Metal, while at the same time containing elements from all phases of their undisputed career, putting a huge smile on the faces of their old school fans and of newcomers to their metal realm. It’s an album for all of us, for all diehard metalheads out there, inspiring us to raise our horns to the sick, the dying… and the Megadeth!

Best moments of the album: The Sick, the Dying… and the Dead!, Life in Hell, Night Stalkers, Mission to Mars and We’ll Be Back.

Worst moments of the album: Célebutante.

Released in 2022 Universal Music

Track listing
1. The Sick, the Dying… and the Dead! 5:04
2. Life in Hell 4:12
3. Night Stalkers 6:38
4. Dogs of Chernobyl 6:14
5. Sacrifice 4:08
6. Junkie 3:39
7. Psychopathy 1:20
8. Killing Time 5:13
9. Soldier On! 4:54
10. Célebutante 3:51
11. Mission to Mars 5:24
12. We’ll Be Back 4:29

Digital Edition bonus tracks
13. Police Truck (Dead Kennedys cover) 2:29
14. This Planet’s on Fire (Burn in Hell) (Sammy Hagar cover) 5:04

EMP Exclusive CD bonus tracks
13. This Planet’s on Fire (Burn in Hell) (Sammy Hagar cover) 5:04
14. Take No Prisoners (live) 3:29

Target Exclusive CD bonus tracks
13. This Planet’s on Fire (Burn in Hell) (Sammy Hagar cover) 5:04
14. The Conjuring (live)* 5:49

*Mislabeled as “Dystopia” on the album track listing.

Band members
Dave Mustaine – lead vocals, lead and rhythm guitar, additional bass
Kiko Loureiro – lead guitar, backing vocals, flute on “Night Stalkers”
Dirk Verbeuren – drums

Guest musician
Steve Di Giorgio – bass (session)
Ice-T – vocals on “Night Stalkers”
Sammy Hagar – vocals on “This Planet’s on Fire (Burn in Hell)”
Brandon Ray – additional vocals
Eric Darken – percussion
Roger Lima – keyboards, effects
Luliia Tikhomirova – narration on “Dogs of Chernobyl”
Bill Elliot – voices on “Junkie”
John Clement – voices on “Soldier On!”
The Marching Metal Bastards – voices on “Soldier On!”
Maila Kaarina Rantanen – voices on “Mission to Mars”
Clint Underwood – voices on “Mission to Mars”

Concert Review – Lamb of God & Megadeth (Budweiser Stage, Toronto, ON, 05/18/2022)

After two years of waiting, Toronto was finally able to witness all the energy and heaviness of “The Metal Tour of the Year”… and it was absolutely awesome!

OPENING ACTS: In Flames and Trivium

Ladies and gentlemen, or whatever way you like to be referred as, what an incredible night of first-class, high-octane, infernal Heavy Metal we had yesterday in Toronto at the unparalleled Budweiser Stage, with IN FLAMES, TRIVIUM, LAMB OF GOD and the one and only MEGADETH showing us all why their tour was named The Metal Tour of the Year! As a matter of fact, last night’s concert was originally scheduled to happen in 2020, but of course due to the shitty COVID-19 pandemic (which apparently seems to be finally over), it had to be rescheduled countless times. Anyway, the wait was totally worth it, as all bands were simply awesome yesterday, putting a huge smile on the faces of everyone at the venue (and the fans didn’t seem to care about the fact the temperature in the city dropped from the mid-30’s to the low-10’s in just a couple of days). Well, I believe Sweden’s own Melodic Groove Metal/Metalcore icons IN FLAMES were awesome as well, as due to work and traffic I wasn’t able to make it to their concert, but a friend that arrived earlier said they kicked ass.

Setlist
Cloud Connected
Behind Space
Everything’s Gone
Where the Dead Ships Dwell
Call My Name
All for Me
I Am Above
Take This Life

Band members
Anders Fridén – vocals
Björn Gelotte – guitar
Chris Broderick – guitar
Bryce Paul Newman – bass
Niels Nielsen – keyboards
Tanner Wayne – drums

I was scared I wouldn’t be able to make it to see Orlando, Florida-based Heavy Metal maniacs TRIVIUM, but fortunately I arrived at the venue around 10 minutes before they hit the stage with their short but extremely powerful performance. Matt Heafy, Corey Beaulieu, Paolo Gregoletto and Alex Bent were beyond happy to be back in Toronto after almost five years (yes, their last concert in the city was in the distant year of 2017), and add to that the superb tracks from their most recent album In the Court of the Dragon, those being the title-track In the Court of the Dragon and my favorite one of the album, Like a Sword Over Damocles, and there you have a recipe for success (and mosh pits). “Throes of Perdition” and “Feast of Fire”, which were on the setlist in the US dates, were replaced by Strife and Pull Harder on the Strings of Your Martyr, and let’s say those new additions to their setlist received a killer feedback from the crowd, who engaged in several mosh pits while the band was on fire onstage. And what can I say about the jumping up and down ignited by Matt during their hit In Waves? That was outstanding to say the least. Furthermore, Matt mentioned this was the biggest show of the entire North American tour, proving how much us Torontonians love all bands involved, and hopefully that will inspired Trivium to return to Toronto for a full-bodied performance on their own in a not-so-distant future.

