Tag Archives: heavy metal

Album Review – Pentral / What Lies Ahead of Us (2021)

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This multi-talented metal unity from Brazil is ready to embellish the airwaves with their excellent new album, aiming at making the world a better place to live.

3.5rating

pentral-what-lies-ahead-of-us-2021Brazilian Heavy Metal unity Pentral, which by the way is Latin for “spirit”, mixes many sorts of global influences in their music while at the same time trying to honor the groove, unique harmonies, atmosphere and melody found in Brazilian music. Comprised of brothers Victor Lima (vocals and guitars) and Vagner Lima (drums), as well as Joe Ferry (bass), three Brazilians whose passion for rock music is only rivalled by their desire to make an album which contributes towards making the world a better place to live, the band has just released the excellent What Lies Ahead of Us. Produced by Pentral and Tim Palmer, mixed by Tim Palmer, mastered by Justin Shturtz and featuring a stunning artwork by Heidi Taillefer, the album travels through the realms of progressive and alternative music flawlessly, inspired by classic sounds from the 70’s, 80’s and 90’s. “The album was recorded during the COVID-19 pandemic and it was a huge challenge wearing face masks almost every time. There was tension and fear among the musicians and engineers of getting infected. Besides that, the songs are not “straight”. Pentral uses a lot of uncommon and odd time signatures and harmonies, so it was pretty hard to record the final version of the tracks. Atmosphere, harmony, melody, groove and a strong message to make people think. For the band, this is what music is all about,” commented Victor about the recording process.

The hypnotic voices by guests Isabella Trindade and Ivan Teixeira will captivate your senses before Pentral come crushing in Silent Trees, with Victor’s epic vocals walking hand in hand with the classic beats by Vagner, sounding very detailed, smooth and progressive, whereas again traveling through the realms of Progressive Rock and Metal the trio brings into being the thrilling All My Wounds, where Victor is on fire with his wicked riffage accompanied by the low-tuned, rumbling bass by Joe. Then blending the heaviness and modernity of Alternative Metal with their core sonority we’re treated to the incendiary Disconnected, with Vagner once again kicking some ass with his intricate beats; while slowing things down a bit the band delivers a somber intro in Letters From Nowhere, evolving into a dark Progressive Rock extravaganza led by Victor’s stylish guitar lines. And in Aiming For The Sun we face poetic lyrics declaimed by Victor (“Wake up, back from dawn of the dead / Many yearned for your head / Unfair forgive the ones / Who sent you there as they will drag / Themselves beneath instead / Get out at once and run”) while the music offers our avid ears an electrifying hybrid of traditional Heavy Metal and Progressive Rock.

It’s time to sit down, relax and enjoy the serene ballad A Gift From God, where Victor steals the spotlight with his passionate vocal performance, keeping the atmosphere as ethereal and mesmerizing as possible until the very last second, while the thunderous bass punches by Joe ignite the multi-layered, epic tune No Real Colour In Souls, offering our ears over eight minutes of awesomeness in the form of progressive beats, slashing riffs and cryptic vocals, living up to the legacy of 70’s and 80’s rock and metal, with the guitar solos by Victor being the icing on the cake. Then more of their dynamic and atmospheric mix of rock and metal comes in the form of The Shell I’m Living In, exploding into a more aggressive sound thanks to the enraged vocals by Victor and the pounding beats by Vagner, followed by Are You Satisfied?, where the metallic bass by Joe brings the groove to the music and with Victor delivering soulful vocals and guitar lines accompanied by the progressive drumming by  Vagner. It goes on for way too long, though. Finally, closing the album the band offers another musical voyage through the realms of Progressive and Alternative Rock and Metal entitled The Law, with its acoustic guitars adding an extra touch of finesse to the overall result.

pentral-2021You can listen to What Lies Ahead of Us in its entirety on Spotify, but of course I highly recommend you purchase a copy of the album by clicking HERE, therefore showing your true support to Brazilian underground rock and metal. In addition, don’t forget to follow the trio on Facebook and on Instagram for news, tour dates and other nice-to-know details about the band, and to subscribe to their YouTube channel for more of their classy music and beautiful videos. After all is said and done, it’s a pleasure witnessing a band like Pentral not only delivering awesome music to our ears, but even more important than that, offering us all meaningful music, trying to make the world a better place for all of us as already mentioned through their distinguished compositions, and by doing that I’m sure they’ll win the hearts of rock and metal fans from all over the world, inspiring the trio to keep moving forward and embellishing the airwaves with their music for many years to come.

Best moments of the album: All My Wounds, Aiming For The Sun and No Real Colour In Souls.

Worst moments of the album: Are You Satisfied?

Released in 2021 Independent

Track listing
1. Silent Trees 7:13
2. All My Wounds 4:29
3. Disconnected 4:37
4. Letters From Nowhere 6:53
5. Aiming For The Sun 5:52
6. A Gift From God 5:53
7. No Real Colour In Souls 8:28
8. The Shell I’m Living In 4:06
9. Are You Satisfied? 7:54
10. The Law 8:43

BandCamp bonus tracks
11. Silent Trees (Radio Edit) 4:47
12. Aiming For The Sun (Radio Edit) 4:02

Band members
Victor Lima – vocals, electric and acoustic guitars
Joe Ferry – bass
Vagner Lima – drums

Guest musicians
Tim Palmer – additional guitars, tambourine and keyboards
Ivan Teixeira – keyboards
Yaniel Matos – cello
Isabella Trindade and Ivan Teixeira – voices on “Silent Trees”

Album Review – Gojira / Fortitude (2021)

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Let’s all face up the world to the sound of the new masterpiece by one of the most dynamic, creative and thrilling bands of the current metal scene.

4.5rating

gojira-fortitude-2021Recorded at the famous Silver Cord Studio in New York City, the amazing Fortitude, the seventh studio opus by French Progressive/Groove Metal giants Gojira and the follow-up to their 2016 critically-acclaimed album Magma, is considered by the band a “groovy, aerated album” inspired as an encouragement to self-reinforcement, “to show courage to face up the world, to face tomorrow’s problems,” and after listening to each and every track from the album you’ll realize vocalist and guitarist Joe Duplantier, guitarist Christian Andreu, bassist Jean-Michel Labadie and drummer Mario Duplantier simply nailed it. According to Joe, the album’s title Fortitude “is to inspire people to be the best version of themselves and to be strong no matter what”, while the cover art, which represents “the spirit of the album”, was designed and painted by Joe himself. His brother Mario brought him various paintings of warriors and knights and showed him Pallas Athena, an 1898 oil-on-canvas painting by Gustav Klimt, and Knights of the Round Table. As he wanted to represent an indigenous person, it ended with his own interpretation of all these elements.

