Metal Chick of the Month – Tina Gunnarsson

Open your doors to the gates of hell, Tina!

It’s time to start melting the snow that covers a good part of the Northern Hemisphere with endless fire and heat emanating from our metal lady of this month of February, and I’m sure after listening to her incredible voice your heart will be forever warm even during the harshest of the winters. The frontwoman for Swedish Progressive and Symphonic Heavy Metal band Hexed, she’s the owner a powerful voice that will pierce your mind mercilessly, while her undeniable charisma will mesmerize you whenever she hits the stage. Her name is Tina Gunnarsson, and after reading more about such Swedish diva here on The Headbanging Moose I’m sure you’ll become a diehard fan of her music, getting beyond excited to raise your horns together with her whenever Hexed take your city by storm with their amazing live concerts.

Born on January 6, 1974 in Uppsala, a city near Stockholm, in Sweden, Tina started to sing and perform as a child along with her father, who according to Tina herself was an excellent songwriter. She remembers going up on stage and perform two of his songs when she was about six years old, saying that she already knew from that moment that music was going to be her life. By the way, she’s the sister of Teddy Möller, vocalist and multi-instrumentalist for several Swedish underground bands the likes of Loch Vostok, Gauntlet Rule and One Hour Hell, among others, and she’s married to vocalist and guitarist Stellan Gunnarsson, who founded Hexed together with her almost ten years ago, proving that Tina definitely lives and breathes music. In addition, she mentioned that despite being married to Stellan for many years, they only started writing music together after the creation of Hexed, saying that before that they used to focus on their other bands and projects.

Speaking about Hexed, the Swedish Symphonic and Progressive Metal brigade fronted by Tina has been making a lot of noise among metalheads all over the world since their inception back in 2015, with Tina, Stellan and bassist Daniel Håkansson being the three original members who are still part of Hexed, plus guitarist David Nyman and drummer Patrick Wahlberg. Curiously enough, the other original member of the band was Tina’s brother Teddy, who played on all their releases, except for their latest album released in 2022. So far, Hexed released their debut single titled Dreams, in 2016, followed by the three-track EP Exhaling Life, in 2017, and the full-length albums Netherworld, in 2018, and Pagans Rising (which was by the way inspired by Sweden’s witch-hunting hysteria in the late 17th century), in 2022, all available on their own BandCamp page, on YouTube and/or on Spotify (as well as on other streaming platforms).

When asked about how she would describe her music to someone who’d never listened to Hexed before, Tina said that she used to label it as “heavy and melodic with some dark vibes”, and if you visit their official YouTube channel you’ll be able to experience that by listening (and watching) to fantastic songs such as Blasphemy, Pagans Rising, Symphony of Tragedy, Exhaling Life, Stigma Diaboli, Resurrection, Repentance, Oceans, and Obedience. Moreover, when asked to choose a couple of songs with a very special meaning for her, Tina mentioned the title-track of their 2018 album Netherworld, as it really helped her to create a vision and to build something more creative out of all the feelings she had during that time, and Moorfield, from their 2022 album Pagans Rising, because of the feelings she got when she read about the trials and execution while writing about the destiny of the three women that the lyrics are about.

A seasoned veteran in the realm of rock and metal music, Tina was also part of some other very interesting bands prior to forming Hexed back in 2015. For instance, she’s also the vocalist for a Swedish Melodic Heavy Metal band named Detained, formed in 2010 and that released a five-track self-titled EP back in 2011, but that hasn’t done anything (nor even any type of communication) after 2012. I think we can say this project is now defunct, right? Anyway, apart from Detained, she was also the vocalist for an unknown period of time for a Swedish Progressive Metal band named Mellow Poetry (which after a few years changed their name to Mayadome) together with her brother Teddy Möller, but apparently nothing was officially released with her on vocals under that specific name. That’s also the case with a band named Nebraska, which was most probably also from Sweden, but basically nothing can be found online about the band nor about Tina’s involvement with them. On the other hand, back to the now very distant year of 1987, Tina was the lead singer for an Uppsala-based Heavy Metal band named Tradore, also with her brother Teddy, with whom she released a demo that same year titled Beyond the Shadows, still under her birthname of Tina Möller. The band later changed their name to Rue Morgue, but Tina was no longer a member of the band after that.

As a guest vocalist, you can enjoy Tina’s soaring vocals in some amazing bands and projects that surely helped her shape her current vocal style and technique. One of the most interesting of those bands is undoubtedly Uppsala-based Extreme Progressive Metal band Loch Vostok, another band led by her brother Teddy, singing in the song Rebound, from their 2006 album Destruction Time Again!, and doing the female vocals in their entire 2009 album Reveal No Secrets. Apart from Loch Vostok, she also lent her amazing voice to the song (I’ll Never Be) Maria Magdalena, from the 2022 album Trial by Fire, by Norwegian Power Metal duo Mantric Momentum; did all female vocals in the 1996 album Paranormal Activity, and was a guest vocalist in the song Able to Feel, from the 1999 album Near Life Experience, both released by her brother’s old Progressive Rock/Metal band Mayadome (as already mentioned, originally known as Mellow Poetry); did guest vocals in the song Queen of the Sea, from the album In Hoc Signo Vinces, released in 2007 by Swedish Heavy Metal band Wasteland; and also did backing vocals in the 2006 album The Shadow Cabinet, by Danish Progressive/Power/Folk Metal band Wuthering Heights.

As any rock and metal musician, Tina has an array of sensational idols who had a strong influence on how her voice sounds today. Among her music heroes, you’ll find renowned acts the likes of Queensrÿche, Fates Warning, Kamelot and Pagans Mind, also mentioning the 80’s as an amazing source of music, saying she used to listen to ABBA and Supertramp a lot at home, and Queen as her first ever live concert. In one of her interviews, she said that she would love to do a collaboration with Queensrÿche or King Diamond, saying she loves the music by Queensrÿche and of course the voice by Todd La Torre, and that the music by King Diamond and Mercyful Fate has always been with her since the 80’s, nurturing a deep passion for its vibe, stories, theatrical shows, and so on. In addition, she mentioned that if she could go back in time and be part of the recording sessions for any album in history, she would gladly have been a part of Dream Theater’s Images and Words, one of the best records in history in her opinion. “When I listened to When Dream and Day Unite I began to really listen to them with their special sound, later on James LaBrie came in on lead vocals and this album Images and Words really inspired me as a musician.” She also said that she prefers leaving people alone if they’re having a private moment or if they’re outside of a concert or event, but of course she likes to be close to her idols and other talented musicians if that’s not going to disturb their peace. “I really enjoyed being at the same place as anyone must have been to see Sharon den Adel from Within Temptation, having dinner at the table next to us in our special VIP area at Sweden Rock Festival, where our both bands were performing,” Commented Tina.

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Not only passionate about rock and heavy music, Tina also has a great love for nature, saying that she can easily notice a lack of energy of some kind, and where it’s missing based on the four elements. “I often visit the woods when I need to contemplate and understand ongoing things. I often dig the soil when my thoughts become dark and heavy and it helps me to stay grounded,” also saying that “we should use the capacity that our brain has to pick up energies, vibes and to trust our intuition more. That’s where the magic is. My favorite place is viewing a big lake with mountains surrounding it, that’s where I find peace of mind and can feel the real synchronicity with everything. I love the smell of each seasons beginning and how lucky I am to have four seasons in Sweden.” By the away, Tina is not just grateful for having all seasons in her homeland, but she’s also grateful for her family and friends, and to be able to create music, sing, dance and having good times while she’s still alive, and of course for everyone who listens to her music and who attends her live concerts.