Setlist
X
In the Court of the Dragon
Like a Sword Over Damocles
Beyond Oblivion
Strife
Rain
Pull Harder on the Strings of Your Martyr
Capsizing the Sea
In Waves

Band members
Matt Heafy – lead vocals, guitar
Corey Beaulieu – guitar, backing vocals
Paolo Gregoletto – bass guitar, backing vocals
Alex Bent – drums, percussion

LAMB OF GOD

If there’s a band that knows how to inspire any type of person in the world to slam into the mosh pit, that’s undoubtedly Richmond, Virginia’s Groove Metal horde LAMB OF GOD, who precisely at 8:10pm hit the stage for the total delight of all metalmaniacs ready for a good dosage of heaviness, rage and insanity. Still promoting their 2020 self-titled masterpiece, the unstoppable Randy Blythe and his henchmen put on an unforgettable show, from the opening song Memento Mori, until the very last second of their all-time classic Redneck. It’s beautiful to see the rise of Lamb of God to the status of metal giants, as now they even have fire onstage like what they provided us with in Walk With Me in Hell, which was by the way flawless and one of the top moments of the entire night. It doesn’t matter if they played darker, more introspective songs like 512 or if they exhaled sheer violence like in Contractor, everything was perfect, and Toronto definitely shared their love for the band with all horns in the air, all screaming, and of course the frantic, never-stopping mosh pits in the floor section. As expected, Randy, who seemed possessed throughout their entire set, delivered a couple of Woooooo!’s as his personal tribute to the “Nature Boy” Ric Flair, and dedicated Redneck to the guy who in 2018 tried to swim back to that same venue during their tour with Slayer. Toronto can’t wait to have Lamb of God again in the city, an I can’t wait to slam into the pit to the sound of one of my favorite metal bands of the past decade.

Setlist
Memento Mori
Ruin
Walk With Me in Hell
Resurrection Man
Now You’ve Got Something to Die For
Contractor
11th Hour
512
Ghost Walking
Vigil
Laid to Rest
Redneck

Band members
Randy Blythe – vocals
Phil Demmel – guitar
Mark Morton – guitar
John Campbell – bass
Art Cruz – drums

MEGADETH

As expected, most fans at the Budweiser Stage were there to witness “MegaDave” Mustaine and his Thrash/Speed Metal institution MEGADETH distill their unique classics in the city again after so many years, and when the clock hit 9:45pm our dreams came true as the first notes from Hangar 18 (right after the intro Prince of Darkness) were played by Dave and his bandmates Kiko Loureiro, James LoMenzo and Dirk Verbeuren. Is there a better way to kick off a show than with such classic, followed by the underrated tunes Dread and the Fugitive Mind and Angry Again? What a brilliant start to their set, winning the hearts and minds of everyone instantly. Dave and Kiko played their guitars to perfection as usual during the entire concert, making our jaws drop and inspiring us to show them the horns during and after each song played. I loved the fact they’re still playing the superb Trust after so many decades, and although they replaced another pulverizing song, “She-Wolf”, with A Tout Le Monde, that didn’t do any harm to their concert. Who doesn’t love to sing such stunning ballad together with Dave, screaming the song’s French words at the top of his or her lungs? In addition, a few different versions of Vic Rattlehead appeared onstage during the songs Conquer or Die!, Dystopia and Peace Sells, adding an extra touch of awesomeness to the show, culminating with their undisputed hymn Holy Wars… The Punishment Due. By the end of the concert, Dave mentioned the band is recording the follow-up to their 2016 album Dystopia and that the album should see the light of day this summer, so all we need to do now is wait for it and for another night of our beloved Megadeth in Toronto… and Dave promised he’ll return to the city, oh yeah!

Setlist
Prince of Darkness
Hangar 18
Dread and the Fugitive Mind
Angry Again
Conquer or Die!
Dystopia
The Conjuring
Trust
Sweating Bullets
A Tout Le Monde
Symphony of Destruction
Peace Sells

Encore:
Holy Wars… The Punishment Due
Silent Scorn
My Way
Shadow of Deth

Band members
Dave Mustaine – vocals, guitars
Kiko Loureiro – guitars, backing vocals
James LoMenzo – bass, backing vocals
Dirk Verbeuren – drums

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Metal Chick of the Month – Thalìa Bellazecca

I was raised by the storm and I’m living to serve my own pride!

Amidst one of the worst crisis the world has ever been through, with the COVID-19 pandemic bringing nothing but fear, anger and darkness to our hearts, let’s pay a humble tribute to the beautiful Italy, where the virus has had so far the most devastating outcome, by providing you, our dear readers, with an overview of the life and career of the gorgeous, skillful and unstoppable Thalìa Bellazecca, the young and restless guitarist for Italian Power Metal band Frozen Crown, bringing some joy to our hearts and souls during such difficult times. If you, like almost all of us here, are quarantined and getting bored due to the lack of things to do, perhaps this short and sweet homage to Thalìa and all her countrymen, and of course her razor-edged riffs and solos, can help you enjoy your time of confinement a lot better.

Born on April 19, 2000 in Cantù, a city and commune in the Province of Como, located at the center of the Brianza zone in Lombardy, Italy, Thalìa Bellazecca is of Italian and Cuban origin, which explains her undeniable talent, groove and passion for music, and that’s exactly what we are going to focus on in this humble tribute to such distinguished shredder, as Thalìa seems to be a very reserved woman who lives and breathes music 24 hours a day, 7 days a week. Furthermore, it’s impossible not to talk about Italian Power Metal band Frozen Crown, the band where we have all been able to witness Thalìa kicking some serious ass with her incendiary guitar since 2017.

Formed back in 2017 by guitarist and vocalist Federico Mondelli in the Italian metropolis of Milan, one of the global capitals of fashion and design, and fronted by the powerful singer Giada Etro (already known for her work in Ashes You Leave), Frozen Crown are a Power Metal band infused with classic Heavy Metal and Melodic Death Metal vibes, having released since their inception the singles The Shieldmaiden and Kings, in 2017, and Neverending, in 2019, and the full-length albums The Fallen King, in 2018, and Crowned in Frost, in 2019, where the band minimized their  Symphonic Metal side and amplified their core Heavy and Power Metal considerably. As a matter of fact, although you can enjoy Thalìa’s refined technique and stunning looks in pretty much all of Frozen Crown’s official videos, all guitars in both of their albums were recorded by Federico (except for the guitar solo in Kings, which was recorded by our metal lady Thalìa), who was also responsible for all keyboards and artworks as well. You can enjoy all of their albums and songs directly from their BandCamp page (where you can obviously buy their music, as well as from their Big Cartel page) and also stream everything on Spotify.