Their progressive vein explodes into sheer electricity in the opening tune Born for One Thing, with Mario proving why he’s one of the best metal drummers of the current scene. Put differently, it’s pure Gojira to properly kick things off, followed by the stunning Amazonia, where the band’s trademark metal is infused with local elements from the Brazilian culture for our total delight. Furthermore, it’s impossible not to sing along its lyrics with Joe (“There’s fire in the sky / You’re in the Amazon / The greatest miracle / Is burning to the ground / Godly Amazonia / Bloody Amazonia / Mighty Amazonia / Killing Amazonia”); and Joe and Christian keep kicking ass with their wicked riffage in Another World, another classic tune by the quartet perfect for banging our heads nonstop, not to mention how in sync Jean-Michel and Mario are with their heavy kitchen. Hold On is a more atmospheric and experimental composition by Gojira, bringing forward rhythmic beats, slashing riffs and the always visceral vocals by Joe, whereas in New Found we’re treated to strident, piercing riffs that only those French metallers can provide us all, feeling like it was taken from their 2005 cult album From Mars to Sirius. Needless to say, the Duplantier Brothers are on fire with their crushing vocals and pounding beats.

The title-track Fortitude is one of those classic Gojira interludes, an enfolding acoustic sound to soothe our souls before the beautiful The Chant fills outevery single space in the air, showcasing the band’s trademark, meaningful words (“You were told to swallow crawl and hide / Victims of fear and deception / Get ahold of yourself rise above / The better part of you, immortal”) amidst a lesson in Progressive Rock and Metal; and their sharp guitars come ripping in the neck-breaking Sphinx, where Joel invests into darker vocal lines accompanied by the vicious drums by Mario, not to mention how metallic the bass by Jean-Michel sounds. Let’s keep banging our heads to the fantastic Heavy Metal blasted by Gojira in Into the Storm, where the quartet enhances the epicness in their music considerably, resulting in a massive creation that will please all fans of the band, whereas slowing things down a bit and sounding more melancholic and somber than before it’s time for The Trails, a very introspective song spearheaded by Joe’s cryptic vocals. Lastly, slashing our ears mercilessly the band fires the awesome Grind, where Mario showcases all his dexterity behind his drums accompanied by the electrifying riffage by Joe and Christian, therefore ending the album on a kick-ass, piercing Progressive Metal note. In addition, if you’re lucky enough to find the Japanese edition of the album, you’ll be treated to three bonus songs (Silvera, Backbone and Pray) recorded live at Red Rocks Amphitheatre in the United States on May 11, 2017.

gojira-2021Are you ready to have your mind and soul hypnotized by the unparalleled music brought into being by one of the biggest names of the current metal scene worldwide? If your answer is yes, you can enjoy Fortitude in its entirety on YouTube and on Spotify, or simply click HERE for all locations where you can buy or stream such fantastic album. Also, don’t forget to follow Gojira on Facebook and on Instagram for news, tour dates, initiatives they’re involved with, and so on, also subscribing to their YouTube channel for more of their music and other exclusive footage. As aforementioned, those French metallers wanted to create an album that would help us face our problems, our monsters and inner demons, and it’s impressive how they managed to do so without abandoning their core musical essence, providing us fans of Heavy Metal what’s perhaps the best album of 2021, an year where we lost so much but that at the same time is giving us some hope to keep moving forward.

Best moments of the album: Amazonia, New Found, Sphinx, Into the Storm and Grind.

Worst moments of the album: The Trails.

Released in 2021 Roadrunner Records

Track listing
1. Born for One Thing 4:20
2. Amazonia 5:00
3. Another World 4:24
4. Hold On 5:30
5.New Found 6:36
6. Fortitude 2:07
7. The Chant 5:12
8. Sphinx 4:00
9. Into the Storm 5:02
10. The Trails 4:07
11. Grind 5:34

Japanese Edition bonus tracks
12. Silvera (live at Red Rocks Amphitheatre 2017) 3:57
13. Backbone (live at Red Rocks Amphitheatre 2017) 6:23
14. Pray (live at Red Rocks Amphitheatre 2017) 10:20

Band members
Joe Duplantier – vocals, guitar
Christian Andreu – guitar
Jean-Michel Labadie – bass
Mario Duplantier – drums

Guest musician
Adriana Vanella – vocals on “Amazonia”

Album Review – Mustasch / A Final Warning – Chapter One EP (2021)

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Celebrating 20 years since their first record was released, these Swedish rockers are inviting us all to hit the dance floor to the sound of their new EP.

3.0rating

mustasch-a-final-warning-chapter-one-ep-2021With their straightforward and uncompromising attitude, Gothenburg, Sweden-based Heavy Metal/Hard Rock squad Mustasch is ready to celebrate 20 years since their first record was released now in 2021 with two new EP’s, the first being A Final Warning – Chapter One, followed by A Final Warning – Chapter Two (to be released in October). Comprised of Ralf Gyllenhammar on vocals and guitar, David Johannesson on lead guitar, Stam Johansson on bass and Robban Bäck on drums, Mustasch started way back in 1998 and have quickly become one of the most important Hard Rock bands of the Swedish scene, provoking many and having their music loved by many more, leading the band to win two Swedish Grammys so far in their career.  In A Final Warning – Chapter One, the band sounds more incendiary and melodic than ever, offering fans 20 minutes of pure Mustasch and, therefore, leaving us all eager for the second part of their celebrations later this year.

Without further ado, it’s time to ignite your rockin’ engines to the sound of the sharp riffs by Ralf and David and the rumbling bass by Stam in A Final Warning, blending the heaviness of classic Hard Rock with modern nuances and epic background effects, whereas going back to the golden years of pure Heavy Metal the quartet fires the metallic extravaganza Contagious, where Robban kicks some ass on drums while Ralf declaims the song’s lyrics with tons of energy and aggressiveness. Then investing in a more modern version of Hard Rock and Rock N’ Roll we have Albert Einstein, again showcasing classic, in-your-face guitar riffs while Ralf delivers a mix of System Of a Down and The Cult through his enraged vocals. Stam’s bass brings the groove to the dancing and sexy You Are Killing Me, and you better get ready to bang your heads nonstop together with the quartet as Ralf steals the spotlight on vocals accompanied by Robban’s crushing beats; followed by Searching for Long Range Communication, sounding as if it was taken from a 70’s action movie. In other words, it’s sheer Rock N’ Roll with Stam and Robban jamming like there’s no tomorrow until the melancholic and smooth outro To Be Continued puts an end to the EP.

mustasch-2021You can hit the dance floor by listening to the full EP on Spotify, but of course in order to show your support to the guys from Mustasch you should purchase your copy of the EP from the Sound Pollution webstore, from Napalm Records, from Season of Mist, from Apple Music or from Amazon. In addition, don’t forget to follow those unstoppable Swedish rockers on Facebook and on Instagram, getting to know more about the band and warming up your senses for their upcoming EP. Will Mustach outdo themselves in the next chapter of A Final Warning? Stay tuned for the wild conclusion this October, my friends!