According to Tina, the best part of being a musician is to have the ability and possibility to be creative in many ways, from the lyric writing, planning, scheduling, to bringing out all the visions for how she wants her music to be seen and heard, also saying that it would be a dream for her to be independent, but still earning enough money to live a decent life. “Music is the everyday life for us! With that said, we always work hard with all the stuff that has to be done as an active band. We all are employed as well and most of our spare time goes to music related things. No rest for the wicked.” And regarding the life of a musician on the road and travelling in general, apart from playing in major festivals like Wacken Open Air, she would also love to visit the lands where the native people in North America live, something she’s been dreaming about since she was a child. “Nowadays I understand more about all the native populations even in our own country and love Lapland as well. Maybe it is the genes in my blood talking and the lifestyle in harmony with nature.” Furthermore, although she’s not a religious person, she considers herself a spiritual person who believes in synchronicity, the wheel of life and the human mind. “The power of energies are not to be underestimated, things can really move and change with the right persons energies together. The forces we deal with in everyday life is the 4 elements as Earth, Fire, Water & Wind. All these elements create energy. It´s just that simple.”

A while ago, award winning film producer Bruce Moore released a documentary about women in metal, titled “Crushing Stereotypes One Riff At A Time”, where Bruce was able to catch up with a number of musicians, including our diva Tina, to find out what attracted them to the hard and heavy music world and if they had a story of how they took the plunge, what challenges they faced, and how things have changed, or if they have at all. Unfortunately, it looks like the movie is not available for streaming online anymore, but I would keep searching for it if I were you because all reviews of the movie are awesome and say it is a must-watch production for any type of metalhead.

When not in the studio or not on tour, Tina said that she likes to spend her time in her garden, in a forest, or going fishing. “This makes me unwind and it gets me some new energy. I’m also enjoying tarot and that kind of stuff,” she complemented, also saying that when she’s together with the other members of Hexed, she loves to cook and prepare dinner for her bandmates, while the others are responsible for the drinks, the music and the jokes. On a more serious note, Tina fears mankind hasn’t fully learned with all mistakes done during the Middle Ages, a time when religion (in that case Christianity) was responsible for the persecution and murder of people who thought differently and believed differently. “With all the power religion has over humanity I am afraid it will repeat itself if we don’t speak of it or fight against it. The children must learn from our own history and I really dislike when new generations are indoctrinated in a certain religion, let them choose when they are mature enough to have own thoughts and opinions.” Having said all that, it’s time to join Tina in her quest for heavy music, for freedom of speech, for freedom of religion, and so on, blasting her music to all four corners of the earth, until all pagans rise together with our multi-talented metal lady.

Tina Gunnarsson’s Official Facebook page
Hexed’s Official Facebook page
Hexed’s Official Instagram
Hexed’s Official YouTube channel
Hexed’s Official X

The Year In Review – Top 10 Hard Rock/Heavy Metal Albums of 2023

“Whatever your age may be, when you go to a heavy metal gig, you’re a teenager again.” – Rob Halford

I believe that quote from the Metal God himself perfectly represents the year of 2023 for most of us metalheads, including of course myself and my buddy Keith Ibbitson of Metal Paparazzi as we’ve been to countless metal gigs this year (and you can see detailed reviews with amazing professional photos for each one of them HERE), keeping our inner fires burning during such difficult times for the entire world. A never-ending economic crisis that’s dragging tons and tons of people to poverty everywhere, the Russo-Ukrainian War that persists for almost two years now, the extremely sad and inhumane Gaza–Israel conflict, all environmental disasters that in the end are all mankind’s fault, and so on. On the heavy music side, we witnessed the final concert ever by KISS, the end of great bands like The Agonist and Betraying the Martyrs, and the deaths of Sebastian Marino (former guitarist of Overkill and Anvil), Michael “Majk Moti” Kupper (former guitarist of Running Wild), Jon Kennedy (former bassist of Cradle of Filth and former vocalist of Hecate Enthroned), Hiroshi “Heath” Morie (bassist of X Japan), Charlie Dominici (former vocalist of Dream Theater), and several other talented musicians.

Despite all those losses, it was a very good year for heavy music, as bands kept fighting for rock and metal no matter what, putting on fantastic albums and memorable tours for us fans, with some already voicing their dissatisfaction against Live Nation and Ticketmaster for their sky-rocketing ticket prices, shady fees, and an obscure ticket reselling “mafia” running in the background that inflates those prices even more. In 2024 we’ll surely (and hopefully) see more of this insurgence against their ticket monopoly, and while we wait for that let’s enjoy The Headbanging Moose’s Top 10 Hard Rock/Heavy Metal Albums of 2023, excluding EP’s, best of’s and live albums, offering our avid ears the perfect soundtrack to every single moment in our lives, even if that moment is the apocalypse.

1. UADA – Crepuscule Natura (REVIEW)
One of the rising stars of the current Melodic Black Metal scene returns with their majestic fourth album, unleashing upon us five sonic vessels.
Best song of the album: Retraversing the Void

2. Cattle Decapitation – Terrasite (REVIEW)
Fear the devourer of earth in the form of the brand new and absolutely majestic album by California’s own Deathgrind masters.
Best song of the album: We Eat Our Young

3. Overkill – Scorched (REVIEW)
One of the pillars of old school Thrash Metal will scorch the earth to the sound of their breathtaking new album.
Best song of the album: The Surgeon

4. Hellripper – Warlocks Grim & Withered Hags (REVIEW)
Behold this infernal storm of Blackened Thrash Metal by a one-man army deeply rooted in his Scottish origins.
Best song of the album: Goat Vomit Nightmare

5. Viscera – Carcinogenesis (REVIEW)
UK’s own Technical Death Metal/Deathcore monster returns with their striking sophomore album.
Best song of the album: Sungazer

6. Cannibal Corpse – Chaos Horrific (REVIEW)
The mighty Corpse is back with another pulverizing album of old school, undisputed Death Metal, blasting gore, blood and violence.
Best song of the album: Chaos Horrific

7. Primal Fear – Code Red (REVIEW)
German Power Metal masters are back with their thirteenth opus, a hard-hitting metal lesson and living proof of the healing power of music.
Best song of the album: Play a Song

8. Werewolves – My Enemies Look and Sound like Me (REVIEW)
The most savage Blackened Death Metal band from Australia returns to the battlefield in full force with an even more demented offering.
Best song of the album: I Hate Therefore I Am

9. Vomitory – All Heads Are Gonna Roll (REVIEW)
All heads are gonna roll to the sound of the infuriated new album by one of the most important bands in the history of Death Metal.
Best song of the album: Raped, Strangled, Sodomized, Dead

10. Marduk – Memento Mori (REVIEW)
One of the pillars of Swedish Black Metal is back with a devilish new album, reminding us that we all must die.
Best song of the album: Blood of the Funeral

And here we have the runner-ups, completing the top 20 for the year:

11. Angelus Apatrida – Aftermath (REVIEW)
12. Immortal – War Against All (REVIEW)
13. Blackbraid – Blackbraid II (REVIEW)
14. 4ARM – Pathway to Oblivion (REVIEW)
15. When Plagues Collide – An Unbiblical Paradigm (REVIEW)
16. Hrothgar – Rise of Ragnarök (REVIEW)
17. Mystic Prophecy – Hellriot  (REVIEW)
18. Tsjuder – Helvegr (REVIEW)
19. Hyperia – The Serpent’s Cycle (REVIEW)
20. Sarcoptes – Prayers to Oblivion (REVIEW)

In addition to all that, let’s bang our heads with our Top 10 EP’s of 2023 to prove once and for all that not all great albums of the year have to be so long. The EP’s from this list are simply awesome, showcasing the band’s talent and their ability to sound epic even if the music lasts for only a few minutes.