However, as aforementioned, who said we cannot have a blast with Thalìa in all official videos released by Frozen Crown through the years? You can definitely enjoy Thalìa shredding her strings in great fashion while she bangs her head like a maniac in amazing Power Metal anthems such as  Neverending, Kings, Everwinter, I Am The Tyrant, Forever and The Shieldmaiden, and if live performances are your cup of tea how about taking a shot at some of the band’s live footage playing their ass-kicking metal music to the masses like in the songs Kings, Fail No More, The Shieldmaiden and I Am The Tyrant live at C.G. Busto Arsizio in 2018 in Varese, Italy; Kings live in Toulouse in 2020; Arctic Gales/Neverending and Winterfall live at Dagda Retorbido in 2019 in Pavia, Italy; To Infinity live at Arci Tom in 2018 in Mantua, Italy; or simply enjoy this live footage of Frozen Crown taking the German cities of Munich, Augsburg and Aschaffenburg by storm in 2019.

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Apart from her career with Frozen Crown, we can also witness Thalìa embellishing the airwaves with her riffs and solos in a few other very interesting projects and bands; for instance, during part of 2018, Thalìa was one of the live guitarists for Russian Thrash Metal female-fronted band Pokerface, whose music can be described as a fusion of the music by Arch Enemy, Children of Bodom and Kreator. Also, Thalìa is one of the guitarists for a sensational Megadeth tribute band called Nuclear Winter, formed in 2015 by vocalist and guitarist Paolo Ingianni and active in the best Lombard and Piedmontese rock clubs since 2016. You can check their official Instagram and YouTube channel for more information on the band, such as this incendiary cover version for Tornado of Souls live in 2019 at Rock’N’Roll Milano.

In addition to all that, our dauntless left-handed shredder plays the guitar for the Italian Women Tribute, a music project that was born in 2016 from an idea by Andy Rox and is the first and only rock tribute to Italian female voices existing in Italy (and you can also find more information about it on their Instagram besides their official website), and was recruited to record a solo on one of the songs for a Syrian project called Storm of Death, of Adnan Al Hamdan, his third album featuring a selection of over 120 guest musicians from over 44 countries, which you can take a better look on the project’s official Facebook page. The song where we’ll have the pleasure of listening to Thalìa slashing her strings is not available yet, but I’m sure soon enough we’ll hear more from Adnan or from Thalìa herself with a link to listen to it.

Highly influenced by a vast array of guitar heroes such as Kiko Loureiro, Joe Satriani, Steve Vai, Guthrie Govan, Paul Gilbert, Andy Timmons, Marty Friedman, Jason Becker and Yngwie Malmsteen, among countless others, our stunning guitarist manages her own YouTube channel, uploading several videos on a regular basis showcasing all her skills and passion for heavy music and rock in general. You can enjoy Thalìa and her inseparable ax playing cover versions for Kiko Loureiro’s Moment Of Truth, Frozen Crown’s Queen Of Blades, Joe Satriani’s Headrush and Satch Boogie, and Megadeth’s Conquer or Die, or simply watch her doing some guitar improvisation showing how talented she is. And last but not least, I believe I don’t need to say Thalìa also ventures through the realms of modeling, right? Just by looking at her gorgeous photos you probably guessed that yourself, and if you’re curious to know more about that distinguished side of our guitar hero you can check her work (and of other models) on the official Instagram of PERSONA, from Milan. Having said all that, I think we must all admit that Thalìa has it all, a ravishing look and style, an undeniable talent armed with her guitar, endless stamina and a deep and healthy addiction to Heavy Metal. If that’s not the perfect combination for a true headbanging woman, I honestly don’t know what could be.

Thalìa Bellazecca’s Official Facebook page
Thalìa Bellazecca’s Official Instagram
Thalìa Bellazecca’s Official Twitter
Thalìa Bellazecca’s Official YouTube channel
Frozen Crown’s Official Facebook page
Frozen Crown’s Official Instagram
Frozen Crown’s Official Twitter
Frozen Crown’s Official BandCamp page

Album Review – Xenos / Filthgrinder (2020)

No compromise, no fashion, no bullshit, just Thrash Metal. That’s what three unstoppable Italian metallers have to offer us all in their excellent debut album.

Are you ready to crush your skull into the circle pit to the sound of a 100% pure, no bullshit, no shenanigans Thrash Metal album born from the urge to go back to the roots of the genre and inspired by the more technical wing of 90’s Thrash Metal? That’s exactly what you’re going to get in Filthgrinder, the debut album by an Agrigento, Sicily-based Thrash Metal trio formed at the end of 2018 by vocalist and bassist Ignazio Nicastro (from post-thrashers Eversin) together with guitarist Giuseppe Taormina and drummer Danilo Ficicchia that goes by the sharp name of Xenos, clearly inspired by thrashing masters like Megadeth, Xentrix, Annihilator and Slayer, but of course without forgetting to add their own dosage of personality to each one of their compositions. Featuring a modern and aggressive album art that perfectly represents the band’s sound, as well as guest appearances by Jeff “Mantas” Dunn from Venom and Simon Cobb from Anihilated, Filthgrinder exalts the characteristics of the genre through fast and aggressive compositions, yet at the same time sounding technical and full of groove.

Soldados works like an acoustic and serene intro, or maybe I should say “the calm before the storm” by Xenos, as they begin their infuriated, berserk Thrash Metal attack in the title-track Filthgrinder, with Giuseppe shredding his axe in great fashion while Danilo pounds his drums mercilessly. Put differently, it’s pure old school Bay Area Thrash led by Ignazio’s raspy and demented screams, with no artificial elements added at all, followed by Post Apocalypse Breed, just as insane and frantic as its predecessor, reminding me of some of the creations by Exodus and Slayer. Furthermore, Danilo accelerates the song’s pace while Ignazio brings thunder and lightning to the musicality through his vocals and bass punches, resulting in a must-listen song for lovers of the genre.