Best moments of the album: Contagious and You Are Killing Me.

Worst moments of the album: None.

Released in 2021 Tritonus Records

Track listing
1. A Final Warning 5:03
2. Contagious 3:01
3. Albert Einstein 3:25
4. You Are Killing Me 3:52
5. Searching for Long Range Communication 3:49
6. To Be Continued 1:28

Band members
Ralf Gyllenhammar – lead vocals, guitar
David Johannesson – lead guitar
Stam Johansson – bass
Robban Bäck – drums

Album Review – Marble / S.A.V.E (2021)

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It’s time to bang your heads to the three theological virtues and the seven deadly sins in the form of first-class Melodic Metal made in Italy.

3.5rating

marble-s.a.v.e-2021Formed in the spring of 2003 in Mortara, a town and comune located in the Province of Pavia, in the region of Lombardy, Italy, Melodic Metal band Marble is finally back in full force after over a decade with their sophomore installment, entitled S.A.V.E, the follow-up to their highly acclaimed 2008 album A.t.G.o.d. Mixed and Mastered by Giulio Capone (Moonlight Haze) and displaying a stunning artwork by renowned Finnish artist Jan “Örkki” Yrlund of Darkgrove Design, S.A.V.E presents an irrepressible mix of heavy guitar riffs, powerful aggressiveness, amazing guitar solos, surprising keyboard harmonies and original technical rhythms by Paul Beretta and Omar Gornati on the guitars, Jacopo Marchesi on keyboards, Daniel Fleba on bass and Norman Ceriotti on drums, blended with frontwoman Eleonora Travaglino’s breathtaking, catchy melodies and epic choruses, while at the same time dealing with human behavior and entwined with the three theological virtues and the seven deadly sins in a gloomy and decadent mood, being therefore recommended for fans of both melodic and extreme music.

The smooth keys by Jacopo set the tone in the opening track Mine, based on the sin of greed, before exploding into violent and melodic Heavy Metal with Paul and Omar kicking ass with their classic riffs, whereas investing in a more Progressive Metal vein thanks to the intricate beats by Norman we have Heartless Disease, where Eleonora declaims the song’s words about the sin of luxury (“Outline of a moral / You will never fall into / You try to blame me for what? Blame your creed / This life is not an heartless disease”), followed by 30 Silver Coins, a song about hope, featuring guest vocals by Maurizio Caverzan (Ghostheart Nebula, Verlaine) who makes an interesting duo with Eleanora, leaning towards Melodic Death Metal at times. And it’s time to talk about vanity in My Mask Collection, where instead of being progressive like they wanted the music sounds a little confused or mixed, fortunately getting better after a while thanks to the good job done by Norman on drums. And inspired by the music by Nightwish, Lacuna Coil and Epica, the quintet fires the headbanging tune What Leads Us To, with Eleonora taking the lead with her captivating vocals singing about the sin of envy, accompanied by the crisp guitars by Paul and Omar.

Then Daniel and Norman smash their thunderous weapons in a song about gluttony entitled To Feed The Worms, inviting us all to dance and raise our horns together with the band in a solid display of Progressive and Melodic Metal, not to mention another awesome vocal performance by Eleonora; and a gripping vibe sets the tone in the ballad A Darker Shade Of Me, dealing with the sin of wrath, where Eleonora declaims the song’s poetic lyrics accompanied by acoustic guitars. Following such introspective tune, the band gets back to a more electrifying sonority firing the epic and imposing Where Is The Light, a song about faith led by the Black Sabbath-inspired beats by Norman and the sharp riffage by Paul and Omar. The rumbling, low-tuned bass by Daniel kick off the also melodic Timelines, revolving around the sin of sloth, evolving into a Gothic Metal ballad by Marble that will please all fans of this more delicate side of metal music, with Eleonora stealing the show with her smooth vocals, whereas putting the pedal to the metal it’s time for a classic Heavy Metal feast about charity by Marble entitled Daymare Town, where Jacopo is on absolute fire with his whimsical keys, living up to the legacy of renowned acts the likes of Nightwish and Epica, before soulful riffs and dark bass lines are offered to us all in the instrumental outro Sins And Virtues Ending, closing the album in a somber and melancholic manner.

marble-2021If you want to have a better taste of how the seven deadly sins and the three theological virtues taste and feel in S.A.V.E, you can stream the full album on Spotify, but of course in order to show your utmost support to those Italian metallers you should start following them on Facebook and on Instagram, subscribe to their YouTube channel for more of their great music, and above all that, purchase your favorite copy of S.A.V.E by clicking HERE, as well as from Dead Pulse or Apple Music. As we’re all sinners in the end, why not succumb to our deepest sins and desires to the sound of the Melodic Metal played by Marble? I’m sure the band would love to be part of the soundtrack to your most wicked and immoral moments.

Best moments of the album: What Leads Us To, To Feed The Worms and Daymare Town.

Worst moments of the album: My Mask Collection.

Released in 2021 Sliptrick Records

Track listing
1. Mine 4:38
2. Heartless Disease 3:50
3. 30 Silver Coins 4:41
4. My Mask Collection 4:46
5. What Leads Us To 5:49
6. To Feed The Worms 4:36
7. A Darker Shade Of Me 2:38
8. Where Is The Light 4:17
9. Timelines 3:55
10.Daymare Town 4:05
11. Sins And Virtues Ending 1:57

Band members
Eleonora Travaglino – vocals
Paul Beretta – guitar
Omar Gornati – guitar
Jacopo Marchesi – keyboards
Daniel Fleba – bass
Norman Ceriotti – drums

Guest musician
Maurizio Caverzan – additional vocals on “30 Silver Coins”

Album Review – Motorjesus / Hellbreaker (2021)

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Let’s drive through the fires of hell together with one of the best bands from the German rock and metal scene to the sound of their fantastic newborn album.

4.5rating

motorjesus-hellbreaker-2021Ladies and gentlemen, it’s time to rev up your engines once again to the sound of the first-class, undisputed fusion of Heavy Metal and Hard Rock brought forth by Mönchengladbach, Germany-based rockers Motorjesus, who have just unleashed upon us all their brand new studio album, beautifully titled Hellbreaker. Following up on the success of their 2014 album Electric Revelation and their most recent opus Race to Resurrection, released in 2018, the band comprised of Chris “Howling” Birx on vocals, Andreas “Andy” Peters on lead guitars and Oliver Beck on drums, supported by their buddies Patrick Wassenberg on rhythm guitars and  Dominik Kwasny on bass, truly stepped up their game in Hellbreaker, offering fans of heavy music the perfect soundtrack for crossing the fires of the underworld in the best rockin’ style together with the band.