1. Imperial Demonic – Beneath the Crimson Eclipse (REVIEW)
2. Spectral Lore – 11 Days (REVIEW)
3. Admire the Grim – Rogue Five (REVIEW)
4. Saint Vermin – Together as None (REVIEW)
5. Lost Brethren – Dimensional Rift (REVIEW)
6. Cryptosis – The Silent Call (REVIEW)
7. Nemesism – Nemesism (REVIEW)
8. Decompose To Ashes – In The Eternal Silence (REVIEW)
9. Dysease – Era of Decay (REVIEW)
10. Throat Locust – Dragged Through Glass (REVIEW)

Do you agree with our list? What are your top 10 albums of 2023? Also, don’t forget to tune in every Tuesday at 10pm BRT on Rádio Coringão to enjoy the best of classic and underground metal with Jorge Diaz and his Timão Metal, and every Thursday at 8pm UTC+2 on Midnight Madness Metal e-Radio for the best of underground metal with The Headbanging Moose Show! And if you lost some of our latest special editions of The Headbanging Moose Show, including our Top 20 Underground Albums of 2023 – Parts I and II, go to our Mixcloud page and there you have hours and hours of the best of the independent scene, sounds good?

Metal Xmas and a Headbanging New Year! See you in 2024!

And before I go, I need to talk once again about Savage Lands, a nonprofit featuring members of Megadeth, Sepultura, Obituary and other legends of metal to support forests in Costa Rica, who released an amazing single titled The Last Howl back in November. The Last Howl is a howling tribute to the howler monkey, which are endangered in Costa Rica. The song features Savage Lands co-founders Sylvain Demercastel and Dirk Verbeuren (Megadeth), as well as support from John Tardy (Obituary), Andreas Kisser (Sepultura), Poun (Black Bomb A) and Etienne Treton (Black Bomb A). 100% of the song royalties will help fund nature sanctuaries, establish green zones and other land preservation projects in Costa Rica. Having said that, why don’t you go and make a nice donation to the cause, and learn more about Savage Lands on their official website? I’m sure Sylvain and Dirk, plus everyone else involved in this magnificent project, will love to receive that Christmas gift from you!

Concert Review – Kamelot (The Opera House, Toronto, ON, 08/22/2023)

A memorable night of Symphonic and Power Metal in the city of Toronto where the women from all bands stole the show with their undeniable talent, energy, beauty and charisma.

OPENING ACTS: Xandria and Battle Beast

I’m sorry, all guys from the three bands that kicked some as last night at The Opera House in Toronto during the Awaken the World Tour 2023 with the bands XANDRIA, BATTLE BEAST and KAMELOT, but the girls absolutely stole the show. On a very pleasant summer night in the city, Ambre Vourvahis of Xandria, Noora Louhimo of Battle Beast, and Melissa Bonny of Ad Infinitum ( who’s taking care of the female vocals for Kamelot during this North American tour) were flawless on stage, exhaling talent, charisma and passion for heavy music, gaining nothing but respect and admiration from the crowd who turned the venue into a “metal sauna”. It was a very special night for me as it was my first time ever watching all three bands live (plus Melissa!), and they didn’t disappoint this extreme music fan here at all; quite the contrary, I only have good things to say about all bands and musicians responsible for a very special night in Toronto.

Precisely at 7pm, Bielefeld, Germany-based Symphonic Metal outfit XANDRIA kicked off the night’s metal ceremony with a short but extremely powerful and vibrant performance spearheaded by the Greek goddess Ambre Vourvahis, who was clearly very excited for playing in Toronto for the first time in her career, and visibly emotional for the warm and wild reception received from her Torontonian fans to the point she didn’t even know anymore if yesterday was Tuesday (something that made everyone laugh together with her, of course). Ambre was amazing not only during their setlist formed mainly of songs from their excellent new album The Wonders Still Awaiting, those being You Will Never Be Our God, Reborn and Ghosts (my favorite of their setlist, by the way), plus the fan-favorites Nightfall and Valentine, inspiring everyone at The Opera House to raise their horns, screams and dance together with her. It was a little weird seeing Xandria on stage without a bass player, as apparently Tim Schwarz had some issues to get his visa to Canada in time for the show (and I’ll never understand why our government gives a hard time to hardworking musicians to grant them their visas, while at the same time they easily allow a bunch of garbage into the country), but the four members who were there put on their hearts and souls into their performance, and I bet we’ll see Xandria in Canadian lands soon based on the total sync and endless energy flowing between the band and the crowd.

Setlist
You Will Never Be Our God
Reborn
Nightfall
Ghosts
Valentine

Band members
Ambre Vourvahis – vocals
Marco Heubaum – guitars
Rob Klawonn – guitars
Dimitrio Gatsios – drums

Right after a quick break, Finland’s own Heavy/Power Metal torchbearers BATTLE BEAST started their lecture in what can be labeled as “Dance Metal” for the delight of all fans at the venue, making everyone extremely happy (and I was beyond happy for finally seeing them live after an over 10-year wait) due to the level of electricity and power crafted by the band on stage. Still promoting their 2022 album Circus of Doom, those Finnish rockers put on a breathtaking show, with songs like Straight to the Heart, Wings of Light and Eden making everyone at the venue dance even if they didn’t want to. And what can I say about the incendiary performance by Noora Louhimo on vocals? That woman is a beast live, showcasing not only a flawless, jaw-dropping vocal performance, but her onstage presence, moves and charisma are way beyond awesome, and at least for me there’s no other woman in metal, rock or pop music capable of uniting all those qualities at the same time like her. Well, of course Noora’s striking performance is only that good because of the support she gets form her bandmates, in special bassist Eero Sipilä and drummer Pyry Vikki, and the result was a mesmerizing show that made every single person inside (and maybe some outside the venue) to keep their fists and horns high in the air nonstop. Thank you, Battle Beast! And please get back to Toronto soon for another “metal party of our lives”, like Noora herself said.

Setlist
Circus of Doom
Straight to the Heart
Eye of the Storm
Where Angels Fear to Fly
Wings of Light
Eden
Master of Illusion
King for a Day

Band members
Noora Louhimo – vocals
Joona Björkroth – guitars, backing vocals
Juuso Soinio – rhythm guitars
Eero Sipilä – bass, backing vocals
Janne Björkroth – keyboards, orchestrations, backing vocals
Pyry Vikki – drums

KAMELOT

There was a minor delay in the start of the atmospheric and cinematic show by Tampa, Florida’s own Progressive/Melodic Power Metal masters KAMELOT, but nothing that would take away the excitement from a jam packed venue. Blending songs from their newest album The Awakening, including Opus of the Night (Ghost Requiem), One More Flag in the Ground and NightSky, with some of their classics such as March of Mephisto and Sacrimony (Angel of Afterlife), the band created back in 1987 by guitarist Thomas Youngblood was on fire throughout their entire set, inviting the crowd on a metal journey full of epic guitar solos, whimsical keys, and the classy vocals by Swedish frontman Tommy Karevik (who’s by the way married to Canada’s own Kobra Paige, the awesome frontwoman for Kobra and the Lotus), driving their loyal fans to ecstasy with each and every song played. There was even time for an excerpt of Queen’s classic “We Will Rock You” during one of the songs, led by Tommy, a tribute to Canada’s institution Rush during Alex Landenburg’s drum solo when he played part of the all-time hit “Tom Sawyer”, and a touching tribute by Tommy to everyone we lost due to the pandemic in the past few years.