And pounding our heads with their razor-edged riffs and venomous beats, the band offers us all Birth Of A Tyrant, a headbanging tune where Danilo is once again berserk on drums, also featuring a sick guitar solo by the aforementioned Jeff “Mantas” Dunn, whereas So Old, So Cold sounds and feels a lot more infuriated and faster, or in other words, a frantic display of classic Thrash Metal by the trio with Giuseppe kicking some serious ass on the guitar while Ignazio continues to bark manically, bursting his lungs with anger and rage. And leaning towards the Speed Metal played by Megadeth infused with the fury of Exodus we have Iconoclast, with violent beats and rumbling bass lines working as the driving force of this slamming feast.

There’s absolutely no sign of slowing down as the trio keeps blasting sheer violence and rebelliousness in Angel Of Silence, with its background speech adding a touch of insanity to the overall musicality while Ignazio and Giuseppe are on fire with their metallic bass lines and sick shredding, respectively. Then we have Xenos’ superb cover version for Megadeth’s all-time classic Peace Sells (check out the original one HERE), showcasing a fantastic job done by all band members who give their own raw and demented twist to this thrashing anthem, with Giuseppe stealing the spotlight with both his wicked riffs and crisp solos. And last but not least, featuring guest vocals by Simon Cobb, the closing song Of Magma And War is another ode to all things thrash where Ignazio and Simon make a demonic vocal duo while Danilo shows no mercy for his drum set, concluding the album on the highest and most visceral note possible.

In a nutshell, if thrashing is your business and business is good, you must give Xenos a try by following them on Facebook and by purchasing Filthgrinder directly from their own BandCamp page, from My Kingdom Music’s Big Cartel, or from other distinct locations by clicking HERE. Those Italian metallers definitely know what they’re doing and where they’re headed to, therefore paving a very interesting future in their up-and-coming career. As the band members themselves like to say, there’s “no compromise, no fashion, no bullshit, just Thrash Metal” in the music found in Filthgrinder, and to be fair that’s all we can ask for (and all we need) when the style in question is our beloved Thrash Metal.

Best moments of the album: Filthgrinder, Peace Sells and Of Magma And War.

Worst moments of the album: None.

Released in 2020 Club Inferno Ent.

Track listing
1. Soldados 2:34
2. Filthgrinder 3:28
3. Post Apocalypse Breed 5:02
4. Birth Of A Tyrant (feat. Jeff “Mantas” Dunn) 3:41
5. So Old, So Cold 4:16
6. Iconoclast 3:38
7. Angel Of Silence 5:26
8. Peace Sells (Megadeth cover) 3:52
9. Of Magma And War (feat. Simon Cobb) 5:37

Band members
Ignazio Nicastro – vocals, bass
Giuseppe Taormina – guitars
Danilo Ficicchia – drums

Guest musicians
Jeff “Mantas” Dunn – guitar solo on “Birth Of A Tyrant”
Simon Cobb – additional vocals on “Of Magma And War”

Beverage Review – Megadeth’s À Tout Le Monde Beer

A superb beer that tastes smooth and fresh without losing the core punch and energy of a good brew, just like its beyond-classic eponymous Heavy Metal ballad.

“À tout le monde, à tous mes amis
Je vous aime, je dois partir
These are the last words I’ll ever speak
And they’ll set me free”

À Tout Le Monde, which gained a revamped version titled À Tout Le Monde (Set Me Free) in 2007 featuring Cristina Scabbia, is not only one of the biggest hits by Thrash/Speed Metal titans Megadeth, but also one of the most touching, most recognizable and most powerful metal ballads of all time without a shadow of doubt. However, in 2016 À Tout Le Monde also became a synonym to a new beer by Unibroue, a brewery located in Chambly, Quebec, Canada that was started by Serge Racine and Quebec native André Dion in 1990, and known for some of the most admired craft beers in Quebec and in the rest of Canada such as Blanche de Chambly (Witbier), Don de Dieu (Tripel Wheat Ale), Maudite (Strong Red Ale), and Unibroue’s flagship beer La Fin du Monde (Tripel).

Born of the friendship between Unibroue’s brewmaster Jerry Vietz and the one and only Dave Mustaine, À Tout Le Monde is a flavorful Belgian-style, dry-hopped saison with hoppy and spicy notes, a clean, fresh taste and a crisp dry finish, dedicated to all fans of Heavy Metal and Belgian-style ales from around the world, using a dry hopping technique and, to date, having the lowest alcohol content of any Unibroue beer at 4.5%. Furthermore, À Tout Le Monde is not the first strike into the business of alcoholic beverages by “Megadave”, as back in 2014 he teamed up with Fallbrook Winery winemaker Vernon Kindred to create the Mustaine Vineyards. Although I haven’t tried any of the wines by the Mustaine Vineyards yet (and I do enjoy a good wine), as a beer guy I’m absolutely certain none of their wines can beat À Tout Le Monde, nor any of the several beers brewed by any other band in the world. And don’t worry, as I won’t be cheesy by jesting with you guys saying À Tout Le Monde is a beer “for everyone”. Or will I?