A cinematic start is quickly joined by the scorching riffs by Andreas and Patrick in the electrifying feast Drive Through Fire, before Chris comes ripping with his trademark, soaring vocals, inviting us all to hit the road in the name of Rock N’ Roll, and if you think that was awesome wait until you listen to the Motörhead-infused hymn Battlezone, with Oliver smashing his drums in great fashion accompanied by the rumbling bass by Dominik. Put differently, this song will sound beyond perfect if played live, and Motorjesus keep driving way over the speed limit in the superb Hellbreaker, where Chris beautifully sings the song’s rockin’ lyrics (“This is the meltdown / Generation of the steel / When the worlds collide, together / Between the angels and the hell machine”) while his bandmates not only kick some ass with their sonic weapons but also with their spot-on backing vocals. Then it’s time for a Southern Rock and Metal party together with the boys in Beyond the Grave, a neck-breaking tune showcasing the dirty, furious riffage by Andreas and Patrick supported by Dominik and his classic bass jabs, whereas putting the pedal to the metal once again the saviors of Rock N’ Roll will put us to dance in Dead Rising, where all band members are in absolute sync while Chris takes the lead with his visceral vocal lines.

You better have some inner fuel left as the band’s rockin’ energy keeps flowing nonstop in Car Wars, another amazing tune by those German rockers where the riffs and solos by the band’s guitar duo are absolutely thrilling, also presenting hints of our good old Rockabilly; and the thunderous bass by Dominik kicks off the Heavy Metal mid-tempo extravaganza Firebreather, as melodic and groovy as it can be, being therefore perfect for some headbanging, beer drinking and horns raising, not to mention its stylish lyrics (“Got no place to call my own / Another journey starts now / As we’re marching on / On the path that leads, / but it’s too soon / You’re on the crossroads to your doom”). More of their trademark Hard Rock is presented to us in the form of Lawgiver, keeping the album at a high level of adrenaline with Andreas and Patrick once again stealing the spotlight with their refined axes, while Black Hole Overload is a heavier and denser creation by Motorjesus where the band’s stringed trio has all the support they need from Oliver’s pounding drums to shine with their Stoner Metal sounds. They still have enough stamina for another round of their frantic Rock N’ Roll in Back to the Bullet, once again inspired by the furious music by Motörhead, with Chris sounding truly enraged form start to fish for our total delight, flowing into the acoustic and smooth outro The Outrun, soothing our souls after such avalanche of incendiary heavy music.

motorjesus-2021I guess I don’t need to say that Hellbreaker, which is by the way available in full on Spotify, is a mandatory addition to your rock and metal collection, right? It’s undoubtedly one of the best albums of the year, and it will surely inspire you to bang your head and sing along with the band every time you hit the highway. Hence, don’t forget to give the guys from Motorjesus a shout on Facebook and on Instagram, to stream more of their gasoline-infused creations on Spotify, and above all that, to buy or stream your favorite version of Hellbreaker by clicking HERE or HERE. The one and only “Motorjesus”, perhaps the coolest guy you’ll ever find out there, is ready to break through the fires of hell armed with his undisputed Rock N’ Roll. Having said that, what are you waiting for to join him in his awesome adventure? Simply hit play, raise your horns, and enjoy the ride.

Best moments of the album: Battlezone, Hellbreaker, Dead Rising, Car Wars and Back to the Bullet.

Worst moments of the album: None.

Released in 2021 AFM Records

Track listing  
1. Drive Through Fire 5:52
2. Battlezone 3:36
3. Hellbreaker 4:07
4. Beyond the Grave 3:40
5. Dead Rising 3:47
6. Car Wars 3:35
7. Firebreather 4:28
8. Lawgiver 5:05
9. Black Hole Overload 4:35
10. Back to the Bullet 3:51
11. The Outrun 1:55

Band members
Chris “Howling” Birx – vocals
Andreas “Andy” Peters – lead guitars
Oliver Beck – drums

Guest musicians
Patrick Wassenberg – rhythm guitars (live/session)
Dominik Kwasny – bass (live/session)

Interview – Alex Mancini (Unknown Refuge)

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Do you know what it is to grow up in the digital age of expression? Let’s have a chat with Alex Mancini, the talented vocalist and bassist for UK rockers Unknown Refuge, where he talks about that, the band’s debut album From The Darkness, and a lot more.

alex-mancini-unknown-refuge

Alex Mancini (Unknown Refuge)

The Headbanging Moose: Thank you for your time in chatting with us today! Could you please introduce yourselves to our readers and talk a little about the idea behind Unknown Refuge?

Alex Mancini: Hi I’m Alex, I’m the lead singer from Unknown refuge, we originally formed in 2016. The idea Unknown Refuge really came from us needing a band name for our first gig, we looked around where we were rehearsing and I saw a sign that said refuge point which made me wonder where mine was and that’s where the idea Unknown Refuge came from.

THM: You guys have just released your debut album From The Darkness. How difficult was it for the band to record it, and what inspired each band member to write the songs from the album?

AM:   It wasn’t too difficult for the band to record it, it was just difficult in terms of organizing a time where we were all available to pit aside a few weeks. The songs primarily stem from things I come across in my own life and I reflect these themes through use of ideas such as mythology, wars and some of my own personal experiences.

THM: I had a very good time enjoying each and every track from the album, but of course everyone has a favorite song and in my case it’s I’m Not A Bad Guy. I just love the pace, the punch and the lyrics from this specific song. What about you guys? Which song or songs from the album are your favorite ones and why?

Alex: My favourite is Journey because it depicts a lot of my life and I really enjoy playing it.

Morgan Deveney (drums): I’d say Battle Hymn  is my favorite I just love the energy behind the riff and the drums.

Jack Tracey (lead guitar): I really like playing Palace Walls, I quite like the breakdown and think it gives it a really good feel.

Harry Skinner (rhythm guitar): I’d say my favorite is To The Light,  I just really enjoy that opening riff.

THM: Who are your main idols in music and in life in general, and how much do they influence the band’s style and lyrical content?

AM:   I’d say we take a lot of influence from old metal bands such as Metallica, Iron Maiden, Slash and we try and incorporate that with new ideas to form what we believe is a new style of Hard Rock/Metal.

unknown-refuge-from-the-darkness-2021_150x150

Album Review – Unknown Refuge / From The Darkness (2021)

THM: You might be tired already of answering questions about the effect of COVID-19 to the music scene worldwide, with of course a huge negative impact on the shows and events industry. How has this pandemic been to you guys? As you’re a fairly new band, do you think you’re suffering more or less than established bands out there?

AM: We’ve definitely been suffering less than bands that completely rely on that income. Fortunately we have jobs on the side as this isn’t our full time career; however it has presented its own struggles with trying to produce new music and get people interested whilst no gigs are available.