As aforementioned, just like what happened in the past with several amazing vocalists the likes of Simone Simons, Charlotte Wessels, Elize Ryd, Alissa White-Gluz, Floor Jansen and Noora Louhimo, the female vocals on this tour were masterfully done by Melissa Bonny, known for her work with Ad Infinitum, The Dark Side of the Moon, Evenmore and Rage of Light, and let me tell you that the band couldn’t have chosen a better vocalist for the task as Melissa is simply fantastic with both her clean vocals and harsh growls. As a matter of fact, it was clear how much the crowd at The Opera House loved Melissa when she delivered her enraged roars in her stylish attire, turning the temperature up considerably during the show. I’m a huge fan of female growlers, and of course I was stunned every time she was a she-demon incarnate on stage. If you know nothing or have never heart of Melissa before, I highly recommend you go after all of her work because she’s by far one of the most talented singers of the new generation.

After the last few notes from Liar Liar (Wasteland Monarchy), the crowd kept screaming as loud as possible to thank Kamelot for their awesome performance, while the band couldn’t hide the huge smile on their faces for another truly successful concert. They promised they’ll return to Toronto sooner than later, and let’s be honest, as Tommy is married to Kobra Paige, why not having a Kamelot plus Kobra and the Lotus tour in Toronto and other Canadian cities in the near future? I’m sure all fans would love to see Tommy and Kobra singing together on stage, right? And speaking about females vocalists touring with Kamelot, after the concert was over my friend Keith Ibbitson of Lower Eastside Photography (responsible for all the amazing photos of this review) and I had the utmost pleasure of meeting Melissa in person (thanks to my friend Pedro, of A&P Reacts), and I must says she’s a really down-to-earth, humble and sympathetic person, apart of course form being a sensational vocalist and performer. Needless to say, she needs to return to Canada as soon as possible, but next time with Ad Infinitum to show the Canadian metallers everything she’s capable of. To be honest, all bands need to return to the city for a lot more concerts, and I’m sure that will happen really soon because Toronto needs more Melissa Bonny, more Xandria, more Battle Beast, and more Kamelot without a shadow of a doubt.

Setlist
Overture
Veil of Elysium
Rule the World
Opus of the Night (Ghost Requiem)
Insomnia
When the Lights Are Down
Vespertine (My Crimson Bride)
New Babylon
Karma
Sacrimony (Angel of Afterlife)
Song for Jolee
NightSky
Drum Solo
March of Mephisto
Keyboard Solo
Forever

Encore:
Phantom Divine (Shadow Empire)
One More Flag in the Ground
Liar Liar (Wasteland Monarchy)

Band members
Tommy Karevik – vocals
Melissa Bonny – vocals
Thomas Youngblood – guitars
Sean Tibbetts – bass
Oliver Palotai – keyboards, orchestrations
Alex Landenburg – drums

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Album Review – Nuclear Winter / Seagrave (2023)

Zimbabwe-based Gary Stautmeister and his outer-ego Nuclear Winter attack again with their fourth full-length effort, dripping in symphonic atmospheres, powerful distorted guitar riffage and deep melancholic undertones.

Fusing thundering heavy rhythms with haunting choirs and dynamic electronic textures, the breathtaking Seagrave, the fourth full-length offering by Harare, Zimbabwe-based Melodic/Industrial Death Metal one-man army Nuclear Winter, unleashes a powerful wall of sound highly recommended for fans of Fleshgod Apocalypse, Wintersun, Rammstein and Lorna Shore, to name a few. Dripping in symphonic atmospheres, powerful distorted guitar riffage and deep melancholic undertones, while still maintaining the signature Progressive Metal elements by the project’s mastermind, vocalist and multi-instrumentalist Gary Stautmeister, Seagrave is the perfect follow-up to Nuclear Winter’s 2020 EP Stormscapes and the 2021 full-length opus Greystone, taking the listener on a voyage through darkening and cinematic realms.

Gary wastes no time and distills his fusion of the music by Fear Factory, Soilwork and Rammstein in the opening tune The Glimmering Landscape, where his harsh roars walk hand in hand with all background epic elements and his infernal riffs. Then we have Starward Longing, heavy but at the same time very melodic and orchestral, with Gary once again doing a great job with his galloping bass and drums, therefore generating a grandiose atmosphere for admirers of the genre; and there’s no time to breathe as Gary’s hybrid of Industrial, Symphonic and Death Metal comes crushing our souls once again in Fates Mysteries, showcasing his trademark roars and clean vocals, followed by Thy Shadows Fall, even more phantasmagorical, groovy and sinister than its predecessors with Gary adding nuances of Black Metal to the music through his devilish gnarls, sounding solid and electrifying from start to finish. After that we face The Grave is Wide, a lot more industrial and mechanized than its predecessors, feeling like some of the latest creations by Fear Factory but with more demonic vocals.

The Dusk and the Song is perfect for banging your head nonstop while enjoying the sinister ambience crafted by Gary through his whimsical vocals, classic riffs and pounding, industrialized beats, spiced up by all background elements; whereas blending the most electrifying elements of Industrial, Groove and Death Metal, Gary once again barks and roars in great fashion until the very last second in Pale Memories, a great song to be added to your workout playlist. Gary’s second to last breath of industrial and orchestral sounds is offered to us all in Black Waters, with his hammering drums and low-tuned bass bringing tons of groove to the overall result, before such electrifying metal party reaches its epic finale with his cover version for German pop group Bad Boys Blue’s hit House of Silence, from their 1991 album House of Silence (check the original version HERE), the perfect depiction of “Pop Metal” by Gary and his Nuclear Winter, adding his own metallic twist to the original song.

“Get ready for my latest Nuclear Winter album – Seagrave. With a deliberate focus on heavier sounds and a simpler approach to songwriting, Seagrave isn’t just about pure aggression. This album also showcases a bigger incorporation of choir elements that help add an epic dimension to the sound. The result I feel is a step forward from my previous work,” commented Gary about his newborn spawn, and you can show him your support and admiration by following Nuclear Winter on Facebook, by subscribing to the project’s YouTube channel, by streaming his multi-layered creations on Spotify, and of course by purchasing a copy of Seagrave from the MDD Records’ BandCamp page. The music by Nuclear Winter is always in constant evolution thanks to the creative mind of Gary, with Seagrave representing another step forward in his career and, therefore, fueling our multi-talented Zimbabwean musician for a lot more of Nuclear Winter in the coming years.

Best moments of the album: The Glimmering, Thy Shadows Fall and Pale Memories.

Worst moments of the album: The Grave is Wide.

Released in 2023 MDD Records

Track listing
1. The Glimmering Landscape 4:26
2. Starward Longing 4:23
3. Fates Mysteries 4:00
4. Thy Shadows Fall 4:11
5. The Grave is Wide 4:19
6. The Dusk and the Song 4:25
7. Pale Memories 4:29
8. Black Waters 4:10
9. House of Silence (Bad Boys Blue cover) 4:19

Band members
Gary Stautmeister – vocals, all instruments

Album Review – Sovereign Council / World On Fire EP (2023)

This Canadian Symphonic Metal band is back in action with an exciting new EP, written and composed from a place of love and vulnerability.