If you access the official Unibroue page for À Tout Le Monde, you’ll see their beer and food pairings list includes very distinct options such as  grilled steak, charcuteries, nachos, mussels and comté-style cooked pressed cheese, but to be honest I think you can pair this outstanding beer even with marshmallows, a peanut butter and jelly sandwich or a slice of watermelon so good and fresh it tastes. Displaying a yellow color, slightly golden with hazy appearance, and tasting slightly spicy and astringent with notes of tropical fruits and citrus like mango and litchi, À Tout Le Monde can usually be found in Canada as 341 ml or 750 ml bottles, as a 30,000 ml keg, or as draft beer, being sold at The Beer Store or at LCBO with prices going from CAD$ 14.95 for a pack of 6 bottles of 341 ml to CAD$ 222.15 for the keg. As a matter of fact, it actually took a long time for the closet The Beer Store to where I live to start selling À Tout Le Monde, which means if you do not live in Quebec your pursuit for À Tout Le Monde can get a little tedious, frustrating and time-consuming (unless you have some extra money to buy it directly online and deal with the delivery fees, of course).

The idea for the beer came about when Megadeth headlined the Festival d’été de Québec, playing their kick-ass Thrash and Speed Metal in front of eighty thousand people in 2015. “We had pulled up in the middle of the day and went to the hotel with this guy named Jerry Vietz from Unibroue. And we both had a lot of stuff in common and we hit it off right away. I was kind of sampling some of the different beverages that he had. And I told him, ‘I like this. I like this about this one. I like this about that one.’ And we made a second round, brought the liquid down to Nashville and tried it again. And I said, ‘Okay, so it’s getting really close. I like this about this, and I like this about that.’ And then I got to taste the final product for the first time in Orlando”, said Mustaine, who also had a few interesting words to say about the boom of music-inspired beers from other bands. “It’s funny, because I’ve spoken with a couple of beer magazines now — I didn’t know they had beer magazines, but evidently they do — and they said, ‘Have you tried the Iron Maiden beer?’ ‘Oh, yeah, of course.’ ‘Have you tried the AC/DC beer?’ ‘No. How is it?’ ‘Oh, it’s terrible.’ ‘Have you tried the Motörhead beer?’ ‘No. How is it?’ ‘Well, it’s okay.’ And they told me that Mastodon has a beer, I think, and then New Order has a beer too”, Mustaine said. “And it’s, like, okay, well, maybe these dudes got into it just to kind of slap their name on a can of beer or something like that. I did this because when we did the wine… In April of 2014, we made wine [to coincide with Mustaine’s performance with the San Diego Symphony], so that there was something really cool that would be like a social lubricant with everybody, but also be like an adhesive where everybody would come together with the two worlds colliding.”

Of course, as any other beer inspired or crafted by a Heavy Metal band, there are a lot of “extras” available for diehard fans of Megadeth who loved the beer like myself, some of those being free like the YouTube videos with Bernard Johnson, a Regional Sales Manager from Unibroue, talking about À Tout Le Monde, and Dave Mustaine himself talking about making his own beer and wishing us all Happy Holidays (in 2016, when the beer was launched); and if you have some spare cash to invest on some À Tout Le Monde merch you can go to the official Megadeth webstore and select whatever suits you best from the options available. I’ll personally save my money for the beer itself, buying at least the pack with 6 bottles whenever I find it here in Ontario or when I visit Quebec, and not only because I’m a longtime fan of the music by Dave Mustaine & Co., but because À Tout Le Monde is indeed a superb beer, tasting smooth and fresh without losing the core punch and energy of a good brew, just like its beyond-classic eponymous Heavy Metal ballad.

Beer details
Country: Canada
Brewer: Unibroue
Fermentation: Top
Style: Belgian Style Dry, Hopped Saison
Alcohol Content (ABV): 4.5%
Color: Yellow, slightly golden with hazy appearance
SRM: 5,5
Clarity: Slightly cloudy
Head: Egg whites
Bubbles: Fine
Effervescence: Medium and sustained
IBU: 22
Body: Medium
Aftertaste: Medium
Price: CAD$ 14.95 (6 × Bottle 341 ml), CAD$ 26.95 (12 × Bottle 341 ml), CAD$ 50.95 (24 × Bottle 341 ml), CAD$ 222.15 (1 × Keg 30000 ml)

Metal Chick of the Month – Cristina Scabbia

Follow me, follow me… As I trip the darkness…

If you write her name with an “h”, she will kick your ass mercilessly. That’s probably the most fun way to introduce you to our beyond special Metal Chick of the Month, the electrified Italian rocker Cristina Scabbia, one of the most influential and reputable women in the entire world of heavy music and the perfect choice for celebrating four metallic and totally awesome years of The Headbanging Moose webzine this October. Owner of a distinct and very potent voice, Cristina Scabbia, whose full name is Cristina Adriana Chiara Scabbia, was born on June 6, 1972 in the cosmopolitan city of Milan, a metropolis in Italy’s northern Lombardy region and a global capital of fashion and design. Best known as one of the two vocalists for Italian Alternative Rock/Metal band Lacuna Coil, Cristina is not only an accomplished singer and lyricist, but also a writer, a fashion model and, above all, a true headbanger who loves what she does and who has already devoted a good part of her life to Heavy Metal and Rock N’ Roll.

Cristina was not even 20 years old when she began singing professionally as a touring musician for other bands and providing backing vocals, in 1991. Later that year, she met vocalist Andrea Ferro and bass player Marco Coti Zelati, who would be the future founding members of Lacuna Coil, in Milan’s Midnight Club, and there’s no way of talking about Cristina without talking about her unique connection with Lacuna Coil. Actually, when the band started it was called Sleep of Right, having recorded a song called Bleeding Souls for the Noise of Bolgia compilation in 1995. The band soon changed its name to Ethereal, playing an interesting mix of Gothic and Doom Metal, with Cristina being initially employed only as a session singer, being asked to record backup vocals for the choruses of their demo tape, but the band members liked the way the male and female vocals sounded together and they asked her to be a permanent member then. After several lineup changes and after releasing a two-track demo in 1996, Ethereal were signed by Century Media Records at the end of 1997 and had to change their name to Lacuna Coil (which means “empty spiral”), as Ethereal was already taken by a band from Greece.