THM: When Unknown Refuge was formed back in 2016, you were still teenagers in your 15’s. How have you guys managed the balance between Unknown Refuge and your studies since the band’s inception? Apart from touring, of course, what else in your student’s life is let’s say hampering your work with the band?

AM: Music is something that we all love deeply and I believe that no matter what we’re doing outside of that we’ll always try and make the time to progress our musical careers as much as we can.

THM: All band members are really young and were pretty much born already in the digital era. However, I would like to know your opinion on illegal downloads, on streaming services such as Spotify versus buying the physical copy of an album, and so on. And taking all that into account, how do you envision the future of the music industry in the coming years?

AM: That’s a tough one, I personally love physical copies of music, I do not agree with illegal streaming or downloading and I think places such as Spotify and streaming services like that are slowly killing the music industry. I know that that’s how people consume content nowadays, I can’t see that changing, but for me personally I think physical copies will always hold a place in my heart as that’s what I was around whilst growing up with rocker parents.

THM: Let’s have some fun now and talk about what could be considered a “dream tour” for Unknown Refuge. If you could choose 2 or 3 bands to tour with for one year, who would those be and why?

AM: I’d say Alter Bridge, Volbeat and Iron Maiden would be absolutely amazing. We are all huge fans of these and to play with bands that we admire so much would be a dream come true.

unknown-refuge

Unknown Refuge

THM: What’s next for Unknown Refuge? Now that you have already released your first album, which is the most important milestone for any band, what else do you have planned for the band in the short and long term?

AM: As soon as we are able we are going to get out and gig as much as possible, beyond that hopefully we will have new material written and be looking at recording a second album soon.

THM: Once again, thanks a lot for your time and for letting us know a little more about Unknown Refuge! Keep on rockin’, and please feel free to send any final messages you want to our readers.

AM: Thank you for having us, I’d just like to say thank you to everyone who has supported us so far, and if you haven’t then please checkout our website and Facebook for updates as to what we have coming up!

Links
Unknown Refuge Official Website | Facebook | Instagram | YouTube | Spotify | BandCamp | Big Cartel

Metal Chick of the Month – Mary Zimmer

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maryz01

It’s my time to soar… I am here to stay!

Born and raised in Madison, the capital city of Wisconsin, but currently residing in “Sin City” Las Vegas, Nevada, the multi-talented Mary Zimmer, our metal chick of the month of April, is ready to set the world of heavy music on fire with her unique vocal range, stunning looks and ass-kicking onstage performance, proving why she was chosen in 2019 to become the frontwoman for Sacramento, California-based Power Metal unity Helion Prime. Not only an accomplished vocalist who can do both clean vocals and harsh screams, known for her work with bands the likes of Luna Mortis and White Empress (not to mention her years as a touring member of Helion Prime from 2018 to 2019), Mary has also been a vocal coach and instructor for more than a decade, a session musician for some amazing underground bands, and a YouTuber who discusses about singing, screaming and music theory, as well as reviews and reaction videos. Put differently, Mary Zimmer is just awesome, and I bet you’ll have a very good time knowing a little more about such skillful musician here on The Headbanging Moose.

A classically trained singer who has a Bachelor of Music from the University of Wisconsin-Whitewater, Mary has also studied additional techniques to shout and sing with The Zen of Screaming creator, Melissa Cross, allowing her to showcase all her vocal skills in bands from different styles as aforementioned, as well as her studies in audio engineering. “I got my degree in classical music fairly young at the age of 22. Even after my music degree, I did an absolute ton of research on the anatomy of the voice and tried to absorb all of the information that’s available out there,” commented Mary on her passion for technical singing. Long before joining Helion Prime, Mary was the vocalist for a band named A Touch of Evil between 2001 and 2002; for an American Folk/Gothic Metal/Ambient group named Earthen; for American Progressive Metal act Luna Mortis (and its previous incarnation The Ottoman Empire); for a band called Santa Marta from 2016 to 2019; and for American Extreme Symphonic Metal outfit White Empress from 2013 until 2016.

Perhaps the two most interesting projects she was involved in her pre-Helion Prime days are Luna Mortis and White Empress, with whom she recorded some excellent material and official videos. Let’s begin talking about Luna Mortis, formed in 2002 in her hometown under the name The Ottoman Empire, and as the vocalist for The Ottoman Empire she recorded the album Way of the Blade, in 2006, and the EP The Answer: Does Not Exist, in 2008. Then after the change in the band’s name to Luna Mortis still in 2008, Mary recorded with the band the 2009 album The Absence, presenting a much stronger sound and polished production compared to the band’s two previous releases. You can enjoy online the official videos for the songs Forevermore and Anemic World, and if you think Luna Mortis will be back in action one day, well, after their reunion back in 2013, which was not as great as the band itself expected as they had several internal issues (shortening the reunion considerably), and as mentioned by Mary herself, it was a failed experiment and she can pretty much guarantee they won’t try to reunite again. After Luna Mortis, Mary said she’s a completely different person on many levels, having changed mentally, emotionally, physically, visually and vocally, as you’ll be able to notice in White Empress.

It was in 2013 under the moniker “White Empress” (and later as Mary Z) that our unstoppable diva helped to found the Minneapolis, Minnesota-based Extreme Symphonic Metal unity White Empress, having recorded a self-titled EP in 2014 and the full-length opus Rise of the Empress that same year (containing the four songs from the EP plus other original tracks). When asked about the concept of White Empress, Mary said that the band was band based around the character of the White Empress herself, an empowering and a feminine power in her own right, representing the individual inner strength and power we all have within, with the original concept being created by the band’s founder Paul Allender (better known for his superb work with Cradle of Filth for over two decades). If you want to have a quick and incendiary taste of their music, you can enjoy the official video for the awesome song Darkness Encroaching.

Mary can also be seen lending her powerful voice to different bands and projects as a guest vocalist, on top of her years as a live member of Helion Prime as mentioned before. For instance, she recorded the harsh vocals for the song Goodbye to Farewells, from the 2021 album Psychosomatic by Austin, Texas-based Progressive/Power Metal band Immortal Guardian; and vocals as “President Fox” on the 2019 self-titled album by Brooklyn, New York-based Symphonic/Progressive Metal project Valcata. Not only that, Mary was also involved in the recordings of the 2018 eight-track demo The Remains of Judgment, by Madison, Wisconsin-based Death Metal act Burial of an Era, showing another side of our multi-talented musician (and we’ll talk more about her technical skills shortly). When asked about how she became a session musician, Mary said that the fact she already had the skills necessary to record her own vocals, plus her business professionalism, made it easier for people to trust and hire her, complementing by saying that it’s important to choose if you want to be an in-person guest musician or if you want to learn how to record yourself at home and work worldwide, which of course demands some investments that can be a bit expensive for beginners.