From headlining performances as well as supporting slots for some of the biggest bands in the metal since their inception in 2012, Ottawa, Canada-based Symphonic Progressive Metal band Sovereign Council is finally back with a brand new EP titled World On Fire, the follow-up to their 2015 full-length album Laniakea. Produced by the band’s own guitarist Joe Moon, mixed and mastered at Silver Wings Studios, and displaying a classy artwork by Martin Trottier, World On Fire was written and composed “from a place of love and vulnerability” according to the band itself, showcasing all the talent by Lisa Thompson on vocals, Joe Moon and Chris Thompson on the guitars, Shaun Vanhooser on bass and Brandon Schneider on drums, being therefore recommended for fans of Delain, Within Temptation and Lacuna Coil, just to name a few.

Gentle and ethereal keys ignite the title-track World On Fire before Lisa begins declaiming the song’s poetic lyrics (“There’s a part in everyone that is broken / All it takes is one moment / To set you back, and relive the pain / Forever chasing the smoke from the remains of what you thought you were / Now all has fallen”) in a great display of modern-day Symphonic Metal; whereas Joe and Chris extract electricity and epicness from their axes in The Wait supported by the classic bass lines by Shaun, all of course embraced by Lisa’s delicate vocals. Then we have Aberration, highly inspired by the current Symphonic Metal scene but also presenting elements from Groove Metal added to their sonority, with Brandon dictating the pace with his pounding drums accompanied by the rumbling bass by Shaun. Supported by the backing vocals by Joe, Lisa once again distills her serene vocal lines in Breathe You In, with their guitars sounding extremely melodious while at the same time bringing heaviness to their music in a solid depiction of Modern Melodic Metal; and lastly, the band delivers a more visceral, in-your-face sound in Of The Ashes, with Lisa’s vocals walking hand in hand with the drums by Brandon, putting a stylish ending to the album while living up to the legacy of bands like Xandria and Within Temptation.

“This is the first release for us since we decided to alter our lineup and adjust our musical trajectory. We feel that the sound we have created here is still at its core very ‘Sovereign Council’ but has matured and developed into something greater. We are extremely proud of this new sound and cannot wait to see how people respond to it. We have another set of songs nearly completed as well; these new songs continue our new direction and add another new edge as well as a heavier feel. You’ll have to stick around for the next release to find out what that edge is,” commented the band about their new EP, and you can show all your support to them by following them on Facebook and on Instagram, by subscribing to their YouTube channel, by streaming their music on Spotify, and of course by purchasing World On Fire from their own BandCamp page, as well as from Apple Music. Furthermore, this is pure Canadian metal music, made entirely by Canadians (under what’s called MAPL), which means if you want to know how the Canadian metal scene is, you should definitely take a listen at the new album by Sovereign Council, a band that proudly carries the flag of heavy music wherever they go and that’s moving towards a very interesting direction with their new release.

Best moments of the album: World On Fire and Of The Ashes.

Worst moments of the album: None.

Released in 2023 Independent

Track listing
1. World On Fire 4:43
2. The Wait 4:24
3. Aberration 4:00
4. Breathe You In 3:34
5. Of The Ashes 4:13

Band members
Lisa Thompson – lead vocals
Joe Moon – lead guitars, backing vocals
Chris Thompson – rhythm guitars
Shaun Vanhooser – bass
Brandon Schneider – drums

Album Review – Xandria / The Wonders Still Awaiting (2023)

It’s time to embark on an exciting journey to experience a world of sound never heard before in the universe of the German masters of Symphonic Metal.

The time has finally come to dive into new adventures. Six years after the release of Theater of Dimensions, Bielefeld, Germany-based Symphonic Metal masters Xandria are finally back in action with a brand new opus, titled The Wonders Still Awaiting, the eighth studio album in their career, and the first to feature the Greek goddess Ambre Vourvahis on vocals, Rob Klawonn on the guitars, Tim Schwarz on bass, and Dimitros Gatsios on drums, alongside the band’s mastermind Marco Heubaum. Mixed and mastered by Jacob Hansen, and displaying a stylish artwork by Zacarias Guterres, The Wonders Still Awaiting presents 13 tracks in total, clocking at over one hour of music, sounding harder, darker and more epic than all of their previous efforts while holding an intimate setting and range of emotions at the same time. Next to a 40-piece classical choir, authentic Celtic instruments represented by renowned musicians as well as delicate violin and cello contributions, the album is topped by the Bulgarian National Radio Children’s Choir, which marks the first collaboration of this kind in the band’s history.

Gentle keys kick off the opening tune Two Worlds, evolving into a Symphonic Metal feast led by the classy riffs by Marco and Rob and, of course, the striking vocals by Ambre. It’s indeed a beautiful way to start their metallic voyage, whereas  Dimitrio pounds his drums accompanied by the rumbling bass by Tim in Reborn, alternating between heavy moments and gentle passages, sounding absolutely solid from start to finish. Then we’re treated to You Will Never Be Our God, featuring the one and only Ralf Scheepers (Primal Fear) as a guest vocalist, making a powerful duo with Ambre supported by her bandmates with their precise riffage, bass lines and beats, followed by the title-track The Wonders Still Awaiting, also showcasing a perfect sync between Ambre and the band’s guitar duo, exhaling epicness and adventure. After that, it’s time for a fast and thrilling Symphonic Metal aria titled Ghosts, with the band’s groovy kitchen formed of Tim and Dimitrio kicking some serious ass, and Your Stories I’ll Remember, a charming ballad with touching lyrics declaimed by Ambre (“I have walked this path with you until you’ve gone on your own / And I hope you’ve heard me still when I have said farewell / You will always be a part of what I have become / And whenever I close my eyes I think back of this time”). Then we have My Curse Is My Redemption, presenting another serene start with stylish background elements, flowing smoothly to the stunning vocals by Ambre.

Illusion Is Their Name is another heavy and thunderous Symphonic Metal beast by Xandria, one of the best songs of the album thanks to its endless electricity, piercing riffs and blast beats, followed by another mesmerizing ballad led by Ambre entitled Paradise, with Marco’s and Rob’s minimalist guitar lines adding an extra touch of darkness to the overall result. Let’s all bang our heads together with Xandria in Mirror of Time, uniting their past, present and future in a fierce and entertaining way, sounding and feeling very detailed and dense until the very last second, and there’s no sign of the band slowing down as they bring forward another full-bodied, intense song titled Scars, with its orchestrations walking hand in hand with Ambre’s passionate vocals. Their second to last aria, titled The Maiden and the Child, embellishes the airwaves with a symphonic and vibrant sonority, with Dimitrio dictating the song’s inspiring pace while their guitars overflow heaviness and potency, before their musical journey ends with Astèria, offering poetic, epic lyrics declaimed by Ambre (“I came from far away to save my soul / To flee this war I have always known / Followed paths away from this / The guns, the suffering / This is not the homeland that we need / Bleeding in vain”) while her bandmates generate a wall of symphonic and orchestral sounds that elevates the album’s impact and reach considerably, or in other words, it’s a fantastic story told by Xandria through their music.

Rich in different styles and genres, the excellent The Wonders Still Awaiting comes close to a movie score, sending its listener on an exciting journey to experience a world of sound never heard before in the universe of Xandria. Hence, you can experience all that by streaming the full album on YouTube and on Spotify, and of course by purchasing your favorite version of the album by clicking HERE or HERE. It’s indeed great to see a band like Xandria getting back on track after such turbulent times in their career, and I’m sure the band would love to hear your thoughts on their new music on Facebook and on Instagram, and don’t forget to also subscribe to their official YouTube channel. Let’s all hope that Xandria have finally reached their desired and, more important than that, stable shape and form, because after seeing what Ambre can do for the band they simply cannot afford to lose her. It would be a total disaster, I might say. Anyway, at least for now Xandria are not only alive and kicking, but their new album will undoubtedly become a reference in the genre, inviting us all to join them in epic adventures only Symphonic Metal can provide us with.