After the name change in 1997, Lacuna Coil became a reference in Alternative Rock and Metal worldwide, having already released eight studio albums, those being In a Reverie (1999), Unleashed Memories (2001), Comalies (2002), Karmacode (2006), Shallow Life (2009), Dark Adrenaline (2012), Broken Crown Halo (2014), and more recently Delirium (2016), as well as the EP’s Lacuna Coil (1998), Halflife (2000), Shallow Live: Acoustic at Criminal Records (2010) and The House of Shame / Delirium (2016). In addition to that, the band also released a DVD in 2008, titled Visual Karma (Body, Mind and Soul). Each album by Lacuna Coil is very unique, presenting a different sonority from the others, with the band always adding new elements to their music and experimenting with new sounds. If you want to have a journey through the various phases of the band, paying a detailed attention to the evolution of Cristina (whose highest note ever hit is claimed to be an A7) as a singer and a performer, you should definitely check their songs Falling Again (from In a Reverie), Senzafine (from Unleashed Memories), Swamped (from Comalies), Depeche Mode’s Enjoy the Silence (from Karmacode), I Like It (from Shallow Life), Trip to Darkness (from Dark Adrenaline), Nothing Stands in Our Way (from Broken Crown Halo), and Blood, Tears, Dust (from Delirium). As a matter of fact, there are so many official videos as well as bootlegs online with Cristina and Lacuna Coil you can literally spend hours or even days just watching everything nonstop.

Apart from her solid career with Lacuna Coil, Cristina can be seen in several distinct projects from the most diverse bands and genres, and in all of them she adds her personal touch of rebelliousness, passion and electricity. First let’s talk about her participation in metal-related bands and projects, and then let’s show what she can do when she’s not in her metallic mode. In 2007, Cristina lent her voice to the song S.O.S. (Anything but Love), from the album Worlds Collide by Finnish Symphonic Heavy Metal band Apocalyptica, and the result was so interesting she ended up playing several live concerts with them in the coming years. And it seems the year of 2007 was very fruitful for her career outside Lacuna Coil, as she also recorded what’s probably her biggest non-Lacuna Coil hit, the revamped version of the all-time classic power ballad “A Tout le Monde”, this time named A Tout le Monde (Set Me Free), by American Speed Metal titans Megadeth, featured on their excellent album United Abominations. Needless to say, every time Megadeth and Cristina were in the same city or festival, they ended up playing that amazing song together for the delight of the fans at the venue, as I was able to enjoy during the 2012 version of Gigantour with Megadeth, Motörhead, Volbeat, and Lacuna Coil here in Canada.

You can also find Cristina in unique metal projects such as the character “The Mother” on the 2013 album The Theory of Everything, by Dutch Progressive Metal/Rock band Ayreon, and as a guest vocalist on the song Scars, by Thrash/Groove Metal project Metal Allegiance, from their 2015 self-titled album. In addition, Cristina is also one of the musicians interviewed on the 2007 documentary Over the Madness, a DVD that follows the career of British Doom/Death Metal icons Paradise Lost, including interviews from present and past band members, plus a host of others such as the aforementioned Cristina, Martin E. Ain, Aaron Stainthorpe and Alex Skolnick, presenting the band’s history from its formation up to 2006, in chronological order.

In regards to her contributions to non-metal acts, you can enjoy the charming and powerful vocals by Cristina on different songs such as Beautiful Lie, as a duet with Italian singer Emiliano Audisio (Line 77) to be part of the soundtrack for the 2013 Italian film Passione Sinistra; Nell’acqua, with Rezophonic; an alternate version of Watch Over You, with Alter Bridge; Basta!, with L’Aura and Rezophonic; Can You Hear Me?, also with Rezophonic; and I’m That, with Franco Battiato. By the way, when Cristina sang with L’Aura it was in 2008 at Festival di Sanremo, one of the most important pop festivals in Italy (if not the most important one). And you can also find some nice videos online of Cristina singing together with a Queen tribute band called Queenmania, such as in the all-time classics Bohemian Rhapsody and Under Pressure. And in addition to all that, she also used to write an advice column in the popular rock magazine Revolver, alongside the iconic American drummer Vinnie Paul (Pantera, Hellyeah).

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If you follow The Headbanging Moose you might have seen Cristina’s name as an inspiration for several of our previous metal chicks, just showing how important she is to the expansion of the presence of women in heavy music, but of course as any normal person she also has her idols and favorite bands in music. Among her main influences and names who contributed to her becoming a singer and pursuing a career in Heavy Metal, Cristina mentioned legendary bands such as Metallica, Megadeth, Pantera, Motörhead, as well as darker bands like Paradise Lost and Type O Negative. By the way, some of her favorite songs, those that really make a good amount of adrenaline rush through her body, are Motörhead’s Ace of Spades and Type O Negative’s My Girlfriend’s Girlfriend, which despite being very distinct songs I have to agree that they surely put a smile on the face of anyone who enjoys some good old rock and metal. Of course Cristina as any other talented and professional artist listens to a lot of non-metal music, in special music from her homeland Italy, which in the end helps her diversify her vocals from song to song, explore new horizons and remain vibrant and relevant to the world of heavy music.

Slightly changing the focus to her personal life, many of you might think it’s a dream to date a woman like her, but as in any relationship there are always some hurdles and barriers to be overcome in order to keep the passion and love going on. Cristina has been in a relationship with Slipknot and ex-Stone Sour guitarist Jim Root for over 10 years already, but keeping that relationship fresh is not an easy task due to distance between them as they’re both very busy musicians who are always on tour (not to mention the fact that Root lives in Florida while Cristina resides in Italy). “Well, my lifestyle is challenging already,” Cristina explained. “Because I travel a lot and I work very hard. So you have to learn to live your life in a different way, but in a way that works for you. So for me to even think about a normal relationship would be something weird.” Before dating Root, she was in a relationship with Lacuna Coil’s own bassist Marco, and when they broke up let’s say it wasn’t easy for them to keep working together as a band, but fortunately as decent adults they overcame that “issue” and now they’re very good friends, loving each other in a different level.