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Regarding her career with Helion Prime, after joining the band as their full-time frontwoman Mary recorded the album Question Everything in 2020 with the band, currently comprised of our electrifying diva on vocals together with guitarists Jason Ashcraft and Chad Anderson, bassist Jeremy Steinhouse and drummer Alex Bosson. When asked what attracted her to Helion Prime in first place, she said she learned to love the guys from the band during her two years as their touring singer, enjoying singing their material, and finally deciding to join forces with them after it became logistically difficult for their previous singer Sozos Michael to be involved as needed. As Question Everything contains several songs that work as tributes to influential names in the history of science, Mary was asked which one of those people was her favorite one to sing about. “I think my favorite is Katherine Johnson. She’s the subject of the song Madame Mercury. Her story really speaks to the successes people can have against daunting odds, and she’s certainly an inspiration to folks all over the world,” said Mary, providing some inspirational words to us fans.

As already mentioned, Mary is a famous YouTuber who runs her own channel called VoiceHacks, providing singing and screaming tutorials for beginner to advanced vocalists, teaching private lessons, and training people in a variety of techniques. “I kind of became a YouTuber by accident. I’m a vocal coach and vocalist first and foremost who kind of ‘fell’ into YouTube as a result of using it as a hosting place for my tutorials and other resources for the people I teach,” commented Mary in one of her interviews, also saying that “I’ve been doing all lessons online since 2013 because physical in-person lessons are out of date and relatively impractical. Most people prefer not having to leave home for their lessons.” If you explore her YouTube channel, you’ll find several videos with important tips on how to preserve your voice while doing harsh vocals, how to reach the right key, how to fix “easy-to-correct” mistakes a lot of singers and producers make in the studio, and so on. For example, did you know that getting vocalists to aim upwards into the microphone while recording is not a good idea? “It’s way easier for a singer to sing a high note while looking DOWN! This being the case, I want all engineers to stop putting the microphone above the singer, and instead to place it straight in-front, or slightly below their mouth at a 45-degree angle,” said our talented vocal coach.

As usual, such important woman to the world of heavy music was asked several times about her view of women in metal, and her answer to that question focuses on the respect she gets as a musician instead of hearing things like “you’re a chick in a band, you’re a novelty”, also saying you don’t have to be a super model to be a great vocalist, although she truly enjoys all types of singers in the end. “I think there are a lot of particularly glamorous metal singers, I think… Simone Simons (Epica), Tarja Turunen (ex-Nightwish), there is a lot of glamorous metal singers but then you also have your ones that just came in their t-shirt and jeans like Anneke (van Giersbergen) from The Gathering you know?” She also mentioned in one of her interviews when asked about the fact the recording industry is a heavily male-dominated business that it still astonishes her that all these years later she’s still one of the only women who knows anything about recording, albeit she doesn’t see it as a masculine or physically challenging task.

There were also three other interesting topics where Mary was asked to provide her insights on, those being the evolution in the music industry, what a manager can offer a band that’s proactive aside from contacts, and all environmental issues the world is facing. Mary said that what has changed most is the evolution from physical product to monetized music listening streaming and that has been a very positive change for all musicians everywhere, and she personally vastly prefers living in the digital era of music now. “It’s an utterly fantastic time to be a musician. There are so many resources at our fingertips. The only limit is our attitude, willingness to educate ourselves about the new music industry landscape and tools, and writing good music. That hasn’t changed, even with all the abundant opportunities for musicians, the songs still have to be good.” Regarding the need for a band manager or not, Mary said that there are good managers out there that have a good business sense, that are rooted in the genre that the band is playing and they have contacts and connections they can work on the band’s behalf to deal with publicists, tour planners, other things and just sort of be the mouth for the musician, and of course, that can be the a neutral face when dealing with people, avoiding exposing the band to negative feedback and opinions (in a good way, of course). And lastly, in regards to the way mankind is treating the environment, she said that she has three degrees in varying areas of Renewable Energy and from that education she has learned that sustainability is necessary for human survival. “The earth is a finite sphere with a finite amount of resources – a finite amount of matter and energy.  If we seek to live on a habitable planet, we must find totally 100% sustainable ways to live.  Unsustainable practices shouldn’t even exist.  I am a huge renewable energy advocate, as it is the most logical, safe, sustainable, abundant means of powering humanity,” suggesting we all watch the video or read the book Cradle to Cradle and learn about sustainability and how it changes the world and the environment.

If you want to have fun together with Mary, you can find several excellent interviews online with her as for example this one for Musican’s HQ podcast, episode 23; the one she did together with Helion Prime’s own guitarist Jason Ashcraft for Rustyn Rose from Metalnation where they discussed their new album Question Everything, Ronnie James Dio, special guests and the impact of Covid-19 on the music industry, among other topics; and this one for Audible.com where she discusses about her YouTube channel VoiceHacks. Having said all that, what are you waiting for to let Mary Zimmer and her powerful voice penetrate deep inside your soul in the name of Heavy Metal? I’m sure Mary will love to hear from you and to get your feedback on her undisputed work as the great vocalist she is.

Mary Zimmer’s Official Facebook page
Mary Zimmer’s Official Instagram
Mary Zimmer’s Official YouTube channel
Mary Zimmer’s Official Twitter
Mary Zimmer’s LinkTree
Helion Prime’s Official Facebook page
Helion Prime’s Official Instagram
Helion Prime’s Official YouTube channel

“I don’t think that metal is an intentionally sexist genre, I think metalheads are pretty broad thinking people and I think that most of them will give you a shot. If you can play you can play if you can sing you can sing. And it doesn’t really matter to a lot of them if you’re a woman or a man.” – Mary Zimmer

Album Review – Blaze Bayley / War Within Me (2021)

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The man who will live for a thousand years returns with the 11th studio album in his undisputed career, inspiring us all to fight the war within us and to take our future in our own hands.

In celebration of our 1000th review here at The Headbanging Moose, there’s nothing more appropriate than reviewing the brand new opus by the man who will live for a thousand years, the indomitable Heavy Metal fighter Blaze Bayley. Moving forward from the success of his Infinite Entanglement trilogy released in three consecutive years (Infinite Entanglement in 2016, Endure And Survive in 2017, and The Redemption of William Black  in 2018), Blaze and his loyal Absolva henchmen Chris Appleton on the guitars, Karl Schramm on bass and Martin McNee on drums are unleashing upon humanity the awesome War Within Me, the 11th studio album in his extensive solo career which started with his legendary Silicon Messiah album in the year 2000. Mastered by Ade Emsley at Table of Tone Mastering Ltd., and featuring another striking artwork by Spanish artist Alberto Quirantes of Akirant Illustration, War Within Me is not a concept album but does include a positive thread throughout. In Blaze’s own words, “This is an album that I want to put on and feel very positive about. Whatever song you choose there’s some good feeling about it. As fans of metal music we tend to be damaged, strange and different in some way and this album is (as I say in my live intro to the song ‘Futureal’) about taking your future in your own hand. It’s one of the things that really connects with people at my live shows.”