Best moments of the album: You Will Never Be Our God, Ghosts, Illusion Is Their Name and Astèria.

Worst moments of the album: My Curse Is My Redemption.

Released in 2023 Napalm Records

Track listing
1. Two Worlds 7:08
2. Reborn 5:13
3. You Will Never Be Our God 5:11
4. The Wonders Still Awaiting 4:59
5. Ghosts 5:26
6. Your Stories I’ll Remember 6:21
7. My Curse Is My Redemption 5:03
8. Illusion Is Their Name 5:07
9. Paradise 5:02
10. Mirror of Time 6:41
11. Scars 4:07
12. The Maiden and the Child 4:54
13. Astèria 9:08

Band members
Ambre Vourvahis – vocals
Marco Heubaum – guitars, keyboards, programming, backing vocals
Rob Klawonn – guitars
Tim Schwarz – bass
Dimitrio Gatsios – drums

Guest musicians
Ralf Scheepers – vocals on “You Will Never Be Our God”
Ally Storch – violin, cello
Johannes Schiefner – uillean pipes
McAlbi – low whistle
Luki Knoebl – orchestral arrangements
Bulgarian National Radio Children’s Choir – choir

Album Review – Elusion / The Fundamental Paradox (2023)

Let the music from the sophomore album by this Belgian Symphonic Metal trio embrace you, showcasing a continuous evolution of their sound.

Fans of Beyond the Black, Ad Infinitum, Epica and Within Temptation, among several other big names of the European symphonic and melodic scene, will have an amazing time listening to The Fundamental Paradox, the sophomore effort by a Belgian Symphonic Metal band that goes by the stylish name of Elusion. Currently formed of Evy Verbruggen on vocals, Domingo Smets on the guitars and backing vocals, and Frederik Van Mieghem on drums, the trio showcases a continuous evolution of the Elusion sound in their new installment compared to their debut album Singularity, released back in 2019, living up to the legacy of the genre while also carving their name in the underground Belgian scene by offering our avid ears nine solid songs throughout the album’s 42 minutes of music.

In the opening tune …In Love and War we already face a huge dosage of classic Heavy Metal added to their core Symphonic Metal thanks to the incendiary riffs by Domingo, with Evy kicking ass with both her strident clean vocals and her she-demon gnarls, whereas the sound of the rumbling bass will punch you in the head in the also electrifying Chiaroscuro, with Frederik dictating the song’s pace behind his drums, therefore offering Evy the perfect ambience for her soaring vocals. Acrimonious is even groovier and more metallic than the previous songs, with Domingo and Frederik being in absolute sync with their sonic weapons, once again sounding a lot more modern than classic Symphonic Metal mainly due to its Progressive and Groove Metal nuances. And there’s no sign of slowing down as the trio keeps embellishing the airwaves with their sharp music in Adversity, presenting another awesome performance by Evy on vocals supported by the crushing beats by Frederik and all of the song’s background elements.

The first single of the album, entitled Science|Fiction, brings to our avid ears more of the band’s incendiary Symphonic Metal spearheaded by the razor-edged riffage and solos by Domingo; and the tribalistic vocalizations by Evy ignite the next tune, titled From the Woods to the Water, a solid piece by Elusion despite lacking the same energy of the rest of the album. It’s then time to blast a purely European Symphonic Metal tune named In Balance, where Domingo keeps extracting endless electricity from his axe accompanied by the pounding drums by Frederik; whereas enhancing their epicness and emotion, the trio fires the symphonic extravaganza Isochronism, showcasing classic riffs, hammering drums, stunning orchestrations and the always enfolding vocals by Evy. Lastly, after such charming song the band closes the album on a high note with Deafening Silence, bringing forward another round of the metallic guitars by Domingo and the vicious but intricate beats by Frederik.

If you want to know more about Evy, Domingo and Frederik, listen to more of their their music, and stay up to date about their tour dates and plans for the future, you can find those Belgian metallers on Facebook, on Instagram, on YouTube, and on Spotify, and above all that, you can grab your copy of The Fundamental Paradox from the band’s own BandCamp page. After listening to each and every track from The Fundamental Paradox, we must all agree that Elusion are hands down one of the most interesting names of the Belgian Symphonic and Melodic Metal scene, with their newborn opus representing not only a big step in their career, but it’s also another must-listen album made in Belgium, leaving us eager for more of their refined music in a not-so-distant future.

Best moments of the album: Adversity, Science|Fiction and In Balance.

Worst moments of the album: From the Woods to the Water.

Released in 2023 Independent

Track listing
1. …In Love and War 3:43
2. Chiaroscuro 3:49
3. Acrimonious 4:20
4. Adversity 4:24
5. Science|Fiction 4:05
6. From the Woods to the Water 5:48
7. In Balance 6:23
8. Isochronism 4:29
9. Deafening Silence 5:21

Band members
Evy Verbruggen – vocals
Domingo Smets – guitars, backing vocals
Frederik Van Mieghem – drums

The Year In Review – Top 10 Hard Rock/Heavy Metal Albums of 2022

“Life is funny. If you don’t laugh, you’re in trouble.” – Taylor Hawkins

And just like that, after 880 days of nothing, I was finally able to attend a metal concert this year, just like countless other metalheads who patiently waited for the Canadian government to lift all restrictions due to the pandemic to get back to our normal lives. And it was a busy year concert-wise as you can see HERE, with Judas Priest, Lamb of God, Megadeth, Iron Maiden, Cannibal Corpse, Trivium, Amon Amarth, Arch Enemy, Behemoth and several others putting a smile back on our faces and the horns back in our hands, because in the end the beauty of heavy music is when it’s played live, right? On the other hand, we unfortunately saw some important names of the global metal scene disbanding such as Nuclear Assault, Tristania and Every Time I Die, plus of course the brave warriors who left us and are now sitting beside the metal gods in Valhalla. Just to name a few, we all mourned the losses of Fredrik Johansson (former guitarist of Dark Tranquillity), Jon Zazula (co-founder of Megaforce Records), Bruce Greig (former guitarist of Misery Index and Dying Fetus), Taylor Hawkins (drummer of Foo Fighters), Ronnie Deo (former bassist of Incantation), Trevor Strnad (vocalist of The Black Dahlia Murder), Alec John Such (former bassist of Bon Jovi), Bob Heathcote (former bassist of Suicidal Tendencies), Steve Grimmett (vocalist of Grim Reaper), Stuart Anstis (former guitarist of Cradle of Filth), David Andersson (guitarist of Soilwork), and Dan McCafferty (former vocalist of Nazareth).

However, one of the biggest losses in the world of heavy music happened right here in Toronto, Canada, as we lost the biggest metalhead of the entire Torontonian scene, Walter Froebrich.  Our super fan Walter, who was a staple in the local scene for over 20 years (and I remember seeing him in every single concert I’ve attended in the past 10 years or more at least), sadly died alone at home last month following three visits to a local hospital due to severe abdominal pain. This is extremely tragic and cannot happen again, as we all have the right to decent healthcare it doesn’t matter who we are. There will be a memorial show for Walter on January 7, 2023 at The Rockpile (details can be found HERE and tickets HERE) with several local independent bands, and we at The Headbanging Moose also want to honor the life of Walter and his undisputed passion for heavy music by dedicating to him The Headbanging Moose’s Top 10 Hard Rock/Heavy Metal Albums of 2022, excluding EP’s, best of’s and live albums.