Another interesting topic discussed by Cristina in one of her interviews was related to the recent deaths of Chester Bennington and Chris Cornell, where she expressed her opinion about mental illnesses, from depression to dementia to other types of mental conditions, saying we should never judge the others’ decisions as there’s so much to understand about the whole situation before reaching any conclusion. That was also explored on Lacuna Coil’s latest album Delirium. “When we did Delirium, it was really important for us to treat it in the most respectful and delicate way possible,” said Cristina. “Because you can try to send a positive message and to try to tell people, ‘Oh, you should be positive all the time, you should be happy, you should overcome depression,’ and everything, but it’s not as easy as you speak. It’s way deeper than that and more complicated than this.”

As any good Italian woman, in special if that woman is born in the city of Milan, Cristina loves stylish clothes, trying on new make-up, taking care of her dark hair and everything else that’s a synonym to fashion. For instance, she considers her beauty and make-up signature the one she herself calls a “raccoon look”, or as described by Cristina, “a heavy sort of smokey eyes style with carbon black eyeshadow surrounding both whole eyes and heavily in the lower part of the eye as well.” She also mentioned that, because she likes to combine styles and to work with contrasts, she likes to observe everything around her and go to runway shows in Milan, listing as some of her style icons the always trendy Madonna and the very elegant and dark British and Irish designer Daphne Guinness. Furthermore, she said her make-up and outfit behavior is in constant change due to new products, styles and techniques that are always appearing in the market, stating that while thinking about a new look for her concerts she always takes into account several important factors such as if the clothes are easy to carry around, if they’re washable, and if they allow her to move a lot onstage. Also in the fashion world, American photographer Jeremy Saffer (an old-time friend of Cristina) invited her to be her calendar girl for the Halloween 2015 Special Edition of XPRESSIONS magazine, with the final result being beyond stunning, of course, being sold out in a really short time.

Regarding her preparation for getting onstage and spending a long time on the road during Lacuna Coil’s extremely busy agenda worldwide, Cristina said she doesn’t exercise a lot, saying she’s some sort of “lazy bum”, and that concentration is the most important part of the process for her together with some warming up exercises to keep her voice in good shape. She said travelling all the time and managing everything is definitely not for everyone, but it can be very rewarding if you love what you do. One funny thing connected to that hectic lifestyle is that Cristina collects all her flight boarding cards, saying that one day it will be nice to see and to show others how much she’s traveled in her life. And, in terms of the apps she uses regularly, apart from Facebook, Instagram, Periscope and Twitter, she’s also been using an app named Master Tour, which she considers very helpful for whoever does her type of job, keeping you updated on tours and schedules like a tour book in your smartphone. Hence, if you’re a touring musician, why not trying the same app as the successful Cristina Scabbia, right?

Lastly, when asked if she considers herself a role model for young girls, she said she doesn’t see herself as one but that all the love she gets from fans when she’s on the road makes her sometimes believe she might be indeed an inspiration for all of them. She always tells them that they have to believe in themselves because, no matter what, it is impossible to make everyone happy, so the key is to make ourselves happy and conscious of our own unique potential, with her motto in life being “live in the present and make it beautiful. I never think too much about the past or the future. The past is… gone and we will never be able to plan the future the perfect way.’’ What do you think about Cristina and her way of life? Do you agree with what she does and thinks in music and life in general? Well, there are tons of interesting interviews and videos of Cristina online to help you know more about her, such as this one from Loudwire called Wikipedia: Fact or Fiction?, where she even tells if her highest note being an A7 is true or not. It seems that the world of heavy music and also the whole cyberworld can never get enough of the one and only Italian stunner Cristina Scabbia (without an “h”, per favore).

Cristina Scabbia’s Official Facebook page
Cristina Scabbia’s Official Twitter
Cristina Scabbia’s Official Instagram
Lacuna Coil’s Official Facebook page
Lacuna Coil’s Official YouTube channel
Lacuna Coil’s Official Instagram

“You have to sing with your heart, you have to sing with passion, you have to be sincere in what you’re singing, and you have to be totally convinced of what you’re doing. Most of all, you have to realize that this is a hard job that not everyone can take, so don’t look at the shiny part only, because there is a lot of work involved and a lot of sacrifice, so be ready for that as well..” – Cristina Scabbia

Concert Review – Megadeth & Scorpions (Budweiser Stage, Toronto, ON, 09/22/2017)

The city of Toronto was beautifully taken by storm by two of the greatest bands in the history of Heavy Metal and Hard Rock on the last day of the summer, and the result was absolutely fantastic.

OPENING ACT: Megadeth

When this Crazy World Tour 2017 was announced a few months ago, I instantly thought about how amazing it would be to witness on the same night two of the greatest bands in the history of Heavy Metal and Hard Rock playing some of their biggest classics (as well as a few newer songs) at what’s in my humble opinion one of the best and most pleasant venues in the world to watch any type of concert (and I’ve been to several different ones in distinct parts of the world), the Torontonian amphitheater now known as Budweiser Stage. Well, it was even better than anyone could have expected, with the combination of two bands full of energy and excited to please the crowd, thousands of fans eager for some rockin’ music, and a weather that, for the very last day of summer, was beyond perfect, making the whole night truly memorable.

As the opening act, or maybe I should call them co-headliners as they’re not your average band, we had the absolute pleasure of enjoying American Thrash/Speed Metal heroes MEGADETH. Spearheaded by the unstoppable Mr. Dave Mustaine, Megadeth were still promoting their latest installment, the excellent Dystopia, released last year, but only one song from the album (its title-track) was played during the show. The setlist was pretty much a selection of their biggest hits with a huge focus on their 1990 masterpiece Rust In Piece, kicking off the concert with the blazing Hangar 18, and also featuring from that classic album the hits Take No Prisoners, Tornado of Souls (my favorite of the show) and, closing their performance, a song that needs no introduction, Holy Wars… The Punishment Due.