The slashing riffage by Chris ignites the high-octane, pure Heavy Metal anthem War Within Me, with Blaze powerfully declaiming the song’s meaningful and inspirational words as usual, resulting in a sensational option for singing it along with Blaze & Co. while hitting the highway. Following such powerful tune, we have the also breathtaking 303, inspired by the No. 303 Squadron RAF, one of two Polish squadrons to fight during the Battle of Britain along with squadron 302, of 16 total Polish squadrons in the Royal Air Force during the Second World War. Musically speaking, it’s another metallic feast where Karl and Martin kick some serious ass with their rumbling kitchen, not to mention the trademark guitar lines by Chris. And more of Blaze’s incendiary and energetic metal music comes in the form of Warrior, where Chris and Karl make a dynamic duo with their stringed weapons in a straightforward Heavy Metal extravaganza with some welcome Power Metal elements; followed by Pull Yourself Up, a rhythmic and stunning metal hymn from the bottom of Blaze’s heart to all metalheads out there, inviting everyone to walk and sing with him, accompanied by the sharp riffs by Chris and the marching beats by Martin. Then the entire band is on fire in another classic display of old school NWOBHM entitled Witches Night, where it’s impossible not to raise our fists together with Blaze during the song’s chorus, also showcasing a slashing performance by Chris on the guitars.

18 flights, 15 shows, 6 countries, 1 earthquake. That’s the story Blaze masterfully tells us in 18 Flights, narrating his adventures in January 2019 when there was an earthquake while the band was on stage at a very special gig organized by fans in Coquimbo, Chile called Blaze Fest. What a fun and thrilling way to tell that story through his undisputed Heavy Metal, I might say, whereas in The Dream of Alan Turing the unstoppable Blaze pays homage to the famous English scientist highly influential in the development of theoretical computer science and, of course, the music couldn’t have sounded more exciting, with Chris piercing our ears with his sick solos. Then it’s time to pay another tribute, this time to Serbian-American inventor Nikola Tesla, best known for his contributions to the design of the modern alternating current electricity supply system, with The Power of Nikola Tesla, a kick-ass tune where Blaze and his bandmates generate an electrifying ambience that matches perfectly with the song’s theme. And how about one more tribute to a great personality the likes of English theoretical physicist, cosmologist and author Stephen Hawking? That’s what Blaze has to offer in The Unstoppable Stephen Hawking, investing in a more epic, galloping rhythm, with the pounding drums by Martin dictating the pace while Blaze delivers his trademark vocals in great fashion. And last but not least, a final message of hope and positivity from the band is provided to us all in the closing tune Every Storm Ends, starting in a melancholic, acoustic way before evolving into a dark and metallic feast that flows smoothly until its delicate finale.

There’s no excuse not to follow the man who would not die Blaze Bayley and his talented bandmates on Facebook and on Instagram, and of course to stream all of his vast catalogue on Spotify (like I enjoy doing a lot on my free time). However, War Within Me is such a great album of classic Heavy Metal that it truly deserves to be part of the collection of anyone who considers him or herself a true headbanging bastard, and you can add it to your personal pile of ass-kicking albums by purchasing it from Blaze’s own webstore, as well as from an array of locations including Napalm Records, Season of Mist, HHV, Record Shop X, EMP, Apple Music and Amazon. Having said that, what are you waiting for to fight the never-ending war within you alongside Mr. Blaze Bayley? The time is now to fight for what’s yours and to take your future in your own hands, as Blaze himself likes to say, always to the sound of our beloved Heavy Metal.

Best moments of the album: War Within Me, 303, Pull Yourself Up and 18 Flights.

Worst moments of the album: None.

Released in 2021 Blaze Bayley Recordings

Track listing
1. War Within Me 4:12
2. 303 3:19
3. Warrior 3:45
4. Pull Yourself Up 4:45
5. Witches Night 4:57
6. 18 Flights 3:45
7. The Dream of Alan Turing 2:47
8. The Power of Nikola Tesla 3:11
9. The Unstoppable Stephen Hawking 6:00
10. Every Storm Ends 5:08

Band members
Blaze Bayley – vocals
Chris Appleton – guitars, backing vocals
Karl Schramm – bass, backing vocals
Martin McNee – drums

Album Review – Unknown Refuge / From The Darkness (2021)

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Get ready to rock to the debut album by four young musicians hailing from the UK, offering us all ten electrifying songs dealing with the struggles of growing up in the digital age of expression.

Formed early in 2016 by Alex Mancini, then aged 15 as lead singer, and four friends from the Music and Performing Arts Service in Salford, a large English town directly west of Manchester city center, Bolton-based Hard Rock outfit Unknown Refuge offers an accomplished, mature sound and performance that will set your fillings on edge despite the young ages of its members, those being the aforementioned Alex Mancini on vocals and bass, Jack Tracey and Harry Skinner on the guitars, and Morgan Deveney on drums. Now in 2021 it’s time for such promising act to unleash upon us their debut album, entitled From The Darkness, a 10-track electrifying opus showcasing forward-thinking from those young rockers and demonstrating laser-sharp musicianship accompanied by thoughtful songwriting, telling the evolution of a songwriter’s life growing up as a teenager, the personal interests during those years as well as capturing some of the struggles faced while growing up in the digital age of expression.

The cinematic, obscure intro From The Darkness sets the stage for the quartet to kick some ass in To The Light, where Jack already fires a sick guitar solo as his welcome card, accompanied by the classic vocals by Alex and the rhythmic beats by Morgan, blending the most incendiary elements form Hard Rock, Rock N’ Roll and old school Heavy Metal. Then with Alex’s menacing bass and Morgan’s heavy beats generating a thunderous ambience, the band fires the old school feast titled Kicked To The Floor, highly recommended for fans of the modern rock and metal music crafted by Alter Bridge; and it’s time for the boys to put the pedal to the metal and blast a Motörhead-fueled rockin’ tune titled Battle Hymn, showcasing slashing riffs by Jack and Harry while Alex leads his crew with his straightforward vocals and thunderous bass punches. And Shadows is another great composition by Unknown Refuge, bringing elements from the music by Volbeat and Godsmack to their core Hard Rock, with Morgan pounding his drums mercilessly nonstop.