1. Kreator – Hate Über Alles (REVIEW)
Let the hate flow through you to the sound of the magnificent new opus by one of the trailblazers of the German Thrash Metal scene.
Best song of the album: Hate Über Alles

2. Lorna Shore – Pain Remains (REVIEW)
The most explosive name of the current Deathcore scene invites us all to dance like flames to the sound of their newborn masterpiece.
Best song of the album: The Pain Remains Trilogy

3. Megadeth – The Sick, the Dying… and the Dead! (REVIEW)
The unstoppable Mr. Dave Mustaine strikes again with the sick, the dying… and the Megadeth!
Best song of the album: Life in Hell

4. Rammstein – Zeit (REVIEW)
Germany’s own Neue Deutsche Härte institution wasted no time during the pandemic and is back in action with their fantastic eight opus.
Best song of the album: Angst

5. Behemoth – Opvs Contra Natvram (REVIEW)
A stunning work against religious oppression by Poland’s most important Extreme Metal institution of all time.
Best song of the album: Malaria Vvlgata

6. Arch Enemy – Deceivers (REVIEW)
One of the most important names in metal is back in action with their most solid and detailed album with Alissa White-Gluz on vocals.
Best song of the album: The Watcher

7. Lamb of God – Omens (REVIEW)
Ignore the omens and listen to the pulverizing new album by one of the best and most dynamic metal bands of the past two decades.
Best song of the album: Ditch

8. Amon Amarth – The Great Heathen Army (REVIEW)
Join the great heathen army spearheaded by one of the most respected bands of the current metal scene.
Best song of the album: Saxons and Vikings

9. Hiss From The Moat – The Way Out Of Hell (REVIEW)
There’s only one way out of hell, and that’s to the sound of the incendiary Blackened Death Metal by this Italian horde.
Best song of the album: Generation Of Cowardice

10. Diabolical Raw – Elegy of Fire Dusk (REVIEW)
Behold this grandiose album of Symphonic Black and Death Metal inspired by ancient Central Asian Turkish mythology.
Best song of the album: Face the Judgement

And here we have the runner-ups, completing the top 20 for the year:

11. Abaddon Incarnate – The Wretched Sermon (REVIEW)
12. Cage Fight – Cage Fight (REVIEW)
13. Dark Funeral – We Are The Apocalypse (REVIEW)
14. Stratovarius – Survive (REVIEW)
15. Konvent – Call Down the Sun (REVIEW)
16. Scorpions – Rock Believer (REVIEW)
17. Disturbed – Divisive (REVIEW)
18. Thundermother – Black and Gold (REVIEW)
19. Blind Guardian – The God Machine (REVIEW)
20. Ferum – Asunder / Erode (REVIEW)

In addition to all that, let’s bang our heads with our Top 10 EP’s of 2022 to prove once and for all that not all great albums of the year have to be so long. The EP’s from this list are simply awesome, showcasing the band’s talent and their ability to sound epic even if the music lasts for only a few minutes.

1. Eskhaton – Horracle (REVIEW)
2. Headfist – This New World…. (REVIEW)
3. Sullen Guest – Phase (REVIEW)
4. Pyrrhic Salvation – Manifestum I (REVIEW)
5. Klendathu – Avarist: The Beginning & The End at Once (REVIEW)
6. Through The Noise – Tragedies (REVIEW)
7. Rotten Casket – First Nail in the Casket (REVIEW)
8. Circa Arcana – Bridget Viginti (REVIEW)
9. All Else Fails – The Incident at Black Lake (REVIEW)
10. Haunted By Silhouettes – No Man Isle (REVIEW)

Do you agree with our list? What are your top 10 albums of 2022? Also, don’t forget to tune in every Tuesday at 10pm BRT on Rádio Coringão to enjoy the best of classic and underground metal with Jorge Diaz and his Timão Metal, and every Thursday at 8pm UTC+2 on Midnight Madness Metal e-Radio for the best of underground metal with The Headbanging Moose Show! And if you lost some or most of our special editions of The Headbanging Moose Show, including our Top 20 Underground Albums of 2022 – Parts I and II, go to our Mixcloud page and there you have hours and hours of the best of the independent scene, sounds good?

Metal Xmas and a Headbanging New Year! See you in 2023!

And before I go, I’ll leave you with what’s in my humble opinion not only the best song of 2022, but it also carries a very inspiring message to us all… ROW! ROW! ROW!

Concert Review – Iron Maiden (Prudential Center, Newark, NJ, 10/21/2022)

Another night of pure Iron Maiden madness hit the nice city of Newark as the band approaches the end of their fantastic 2022 tour.  

INTRO: Liberty and Prosperity… but no FTTB!

What wild, wild two weeks (or maybe I should say the entire month of October) of pure fuckin’ metal! After winning the renowned (and sometimes controversial) First to the Barrier in all three Canadian dates this year, I didn’t get it for the Legacy of the Beast World Tour 2022 concert at the Prudential Center in Newark, New Jersey last Friday, which motto is by the way “Liberty and Prosperity”, but to be fair I think the experience of meeting my fellow IMFC blood brothers and sisters before the gig was even more engaging and fun. The place chosen for our meetup was Bello’s Pub & Grill, located a short walking distance from the venue, and I loved meeting some new friends there while enjoying a beer, talking about Iron Maiden and metal in general, and so on. Furthermore, knowing that some people lined up for the FTTB at 6am and still got number 30 made me even happier for not winning it this time and being able to go to the meetup. And once again I made it to the flags picture! How cool is that?

OPENING ACT: Within Temptation

After our nice IMFC meetup, the crew headed to the Prudential Center for a look at the merch, some beers and some relaxing moments before Iron Maiden hit the stage once again with their fulminating Heavy Metal. The opening act was as expected Dutch Symphonic Metal/Alternative Rock band WITHIN TEMPTATION, who not only made a couple of changes to their setlist compared to their Canadian dates, but the stunning Sharon den Adel finally ditched that “dark princess” attire with a very tight corset for a more rockin’ style, wearing leather pants and jacket, and I think she looked a lot more relaxed and dynamic on stage by wearing that. Their concert was again short and sweet, with the song Raise Your Banner being once again one of the top moments of their performance. I’m not sure how much the Iron Maiden fans from New Jersey enjoyed Within Temptation as their reaction wasn’t as rowdy as in Ottawa, but it was a decent show in the end.

Setlist
The Reckoning
Paradise (What About Us?)
In the Middle of the Night
What Have You Done
Supernova
Don’t Pray for Me
Raise Your Banner
Mother Earth

Band members
Sharon den Adel – vocals
Robert Westerholt – guitars
Ruud Jolie – guitars
Stefan Helleblad – guitars
Jeroen van Veen – bass
Martijn Spierenburg – keyboards
Mike Coolen – drums

IRON MAIDEN

My last concert of the current Legacy of the Beast World Tour 2022 couldn’t have been more special, as I was reunited with one of my best friends to see the almighty IRON MAIDEN for the first time together since 2013, and of course the band didn’t disappoint at all. Everyone at the venue had an amazing moment from the first seconds of the opener Senjutsu with its Samurai Eddie to the closing moments of Aces High, with classics such as Revelations and Hallowed Be Thy Name driving the fans absolutely crazy. Bruce was simply phenomenal on vocals throughout the entire show, as well as of course the rest of the band armed with their sonic weapons, making New Jersey lose its breath on another night of pure awesomeness.