And obviously “Megadave” and his henchmen David Ellefson, Kiko Loureiro (who proved to be the guitarist Mustaine needed by his side) and Dirk Verbeuren played every song to perfection, with the background screen complementing the music in a fun and exciting manner. For instance, the Nascar images used as a background for Mechanix and the official video for Dystopia (another fantastic moment of the show) played while the band executed the song were spot-on to keep the fans mesmerized and in total sync with the band. In addition, everyone at the venue singing the power ballad A Tout Le Monde guided by Mustaine was just beautiful, and the smile on his face after that moment was awesome. Now, as usual, let’s patiently wait until we can see such distinct band performing live again in our beautiful Toronto.

Setlist
Prince of Darkness
Hangar 18
Mechanix
Take No Prisoners
Sweating Bullets
A Tout Le Monde
Tornado of Souls
Dystopia
Symphony of Destruction
Peace Sells

Encore:
Holy Wars… The Punishment Due

Band members
Dave Mustaine – lead vocals, lead guitars, rhythm guitars
Kiko Loureiro – lead guitars, rhythm guitars, backing vocals
David Ellefson – bass guitar, backing vocals
Dirk Verbeuren – drums

SCORPIONS

If the venue wasn’t fully packed during Megadeth’s kick-ass performance, things changed considerably a few minutes before German Hard Rock institution SCORPIONS hit the stage with their flawless setlist, but before the concert started I had the pleasure of exchanging a few words with other fans close to where I was (which was right in front of the stage), in special one father with his 13-year old son. The name of the boy is T Bone Bentley, he’s a very talented drummer who loves metal and rock, and you can check him smashing his drums on his official YouTube channel (together with his dad), playing songs like Iron Maiden’s all-time classic “Run to the Hills” and Judas Priest’s metal anthem “Breaking the Law”. When I see little fellas like T Bone and their passion for heavy music, my hope for a better future for mankind gets renovated, so don’t waste your time and go check his YouTube videos. They’re surely going to make your day a lot better.

Back to the concert, it was around 8:30pm when the iconic vocalist Klaus Meine, the flammable guitarists Matthias Jabs and Rudolf Schenker, the talented bassist Paweł Mąciwoda and the one and only drummer Mikkey Dee hit the stage with an avalanche of Hard Rock and Rock N’ Roll hits, starting with a fantastic song from their 2015 album Return to Forever, the rockin’ Going Out With a Bang, already showing the night was going to be insanely fun. Let’s say that the first part of the show worked more like a “warm-up”, with the band jamming and rocking nonstop, generating a very good vibe and showing why they’re still alive and kicking after so many decades on the road. That first segment of the show had as its highlights the classic The Zoo, the fairly new but amazing We Built This House, and from their mini-acoustic set (including a weird but useful drum kit by Mikkey) I would say the touching ballad Send Me an Angel definitely stole the spotlight.

After that, Mr. Klaus Meine simply introduced one of the band’s biggest and most beautiful classics, Wind of Change, obviously hypnotizing all of us with the song’s renowned whistling, followed by another sensational new song titled Rock ‘n’ Roll Band and their awesome tribute to the most badass rocker that this world will ever see, Lemmy Kilmister, playing a cover version of Motörhead’s hit Overkill. Right after that, Mikkey offered us all an amazing drum solo (which put the little T Bone into a state of pure ecstasy), while the rest of the band was getting ready for a flawless Hard Rock attack comprised of nothing more, nothing less than Blackout, Big City Nights, No One Like You, Still Loving You (what a lovely moment of the show!) and Rock You Like a Hurricane. What else can you ask for, right?

Before this review of the show is over, I just wanted to mention two things that truly caught my attention during the concert, one in a very positive way, while the other was quite sad.  First, I was completely impressed with the fact that Mr. Rudolf Schenker is almost 70 years old and he keeps running frantically around the stage, screaming and interacting with the fans, and playing his guitar as if he was in his early 30’s. That was plain awesome, and definitely an inspiration for me and lots of other fans on how you can get old but remain young at heart, enjoying life until the end (just like Lemmy did, by the way). On the other hand, while Mr. Schenker was a role model to all of us, there were a few spoiled bi… I mean, girls, that thought that just because they’re (still) young and pretty they can do whatever they want, including being rude, disrespectful and annoying to anyone around them. One of them was so disrespectful to a guy next to me, elbowing him and pretending he was harassing her, to the point everyone close to that scene even stooped enjoying the concert for a few moments until security finally (and fortunately) took that stupid Barbie doll away. I hope when she gets old, and she will, she learns how to be a better person and how to respect other people. Well, Little T Bone is only 13 and he already knows how to behave in a rock and metal concert, as well as other kids that attended the show with their parents. It’s just a matter of learning what true respect is at home, right? And I hope that next time Scorpions take Toronto by storm with another faultless performance like that, that irksome girl is somewhere else, like at a Justin Bieber concert. Let the real bands for the real fans, lady.

Setlist
Intro
Going Out With a Bang
Make It Real
The Zoo
Coast to Coast
Top of the Bill / Steamrock Fever / Speedy’s Coming / Catch Your Train
We Built This House
Delicate Dance (with Ingo Powitzer)
Always Somewhere / Eye of the Storm / Send Me an Angel
Wind of Change
Rock ‘n’ Roll Band
Overkill (Motörhead cover)
Drum Solo
Blackout
Big City Nights

Encore:
No One Like You
Still Loving You
Rock You Like a Hurricane

Band members
Klaus Meine – lead vocals
Matthias Jabs – lead guitars, rhythm guitars, acoustic guitars
Rudolf Schenker – rhythm guitars, lead guitars, backing vocals
Paweł Mąciwoda – bass guitar
Mikkey Dee – drums

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