Presenting hints of 80’s Heavy and Progressive Metal, which only proves how versatile the band is, Palace Walls is slightly darker than its predecessors, with Jack and Harry showcasing another awesome job on the guitars, not to mention how smoothly Alex’s vocals flow from start to finish, whereas razor-edged riffs ignite the also fun and vibrant Wall Of Lies, once again blending the past and present of rock music and with its thrilling pace being led by the rhythmic drumming by Morgan. Following such entertaining song, we face another round of their kick-ass modern-day Hard Rock in If The Gods Be Good, with Alex being supported by the band’s classic backing vocals, therefore being perfect for hitting the road or raising your horns on the dance floor. And speeding things up a bit, the quartet fires the Godsmack-inspired extravaganza I’m Not A Bad Guy, offering a hybrid of Alternative Rock and Metal with old school thrash the likes of Metallica, also with Jack and Harry being on absolute fire from start to finish. And last but not least, old school, epic riffs kick off the closing tune titled Journey, with its headbanging rhythm and dense atmosphere being exactly what Alex needs to declaim the song’s pensive words, putting a climatic ending to such powerful album of Rock N’ Roll.

It’s quite easy to join the boys from Unknown Refuge in their quest for Rock N’ Roll. All you need to do is follow them on Facebook and on Instagram, subscribe to their YouTube channel, stream their music on Spotify, and above all that, grab your copy of From The Darkness from their own BandCamp page or Big Cartel (where by the way you’ll find an amazing bundle containing a CD, a charcoal grey Unknown Refuge shirt and four beer mats), or from Apple Music. Growing up as a teenager anywhere in the world nowadays is a true pain in the ass, but there’s nothing better than our good old Rock N’ Roll to guide us through such difficult times, just like what Unknown Refuge did in their debut album. That being said, how about hitting the dance floor to the high-octane music found in From The Darkness? It doesn’t matter if you’re a teenager or a grown-up, that will definitely make your day a lot better.

Best moments of the album: To The Light, Battle Hymn and I’m Not A Bad Guy.

Worst moments of the album: None.

Released in 2021 Independent

Track listing
1. From The Darkness 1:09
2. To The Light 5:09
3. Kicked To The Floor 4:56
4. Battle Hymn 5:04
5. Shadows 3:32
6. Palace Walls 4:46
7. Wall Of Lies 3:23
8. If The Gods Be Good 3:14
9. I’m Not A Bad Guy 3:10
10. Journey 5:16

Band members
Alex Mancini – vocals, bass
Jack Tracey – lead guitar
Harry Skinner – rhythm guitar
Morgan Deveney – drums

Album Review – Maverick / Ethereality (2021)

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The unstoppable “Balfour Brothers” are back in action with another explosion of old school, electrifying Hard Rock and Heavy Metal from their ethereal new album.

After three years in the making, including delays in the recording process due to the COVID-19 pandemic, Ethereality, the brand new album by Belfast, Northern Ireland-based Hard Rock group Maverick is ready to see the light of day, bringing to our avid ears all of the trademark elements that helped the “Balfour Brothers” David (vocals) and Ryan (guitars) to conquer the hearts of admirers of old school rock and metal music from all over the world. Combining the catchy, hookline oriented songwriting from their 2016 album Big Red with the heaviness of their 2018 opus Cold Star Dancer, and featuring a beautiful artwork by Ukrainian artist Cardaan, Maverick is indeed an ethereal album of Rock N’ Roll, Hard Rock and Heavy Metal, resulting in the strongest effort to date by David and Ryan together with their bandmates Ric Cardwell on the guitars, Richie Diver on bass, and newcomer Jason-Steve Mageney on drums.

Falling already kicks off in full force to the piercing vocals by David in a stunning display of classic Hard Rock by Maverick, reminding me of the golden years of Skid Row, Def Lepard and all of our 80’s Hair Metal heroes; and Ryan and Ric keep slashing their strings in great fashion in Thirst, another very melodic and electrifying tune with Jason kicking some ass with his old school beats, being perfect for any Rock N’ Roll party from all around the world. Never is a thrilling song for hitting the road with your loved ones, showcasing the always soaring voice by David supported by his bandmates spot-on backing vocals, while Richie and Jason are in total sync with their respective bass jabs and stylish beats, whereas in Switchblade Sister we’re treated to old school Glam Metal lyrics (“I know / I’m never number one when you need someone to hold you / But I’ll do just fine / Can’t help / But laugh when I hear your excuses / Can only think of me as a list of uses”) boosted by a vibrant sound crafted by all band members. And piercing guitars ignite the Melodic Rock tune Bells Of Stygian, keeping the album at a high level of adrenaline while Jason continues to pound his drums nonstop.

It’s time for more of their 80’s-fueled hybrid of Rock N’ Roll and Heavy Metal in the form of Angels 6, where the entire band kicks some ass with their sharp instruments, with David and Ryan stealing the spotlight with their top-of-the-line vocals and crisp riffs and solos, respectively, whereas classic guitars permeate the air in The Last One, a well-crafted semi-ballad that can be played on any radio station worldwide, despite not being as exciting or detailed as the rest of the album. Then in Dying Star the band gets back to a more rockin’ sound, overflowing electricity with the band’s stringed trio providing David all he needs to shine on vocals once again, including a sick guitar solo, while in Light Behind Your Eyes, another ode to traditional Hard Rock and Heavy Metal by Maverick, Jason’s intricate and rhythmic beats dictate the song’s pace while Richie brings thunder to the music armed with his metallic bass. And lastly, the quintet blasts one final round of their undisputed Hard Rock in Ares, with David’s vocals sounding truly inspirational while the band’s riffs and beats keep the atmosphere as vibrant and harmonious as it can be.

When the band itself mentioned Ethereality is their strongest effort to date, well, they were not kidding at all. This is one of those precious gems of the underground that deserves our full attention and admiration, playing it on an endless loop in the name of our good old Rock N’ Roll. Hence, if you want to know more about Maverick, their music, tour dates and plans for the future, I highly recommend you start following them on Facebook and on Instagram, subscribe to their Youtube channel, stream more of their awesome music on Spotify, and of course buy a copy of Ethereality from their own BandCamp page or Big Cartel, or from the Metalapolis Records’ webstore in regular CD format or as a very special black vinyl + CD bundle. The album title says it all as the word “ethereal” means “extremely delicate and light in a way that seems too perfect for this world”, with my only adjustment to that would be on the “delicate and light” side, because what Maverick did in their new album is beyond heavy and electrifying, exactly what we all crave in old school rock and metal music.

Best moments of the album: Falling, Switchblade Sister and Angels 6.

Worst moments of the album: The Last One.

Released in 2021 Metalapolis Records

Track listing
1. Falling 4:07
2. Thirst 3:49
3. Never 3:55
4. Switchblade Sister 3:53
5. Bells Of Stygian 3:57
6. Angels 6 3:44
7. The Last One 3:55
8. Dying Star 3:48
9. Light Behind Your Eyes 4:00
10. Ares 4:28

Band members
David Balfour – vocals
Ryan Balfour – guitar
Ric Cardwell – guitar
Richie Diver – bass
Jason-Steve Mageney – drums