Anything I say about the band’s guitar triumvirate won’t represent exactly how in sync, incendiary and precise they are, but in New Jersey our beloved Adrian kicked some serious ass with his axe, with his intro to The Writing on the Wall being a thing of beauty once again. And Steve and Nicko, holy shit, I thought the roof of the Prudential Center was going to fall due to the insane heaviness flowing from their respective bass and drums. I wish I could attend another concert before their last one in Tampa, Florida this Thursday October 27, but that’s not a problem at all. There’s a new tour coming up in 2023, so who knows? It’s just a matter of planning a decent trip to Europe or wait for the probable announcement of the North American leg soon.

And before I go, I wanted to mention one weird and dangerous incident that happened during the gig according to some members of the IMFC. As I was a little further back I didn’t see anything, but several people mentioned that there was a guy in the floor section carrying a handgun that became visible while he was crowdsurfing. I know it’s the United States and people love guns from the bottom of their hearts there, carrying guns anywhere they go, but having one during a concert with over 15,000 people was very immature and irresponsible of him. Maybe he wasn’t going to shoot anyone, but what if someone caught his gun and decided to do so? And how did he manage to go through security with a handgun while several fans, including myself, had to take even their belts off to be allowed into the venue? Is a belt more dangerous than a gun? Anyway, fortunately nothing bad happened and we all had a great time enjoying Iron Maiden in 2022, and now it’s time to get ready for The Future Past Tour in 2023!

Setlist
Transylvania
Doctor Doctor
Senjutsu
Stratego
The Writing on the Wall
Revelations
Blood Brothers
Sign of the Cross
Flight of Icarus
Fear of the Dark
Hallowed Be Thy Name
The Number of the Beast
Iron Maiden

Encore:
The Trooper
The Clansman
Run to the Hills

Encore 2:
Churchill’s Speech
Aces High
Always Look on the Bright Side of Life

Band members
Bruce Dickinson – lead vocals
Steve Harris – bass
Dave Murray – guitar
Adrian Smith – guitar
Janick Gers – guitar
Nicko McBrain – drums

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Concert Review – Iron Maiden (Canadian Tire Centre, Kanata, ON, 10/15/2022)

One of the wildest crowds ever turned the charming Ottawa into a cauldron of pure Iron Maiden madness on an unforgettable Saturday night.

INTRO: Third time (at the FTTB) is a charm… or maybe not!

There I was yesterday in Ottawa for another night of pure Iron Maiden madness, but let’s say my third and last experience with the First to the Barrier offered by the Iron Maiden Fan Club was a mix of joy and disappointment due to the total lack of organization and the freakin’ cold winds blowing the whole time we were waiting in line for the slowest security on earth to give us our wristbands, check our names and so on. We got in only at around 5:59pm, less than a minute before the doors opened for the fans who had regular floor tickets, and as most of those fans simply rushed to the barrier, several (if not most) of the FTTB winners were only able to get to the third, fourth, fifth row, or even further back. Well, it is what it is, and at least I was able to be in the flag picture at the end of the concert and have a really cool meetup with other IMFC members the night before. If only the IMFC management allowed us members to organize the FTTB like we organize our meetups, things would have been a lot different on Saturday.

OPENING ACT: Within Temptation

The FTTB fiasco wasn’t a huge problem in the end as we got really good spots for the last Canadian date of the Legacy of the Beast World Tour 2022 at the Canadian Tire Centre, which despite being sold as Ottawa it’s in fact located in Kanata, around 25km from Ottawa’s city centre. It’s a nice venue, but in the middle of nowhere, and if you don’t want to pay the high prices for food and beverages inside it I would say the best “restaurant” in the area is a convenience store located at the only gas station nearby. Anyway, at exactly 7:30pm the Dutch metallers from WITHIN TEMPTATION hit the stage with their solid fusion of Symphonic Metal and Alternative Rock, this time replacing the song Faster with a much better one called Entertain You, and they did entertain the crowd a lot, giving everyone a very good taste of the hurricane that was about to happen with Iron Maiden. Sharon was so thrilled with the warm reception the band got from the rowdy Canadian audience she sometimes got lost in her words, which was cute to witness. Great job, Sharon and boys! See you in Newark!

Setlist
The Reckoning
Paradise (What About Us?)
In the Middle of the Night
Stand My Ground
Entertain You
Supernova
Don’t Pray for Me
Raise Your Banner
Mother Earth

Band members
Sharon den Adel – vocals
Robert Westerholt – guitars
Ruud Jolie – guitars
Stefan Helleblad – guitars
Jeroen van Veen – bass
Martijn Spierenburg – keyboards
Mike Coolen – drums

IRON MAIDEN

Just like a Heavy Metal ritual, precisely at 8:50pm the lights went down, the speakers played the beyond classic intro Doctor Doctor, and there they were, the unparalleled, undisputed metal giants IRON MAIDEN for another insane concert for the delight of all fans at a sold out Canadian Tire Centre, and from the very first notes of Senjutsu it was clear that wasn’t going to be a slow and relaxed night. If you think about it, not only it was a Saturday night, the best day for anyone to see a concert, but Ottawa is geographically perfect for fans from Toronto, Montreal, Quebec City, all surrounding towns and cities, other Canadian provinces, and several US cities, not to mention all fans travelling from other parts of the world such as Germany and England, and all fans were on absolute fire from start to finish, firing up the band with each scream, fist raised and mosh pit. And yes, there were several mosh pits. At an Iron Maiden concert. It was that chaotic.

I personally thought Bruce was a bit rushed in the first part of the gig, being disconnected from his bandmates in songs like Stratego and The Writing on the Wall, but nothing that could make the concert less enjoyable, of course. The concert was relatively calm until they played the classic Revelations, and that’s when the first mosh pits started if you could believe that, growing in intensity and reaching some insane levels of speed and violence in songs like Fear of the Dark and Iron Maiden. I was just waiting for a Scooby-Doo plot twist when Bruce would take off his mask and review himself as Tom Araya, saying Slayer was back in action and playing “Angel of Death” right after Aces High was over, but again, it was “just” Iron Maiden on stage, proving even a band that’s not as heavy like Iron Maiden can make our blood boil to the point we must slam into the pit so awesome they are. It was indeed a unique experience, and apart from Rock in Rio III in 2001 (for obvious reasons, as we’re talking about 150,000 people back then), Saturday night’s concert in Ottawa was the band’s most intense one I’ve ever been to.

The man of the night for me was undoubtedly Dave Murray. Although he doesn’t move as much around the stage as Bruce, Steve or Janick, he was absolutely fuckin’ flawless with his riffs and solos throughout the entire concert, as if all the energy emanating from such wild crowd was inspiring him to play better and better. That’s the beauty of seeing an iconic band like Iron Maiden different times during the same tour, as there are always those nuances that make each concert different from the others. Another example is that Bruce spoke a few sentences in French with the crowd. Some people might be wondering why he did that if we were in Ottawa, but as mentioned the city of Montreal and many other cities on the Quebec side are so close to Ottawa I would say maybe half of the venue was comprised of French-speaking fans, and Bruce acknowledging that shows how much they (still) care about their loyal fanbase. So it’s “goodbye” or “au revoir”, Canada! And we’ll meet again in Newark on Friday!

Setlist
Transylvania
Doctor Doctor
Senjutsu
Stratego
The Writing on the Wall
Revelations
Blood Brothers
Sign of the Cross
Flight of Icarus
Fear of the Dark
Hallowed Be Thy Name
The Number of the Beast
Iron Maiden

Encore:
The Trooper
The Clansman
Run to the Hills

Encore 2:
Churchill’s Speech
Aces High
Always Look on the Bright Side of Life

Band members
Bruce Dickinson – lead vocals
Steve Harris – bass
Dave Murray – guitar
Adrian Smith – guitar
Janick Gers – guitar
Nicko McBrain – drums

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